Time Crystal Chapter 1

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Phil Brown

Writes as Wyken Seagrave
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More chapters and background at http://www.timecry
This is the first chapter of a multi-volume epic so it has to grip you so tight you'll think you sat in a pot of glue. You can see a graphic version of this and the next six chapters at Episode 1: The Tunnel
What I want to know is, will it appeal to young adults, 14-16 year olds? Will both boys and girls be engaged by it?

The Tunnel

She smelt her hair singe and felt the flesh on her outstretched arms and legs begin to blister. The heavy lump of blue crystal almost slipped out of her sweat-soaked hands as she twisted it trying to steer away from the shimmering, searing, mind-numbing red heat surrounding her and flew round the next bend. She blinked away the gobbets of sweat pouring down her face and peered ahead expectantly but the tunnel was empty. Where was he?

“Alex!” Catriona yelled. “Wait!”

She almost lost the precious blue stone again as her thumb jammed into the rear face, the one that made her go faster. “Wait, you selfish *******,” she screamed and flew round another bend wondering how far away he was and whether he’d heard her. Then she saw his trainers hovering in the tunnel. He was waiting for her.

“Don’t go so fast, Alex,” she shouted as she caught up with him. “I can’t grip this crystal.”

He turned and grinned at her with cool white teeth, apparently not at all bothered by the heat. “Want to swap then Kata?” he said, holding out the little blue pyramid he was using to fly.

“No way, honey!” she yelped. “Keep moving.”

He laughed and flew on. Catriona twisted her crystal as she followed him round another bend. Honey? Where had that come from? Then she remembered it was a word Mother sometimes used with her boy-friends. Must never call him that again if we ever get out of here.

She heard Alex give a whoop of delight and peered past him to see a pale circle of blue light round the bend. The sky! She had never seen any sight so welcome. And suddenly they were out of the tunnel and flying into the cool air. She glanced back at the tunnel mouth with a huge sense of relief, hoping she would never have to go into that inferno again. It seemed to dwindle and vanish behind her. Never be able to find it again even if we--

Then Alex must have slowed down or perhaps without realising it she pressed her crystal to get away from the tunnel faster but anyway somehow her outstretched arms hit his big feet and the precious blue crystal flew out of her grip. She grabbed for it but it shot away to her left and in a moment it merged into the blue of the sky and was lost from sight. Without the supporting field of the crystal she began to fall.

She looked down and with a dizzying sense of shock saw there was nothing beneath her but hundreds of metres of thin air. A snow-covered landscape was laid out far below, the tops of trees and outcrops of rock poking up through the glaring whiteness. A cold wind began rushing past her, a roar filled her ears, the snowy landscape lunged upwards towards her, the wind began biting through her thin sweaty clothes with icy fingers and she knew that within a few seconds she would hit the ground. She was going to die. There was nothing she could do about that.

Instantly the implications of her death were obvious. That selfish ******* Alex would keep the crystal, Sam would die and Michael wouldn’t be able to restart time. The Universe would be frozen for ever. It was a complete disaster, her worst nightmare come true. But she also realised there was nothing she could do about any of that now. Suddenly the roaring wind fell silent. A profound sense of calm detachment swept over Catriona. It was all too late. Nothing could save her or the Universe now.

She looked around, at peace with the world, savouring the last moments of her life and of the Universe itself. She had done her best during the horrific events of this morning and she had found Alex, the love of her life. No sixteen-year-old girl could ask for more than this and now she accepted her fate completely. Time seemed to hang in the air beside her. She said a little prayer for Sam, for Alex and even for Mother.

To her right lay a line of snow-covered mountains. She remembered seeing them for the first time this morning when Sam drove her and Mother up that long straight road out of Geneva. She had known, almost from the time she first saw them, that something awful was going to happen. In a moment that seemed to last for hours all the terrible and trivial events of the day unfolded before her eyes as if she was watching them happening to somebody else on TV.
 
