Fatal Phone

Status
Not open for further replies.

timelord4

The never on time lord
Joined
Jun 19, 2007
Messages
239
Location
Don't know yet. But it should be fun!
Fatal Phone
All crits welcome and appreciated ~ Approx. 700


The grit filled wind scoured a path across the train tracks, gathering momentum as it raced along the platform, dying as it passed from the station.

Mark shielded his eyes and looked up at the flashing timetable. “Brown line: Next train departing from platform 2. Limited stops to Ealing Broadway.” He glanced over at the platform clock. Nine minutes to go.

His fingers returned to their tattooing of the bench seat; it was a habit that made him seem nervous, though in fact it was quite the opposite. Mark was bored. His whole life was boring. A tired relationship, souring with the passing of time, work colleagues that appeared more like cut-and-paste than real figures, a mother that brought over baskets of plastic fruit. Boring!


‘Do you believe in fate?’

Mark jumped. He hadn’t heard the woman walk up, hadn’t caught the musky scent that now flooded his senses. He stiffened, flushed at the disturbingly blue eyes that remained steady on him.

‘What?’ he mumbled, trying to remember what had been said.

‘Does it excite you, the thought of making love to a perfect stranger?’

Scarlet finger-nails brushed across his cheek and he felt himself stir. She was exquisite, standing over him in her expensive-cut suit, with just enough cleavage to suggest at further pleasures - hidden secrets begging to be explored. His fingers stopped their drumming.

A loudspeaker chimed. “Pink line. Next train from platform 1. All stops to Hammersmith. First stop Mile End, then Stepney Green, and Whitechapel and…”

The woman hesitated; her pink tongue ran across lush lips. As if to come to a conclusion, she pulled a mobile from her purse and tossed it to him. Pointing a slender finger at the phone she murmured, ‘If you believe in fate, then that is your destiny.’ Her smile broke over him like a whispered promise.

God she’s beautiful! Mark thought, easing himself on the bench in effort to adjust his obvious stirrings.

Leaning forward she brushed her lips against his, pressing closer to sigh softly in his ear. ‘Would you die for me?’

He felt her heat; aching to be filled, aching for release. Unbidden, his arms came out in embrace. She turned abruptly and crossed to the arriving train on platform 1, pausing to look over her shoulder. Melancholy blanked her features, a sadness that permeated and blemished the perfection that she symbolized.

Mark hastily stood, his blood on fire. He had never wanted this badly before. His mouth tasted of her, caused a lump in his throat that savoured of lust, slid to the depths of him and blossomed with desire.

But thinking had enslaved his movements and he could only watch as the train moved slowly away from the station, her finger-tips pressed against her lips in a silent farewell. Yes! he screamed inside his head.

#

The phone rang.

Mark fumbled with the lid and flipped it open. The message read. “Follow your destiny. Fate is the final resting place of destiny.”

What the…? She must want me to follow her. She wants me!

An urgency enveloped him and he looked at his watch. One minute before his train arrived. First stop Whitechapel. Hers makes a couple of stops before Whitechapel. He could beat her there! Yes!

It never dawned on him the full implication of the message, it never would. Fate was a waiting lady; destiny was a run-away train.

#

Hurrying into the carriage, Mark bumped into a pretty girl alighting to the platform. His arm caught against her bright yellow and black back-pack and on impulse he stopped her. ‘Do you believe in fate?’

She edged away, eyeing him suspiciously.

‘Never mind,’ he smiled. ‘Here, take this and follow your destiny.’ He tossed her the phone and smiled. ‘It’s my destiny that I follow now and fate is my destination.’

He laughed and the girl stepped back startled. She glanced up at him, then down at the phone in her hand. Before she could answer, the door hissed closed and the train moved away; through the rear window she could see his unmoving figure smiling back at her.

#

The phone rang.

The message read: “Fate and destiny will collide at Whitechapel. One survivor.”

Crank! Angrily she tossed the phone into a bin, thinking nothing more of it as she crossed the platform for her connecting train to Hammersmith.
 
A very intriguing tale.

Is this the beginning of something more perhaps?

I do have to thank you though for mentioning Whitechapel though as it jostled an idea for a story I had months ago from my memory.
 
Hi Timelord,

I'll probably leave the grammar crit for the moment - don't want to confuse my hyphens and dashes again! (not sure how to do those little faces, but please assume this is done with a wink and a jolly smirk for Chris!).

I liked the style. I very much like fantasy/supernatural set in the modern age, so this really chimed with me. Is it going to have a Jack the Ripper element to it or have I been listening to too much Radio 4 rubbish about Whitechapel recently?

