The start of something hard boiled.

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Musky

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This is not science fiction or fantasy, so I hope it's all right to post it here. I'm pretty new, and have been impressed by the opinions posters offer in this forum. Though I love reading science fiction, I doubt I could write it. I also have read a lot of hard boiled detective fiction, and writing a noir type novel with an extremely flawed main character appeals to me. Here's a start. I would love some opinions about the structure, the flow, description, grammar, just about anything. This is my first try at writing fiction in almost 25 years. Since workshops I took in college. This character will eventually end up trying to help the person banging on the door.




A rapid banging, and the rattling of the loose glass panes in the old front door of his small restaurant wake him. He is laying on the threadbare couch in the main room of the apartment behind the restaurant. It is hot and humid in the tiny space. He blinks his eyes, sits up slowly, pushing with his right arm. There’s pain. He looks at it, a purple bruise and bloody scrape near the elbow. The banging and rattling continue. His eyes will not stay focused. His head throbs. He reaches behind his head with his right hand, winces, rolls his head on his neck, digs his fingers in hard at the base of the skull, massaging.

Out front, the banging and rattling stops.. His vision clears. He glances around the apartment, the fingers still pressing the bottom of the skull. Besides the couch, the room holds a futon, an expensive sound system, a dirty white side by side refrigerator/freezer, an end table and lamp, and a small, round, wooden table stained with water rings and cigarette burns. The floor is a filthy maple, also burned by cigarettes. His pants and shoes lay together on the maple close to the end of the couch. A door opens to a tiny bathroom with a cracked tile floor and tub wainscoting, a wall hung sink. There is no kitchen, when he cooks for himself, he does it in the restaurant. On the table, a can of light beer on its side, an open bottle of vodka two inches from empty, a glass one third full with clear liquid, a too small ashtray overflowing with cigarette butts, two lighters, a crumpled half full pack of Marlboro Lights, a set of keys, a wallet. The floor next to the table is puddled with the spilled beer, the smell strong mixed with the heat and the burned cigarettes. On the floor, a large unplugged box fan lies flat, one chair lies on its side, one other upright. Along two walls are homemade shelves lined with thousands of LP’s. They have not been disturbed.

He takes a tentative deep breath, wheezing, lungs roasted from dozens of cigarettes, the sourness of what he smells made more real by the taste in his mouth.

"Oh. Christ." Sighing. He stands, steps unsteadily to the bathroom, feeling the need to urinate. In the bathroom, the smell of urine in the heat, the floor wet around the toilet, splatters dry on the wall.. His face wrinkles at the new smell and the wetness on his bare feet. He fumbles himself out of his boxers, pees haltingly in the toilet. He wets a towel in the tub, wipes his feet, throws it over the wetness on the floor. Feet wiped and bladder empty, he moves to the wall hung sink, one hand on each side, head hanging. Three small dry coughs start it, heavy dry coughs follow, nothing loose in the tobacco ravaged lungs. The coughs become dry heaves. It lasts for minutes, tearing at the muscles in his sides and throat. Like the coughing, the heaving produces nothing. It subsides. He raises his head, looks in the mirror, face crimson, framed by muttonchops, cheeks wet with tears and sweat, the flesh of the nose swollen and mottled with thin purple veins, eyes bloodshot. There are red/black specs under the eyes from capillaries broken by the violence of the episode.

Shaking hands turn on the cold water, he bends, drinks deeply, his mouth on the spigot. In a basket on the toilet tank are aspirin. He fumbles with the cap, shakes a half dozen of the small pills into his palm, tosses them in his mouth, bends, and again drinks deeply. He straightens, and the banging and rattling at the front of building begins again in earnest. He thinks of his keys on the table, becomes concerned, thinking about cops. He leaves the bathroom, goes to the one small window looking out of the apartment and into a gravel parking lot. The window is painted shut, the panes a dull yellow from cigarette smoke. He sees his car is not there. He thinks he did not drive back the previous night. He typically walks home, gets his car in the morning. When he is not able to walk, Donnie brings him. He wonders what, or if, he had eaten.

