j. d. worthington,
Is your daughter on the stage by any chance?
I wrote:
Analysis can be applied to any text, good, bad or indifferent, so why not study Noddy, the Beano and little Mr. Potter instead. Endow them with the same pretensions as we do as Shakespeare and then they are equally good whetstones to sharpen the mind are they not?
To which you replied (notational numbers being my inclusion:
Theoretically... yes. In practice... hardly.[1]
What you're dealing with here is a reductio ad absurdum argument.[2]
Under such an argument, Harlequin romances would be as good. [3]
No; a text that is richer in itself is a much, much better whetstone for sharpening minds than one that has about the same texture as a loaf of Wonder Bread (metaphorically speaking).[4]
No one is endowing Shakespeare with "pretensions"... [5]
the richness is there to begin with.[6]
To put your other examples on the same plane, on the other hand, would be to endow with pretensions of an extreme sort.[7]
[1] What you
seem to be groping towards here but have not stated is that it is easier to get students to study analysis using a text which is inherently interesting. This may well be true, if it is then clearly we would be better teaching our students using the Beano as it is far more interesting than Shakespeare and if it does get boring then it at least has pictures that tell you something about the text such that no one comes away from the text with nothing. I am not however convinced that by using an 'interesting' text as the focus of thier study students are being correctly encouraged to apply analysis. Surely being able to analyse the content of a mobile phone contract is a better life skill than being able to disccourse upon something interesting like the relative merrits of the Culture and contemporary American society or even something really boring like how having Hofman, a real Jew, playing Shylock impacts the dynamic of Ther Merchant of Venice.
[2] My argument is not a reduction to the absurd argument as either a mathematician or a logician would understand the concept. I suggest therefore that you are using exageration for dramatic effect, deploying rhetoric to convince the audience?
[3] I assume that a Harlequin romance is like the fine cod purveyed by Messers. Mills and Boon rather than the quest of the clown in motley for his Columbine? In any case your assertion is correct, your assertion to the nature of my argument as in [2] above wrong.
[4] At this point we come to the crux of your argument. That 'richness' of text is an important factor in how well that text can be used to sharpen minds. This may or may not be so. Unfortunately, you have neither defined what 'richness' is nor demostrated that it is to be found in the works of Shakespeare. Thus I cannot comment on this your central thesis.
[5] No one is endowing Shakespeare with 'pretensions'". I take as MY text the ancient art English Pantomime. "OH! YES THEY ARE!". I content that Shakespeare is pretentious for the following reasons; some of it is propaganada in support of crowns long fallen, it is of inconsistent morality, it is laughable when it should be serious, pathetic when it should be funny, human motivations are often unreal, it is racist, sexist and sectarian, I grow weary &c. &c. &c.. You on the other hand ask the audience to accept your assurances that Shakespeare is without pretensions simply on your say so! Not good enough!
[6] If you think the stuff is 'rich' show us why. We are not Orwell's sheep, you have to show us not only that the text is 'rich' but the 'richness' has some value. Do not expect us to say "baaaaa baaaa it is rich because j. d. Worthington says it is so"
[7] If you think the Beano is pretentious you have to demostrate it to your audience. Ditto Noddy. Ditto Potter (although in this case I would personally yeild to your position out of personal distaste for the text).
You also wrote:
Again, not at all the same thing. Prokofiev's music can be studied as written scores, but it was originally played, not simply written. It is, if you will, a different language, a different medium, while plays, like books, are in a spoken language that is also a written language. [1]
Shakespeare wrote to be performed, [2]
also had to be read, for one thing; for another, the man simply wrote some of the most amazing pieces of literature in the English language... ever! [3]
one wishes to study English as either a language or as literature, then one turns to the greatest exemplars there are, and he most certainly fits the bill [4]
[1] This is not a valid argument. One can read Prokofiev but fewer than one in a thousand can appreciate it fully this way. I was meant to be played not read. Once can read Shakespeare but in doing so so much is lost, he intended his plays to be performed not read.
[2] This point in a nutshell
[3] No he did not. He wrote what SOME people think were the most amazing pieces in the nglish language. Good God some people think Buffy scripts are the greatest works in the English language, some the Bible. You would not want to stop these people having an opinion but yopu would not want to encourage them in thier delusions. So too with the Shakespeare buff (see just like the bard I can do really bad puns, just like the bard they are quite,quite rubbish).
[4] This suggests we might study English Lit for some reason other than to learn analysis, I for one can see no other reason. One does not need to be trained to read for enjoyment.