Difference between Fantasy and Science Fiction

LeoCrow

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Delete this is it has been discussed already (i didn't find any such discussion).
What do u think is the exact difference between Fantasy and Science Fiction? Some people say that the difference between them that s.f. talks about the "how" (using technology), while fantasy talks about they "why's" of those stories. however that way we could say that star wars is fantasy,not science fiction. others say that sf is all about technology and things like soul,spirit,magic etc do not belong in such a story. what do u think?
 
Essentially, I think that's the general idea. Science fiction is more about the effects of technological changes within a society; now that can mean "nuts-n-bolts" sf a la George O. Smith and others, or sociological sf as with LeGuin, Silverberg, etc. Science fiction is more geared toward something based on a scientific premise, or at least pseudoscientific (time travel, for instance, or psi-powers); fantasy does not have to pay attention to the laws of physics, necessarily; though that can mean out-and-out magical worlds (Tolkien, Vance's Dying Earth, Earthsea, etc.), or "magical realism" as in Borges, Marquez, or O'Connor. They do sometimes blend, but to me that's the distinction; a blurry boundary line at best, as witness C. M. Kornbluth's "The Little Black Bag" or Moorcock's Dancers at the End of Time books.
 
My take on it is that if it is possible now or might reasonably expected to be possible in the future, using laws and principles that we currently know and understand, or even unproven theories that have been put forward, then it's science fiction. Anything that's completely made up and not based on any known or theorised underlying principle, is fantasy.

Thus, for instance, Lord of Light by Roger Zelazny, which has god-like beings (in fact they're equated with Hindu deities) is science fiction because they became god-like through technology, rather than magic or anything like that.

Star Wars is really SF not fantasy, because it's based on science, even if some of it is bad science. But I'm thinking of the film, which is a bit unfair. The books might be much better in that regard.
 
A friend of mine on another forum wrote, "According to Webster's Universal College Dictionary science fiction is defined as "a form of fiction that draws imaginatively on scientific knowledge and speculation".

But in that case, we were discussing the differnece between medical thrillers, with present day unkown technology ala Robin Cook, to sci-fi. Notice I said Robin Cook wrote med thrillers, not sci-fi.

I almost always associate fantasy with some sort of magic or dragons (which seem magical).
 
I think the key phrase in that definition is "and speculation" -- that opens the doors to future exploration of ideas virtually without limit.

As for fantasy ... well, actually, all fiction is fantasy, if you wish to be dogmatic about it. However, even without being that broad, fantasy can cover anything from the contemporary (think of Twilight Zone, for instance) to the faux-medieval fantasy that most people think of (which really came into play with William Morris in the late 1800s), to anything with a supernatural tinge where the laws of the physical universe are set aside. Narrowing it down to such specifics is a sure way to make any branch of literature wither; look what happened (as I've said elsewhere) to the Gothic of the late eighteenth and early nineteenth centuries (the history of which uncannily resembles what's happening to fantasy right now). They became thus limited, and began to be parodied, and finally got so ridiculous that no one could take them seriously. We don't want that to happen to fantasy; it needs to cross-fertilize to stay vital. That's something they learned with science fiction long ago; for a good while people like Hugo Gernsback saw it as centering wholly on technological advances and purely science driven; it became poorer and poorer as literature (with some sterling exceptions) until it became a laughingstock; it took a long time to climb out of that gutter, and an awful lot of excellent writers had to live in it meanwhile (Kornbluth, Brown, Moore, Kuttner, Simak, the list goes on and on). That's why I strongly oppose the idea of limiting these too much. We're in a market-driven publishing phase, where publishers have higher-ups that follow market trends, not necessarily what breathes life into a field. Market trends change; tastes change. Good literature lasts beyond such things, even with flaws. I'd hate to see fantasy go the way of the Gothics; but as things are going, I expect to see that in my lifetime.
 
I don't mean to be bland, but I think science fiction deals with natural or discovered laws of science that can be used to create imaginary advances or alternatives to what is real.....