"Please, go away." He says quietly to the banging and rattling, but mostly to himself. He keeps his breathing shallow, afraid of the coughing. "I am not ready for this friggin’ day to start." The banging and rattling stop. Relieved, he steps backs into the middle of living room. His hands are still shaking. His heart hammers in his chest. He picks up the overturned chair and sits at the edge of the table. He looks at the open vodka bottle, picks up the dirty glass, smells the liquid. Standing, he walks to the bathroom, dumps it in the sink. Back in the living room, he looks again at the vodka. His legs tremble slightly as he steps to and opens the freezer, takes ice cubes from an open bag, and fills the glass. He picks up the vodka, pours about an inch and a half on the ice, adds some water at the bathroom sink. Returns and sits again at the table. A small one to start the day, cure the shakes. He needs it to get the restaurant open. He takes a cigarette from the crumpled pack and lights it with one of the lighters, rights the beer can to use as an ashtray.

The nicotine calms his quivering lungs. Two big swallows from the drink, added to the alcohol still in his system, soon stop the shaking and slow his heart. Several minutes later, when the banging on the door again makes the loose windows rattle, he is feeling much better. He grins.

"Screw you," he says, louder this time, but still to himself. "I am having a cocktail, a cigarette, and then a shower. Read the sign on the door. Sloppy Joes opens at 11:00. You can talk to me then."
 
Good stuff Musky.

Just one point, there are a lot of sentences starting "He did this....." or "He did that....". That may be an intentional part of the style of the piece but it tends to stop the general flow. If it's not intentional, then sentences like that can usually be merged to make a better read.
 
Your descripts in this are pretty good and as a reader I can certainly visualise everything and what's going on. However, from my persepctive, the descripts are overly long. You provide a lot of specific details which aren't necessary for the reader to get a feel for the location. e.g. you've listed out everything that's in the room, but just stating that it's shabby and spartan would do. You can then get into specifics as the character interacts with the environment. Otherwise, the pace slows right down and I found myself switching off a bit due to too much unecessary information.

Your grammar's pretty good, but I did spot a couple of occassions where you really should've made one sentence, two:

There is no kitchen, when he cooks for himself, he does it in the restaurant.

You should break this into two. Full-stop after kitchen. I can see your style of writing revolves around punchy statements linked together with commas, but you've got to be careful you don't overdo this and rely too much on the comma. When you read it, this can actually affect the flow as the piece feels very 'clipped'.

Overall, it's pretty good and you certainly communicate the scene. Maybe just a tad too much?

Hope this helps.
 
I shall share what I told a Starbucks employee here, using it as a disclaimer for comments to come: "I am incompetent." Take everything that follows with a grain of salt.

A rapid banging, and the rattling of the loose glass panes in the old front door of his small restaurant wake him.

Open more aggressively. "He wakes to a rapid banging and a rattle of the loose glass pane in his restaurant's front door."

He is laying on the threadbare couch in the main room of the apartment behind the restaurant. It is hot and humid in the tiny space. He blinks his eyes, sits up slowly, pushing with his right arm. There’s pain. He looks at it, a purple bruise and bloody scrape near the elbow. The banging and rattling continue. His eyes will not stay focused. His head throbs. He reaches behind his head with his right hand, winces, rolls his head on his neck, digs his fingers in hard at the base of the skull, massaging.

I feel like I understand what you're trying to achieve in this and the following paragraph, which is a tight stacatto of senetnces, punching each individual point home. This is fine, but there is still an overlying unity in a piece which is played stacatto - too much and it drowns you in pounding brevity. Go ahead and pull a Hemingway, cut those adjectives. Just don't cut the fat so much that we're left with dry meat.

Perhaps: "He is laying facedown on the threadbare couch in the back room. Sweat clings to his back and finds its way in the tight corners of his elbows and knees. It's not the heat that kills you, it's the humidity. He sits up, blinking, his weight on his right arm. There's a pain, a purple bruise and a bloody scrape on his elbow. His head throbs, his eyes won't focus. Another pain, the back of his head. He reaches and winces at the contact, digs his fingers in, massages."

Really, take that as you want. I don't want to tamper with your style too much.

Out front, the banging and rattling stops..


Just one period here.

His vision clears. He glances around the apartment, the fingers still pressing the bottom of the skull.

Nix "the" in that previous sentence.