Interesting. It definately makes me want to read more. Whether or not it will "grip me like glue" cannot be seen without more, of course, but it looks pretty good so far. There were a few mechanical errors, but nothing a quick edit can't fix, so I won't bug you with those. One thing I would say is make it more obvious that she is flying. Until you actually mentioned that Alex was using the thing to fly. Up until that point, I thought she was sprinting, and I thought "flew around the bend" was figurative. :D The only other thing is that when the characters are shouting/yelling/etc, use exclamation points. It seems kinda odd to use commas and make it seem like normal dialogue and then tell us that they're shouting. Overall, though, good writing and an enjoyable read. :)
 
Thanks so much for these comments.
There were a few mechanical errors, but nothing a quick edit can't fix, so I won't bug you with those.
Oh yes please bug me with errors. It's precisely to debug this work that I'm here.
One thing I would say is make it more obvious that she is flying. Until you actually mentioned that Alex was using the thing to fly. Up until that point, I thought she was sprinting, and I thought "flew around the bend" was figurative.
Maybe a little confusion on the part of the reader is not a bad thing. The element of surprise is desirable. Wonder what other folks think?
The only other thing is that when the characters are shouting/yelling/etc, use exclamation points. It seems kinda odd to use commas and make it seem like normal dialogue and then tell us that they're shouting. Overall, though, good writing and an enjoyable read.
Good point! Changed text to:
“Wait! Selfish *******!” she screamed.
 
This is the first chapter of a multi-volume epic so it has to grip you so tight you'll think you sat in a pot of glue. You can see a graphic version of this and the next six chapters at Episode 1: The Tunnel
What I want to know is, will it appeal to young adults, 14-16 year olds? Will both boys and girls be engaged by it?

First I don't think you should try to make your piece only appealing to young adults. I think you should write it to be appealing to all ages. There didnt seem to be any too adult themes or language so that isnt a problem, but young adults want very much to be treated as adults and as long as the material isnt profane or too adult in nature and is written well it will be for an expanded audience. You may be doing yourself a disservice if you narrow your vision too far and try to specifically target a very small average of people. Take the Harry Potter books for an example, they are well written yet an adult, young adult to child is entertained by them.

The Tunnel

She smelt her hair singe and felt the flesh on her outstretched arms and legs begin to blister. The heavy lump of blue crystal almost slipped out of her sweat-soaked hands as she twisted it trying to steer away from the shimmering, searing, mind-numbing red heat surrounding her and flew round the next bend. She blinked away the gobbets of sweat pouring down her face and peered ahead expectantly but the tunnel was empty. Where was he?

The attempt at imagery here is good but confusing. You don't paint a clear picture of the action and it's not in a proper psychological order so that the reader relates to it. Usually you want Emotion,Quandry, decision action. It's been proven psycologically that is how people react. You just seem to go out of order throughout this piece so the flow is very bad for me I don't relate to your character as much as I should.
When I picture someone with "outstretched arms I think of widespread" Yet you tell me she is twisting it which you assume she is holding in both hands, so how are her arms outstretched exactly and if they are in front of her at full arms length isnt that a seeming unnatural positions. Perhaps I just have problems with the wording of this part. You give us no clue to her surroundings just immense heat and make us feel it is geographical, then later in piece it seems it is the crystal causing it? Apparently it isnt that mind-numbing of a heat because she still seems to be thinking lucidly.

“Alex!” Catriona yelled. “Wait!”

She almost lost the precious blue stone again as her thumb jammed into the rear face, the one that made her go faster. “Wait, you selfish *******,” she screamed and flew round another bend wondering how far away he was and whether he’d heard her. Then she saw his trainers hovering in the tunnel. He was waiting for her.

