Brief Synopsis of this episode:
Angela is haunted by a former Nasa pilot, Gus, who had been subjected to experiments by the shady Cadre, involving his body's superstring (don't ask me, I don't know
), and which allowed him to become immaterial. Unfortunate side-effects seem to be a loss of sanity
The half-life in question describes the pattern of Gus's appearances, from the initial time he was pronounced dead, or lost, two years ago.
Sub-plots include: Sarah's blossoming romance with her boss, and problematic relationship with her estranged husband.
Kurt's ongoing contact with the mother of the young boy his lab-specimen synthetic put in a coma.
Chuck has also apparently gotten over his wife's untimely and tragic death very quickly, and has taken to kissing waitresses (without removing his chewing gum either - ewwwww).
WTF was Chuck doing with that Waitress?
Too much too soon what happened to his love for Paige GRRRRRRRRRRR.
I couldn't agree more - it was too far too fast. It could (and probably will) get ugly.
I liked her, and enjoyed her interactions with Chuck, but.... I mean... it just seemed like bad form on his part.
Hopefully this will get explained, or at least looked at further in the future - perhaps as a source of tension between Neil and Chuck?
And hey, she could always be a synthetic!
This episode was mostly enjoyable, not quite up to Odyssey 5 on top form material, but still interesting, at least so far as we learn a little bit more about the nature of the cadre. Actually, when I say learn, this is only in the loosest sense, as it is simply conjecture on the part of Chuck that the Cadre are involved with these Raven/Bay City. Unless there is a direct follow-up in which they confront Hodge regarding these developments, then I feel that the whole mention of the Cadre is overly complicating matters.