polymorphikos
Scrofulous Fig-Merchant
What is the point of Moby Dick? Is it an exploration of humanity's attempts to control nature, a study of the irrational desire for vengeance, an expose on obsession, a warning about flipping the big one to God and going full-pelt into madness to put the Flying Dutchman to shame? Or is it all of these and more? The classic second-last chapter, the Third Day, sums it all up, but what are the reverberations of this event? And what the hell is up with Ishmael? Even more importantly, did even Melville know?
And what of genre? This book is transcendental, blending Faustian undertones, pure adventure, comedy, fantasy, horror, beautifully-delicate handling of drama and prose poetry that is permeated in every inch by the pungent perfume of deep brine.
Melville was years ahead of his time. He wrote in styles that mimicked Joyce before Joyce had written a word. He was terrible and beautiful and awful and sublime. He switched from the most intricate manipulations of linguistic ambiguity to grounded, accesible prose that a child could have grasped. He is never clear in what he shows but instead lets images flicker by like a dream, populating the endless sameness of the ocean with rising citadels of water and teeming masses of ferocious beasts. He delves into the relationship of the hunter and the hunted, into the biology of the hunted and the history of the hunter, he references things from every walk of life, whisks from one point to the other with speed and almost unthinking, constantly doubles-back and writhes and reels with his narrative.
To read this book is to be a sailor, perched atop the mizzen mast with the sea boiling slate-grey below. It is to plunge a harpoon, and to ask why, and to follow a man into the jaws of destruction and never question until terror and anxiety rear their heads and breach like a whale to show you the madness of it all. It is to incite waxing lyrical for no good reason.
And for all this, it is to leave you asking yourself at the end, what the hell was the point?
My pick for the greatest book ever written in English. Not an easy read, but a glorious one.
And what of genre? This book is transcendental, blending Faustian undertones, pure adventure, comedy, fantasy, horror, beautifully-delicate handling of drama and prose poetry that is permeated in every inch by the pungent perfume of deep brine.
Melville was years ahead of his time. He wrote in styles that mimicked Joyce before Joyce had written a word. He was terrible and beautiful and awful and sublime. He switched from the most intricate manipulations of linguistic ambiguity to grounded, accesible prose that a child could have grasped. He is never clear in what he shows but instead lets images flicker by like a dream, populating the endless sameness of the ocean with rising citadels of water and teeming masses of ferocious beasts. He delves into the relationship of the hunter and the hunted, into the biology of the hunted and the history of the hunter, he references things from every walk of life, whisks from one point to the other with speed and almost unthinking, constantly doubles-back and writhes and reels with his narrative.
To read this book is to be a sailor, perched atop the mizzen mast with the sea boiling slate-grey below. It is to plunge a harpoon, and to ask why, and to follow a man into the jaws of destruction and never question until terror and anxiety rear their heads and breach like a whale to show you the madness of it all. It is to incite waxing lyrical for no good reason.
And for all this, it is to leave you asking yourself at the end, what the hell was the point?
My pick for the greatest book ever written in English. Not an easy read, but a glorious one.