"Beside"

the couch, the room holds a futon, an expensive sound system, a dirty white side by side refrigerator/freezer, an end table and lamp, and a small, round, wooden table stained with water rings and cigarette burns. The floor is a filthy maple, also burned by cigarettes. His pants and shoes lay together on the maple close to the end of the couch. A door opens to a tiny bathroom with a cracked tile floor and tub wainscoting, a wall hung sink. There is no kitchen, when he cooks for himself, he does it in the restaurant. On the table, a can of light beer on its side, an open bottle of vodka two inches from empty, a glass one third full with clear liquid, a too small ashtray overflowing with cigarette butts, two lighters, a crumpled half full pack of Marlboro Lights, a set of keys, a wallet. The floor next to the table is puddled with the spilled beer, the smell strong mixed with the heat and the burned cigarettes. On the floor, a large unplugged box fan lies flat, one chair lies on its side, one other upright. Along two walls are homemade shelves lined with thousands of LP’s. They have not been disturbed.

I do appreciate the attention to the LPs but this is too much description too fast. In the opening of a book, you don't want a heavy oilpainting, just light Japanese caligraphy - enough to get an idea of where we are, but not a photorealistic image. People are good at filling in what the place will look like.

He takes a tentative deep breath, wheezing, lungs roasted from dozens of cigarettes, the sourness of what he smells made more real by the taste in his mouth.

It would take a lot more than "dozens of cigarettes" to roast a pair of lungs, especially to the point that he's weezing. More than dozens of packs, or cases, or even years. I have friends who have smoked for over a decade and they can outrun me. This is emphysema we're talking about here, from the sound of it. You need to have more here, or cut the wheeze. I'd suggest the latter.

"Oh. Christ." Sighing.


"Oh, Christ." - the "Sighing." seems odd. "He sighs" ? Perhaps "Oh, Christ," he sighs.

He stands, steps unsteadily to the bathroom, feeling the need to urinate.

I'd say "stumbles" instead of "steps unsteadily." Or if you think it's overused, try: shuffles, falters, or staggers. Consult local thesaurus as I have for others :)

In the bathroom, the smell of urine in the heat, the floor wet around the toilet, splatters dry on the wall..

One period.

His face wrinkles at the new smell and the wetness on his bare feet. He fumbles himself out of his boxers, pees haltingly in the toilet.

I'd say "piss" instead of "pee." Maybe it's just me. Has more bite.

He wets a towel in the tub, wipes his feet, throws it over the wetness on the floor. Feet wiped and bladder empty, he moves to the wall hung sink, one hand on each side, head hanging.

I don't like "wiped" here - but this could be just a personal thing, it almost sounds infantile. Dry? Cleaned? Ionno. Maybe just leave it. Maybe I'm the only one for whom this stuck out :)

Three small dry coughs start it, heavy dry coughs follow, nothing loose in the tobacco ravaged lungs. The coughs become dry heaves. It lasts for minutes, tearing at the muscles in his sides and throat.

Don't forget the stomach. In fact, the stomach is the worst part of coughing that much. I speak from personal experience here.

Like the coughing, the heaving produces nothing. It subsides. He raises his head, looks in the mirror, face crimson, framed by muttonchops, cheeks wet with tears and sweat, the flesh of the nose swollen and mottled with thin purple veins, eyes bloodshot. There are red/black specs under the eyes from capillaries broken by the violence of the episode.

"red/black" - just say "red and black"

Shaking hands turn on the cold water, he bends, drinks deeply, his mouth on the spigot. In a basket on the toilet tank are aspirin.

"There is a bottle of aspirin in a basket on the toilet." Although he doesn't strike me as the type to have a basket on the toilet, even as a practical matter. Perhaps an old piece of tupperware, or just sitting on there?

He fumbles with the cap, shakes a half dozen of the small pills into his palm, tosses them in his mouth, bends, and again drinks deeply.

I don't think we need so much description for this act. "He swallows about half a dozen pills, rinsing them down with another drink from the tap."

He straightens, and the banging and rattling at the front of building begins again in earnest.

You're putting too much in that one sentence; it's inconsistent with how you've done it before. "The banging at the door begins again in earnest."

He thinks of his keys on the table, becomes concerned, thinking about cops. He leaves the bathroom, goes to the one small window looking out of the apartment and into a gravel parking lot. The window is painted shut, the panes a dull yellow from cigarette smoke.

This is a lot of smoking to achieve this.