Is it a stone or crystal because I assure you I see each in my mind as different. Whoops I take it back that there wasnt any inappropriate language. I think some parents don't want their young adults seeing the "selfish *@#%%^"

His trainers are hoving in the tunnel do we suddenly have more people here? Are they important to the story? If she was so far behind that she couldnt see him how did she catch up with him so fast and if she's having mind-numbing problems controling her overheated crystal. Why would she waste her breathe shouting at him, just pursue him maybe scream in pain and rage or whatever other emotion she's feeling.

“Don’t go so fast, Alex,” she shouted as she caught up with him. “I can’t grip this crystal.”

He turned and grinned at her with cool white teeth, apparently not at all bothered by the heat. “Want to swap then Kata?” he said, holding out the little blue pyramid he was using to fly.

I can see maybe a shouted taunt but if they are flying along at top speeds dont you think this whole scene seems a little unrealistic. Is he flying backwards through the air now at mega speed and taunting her? She can clearly see his nice white teeth through the pain and her struggles with the crystal and that is what she's focusing on?

“No way, honey!” she yelped. “Keep moving.”

He laughed and flew on. Catriona twisted her crystal as she followed him round another bend. Honey? Where had that come from? Then she remembered it was a word Mother sometimes used with her boy-friends. Must never call him that again if we ever get out of here.

She heard Alex give a whoop of delight and peered past him to see a pale circle of blue light round the bend. The sky! She had never seen any sight so welcome. And suddenly they were out of the tunnel and flying into the cool air. She glanced back at the tunnel mouth with a huge sense of relief, hoping she would never have to go into that inferno again. It seemed to dwindle and vanish behind her. Never be able to find it again even if we--
ok first I thought it was environment then I thought it was crystal causing heat, now I'm told its the tunnel. Still seems like she is being spacy and not focusing on the objective get out of the tunnel and catch him.
Then Alex must have slowed down or perhaps without realising it she pressed her crystal to get away from the tunnel faster but anyway somehow her outstretched arms hit his big feet and the precious blue crystal flew out of her grip. She grabbed for it but it shot away to her left and in a moment it merged into the blue of the sky and was lost from sight. Without the supporting field of the crystal she began to fall.

Unrealistic portrayal of her dropping crystal. Way too convenient. He knows she's chasing full speed he apparently didnt want to get caught before or slow down before, why did that change? You expect me to believe if they are in training to fly from the trainers comments that they don't have some sort of harness for the crystal.
I'd maybe buy her rounding the corner and running smack into him and then starting to fall and losing grip on her crystal then, I dont relate to the whole convenient foot hitting the arms.What is she holding the crystal over her head? If I had a crystal in my hands for flight I'd be holding it closer to my body, especially if i had to manipulate and control aspects of it during flight.

She looked down and with a dizzying sense of shock saw there was nothing beneath her but hundreds of metres of thin air. A snow-covered landscape was laid out far below, the tops of trees and outcrops of rock poking up through the glaring whiteness. A cold wind began rushing past her, a roar filled her ears, the snowy landscape lunged upwards towards her, the wind began biting through her thin sweaty clothes with icy fingers and she knew that within a few seconds she would hit the ground. She was going to die. There was nothing she could do about that.

Instantly the implications of her death were obvious. That selfish ******* Alex would keep the crystal, Sam would die and Michael wouldn’t be able to restart time. The Universe would be frozen for ever. It was a complete disaster, her worst nightmare come true. But she also realised there was nothing she could do about any of that now. Suddenly the roaring wind fell silent. A profound sense of calm detachment swept over Catriona. It was all too late. Nothing could save her or the Universe now.
How about some emotional reaction from her before she starts worrying about all this information that you want to get in somehow so it forwards the plot to your story. Too much information here, too many differing emotions. I'm sorry but If I were falling my first reaction would be to be scared then instinctively i'd try to stop my fall somehow, but in this case that would be pointless so I'd try to think is there anyway out of this.
She looked around, at peace with the world, savouring the last moments of her life and of the Universe itself. She had done her best during the horrific events of this morning and she had found Alex, the love of her life. No sixteen-year-old girl could ask for more than this and now she accepted her fate completely. Time seemed to hang in the air beside her. She said a little prayer for Sam, for Alex and even for Mother.
Alex is a selfish ******* who is going to keep the crystal yet he is the love of her life. I don't think her age at this point in time introducing it is relevant.