Very minor point - I'm not a Londoner myself, but as far as I'm aware (and happy to be corrected if I'm wrong), tannoy announcers don't refer to Tube lines by their colour. The pink line is the Hammersmith and City and the brown line is the Bakerloo. To be absolutely accurate, your character would probably read the travel times off the orange LED boards which have cropped up at most London stations. There are still tannoy announcers, but as a general rule no-one can understand more than one word in thirty that they say. The average announcement goes something like "mmphh mmphh (crackle feedback) mmphh, Kings Cross mmphh (ear-piercing whine) mmphh long delays mmphh (five seconds of inexplicable dead air) inconvenience caused."

Regards,

Peter
 
hahah

Peter, it's been years since I was last in London. I even had to access the internet to authenticate the line colours. Forgot them. But yeah, I thought about the announcers, whether they were redundant by now. *muphfle... murfo&# :D And especially coming through tannoys ~ they're so tinny.

But it's just a throw together. The second part carries straight on with a new...well, you'll just have to read it. :D
 
Hi Timelord,

I'll probably leave the grammar crit for the moment - don't want to confuse my hyphens and dashes again! (not sure how to do those little faces, but please assume this is done with a wink and a jolly smirk for Chris!).

I liked the style. I very much like fantasy/supernatural set in the modern age, so this really chimed with me. Is it going to have a Jack the Ripper element to it or have I been listening to too much Radio 4 rubbish about Whitechapel recently?

Very minor point - I'm not a Londoner myself, but as far as I'm aware (and happy to be corrected if I'm wrong), tannoy announcers don't refer to Tube lines by their colour. The pink line is the Hammersmith and City and the brown line is the Bakerloo. To be absolutely accurate, your character would probably read the travel times off the orange LED boards which have cropped up at most London stations. There are still tannoy announcers, but as a general rule no-one can understand more than one word in thirty that they say. The average announcement goes something like "mmphh mmphh (crackle feedback) mmphh, Kings Cross mmphh (ear-piercing whine) mmphh long delays mmphh (five seconds of inexplicable dead air) inconvenience caused."

Regards,

Peter

Grins back "well, I'm very proud of having convinced my keyboard to give me a – dash as well as a - hyphen (well, I can see the difference)

As an ex-employee of Tannoy I can tell you they lost the contract for British rail and London transport more than fourty years ago; those re-entrant horns you're complaining about are japanese (and will doubtless soon be chinese) That doesn't affect the fact that spreading them along the platform in lines is about the worst solution in terms of intelligibility you could come up with.

The grit filled wind scoured a path across the train tracks,
Why don't I like "train tracks"? It doesn't sound English enough. Rails?

work colleagues that appeared more like cut-and-paste than real
Even if they're cardboard cutouts I'd prefer "who"

easing himself on the bench in effort to adjust his obvious stirrings.
in an effort

His mouth tasted of her, caused a lump in his throat that savoured of lust, slid to the depths of him and blossomed with desire.
If you want to keep that first comma it's "causing". I'm not sure of "savoured of"; you can savour something, or something can have savour, but I'm not convinced something can "savour of"
 
i'm not so keen on the train/railroad scene, but it's a nice setting for a quirky, fatalistic story like this. wondering if this is chapter 1 or something? or just a short story
 
Well I don't know anything about the London train system and what color they should be etc etc, so I can't comment, however its good that you have those who are in the know.
As far a story goes, yes I liked it. I could read more, is there more? I think Mark thought he was onto a good thing there, it may teach him never to speak to strange women, if he is lucky enough to survive the lesson, which I somehow doubt.
More Timelord more.....
 
Thank you very much for your comments.

hahah

This was originally a challenge piece between friends. I never thought I'd be posting it on a UK based forum. *blushes* Train tracks ~ Oz, Rail ~ British. You're all right! Doesn't sound fitting for the setting. Thank you.

Chris:
Grins back "well, I'm very proud of having convinced my keyboard to give me a – dash as well as a - hyphen (well, I can see the difference) :D:D
You crack me up!

Tanga & Ace:
Yes there is a follow up; just to see what happens down the track (excuse the pun) :p


 
Everything before "Do you believe in fate" is a false start; cut it.

Don't tell me what the characters are thinking in the second and third sections of the story. Show me.

Overall I'd recommend fleshing this piece out a bit. It's pretty rare that I advise someone to write more, but the impact of the final sentence isn't punching for me. I'd like to have a bit more of an emotional build up than "Guy who really wants to get laid, dies." Which isn't a bad story (hell, it's one of the greatest ever told) but all I see of Mark at this stage is his libedo.
 
Thanks JDP

That's what one of my critique group told me as well, cut the front out. And good point about the second and third scenes. I don't do it in my MS, but then again, there's room for movement in epic adventures. I find it a bit difficult trying to write short stories and I'd like to, in an effort to gain more gongs in the CV. Thanks again.
 
I really can't add any more than what the others have already said, apart from I want to know who survives. and the impact it has on the survivors fate. I really like the sense of obsession and slight eroticism in the piece. Good start.
 
Status
Not open for further replies.

Similar threads


Back
Top