Well, this has gotten slightly off-topic....
So I may as well put in my 2c worth here...
I don't know if we're going to see a new cycle or not. Hollywood has had periods when it has been very innovative and creative, then periods when it becomes so formulaic that it becomes a laughingstock, until independent and foreign films begin raking in the cash and acquiring the critical acclaim... then Hollywood plays catch-up, and then you have a flowering of genuine talent again which go in their own directions, and you end up with a proliferation of good, mature, thought-provoking work coming from Tinseltown... and then the audience seems to lose interest in anything but popcorn films, and so Hollywood (being a business much, much more than a place devoted to art) follows the dollar and makes dross... and we start the cycle all over again. This time, however I'm not sure we'll see that turnaround (at least, not anytime soon). Where, in previous cycles, when there's so much social unrest and uncertainty, when things are tense, tight, and confusing, we've seen a ferment in the arts, a growth of new voices addressing the issues and looking for solutions through the media of their art... we're not really seeing that these days. Instead, we get either bubble-gum crap or pretentious vacuity with no real thought to it... simply flash. Or we get bubble-gum crap wrapped up as meaty, thought-provoking art (Tarantino is one who comes to mind here, I'm afraid, but there are
plenty of others. Frankly, I'll take dozens of Godard's, Resnais's, Truffaut's, etc. over just about any of the "arty" directors Hollywood has turned out in the last 3-4 decades.)
I don't think we're lacking in good scenarists
per se... but have you taken into account the fact that a writer's fee in Hollywood isn't much over what it was 30 years ago, whereas nearly every other profession has had their pay grow nearly exponentially? Why on earth should they put out their best efforts to a) be given peanuts; b) be treated like chattel; c) get no recognition from filmgoers (with extremely rare exceptions)? Would any of you? As long as formulaic
dreck brings in more money, why strain your brain creating genuinely thoughtful, innovative scripts that will be emasculated by rewrites, editing, and hamfisted handling? And you're seeing something of a no-win situation: If people
stop going to these gawdawfully disastrous handlings of sff material, then the producers just decide that sff
itself is at fault (not the sheer idiocy of the handling); whereas if people
continue going to this garbage, there's no incentive to improve its quality. The
only thing that will change that is if good, quality films of this nature are brought in from outside, and begin making much, much more money than the Hollywood bilge; then they start to take notice. But as long as a prejudice in favor of the big guys and against smaller budgets, subtitling, and foreign filmmaking is in place... we're not likely to see a renascence of the sff film as a true art form....