Sapphire Tyrs

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Keri

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Any input would be appreciated this is one of the prologues I'm considering.
Prologue – De Tyr Castle
Ciarrai A’styrla shivered as she stared out upon the approaching storm. Tucking her hands deep into the sleeves of her dark blue robe, she tried to ward off the chill coursing through her. Dark black and purple clouds filled the horizon, and jagged flashes of silver lightning danced over the meadows of Tyress. Ciarrai thought how magnificent this play of nature was, yet it was disturbing. Clearly this is not an entirely natural storm she mused as her gaze was drawn to the gnarled branches of the Ancient Oak tree in the courtyard. Blackened and burned it stood, the stink of the fire that had raged through its limbs still penetrating the room over the light flowery smell of scented candles. Biting her lip, she wondered how it was all connected. The storm had started out of a clear blue sky early this afternoon, the strike of the lightning hitting the tree with a loud clash heard throughout the castle. The people had rallied to put out the fire, and the heart tree still lived, but were we quick enough to save the last remnant of the Forest of Evening song. She sighed and pulled the hood of her robe closer around her face so that only a glimpse of sparkling sapphire eyes could be seen glowing deep within its confines. The courtyard should have been filled with people going about their business Ciarrai thought; instead it was hushed and quiet. The grey cobblestones looked slick and dark with the autumn rains coating them. Across the way the lights from the castles temple windows were flickering, barely casting any glow into the dim night. Shadowy figures could be seen through the temple windows. The Gods are needed now more then ever now and she sent her own silent plea to Kesair for guidance. Guards were walking their posts along the outer walls and their normally shining silver armor was muted and grey. The Twin towers of the outer keep were outlined darkly against the raging skies.
Ciarrai silently starts to stroke the dark velvet drapes with slim elegant fingers that are covered with bejeweled rings. Up and down, back and forth, methodically, and without any seeming thought beyond the texture of the material, her fingers glide slowly over the fabric feeling every stitch of embroidery that covers the soft cloth. A square cut emerald set in band of twisted gold suddenly starts to glow softly, emitting a barely audible hum. With a glance behind her, she touches the gem briefly to the window. A face appears slightly distorted by the glass saying “Greetings sister” “Brother why do you call me now? You know the task I must perform tonight. It is dangerous for you to be contacting me now. A tempest is brewing!”
The lips turn town distinctly in reply “Sister you know me better, I would not contact you if the situation was not dire. The storm rages here too, and Antarra was found dead this morning” “Dire tidings indeed brother, thank you for conveying it, this could change everything. I will contact thee later, this taxes me too much for what must be done later.” Says Ciarrai and with a gesture of dismissal the window fades, once again showing the bleak courtyard outside. She looked out but was no longer really seeing, her thoughts turned inward.
Even had Ciarrai been carefully observing the courtyard, though, it is unlikely she would have seen the dark creature crouched against the burned trunk of the oak, watching her. Hatred burned in its eyes as it glared up at the window where Ciarrai stood. Flexing long dark claws it dreamed of sinking them deep and slashing. The Master had ordered it to observe though and it feared disobeying more then its desire for blood.
Feeling that cold hatred but not knowing its source Ciarrai wraps her arms around herself to ward off the chill. Behind her a figure rounded and heavy with child paces and says with fond exasperation “Ciarrai come sit near the fire where it is warm. I’ve been talking for three minutes straight and I don’t think you’ve heard a word I’ve said”
Distracted from the seriousness of her thoughts Ciarrai turns and smiling warmly, says with a chuckle “I get to watch you wear holes in your good Selvokan rugs then Tarali?” Walking slowly across the room with elegant grace Ciarrai perches on the edge of a tapestry chair. Feeling a bit of warmth again, she watches Tarali as she restlessly crosses the room again. Tarali looks down at her and shaking a finger in mild reproach “Leave it to you to think of my flooring at a time like this!
Pushing back the cowl of her robe and twining a long auburn curl slowly around her finger, Ciarrai is lost in thought, appearing to listen patiently as Tarali continues her diatribe. She comes back abruptly to hear Tarali say: “and frankly I couldn’t stand their predictions of doom and gloom, so I sent them all away. I think to settle the atmosphere tonight, we could have that gorgeous Bard form Lveness grace us with a song or two at dinner.” Suddenly pleased with herself Tarali pulls a silken cord with golden tassels. Shuddering with distaste at the thought of having the overly lewd Bard attempt what he called singing again, Ciarrai is about to reply when a pale blonde girl enters the room and drops immediately into a deep curtsy. Darting an apprehensive glance at Ciarrai she stammers “You did call Milady?” A fleeting frown crosses Tarali’s face as she hears the stammer and sees the clear fear of Ciarrai written in the girls face. Anyone not knowing Tarali well would not have seen it, but Ciarrai is clearly aware that her friend is mildly upset. “Mina we will have some Ven’lassen red for our guest and spiced cider for myself and please have the minstrel informed his services will be required at dinner.” orders Tarali who now is clearly frowning at Mina who still hasn’t risen and is shaking visibly.
“Child please go see about our drinks” says Tarali in a quiet tone that makes Mina jump suddenly from her curtsey and run to the door. Tarali watching the hurried exit stifles a sigh of both discomfort and exasperation as she rubs her back unselfconsciously.
Ciarrai settles back into the chair and says “I think when your fluttery maid comes back you’ll need to inform her that you won’t be attending dinner. If you’re hungry I suggest you have a tray brought up.” Placing her hands on her hips with a smirk Tarali quips “Oh I know the Bard is lamentable with his penchant for tragic ballads but that doesn’t mean I should keep to myself like some solitary mages I know. I trust you do have a good reason why I should forego the pleasantries of dinner tonight?” Ciarrai regards Tarali steadily, her thoughts for a moment drifting back to the news of Antarra. She should have asked how it happened; she had been too concerned about the draining of energies though so it would have to wait. Regarding Tarali seriously she states “The child will be born tonight.” Her hands suddenly going to her mouth in dismay Tarali mutters “You are mistaken the midwives have all said it wouldn’t be for another moonday. I’m not ready to have the babe tonight, surely it is an ill omen given the events of the day.” Listening quietly as Tarali rants she ponders that after waiting for so long to finally conceive that her friend is not ready yet to give birth.
 
