Does this Shiny Bit Catch Attention?

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FelineEyes

Who Walks Through Walls
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I like cats, knives, cuddling, and expolsives. No
Does this shiny little beginning intrigue, or does it need more polish? (I mean for something other than grammar. I know that's wrong...)

Darshiek the Thief jiggled the bit of wire around in the lock and swore quietly when it got stuck. Cursed new safety locks. After a bit of struggling, he managed to yank the wire free. It scratched the shiny exterior of the lock on its way out.
“I hate leaving signs of my work,” Darshiek fumed. “Now I have to get this lock open or the ******* who owns this case this will be so proud his new lock system works so well. I can almost see the smirk on his slimy face!” Darshiek slammed his fist into the case in frustration. It made a loud booming noise and there was a ka-chunk when the lock hit the metal lip. Darshiek heart skipped a beat and he grabbed at the case to silence it. He hadn’t meant to hit it that hard.
The storeroom became very quiet. Darshiek crouched next to the case, listening as hard as he could. He had eluded three guards when he had come in and the family was sleeping just on the other side of the wall, but he couldn’t hear anybody raising any kind of alarm. Maybe they hadn’t heard the noise.
The door to the house creaked ever so slightly. Darshiek let go of the crate and crawled behind another one, hugging the wall near the window he had come in. Moonlight dripped through the latticed sliding panels, illuminating the little girl in the white nightgown that peeped through the crack of the door. “No one’s in here,” she whispered, not taking her eyes from the shadowy storeroom. She placed a dainty foot inside the door as she slowly pushed it open a little wider.
“No, no, sweetie, let me go first,” said a deep male voice behind her. “Just because you don’t see anyone, that doesn’t mean there is no one there. They could be hiding.” There was the sound of a sword sliding from its scabbard and a man ventured into the room.
Darshiek wedged himself further behind the crate. “Don’t find me,” he silently begged, “Please don’t find me.”
“I’ll start looking over here,” the little girl said, the soft pitter-patter of her feet coming closer to Darshiek. He dared not breathe. The edge of a nightgown peeped around the corner of the crate.
“NO! Come back here this instant!” the merchant snapped. The girl ran back to her father. “I’ll look,” he said, “I don’t want you to do anything.”
“But, father, I want to help,” she protested.
“If you want to help, run outside and go get the guards. Just be careful. Whoever was in this room could have prowlers outside.” The merchant knelt and looked at the case that Darshiek had been struggling with. “Someone tried to break into this box.”
“Really?” Darshiek thought sarcastically, “Do you think so?”
“Is that the box that has the grandma’s cure in it?” the little girl asked.
“Yes,” the merchant said, “this box has velvet in it that will make the money to buy grandma’s cure.”
“Is it magic?”
“No, but selling it will give us enough money to buy some magic.”
“Really?”
“Really.” His tone became doting. “And selling that cargo of spices in the harbor will make enough money to buy all of my girls new dresses and we’ll throw a big party when grandma gets better.” The merchant kissed his daughter and she laughed. “Now go get the guards and be careful.”
“Yes, daddy,” the little girl ran out.
The merchant sighed and sat down on the chest. “Come out, thief,” he said. “I know you’re still in the room.”
Darshiek didn’t move.
There was a child-like shriek from the other side of the door. The merchant dashed out of the room to find his daughter.
Darshiek made his way quickly to the chest. He wasn’t worried about the little girl—she probably just saw a rat. He began fiddling with the lock again. This time it opened with a click. He breathed a sigh of relief.
With one eye on the door, Darshiek opened the chest. Inside was a neatly folded swath of white velvet that was, as Darshiek discovered when he unfolded it, surprisingly short. “This must be pretty valuable stuff,” he thought. “Magical cures are expensive and this really isn’t much fabric.” He wrapped it around his throat and chest, stuffing it into his shirt so it wouldn’t get in the way while he was making his escape.
Opening the window slowly and peering around the edge of the frame, Darshiek was surprised to find the yard empty of guards. The surprise immediately turned to suspicion. They could be in hiding in wait. Or they could they could have been summoned by the merchant to help him and his daughter—maybe the little girl was in real trouble.
“Ah well, too bad if that’s the case then,” Darshiek thought. “But how can I knew their location for certain?” He tapped his fingers against the windowsill, the calluses on them making soft pat, pat, pat noises. He wasn’t even thinking of panicking—he’d gotten out of tighter spots than this.
He could just try making a run for it and hope they couldn’t catch him…but that was chancy and the consequences of him getting caught with the stolen goods would most certainly be dire. The local law enforcement had wanted to get their hands on him for years and was quite ready to hang him if given the opportunity.
“Oh, how to do this, how to do this,” Darshiek rolled the thought around in his head for a while. While contemplating he glanced back behind him to check the door.
It turned out to be a very good idea. Darshiek spotted one guard halfway in the door, his sword drawn and his eyes cautiously scanning the room.
Darshiek didn’t wait to lock eyes with the guard; he didn’t even wait to be sure if the guard saw him. He just swung in legs out the window, stood on the decorative railing that edged the house, and scooted along it in the same manner as he would have if taking a stroll in the park. He was at the drainpipe when the guard put his head out the window and yelled, “Stop thief!”
Darshiek shimmied down the drainpipe wondering, “Why do they always yell, “Stop thief!” Do they actually think I’m going to stop and say, “I’m sorry, were you speaking to me?” You think these people would think before they opened their mouths.” He hopped off the drainpipe at the top of the first story, landing in the bushes that ringed the house. He bolted across the open yard and was halfway up the wall when the first arrow struck near Darshiek’s ear, ricocheting off the stone. Knowing there were more to follow, he tried to climb faster.
He made it over the wall and down the other side when the city guard came around the corner, brimming with swords and burning torches. As he sprinted down one street and over a low wall, Darshiek reminded himself that this was the easy part. He’d gotten away from these guards many times—he could do it again.
It took him a moment to decide which escape route he wanted to use and he soon took a sharp left.
There were a bevy of guards waiting for him.
He made a dash for a side alley, reworking his escape routes in his mind. If he kept going this way, he would soon reach the river. Considering his present treasure, slogging through the slimy river was not the path he wanted to take. He veered left again ducking under an elevated walkway and making a sharp turn right as soon a he was on the other side, hoping to throw them off a little. It didn’t work. The guards were almost in arm’s reach of Darshiek as he scrambled up the steep slope to the sidewalk.
Darshiek gave himself a little hop at the top of the slope to get him running on level ground again and took off toward the church. That was a good route to lose a group of guards on.
Unfortunately, six more guards blocked his path to the church and Darshiek was forced to change course again, this time heading down the street that led to the ocean.
“So these fellows think they’ve got me trapped,” he thought as he ran. “I hope they’re not right.”