To her right lay a line of snow-covered mountains. She remembered seeing them for the first time this morning when Sam drove her and Mother up that long straight road out of Geneva. She had known, almost from the time she first saw them, that something awful was going to happen. In a moment that seemed to last for hours all the terrible and trivial events of the day unfolded before her eyes as if she was watching them happening to somebody else on TV.

The ending here needs alot of work. You put me in a technology that I didnt expect the TV and I wouldn't abbreviate it I'd write television. You introduce people she'd never thought of before. Maybe you could do a flashback sequence in here instead of all this information running through her head on the fall down she could have one of those split second flashbacks but I'd still keep it brief. After all how much altitude did she have coming out of a tunnel? You didnt give the impression she soared high.
 
This is the first chapter of a multi-volume epic so it has to grip you so tight you'll think you sat in a pot of glue. You can see a graphic version of this and the next six chapters at Episode 1: The Tunnel
What I want to know is, will it appeal to young adults, 14-16 year olds? Will both boys and girls be engaged by it?

Hi, phil, this is a long read. Here are a few of my comments. Please these are just my personal opinions, so take it in good faith.

The Tunnel

She smelt her hair singe and felt the flesh on her outstretched arms and legs begin to blister. The heavy lump of blue crystal almost slipped out of her sweat-soaked hands as she twisted it trying to steer away from the shimmering, searing, mind-numbing red heat surrounding her and flew round the next bend. She blinked away the gobbets of sweat pouring down her face and peered ahead expectantly but the tunnel was empty. Where was he?

>I don't think this scene is plausible . If the heat was that much and surrounding her wouldn't she be legging it? She seems to be in a lot of discomfort, having the time to ponder on the whereabouts of he cannot be the foremost thing on her mind. Secondly, what is the illumination in this tunnel? If it is her crystal then she will have a hard time seeing distances,making flying in such a bending tunnel at anything greater than walking pace hazardous.

“Alex!” Catriona yelled. “Wait!”

She almost lost the precious blue stone again as her thumb jammed into the rear face, the one that made her go faster. “Wait, you selfish *******,” she screamed and flew round another bend wondering how far away he was and whether he’d heard her. Then she saw his trainers hovering in the tunnel. He was waiting for her.

>I think these questions of almost losing this crystal should be dropped. Use it only once as it seems as if you are just repeating yourself.

“Don’t go so fast, Alex,” she shouted as she caught up with him. “I can’t grip this crystal.”

He turned and grinned at her with cool white teeth, apparently not at all bothered by the heat. “Want to swap then Kata?” he said, holding out the little blue pyramid he was using to fly.

> I take it the crystals are the reason they can fly? Why is he not suffering some effects like she is? I can understand he not feeling the degree of discomfort like she is, but none at all? maybe changing the heat discomfort to flight phobia will be better.

“No way, honey!” she yelped. “Keep moving.”

>Yelped does not sit well here, making it seem like she is dropping something or executing a painful avoidance reaction. Perhaps 'yelled' is better.

He laughed and flew on. Catriona twisted her crystal as she followed him round another bend. Honey? Where had that come from? Then she remembered it was a word Mother sometimes used with her boy-friends. Must never call him that again if we ever get out of here.

> For one in discomfort, she has an awful amount of time on her hands for dreaming up inconsequentials. I think this should be after this painful sequence when she has time to think it over.

