Werthead
Lemming of Discord
- Joined
- Jun 4, 2006
- Messages
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Since there's been a suggestion for a thread on Peter F. Hamilton...
Peter F. Hamilton is Britain's biggest-selling science fiction author. He started his career by publishing short stories in Interzone and Fear magazines from 1987 onwards and published his first novels in the early 1990s. Although he started out writing relatively 'low-key' near-future novels set in a Britain flooded by global warming, he made his name with gargantuam space operas set hundreds of years in the future and featuring sentient spacecraft and telepathic humans. His books are as follows:
The Greg Mandel Trilogy
1. Mindstar Rising (1993)
2. A Quantum Murder (1994)
3. The Nanoflower (1995)
The Night's Dawn Trilogy
1. The Reality Dysfunction (1996)
2. The Neutronium Alchemist (1997)
3. The Naked God (1999)
A Second Chance at Eden (1998, anthology set before the trilogy)
The Confederation Handbook (2000, companion volume to the trilogy)
Fallen Dragon (2001)
Misspent Youth (2002)
The Commonwealth Saga
1. Pandora's Star (2004)
2. Judas Unchained (2005)
Hamilton's next work is The Void Trilogy, which will be set in the same universe as The Commonwealth Saga but 1,000 years further into the future.
Hamilton is known for writing huge but fast-paced novels mixing high technology with action and decent characeristation. In stark contrast to many other writers, Hamilton refuses to believe that humans will fundamentally change in future centuries and our basic drives will remain intact, meaning his characters are far more 'familiar' than in some hard-core SF. Hamilton is also a small-c conservative who believes that the colonisation of space can only come through rampant capitalism: the exploiting of other worlds for their resources and living space being the only possible attraction for the vast investment such an enterprise would require.
Hamilton is also to be congratulated for originality. Having created a vast, complex and fairly convincing SF future history in The Night's Dawn Trilogy, it was surprising to see Hamilton building a second, equally vast, equally complex space opera universe for his Commonwealth Saga, although this led to a slight problem where Hamilton spent so much time trying to avoid repeating ideas between the two settings, that some of his ideas in Commonwealth seemed a bit of a stretch (humans controlling technology through interactive tattoos, rather than a simple brain implant in Night's Dawn).
Hamilton will not win prizes for beautiful prose, but he knows how to fire up a story, convincingly and deftly portray characters, locations and societies, then upset the whole table with the introduction of some awe-inspiring threat. Along the way he laces his own views on war and society's development that are interesting, if not massively original.
In summary, Hamilton is a great SF writer full of ideas who knows how to spin a good yarn and is well worth reading.
Peter F. Hamilton is Britain's biggest-selling science fiction author. He started his career by publishing short stories in Interzone and Fear magazines from 1987 onwards and published his first novels in the early 1990s. Although he started out writing relatively 'low-key' near-future novels set in a Britain flooded by global warming, he made his name with gargantuam space operas set hundreds of years in the future and featuring sentient spacecraft and telepathic humans. His books are as follows:
The Greg Mandel Trilogy
1. Mindstar Rising (1993)
2. A Quantum Murder (1994)
3. The Nanoflower (1995)
The Night's Dawn Trilogy
1. The Reality Dysfunction (1996)
2. The Neutronium Alchemist (1997)
3. The Naked God (1999)
A Second Chance at Eden (1998, anthology set before the trilogy)
The Confederation Handbook (2000, companion volume to the trilogy)
Fallen Dragon (2001)
Misspent Youth (2002)
The Commonwealth Saga
1. Pandora's Star (2004)
2. Judas Unchained (2005)
Hamilton's next work is The Void Trilogy, which will be set in the same universe as The Commonwealth Saga but 1,000 years further into the future.
Hamilton is known for writing huge but fast-paced novels mixing high technology with action and decent characeristation. In stark contrast to many other writers, Hamilton refuses to believe that humans will fundamentally change in future centuries and our basic drives will remain intact, meaning his characters are far more 'familiar' than in some hard-core SF. Hamilton is also a small-c conservative who believes that the colonisation of space can only come through rampant capitalism: the exploiting of other worlds for their resources and living space being the only possible attraction for the vast investment such an enterprise would require.
Hamilton is also to be congratulated for originality. Having created a vast, complex and fairly convincing SF future history in The Night's Dawn Trilogy, it was surprising to see Hamilton building a second, equally vast, equally complex space opera universe for his Commonwealth Saga, although this led to a slight problem where Hamilton spent so much time trying to avoid repeating ideas between the two settings, that some of his ideas in Commonwealth seemed a bit of a stretch (humans controlling technology through interactive tattoos, rather than a simple brain implant in Night's Dawn).
Hamilton will not win prizes for beautiful prose, but he knows how to fire up a story, convincingly and deftly portray characters, locations and societies, then upset the whole table with the introduction of some awe-inspiring threat. Along the way he laces his own views on war and society's development that are interesting, if not massively original.
In summary, Hamilton is a great SF writer full of ideas who knows how to spin a good yarn and is well worth reading.