Garruk, a sprawling city on the western edge of Suka’nyi, is slowly crumbling into the Dastian Sea. As false dawn rises over the crumbling cobblestone and dilapidated pigeon roosts, night rolls itself into day with the ease of a long practiced ritual.

 
For now, I'll give some general thoughts: Much of the interaction and dialogue (including internal dialogue) seems much too modern in feel -- not only in phrasing, but the sort of thoughts conveyed.

The use of church may be a stumbling block, since it is a word with specific Northern European connotations (though having roots in Greek). Something with more generic associations might be better, unless the society you are depicting has those particular elements.

What happened to the little girl? And it's extremely doubtful that a) a merchant would investigate himself, he'd almost certainly have a guard, watchman, slave, etc. do it; and b) very, very unlikely that, even if he did, he'd have his little girl along or let her anywhere near anything suspicious such as a sound in (what I take to be) a storeroom -- too much chance of kidnap/ransom. Or simple murder. Nonetheless, if you can work out some reason for him to have her there, you need to resolve why she screamed, once it has been made such a point of.

Be careful of things smacking of differing technologies, i.e., the lock scene. Any society that is still using swords, spears, etc., is unlikely to have a great variety of locks used for purposes such as this (though they may have such for jewelry boxes, inner doors -- given that such exist in the society, temple doors -- honoring the god, etc., but not for boxes, crates, or trunks holding goods for sale)

I may have more later; but for now, that's what comes to mind. You have a flair for description making it easy to visualize, and (if you can make the characters behave more in tone with such a milieu) the telling details that build character without slowing down the pace. It's intriguing. I'd be interested to see what you do with it from here.
 
Hey Feline eyes.
I like Darsheik’s rather sarcastic asides, especially his response to “Stop Thief.” That had me laughing. :cool:
I did like this but there were a couple of things that pulled me out of the story, mostly concerning behaviour, and I think you need to look at them to keep the credebility of the story intact.

