**Spoiler Alert for lots of random stuff**
Well said AtU. I was intrigued by the prologue to AGOT, the finding of the pups, the death of Lady, the kidnapping of Tyrion, Bronn's duel, but Martin hooked me with Lord Eddard's execution. I was double hooked by the Red Wedding. I'll be triple hooked with Jon's untimely death... but that'd be too much to hope for.
Martin does what Hollywood almost never does... that is actually let characters that seem indispensible to the plot die. Chinese movies do this all the time, that's why I think they've had such success over the last five years or so... American audiences are actually faced with new plot devices and story twists. The only Hollywood film that does this (that I can recall) is Executive Decision... remember, Steven Seagall (straight from his successful movies) died in the first fifteen minutes... and I thought he was supposed to be the hero of the movie.
Anyway, Martin has shown me that anything might happen... anything could happen. Dune was a great story, but having studied Greek literature and mythology it was plain that Duke Leto must die for Paul to develop into a hero. If the signs were there that Eddard had to die, I confess I missed them.
I used to read Fredrick Forsyth years ago. He was notorious, err, I mean famous for putting in stunning plot twists and/or just great one liners. In The Odessa File, he gave all the clues for the reason the reporter was chasing the SS officer, but when the reason was revealed I was stunned.
In The Sixth Sense, M. Night Shyamalan thought he was giving away the entire plot when the boy tells Bruce Willis' character, "I see dead people."
I wonder how much of the ending of ASOIAF has Martin already shown us? Does he think he's given away all his secrets somewhere? Or does Martin have nothing to do with the ancient Greek style... will he not tip his hand to us?
Do we already have the clues to Dany's landing, attempt for the crown, and the result? I need to reread her trip to the House of Warlocks...