She heard Alex give a whoop of delight and peered past him to see a pale circle of blue light round the bend. The sky! She had never seen any sight so welcome. And suddenly they were out of the tunnel and flying into the cool air. She glanced back at the tunnel mouth with a huge sense of relief, hoping she would never have to go into that inferno again. It seemed to dwindle and vanish behind her. Never be able to find it again even if we--

>So the cause of the discomforting heat is the tunnel? That makes it even more incomprehensible how Alex is immune.Tunnels are dank places, if there is heat, breathing would be exceedingly difficult, yet you make no mention of that. This would affect Alex as well no matter how immune he is to the heat.


Then Alex must have slowed down or perhaps without realising it she pressed her crystal to get away from the tunnel faster but anyway somehow her outstretched arms hit his big feet and the precious blue crystal flew out of her grip. She grabbed for it but it shot away to her left and in a moment it merged into the blue of the sky and was lost from sight. Without the supporting field of the crystal she began to fall.

>With all due respect please expunge this and initiate a re-write. Not only is this implausible it looks contrived. Our natural fear will make any human espercially cautious with a crystal that causes the flight. I think a better way is putting some sort of action that puts the boy in grave peril, he then takes evasive action colliding with the girl. As a result her crystal is knocked out.

She looked down and with a dizzying sense of shock saw there was nothing beneath her but hundreds of metres of thin air. A snow-covered landscape was laid out far below, the tops of trees and outcrops of rock poking up through the glaring whiteness. A cold wind began rushing past her, a roar filled her ears, the snowy landscape lunged upwards towards her, the wind began biting through her thin sweaty clothes with icy fingers and she knew that within a few seconds she would hit the ground. She was going to die. There was nothing she could do about that.

>It is difficult to believe that one who has just lost her locomotion will have all the time to ponder on the vista of the surrounding landscape. Ideally, she should be trying to find a way out and then be engulfed with increasing fear.

Instantly the implications of her death were obvious. That selfish ******* Alex would keep the crystal, Sam would die and Michael wouldn’t be able to restart time. The Universe would be frozen for ever. It was a complete disaster, her worst nightmare come true. But she also realised there was nothing she could do about any of that now. Suddenly the roaring wind fell silent. A profound sense of calm detachment swept over Catriona. It was all too late. Nothing could save her or the Universe now.

>Re-start time? Was it stopped in the first place? Why would the Universe be frozen over if time is not re-started? If time were frozen that does not mean the Universe will freeze over. Where will the Universe get the time to freeze?

She looked around, at peace with the world, savouring the last moments of her life and of the Universe itself. She had done her best during the horrific events of this morning and she had found Alex, the love of her life. No sixteen-year-old girl could ask for more than this and now she accepted her fate completely. Time seemed to hang in the air beside her. She said a little prayer for Sam, for Alex and even for Mother.

>In one paragraph Alex is a selfish ******* in the next he is the love of her life. It is doubtful that a sixteen year old would be madly in love with a boy and be able to identify that the same person is a selfish *******. The two do not go together.

To her right lay a line of snow-covered mountains. She remembered seeing them for the first time this morning when Sam drove her and Mother up that long straight road out of Geneva. She had known, almost from the time she first saw them, that something awful was going to happen. In a moment that seemed to last for hours all the terrible and trivial events of the day unfolded before her eyes as if she was watching them happening to somebody else on TV.

>TV? Geneva? These are out of place with the context of the story.This is someone who I take it has the associate power to alter the very universe. And yet she cannot master a discomfort that her lover can, has lost her crystal yet is seemingly floating down to earth.

>This is an ambitious project, so I must be frank. The whole piece needs a great deal of work. The underlying themes (Crystal, freezing universe etc)are good premises, but need to be mapped out in a way that can be realistically comprehended. Events and Micheal spring up in ways that disrupts the flow and plausibility of the story. For example if Alex is the love of her life, why is she surprised that she called him honey? Also if she had only found him this morning how does she know he is so selfish and is the love of her life? Is she Kata or Catriona? This is the beginning of your story and instead of some clear peril or goal that should hook our interest, all we get are some haphazard hints. It is all a bit confusing.
 
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