He sees his car is not there. He thinks he did not drive back the previous night. He typically walks home, gets his car in the morning. When he is not able to walk, Donnie brings him. He wonders what, or if, he had eaten.

I'd swap these two, for a comedic effect: "He wonders if, or what, he had eaten."

"Please, go away." He says quietly to the banging and rattling, but mostly to himself.

I'd nix the adverb, comma, and the "mostly to himself." Also, grammar: "Please go away," he said to the banging.

He keeps his breathing shallow, afraid of the coughing.

Nix "the"

"I am not ready for this friggin’ day to start."

Strikes me as the kind of guy to out-and-out swear. If you don't want to swear, don't use the weak words. Just leave it out. "I'm not ready for this day to start."

The banging and rattling stop. Relieved, he steps backs into the middle of living room. His hands are still shaking. His heart hammers in his chest. He picks up the overturned chair and sits at the edge of the table.

Of course you sit at the edge of the table if you're sitting in a chair. "He rights an overturned chair and sits."

He looks at the open vodka bottle, picks up the dirty glass, smells the liquid. Standing, he walks to the bathroom, dumps it in the sink.

What a waste! Vodka doesn't go bad, some of it is just brewed that way. Why does he pour it out? Ethanol is ethanol, and being the kind of guy who puts his mouth on a tap in the living conditions he's in, I'm guessing he'd take a hit of whatever was handy, and the more risk of going blind the better the payout.

Back in the living room, he looks again at the vodka. His legs tremble slightly as he steps to and opens the freezer, takes ice cubes from an open bag, and fills the glass. He picks up the vodka, pours about an inch and a half on the ice, adds some water at the bathroom sink.

Waters down his vodka. Bah! And on the rocks... just pull it straight from the bottle!

But if you want, let's cut this down. You started off stiletto sharp and have gone a bit lax on it. "Back in the living room, he looks again at the vodka. He feels his legs tremble. He puts ice cubes in the glass, fills it with vodka and adds some water."

Returns and sits again at the table.

Too much here. "Returns" and "again" are redundant. If he returns, he's doing it again. "He returns to his chair." Also the next two sentences should precede this sentence.

A small one to start the day, cure the shakes. He needs it to get the restaurant open. He takes a cigarette from the crumpled pack and lights it with one of the lighters, rights the beer can to use as an ashtray.

Strikes me as the kind of guy to use the matches you can swipe from the counters of bars and strip clubs. Also, that sentence is too heavy. "He lights a cigarette and rights a beer can to serve as an ashtray."

The nicotine calms his quivering lungs.

It's more than the lungs. It's all of it. Arms, legs, chest, stomach. The most common symptom I hear is the lightheadedness and dizzyness.

Two big swallows from the drink, added to the alcohol still in his system, soon stop the shaking and slow his heart.

Too heavy. "He drinks, adding to the alcohol still in his system, slowing the shakes and his thrumming heart." Although the heart thing was new. You should drop that one in earlier.

Several minutes later, when the banging on the door again makes the loose windows rattle, he is feeling much better. He grins.
"Screw you," he says, louder this time, but still to himself. "I am having a cocktail, a cigarette, and then a shower. Read the sign on the door. Sloppy Joes opens at 11:00. You can talk to me then."

Suggestion: "Screw you," he says, louder this time. He was having a drink, a smoke, and a shower, in that order. "Read the sign. We open at eleven. You can talk to me then." - I don't think he'd say his restaurant's name, nor would he say so much. With all the gruffness you've described him as, I don't see him being someone to give out a whole lot of words. But I could be completely wrong, which is fine. He's your character after all :)

This was a good introduction. I'd fight a little more for consistency in your style - I appreciate the marked attempts to carve out the purple prose BS that happens too often, and I'd really like you to keep this up. Carve more where you can, and be careful not to carve too much. I really, really like this character so far. I hope this story goes somewhere awesome :)
 
Wow. Thanks so much for putting all the time into looking at this for me. I've only been visiting this site for couple of weeks, but reading the critiques forum really made we want to put something up. I probably rushed it a bit, but had a driving urge to get something typed up for the first time in years. I'm hoping now that it's started, I'll continue to work on it.

All the suggestions make sense. There are a few things I wanted to accomplish in this brief start, and I think the basis of what I wanted is there, but the overall execution is a bit off.

Thanks again.
 
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