Fantasy on the other hand in a way uses the myths of so-called realities like witchcraft that change everything. Like they use bodiy power to save lives or whatever they do in the story
 
I think it all comes down to how it's written, which market it's aimed for. I've read about dragons, werewolves, vampires, unicorns, griffins, psionics (nifty name for personalised magic) wish fulfilment and curses in works which were definitely science fiction (no, I'm not giving a lollipop to anyone who can work out which stories I'm talking about) and matter transferrence, time travel, robots, starships anddimensional gates, even magical research programs using scientific method in works that are indisputably fantasy. I can't, off the top of my head, think of a science fiction demon raising (although a number of alien beings have been revived by similar techniques) or a magic operated computer, but I bet they exist somewhere. Down in the "sufficiently advanced technology" region, no laws are immutable save that of Murphy; and when magic's done building palaces overnight, or building hypersonic carpets, it can do the ironing, 'cause that's what it's audience can most appreciate (I imagine a parent in pre-washing-machine days looking at huge pile of dirty linen and newly grubby offspring and seriously considering a little blood magic)
There's even Piers Anthony's "Split Infinity" expanded trilogy, that oscillates, thus annoying both ends of his prospective audience and pleasing only the central, crossover region (which I own up to being; found the first trilogy amoungst his better works) Or Stasheff's "Warlock" books, which, despite starships, robots and interstellar empire is solidly fantasy.
But, give a book to a dedicated fantasy fan, within a chapter he'll tell you "this is definitely Sci-Fi, or this is definitely fantasy (in which case you might have to wait a while before getting it back)" The same goes for a dedicated sci-fi fan.
Not a very scientific test, agreed, but fantastically effective.
 
I made a reply to this question last year, when it came up in a thread. It went like this:
me said:
Science Fiction:
Settings that may possibly evolve out of the present (of course the present at the time when the book is written) without violating the general sense of reality (too much).
Fantasy:
Settings that require completely different timelines or universes than our own to be able to work.

To put it simple:
Science Fiction is about things that may happen.
Fantasy is about things that may not.
 
I do think this has been here before because I think I've posted on it, but I wouldn't know where. Science Fiction is fiction dealing with or set in the the extrapolation or interpolation of existing science. In other words, it might be, somehow, somewhere or somewhen. Fantasy is fiction dealing with things we know can not be true, but we don't care. Science Fiction can be stretched to the point of bending but it might be possible, Fantasy can't be true, but we know it and we're good with that.


Note: AS usual, I was in so big a hurry to answer that I didn't notice the last post above mine. I think we are in agreement.
 
j. d. worthington said:
As always, Chris, your points are inarguable. But might I point out....:D
Of course you might, and quite probably will.;)
I only write in third person infallible; I'm actually insecure, timid, introspective, ignorant of all but surface appearances; how come no-one else notices this?:p
And, continuing with fantasy, what genre does the growing "Alternate History" block fit into? Or does it depend on the particular work within the subcategory?

Besides, like at least one other here, I came here for an argu… Hmm, a "heated discussion" What use is omniscience if somebody else doesn't know "Absolute Truth" too, and that it's different from yours? :D
 
chrispenycate said:
And, continuing with fantasy, what genre does the growing "Alternate History" block fit into? Or does it depend on the particular work within the subcategory?
I like to see Alternate History as one of many primary subcategories of Fantasy, along with Magical Realism and Imaginary Eastern/Central/Alpine European Countries :D
Besides, like at least one other here, I came here for an argu… Hmm, a "heated discussion" What use is omniscience if somebody else doesn't know "Absolute Truth" too, and that it's different from yours? :D
See my previous post. I consider the typologies absolute, omnirelevant and universal, spoken with a clear and unwavering voice. A work of speculative fiction belongs in one or the other. There can be no hybrids: A work of Science Fiction containing elements of Fantasy, is automatically Fantasy.
 
What about Time Travel? Most would say it's Sci-Fi, but why? Is there scientific evidence to support a future zipping through time?

Star Wars? Some folks say sci-fi, but some are saying fantasy?