I am curious about is whether or not Darsheik is supposed to be a skilled thief. Because he does quiet a few things that most stealthy thieves simply would never do.
The first is hitting the chest. People who use stealth professionally move and act in a very controlled fashion, every footfall and motion carefully planned and placed. They would never generate unnecessary noise by hitting or tapping something out of simple frustration, even if they only meant to do it softly, especially when there are guards around and a family is sleeping on the other side of the wall. If this is to illustrate that Darsheik isn’t very good at his job fair enough, but this action did jar me out of the story quite a bit. If you need the noise to spur the rest of the story, it would be more believable to have him screw up and knock something over accidentally, rather than loose his temper and start hitting things.

I also found the behaviour of the merchant a little odd. Most fathers would tell their child to stay in the other room, not let them accompany them to hunt down an intruder. Letting her child go to the door first, even though he then waves her back is unlikely behaviour, as it letting her follow him into the room and helping him look. The fact that he’s carrying a weapon means he suspects the intruder might be serious, but he even lets the girl hang around in the room after he’s suggested she go for help.
Once she’s gone, he sits down on the chest, apparently letting his guard down even though he says he knows the thief is there. He’s either very confident in his abilities against an intruder, or he’s suicidal, or he knows the thief won’t hurt him. This might be intentional, but if not it’s a bit odd.

Finally, when the merchant runs out, there’s no guarantee from Darshiek’s point of view that he won’t come charging back in a few seconds later, once he’s saved his daughter. The merchant has already said that he knows the thief is there. Most thieves worth their salt would abort the theft and get the hell out of there as fast as they could. After all, the merchant might send guards into the room whilst he looks for his daughter. Yet this doesn’t seem to cross Darsheik’s mind at all.

Oh, one more thing. I also note that he jumps and lands in the bushes. Speaking from personal experience, falling into bushes is usually not the soft, comfortable landing everyone thinks it is. Most bushes large enough to break a 1st story fall have thick branches and thorns in them and it REALLY hurts. Trust me on this. It’s better than hitting rocks but Darsheik would probably crawl out and limp away. I know this one is a minor nitpick and probably can get filed under the same draw as the hero never having to re-load, but it might be useful to know.

Looking forward to seeing more of your work.
 
Hi Feline,

I thought this was quite compelling and would definitely turn the page to find out what was going on. It reminded me of a Jack Vance story I read years ago (eyes of the overworld?).

The merchant's actions didn't bother me, the clumsy thief was quite delightful and I would take full advantage of Coolhand's first hand experience and have the bush scratch him up and perhaps cause him to limp for a while.

The only thing that caught my attention enough to stop reading was:

"this box has velvet in it that will make the money to buy grandma's cure."
Velvet? Velvet? what does that mean? Is it entendre? Metaphor? Of course you explain later that it is actually velvet. But it stopped me for a second.

Having said that I definitely need to know what it so special about it. First guess was that it made him invisible. But the guards changed that. (There were a few too many of them for my taste but that's ok.)

I liked it. Carry on writing.

Flynx
 
Okay, I see your points. I wasn't happy with this scene in the first place; I never seem to be truly happy with what I post on this site, but that why I post it. I'm glad you saw what I was missing.
Anyway, after some consideration, I have come across another problem:
Rewriting.
I'm not quite sure what to do with this scene. See the fact is Darshiek is a very good thief: he just does exceptionally stupid things pretty frequently and is very lucky. The point of this scene is I need him to steal something expensive and show how he's just a little bit of a jerk. He doesn't really care about other people.
I don't need you to write the scene for me: I just need some suggestions on what I could have him steal and where. I'd like to stick with the velvet, but you've already proved that the scene isn't quite flowing.

By the way: confusion about the modern elements duly noted. The story takes place during a kind of rennassance and enlightenment: guns will be mentioned later.
 
Hi Felineeyes

Yeah, re-writes suck. I share your pain.

If you want to make him a jerk, You could have him steal the life-savings from a poor old lady whilst she sleeps, and even have him slip the wedding ring from her finger and take it with him. Even if he works out that it's all she has to rememeber her dead husband by. That would make him pretty jerk-like. Or he could steal valuable medicene from a poor hospital.

One slight note. You might have to do some charactor-changes to this guy. If he does exceptionally stupid things pretty frequently, then he probably won't be a very good thieft: He'll get caught. Luck only holds you so far. You could still have him be an idiot in other areas of his life yet be very good at stealing. But stupid criminals usually get caught or killed very quickly.
 
Well you had me convinced he was a jerk! :)

I agree about most of the comments above, the merchant wouldn't wander into a room with an intruder with small child in tow, especially not when he can just yell "Guards!" at the top of his voice. After all, they get paid to put themselves in harms way.