Just a quick note. I copied this excerpt from word and it was double spaced with indentations for the paragraphs and apparently I didn't play close enough attention when I pasted it in, because some of the formatting isnt how it should be and I apologize if the paragraph breaks are unclear now.
 
This is a very good excerpt. Despite the fact that it could use a few commas and I would probably refrain from using the word "thee" as it can sound a bit contrived, this actually had me interested and wanting more. You have talent, that much is certain.

A question: I don't have the literary prowess to tell you what it is called when you write in this way...

Ciarrai settles back into the chair and says “I think when your fluttery maid comes back you’ll need to inform her that you won’t be attending dinner. If you’re hungry I suggest you have a tray brought up.” Placing her hands on her hips with a smirk Tarali quips...

Differing particples maybe? Either way, I was wondering why you wrote this way. Is it for style? In most of what I read this would be written...

Ciarrai settled back into the chair and said, “I think when your fluttery maid comes back you’ll need to inform her that you won’t be attending dinner. If you’re hungry I suggest you have a tray brought up.” Placing her hands on her hips with a smirk, Tarali quips

Either way, very good work. I'm sure there are others here who will take time to critique the grammatical errors and educate you a bit on that front, but I was reading it for the story and I liked it quite a bit.
 
To be consistent your correct I should write it as you edited. I have this habit of reading aloud as I'm writing and sometimes I go for how it sounds over what is consistent and in the correct tense. Thanks for pointing it out.
 
I do the same thing with my dialogue, speaking aloud and such. Sometimes it helps and sometimes it makes it sound stale or forced, this is mainly because I'm simply not that good at carrying on a conversation with myself. It seems I don't have much in common with me.
 
Quiped, I'm sure. From
Ciarrai silently starts
onwards, you switched tenses. Woops.
And the paragraph thing; in the original, were there paragraphs breaks between speech? Because there aren't now, and there should be.
 
Yes there were some paragraph breaks I was too eager to submitt and get some critique back. When I copied over it messed with my formatting. I also have to pay attention to lovely typos, like "play" instead of Pay in my responses to people. The problem with typing fast. Thanks for the input on tenses. It looks like I have to go through and do a little editing ;p
 
I liked the length of the piece you submitted - just right. Please do the same if you submit another piece. Sometimes people put too lengthy a piece and it is a turn off before one starts.

You set a wonderful scene - giving lots of information in a short space and whipping up lots of interest. You are obviously very enthusiastic about your writing and, apart from what has already been said about grammar and tenses, I for one am looking forward to reading more - you have certainly hooked me.

