j. d. worthington said:
A war that's been ongoing for that period is going to have some serious drawbacks, though. Any space-faring society, especially one that has established different factions, is likely to have nuclear capabilities, and if a war drags on for very long, those will be brought into play. At which time you end up, eventually, with a scorched-earth policy if no one surrenders. That's something that's going to have to be explained reasonably -- why one side or the other (or both) didn't finally simply go for a planet-crusher -- last I heard, over 50 years ago we had plans for about 5 different models of an actual doomsday weapon that had been worked out on paper ... I would imagine that's been expanded in the interim. Surely these people would, as well. War being as costly as it is in resources, lives, etc., there's going to have to be an awfully compelling reason not to resort to such measures.
Thats a fair point however, consider this.
When your fighting for territory and resources, would planet crushing and star destroying be approciate? Or would you rather fight to deny your enemy the ablity to gain, or use these resources - ambushing convoys, destroying outposts and logistic centers in deep space. It's the idea of not blowing up the castles, but changing the flags. As you very well know, this type of war can last for an extremely long time, coupled with relativistic effects, who knows, maybe 170 years is to short. I think what your refering to Mutually Assured Destruction, which only makes sence when you require the Total
Annihilation of your enemy, you have any more ideas on this?
j. d. worthington said:
When you say "underclass", I assume you mean "apparently", rather than real, yes? But alien classes (or beings) doing this sort of manipulation is difficult to make feasible as well, though it may help explain why the war continues for so long -- the actual manipulators manage to play this like an extended chess game; due to some component of an alien psychology, endgames "spoil the fun" or defeat their ultimate purpose, so they manipulate events to prevent such drastic measures as those I mention above. However, recall Leiber's "Spiders and Snakes" from The Big Time and the Changewar stories -- it's a difficult tightrope to walk, to say the least.
Maybe underclass was the wrong word. I'm refering more to a Hari Seldon like foundation, manipulating politics and religion in order to guide humanity down a path that be or may not be to it's benifit. Eitherway, it's far from important in terms of what i'd like to accomplish from this.
j. d. worthington said:
And is the planning of this to be a concerted effort, or something where you lay out the scenario and others do the actual stories; that is, is this a true collaboration of different people sparking the ideas and creation of the universe you're depicting here, or is there going to be (in visual media terms, I suppose) a "Bible" the writers are going to have to adhere to? There are, of course, some advantages to either, but having a Bible for a written collection can often hamstring your writers' creativity, whereas actual collaboration on the creation of the background helps to keep everyone on the same page while allowing considerable leeway in approach to individual tales.
My appologies if i've seem to come accross the wrong way, but I would relaly like this to be more a collaboration of ideas, with all forms of contributions feeding each other and hopefully producing something greater than my future history currently describes.
j. d. worthington said:
As for the letters: yes, I'd figured that much; you would be more interested in the troopers' view than the generals; it would tend to humanize things more. What I meant was: I've read several books of correspondence from soldiers in different wars, much of which could be adapted to this sort of thing. I was wondering if you were planning on taking actual letters of that type, or something that fit that sort of general pattern but were entirely fictional, created entirely by the writers working from the brief ideas given them. That was what my original question was about.
I think i'd have to have a look at some of these examples to find out exactly the type of writing used. I'm relativily flexible on this instance because i'm incoraging different styles of writing here as part of the process. So unless theres a
fundamental difference in the type of content in either, then i'd leave it to th writers best judgement
j. d. worthington said:
If you're structuring this yourself, then it would be very helpful (even necessary, I'd say) for the writers to have at least copies of the final sketches to work from, because such letters will realistically have to deal with the soldiers' experiences, which in turn will largely depend on the type of materiel and transport, etc., they're dealing with, and its possible flaws and strengths, how it affects the situations they find themselves in, and their emotional responses to those situations. Look at the decline in morale when the U.S. had the fiasco with the Hummers not too long ago; and that's a relatively mild example. This sort of thing will color what they write home tremendously, either with a sense of hope, patriotism, resignation, fear, bitterness... all sorts of emotions.
This 2-3 week period is a brain storming session, i'm also attepting to gather more
participants for this project.
j. d. worthington said:
Do you have any timeline for the development of this in mind (not story timeline, but timeline for actual creation of the project)? There are a lot of things to be considered, and it would be as well to iron out as many bugs as possible before things get to the actual writing stage....
I've set a provisional deadline for finalised structure and narrative, writen content, for december 1st, with all artworking well underway for completion in 12 months. Tomorrow, i'll be uploading a forum with all the details of this project, alot of which we've just descussed!
Thanks your your response worthington, besides the points on military stratergy, your points were well on the mark!