I agree that no thief is so dedicated that once they get noticed, they stick around to complete the robbery. Not unless they really need the artifact they're stealing and it's not available anywhere else.

If you wish to make him a 'clumsy' person but an exceptional thief you can actually have him be continuously unlucky rather than the reverse.
Imagine him sneak past elaborate traps, guard patrols, locks etc to steal a fabulous jewel and then discover someone else had already stolen it. Then get disturbed by a janitor (who happens to drink in his local bar - hired the week before unknown to him), get identified and get blamed for the robbery and chased down the street.

Make this happen to him too many times and it's parody, but do it once and he'll still get called "Unlucky Jack" or something and it could be the impetus for your 'quest' or main story. Caught thief gets given choice of dangerous mission or the hangman.

Anyway, gone way overboard here, but I like your story-telling style. It was an 'easy read' and just requires a few tweaks.

As for things to steal to show what a cad he is, here's a few examples (depending on how 'high-class' a thief he is)

low class/opportunistic:
stealing the poor box during a church service (be wary of jd's comments)
stealing the coins from a blind beggar's bowl
taking the live savings of a recently widowed/well-loved/popular old lady

higher class
stealing from a well-known philanthropist
stealing a religious artifact (e.g. a saint's remains) and holding it for ransom
stealing a 'national/city treasure' - e.g. UK crown jewels - then breaking them up and melting them down or selling seperately (re-cutting the diamonds etc)
 
FelineEyes said:
Does this shiny little beginning intrigue, or does it need more polish? (I mean for something other than grammar. I know that's wrong...)

Hi FelineEyes,
I really liked this piece and I share Coolhand's enthusiasm over the way you've given Darshiek a sarcastic personality. He's an interesting character for sure.
I didn't really notice the points that j.d.w made, though I do agree with them. To my mind, (despite the grammar you know about), it was well written because I found myself nicely immersed into this scene. I cared about Darshiek being caught, and personally, I thought it flowed rather well.

Would I keep reading more of this? Certainly.
Did it spark off any intrigue for me? None at all I'm afraid.

What kept me reading mainly, was the way you wrote it - Darshiek's character being the strongest point.

As far as intrigue goes, I was looking for it but didn't find any. And I think it's because you appear to have told us everything we want to know right at the start. We know what Darshiek was trying to do and we found out what was in the case. Those were the two biggest parts of this section to me.
If you'd have kept the contents of the case a secret, then I would have been intrigued.

The point of this scene is I need him to steal something expensive and show how he's just a little bit of a jerk. He doesn't really care about other people.
Well that worked perfectly on me. I had decided that he was a jerk (though I like him) and also decided he doesn't care about people. You did this very well IMO, because you didn't tell us - you showed us. I thought "surely this guy isn't going to steel that after what the merchant just said", but he did!
That surprised me, but also told me a lot about him. Yet somehow, I didn't dislike him for it and I think that's what you wanted to achieve. If it was - well done. It worked on me.:)

As for rewriting, I think all you need is just to hide a few things from us - don't tell us too much at the start, but mostly, don't tell us what it was he stole from the case.
 
Winters Sorrow: A query/clarification:

Was I in error about the origin/associations of the word "church", or were you seconding that? If I made a mistake on this, I'd like to know, as I enjoy learning new information. (And those were some very good suggestions, by the way.)

Feline Eyes: I hope you'll give a rewrite some thought, as this really has promise. Regardless of whether you do with this piece or not, you have a very good narrative voice, and an excellent movement to your prose. It isn't a static, contemplative thing, even when we're hearing a character's internal dialogue, it keeps moving. You have the right narrative thrust; all you need to do is get rid of some of the rough spots and polish things up a bit; but your storytelling ability is definitely worth pursuing. Most of the problems I see are those that any writer tends to have when learning the craft, so don't let it discourage you. Read with careful attention to details such as these (and keep writing), and you'll soon pick it up.
 
j. d. worthington said:
Winters Sorrow: A query/clarification:

Was I in error about the origin/associations of the word "church", or were you seconding that? If I made a mistake on this, I'd like to know, as I enjoy learning new information. (And those were some very good suggestions, by the way.)

I agreed that the word "church" had Northern European connotations which, unless intended, would bring with it certain impressions of who the church looks and it's role in society, based on our expectations.

The word temple is more generic and loose but in the end, I'd just go with what you're comfortable using.
 
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