Well done.
 
Dark black and purple clouds filled the horizon...
I think you could word this differently to better effect, making the horizon more ominous.
“Brother why do you call me now? You know the task I must perform tonight. It is dangerous for you to be contacting me now.
I don't think you need the nows.​
"I’ve been talking for three minutes straight ..."
Three minutes sounds contemporary. Maybe "three turns of the glass" or something to that effect.​

You are very good at scene setting, the story has a good hook right away with the storm bringing conflict and I love the (very) early twist of the dark creature being so close.​

I would like to make one rather huge suggestion. Write this in present tense. Your tendency is leaning that way so it must be more comfortable to you. You are very descriptive. I noticed when reading that when you jumped tense, it felt ... correct. Present tense will help draw the reader into the action and "speed up" the narrative parts. Just a suggestion.​

Cheers!​
 
Hi Keri,

the stink of the fire that had raged through its limbs still penetrating the room over the light flowery smell of scented candles

I have read and re-read this part, I am not sure if this is correct or not but I don't know if describing the fire as raging through the tree limbs is right, I would imagine a fire to do damage to the exterior as oppose to through suggesting internal damage (I know that the tree is not a normal tree).

perhaps "...of the fire that had ravaged its limbs..."

Also, the smell penetrating the room, sounds like the tree is inside a room and the smell is actively trying to go somewhere. Would permeating be appropriate?

Again I don't know if this is relevant but where the room that Ciarrai is actually standing/looking from is would establish the origin of perception.

You don't say in which direction she is looking i.e down at the courtyard

I am drawn to believe she is in a tower room (to feel the chill of the storm) but I could also believe she was in a room ringing the edge of the courtyard looking across at the tree and up at the sky.

But then you mention the creature looking up which then establishes her location but too late in the description meaning its importance could be missed therefore not firming up the scene as you want it to appear.

These are the things which stood out to me.
 
Thanks for the input gentlemen. Really appreciate it.
 
Everyone has better writing than me... haha.

I love the concept and the descriptions, and I think the grammatical errors and such have all been pointed out, so all I can really say is keep up the good work and post more of this.

One thing that might help is telling us how to pronounce Ciarrai A’styrla's name. Is it "Chi-are-ay" or "See-are-eye" or something entirely different? (My phonetic alphabet consists of horrid onomatopoeic creations) I find it sort of confusing to read a story when I have no idea how to even pronounce the main character's name.
 
Hiya Keri,

I really enjoyed this and like others who have commented was quite taken aback when you changed tense half way through. Both tenses work well but think you'd be better off sticking to one in this particular piece.

I love the name of your character. I'm pronouncing it Chiarra making the 'i' silent but that's just me. You introduce the dark creature very well and I'm very intrigued by the big picture involved in this.

A few words, spelling and grammar spots. Whatever you want to call them!

'Ciarrai thought how magnificent this play of nature was, albeit disturbing.'
'...but were we quick enough to save the last remnant of the Forest of Evening song?' Question mark after the above perhaps?
'...around her face so that only a glimpse of her sparkling sapphire eyes...'
'The Gods are needed now more then ever (now) and...' Lose the second now.
'and their normally shiny silver armor...'
'The lips turn down distinctly in reply'
'I will contact you later, this taxes me too much for what must be done (later).”' Lose the second later.
'Daring an apprehensive...'

All in all a very good prologue. Would be interested to see what's to follow!
Kindest regards, Sparker
 
It's actually a name of Irish origin and the Gaelic pronunciation of Ciarrai would be KEH-ehr-ree.
 
It perhaps would be easier pronunciation if I anglicized it. Something like See-ar-ray. I love the Gaelic pronunciation but sometimes I do find myself anglicizing it if I'm just reading even.
 
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I love the spelling it's just a matter of pronunciation whether you should go with how society and true pronunciation or should you anglicize something to make it perhaps more easily readable.

Chiari is nice but it reminds me of wine because there is a wine with similiar name I believe of Chianti (sp).
 
Maybe just leave it to the readers. The name itself made sense to me, and I pronounced it Kee-are-ray.
 
I agree with Commonmind, let the reader decide how to pronounce her name. I think it's great to have unusual names, especially ones that mean something to you as the author. Would love to hear it said in a Gaelic accent now but alas this site is purely words on a screen... :rolleyes:

Sparker
 
Thanks for input. I hadnt really thought of pronunciation of name aspect until it was brought up and then I was overthinking it. ;p
 
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