Me? I say both are fantasy.
 
chrispenycate said:
I only write in third person infallible; I'm actually insecure, timid, introspective, ignorant of all but surface appearances; how come no-one else notices this?
:p

You're shaking up my world, again, Chris. Got to stop doing that, man, got to stop doing that....:p


chrispenycate said:
And, continuing with fantasy, what genre does the growing "Alternate History" block fit into? Or does it depend on the particular work within the subcategory?

I'd have to say (contrary to some) that it does depend on the entry in the subcategory. And long ago Asimov declared that time travel was essentially fantasy, but had an honored place in sf because of Wells if nothing else, so there it would probably stay, but the science is tenuous at best. And hybrids, kids, are all over the place. It's what keeps literature healthy, like any living, growing thing. Otherwise you end up with stultification and sterility of imagination, and -- zut! -- there goes what was once a flourishing branch of storytelling/writing.

But, if you're looking for rigid categorization (something which has proven remarkably slippery with any art form): yes, the above definitions are essentially correct. As long as you don't tend to apply them in reality.:D
 
Have to keep up shaking peoples worlds - it's what I'm here for (and, to a large extent, what Sci-fi's here for) Since I'm not allowed to drop asteroids on Australia, I just drop occasional rocks into the forum. :D

Oh, and time travel has a good, solid mathematical basis (doesn't mean it's got anything to do with reality, any mathematician who cared about that would be excommunicated) related to that wormhole question (I started rereading Baxter's "Timelike infinity" after the wormhole thread, but he visualises it quite differently from me) Counter intuitive, but I find so much of modern physics counter intuitive; it must be my intuition that's seized up. So causality is perhaps not the all end and all be, all after.:confused:
 
BookStop said:
What about Time Travel? Most would say it's Sci-Fi, but why? Is there scientific evidence to support a future zipping through time?

Star Wars? Some folks say sci-fi, but some are saying fantasy?

Me? I say both are fantasy.

Time travel depends on the method. If I step into my time machine which is flooded by inverse tachyons causing me to travel faster than the speed of light through another quantum possibility, that's Science Fiction. If a wizard casts a spell which causes me to be transported through time, that's Fantasy. Neither one may be good Science Fiction or good Fantasy but the intention is obvious.

The first 3 Star Wars movies (parts IV though VI) were Fantasy because of the way they treated the Force. It was mystical and unexplainable. In the latter three (Parts I through III) The Force was treated like a component in the blood that could be explained. Not only did that take away the Fantasy element but it ruined the stories. The Cosmos would have been a better place without the explanations forced on us in those movies.
 
Hey, what's with the desire to drop asteroids on Australia?

I'm new here, so thought I might jump into this thread for starters. I think what you guys are discussing is (should be) a moot point. There's too much crossover. For example, Star Wars definitely has elements of both Fantasy and Science Fiction, by any of the definitions given so far.

Those terms should be done away with altogether and we should call anything that fits into these categories 'Speculative Fiction'. You can still abbreviate that to SF if you like, so it's like nicotine patches for category addiction - ease yourself down gently.

If there is any element of magic, paranormal, science beyond our capability or just plain weird, then it's speculative.

That's my two cents, anyway!
 
An argument with no small merit, as far as reading goes. However, for those on the forums who are trying to write first novels, etc., and aiming at particular markets, the differences come in handy for researching what to do and what to avoid in order to have a better chance of publication. For those who are writing because they have stories to tell, or to suit their own inclinations, not so important, if at all. But for those trying to break in with the increasingly difficult job of selling mss., it helps.;)

(Of course, some of us -- me, for instance -- also tend to be pedants, and like arguing about this sort of thing.)
 
j. d. worthington said:
An argument with no small merit, as far as reading goes. However, for those on the forums who are trying to write first novels, etc., and aiming at particular markets, the differences come in handy for researching what to do and what to avoid in order to have a better chance of publication. For those who are writing because they have stories to tell, or to suit their own inclinations, not so important, if at all. But for those trying to break in with the increasingly difficult job of selling mss., it helps.;)

(Of course, some of us -- me, for instance -- also tend to be pedants, and like arguing about this sort of thing.)

And there are many very good novels and stories that are definitely Science Fiction or definitely Fantasy and don't cross over.
 

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