'Anathema' by Martin Lesnoy

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Martin Lesnoy

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Here follows the opening of my 'covert' Science Fiction novel, as I like to call it. At first glance, it may not appear to be Sci-Fi, however, the truth of the matter becomes apparent as the plot begins to unfold. I have presented for your intense scrutiny, the first two pages, which is, for the most part, exposition. I do feel this to be necessary, though, and you do not need to fear as the first twist in the plot is just around the corner. Please feel free to leaves comments or suggestions on grammar, wording or concerning any matters of the plot.




‘Unholy defiler of this world, did he desecrate the temple of love and glory, of Seth, bringer of all. A billion deaths dealt at his hand, the last was to be his own. Whence he returns, we pray, deliverance to those righteous among us. Purity will be unchained from the miasma of the impure, and will be ris’n to the Realm of Perfect Form.’
- CHURCH OF SALVATION​



I

Such a strange place for a tree, so lonely and desolate, sitting atop the barren tor, illuminated only by the pale gleam of waning sunlight. Its roots delved deep into the rocky plinth, upon which it had stood defiantly for centuries, to the unremitting force of death, which had devoured all life at its feet.

Such wonder did fill the mind of Arun’thor Telarion as he knelt before it, gazing modestly at the canopy of foliage above him. The leaves were like black coals against the ashen sky, dancing to-and-fro to the cold and blustery wind, which blew down from the northern wastes. Arun’thor’s careful scrutiny could reveal no sign upon this tree of what had befallen all else around it. No blemish did mark its proud bark, nor did its leaves bear any signs of decay. For all his eyes could discern in the twilight, it was utterly intact.

He rose to his feet, to reveal a figure, tall and slender, and clothed in such attire that appeared to be crafted from the mud that begrimed his overcoat of un-dyed leather. His features were strong, yet at the same time, sensitive, and his eyes were a most peculiar shade of grey and green combined, that at times appeared as pallid as bone—and now, especially, as the night had stolen away colour and reduced all into shades of grey. They gleamed like an animal’s caught in a fragment of light—feral, piercing and hypnotic.

This night, as so many hitherto, he found himself alone, for seldom did travellers come near this place, by night or even by day. It was a place of ill omen, shunned by the townsfolk, and avoided by beast and bird, alike. Whenever he sought consolation, Arun’thor would find himself here. Alone and at peace in the calm of the night, he could dispel the affliction that plagued his crestfallen mind.

The Church—its hands ever stretching-out to govern each and every part of a man’s life. But not mine, thought Arun’thor. For much of his life, he had sought to evade the clutches of the Church, turning to the wilds that lay beyond the Vale of Solutrean—the home that had been forced upon him. But, time and again, the apparently infinite reach of the Church would prove too great, indeed, and he would return. They would always have found him, of course, a fact that Arun’thor would never desire to confess.

He was bound to the Church, just like everyone else, and when he would return, he would resume his work as a scribe—to record in writing, dogma promulgated from the uppermost orders of the Church of Salvation. It was an arrangement that saved him from abject poverty, but in his mind, he would had rather have been at labour, starved and poverty-stricken, than to be working for the very power that chained him.

He did not choose such a life—the same as every other priest or man who served out his duty to the Church, he was chosen. To diverge from this path that the Holy Master himself had chosen for him, was punishable by death. The scripture sounded in his mind:
‘Any crime, great or small, and towards any person or entity, is heresy, for it is deemed as breaking the Law of our Holy Master. Any committer of such acts of abhorrence will be banished from His protection, and therefore be subject to the full and unmitigated wrath of the Defiler.’
Arun’thor stiffened at the mention of ‘the Defiler’—a name that was the synonymous with all the terrible things in life, the very embodiment of war, pestilence and sin. It was a name uttered from the highest authorities within the Church, and passed down through generations, to be whispered before the dying embers of a late evening fire, so that none would fail to hear. All would know of the crimes the Defiler had committed.

 
Oooh, you've gone to some trouble to get that Medieval-ish style consistent...

Um, sounds post-apocalyptic...
 
Thank you for the quick repky, Nik. You are right about it being post-apocalyptic. In fact, the novel is set over ten millenia in the future on the planet 'Almatheia', (from Arabic and Greek, meaning 'Diamond Goddess') or as we know it, Mars. The planet was colonised and terraformed over the course many hundreds of years -- and, oh... I appear to be giving away spoilers. Ah, silly me! =P
 
Very decent spoilers too! The way you wrote it may do a few things we're consistently told not to do, but it's done so well I barely noticed. In fact, I'm not sure I would have noticed at all if you hadn't pointed out the "exposition" beforehand. I'd love to read this book.
 
It's pretty good as a scene building piece and you've got a good sense of pace, but I think you might be falling into a couple of traps.

Firstly, the medieval-esque tone of the narrative voice strains in places. It's not that you can't do it, it's just that you don't do it consistently. What's more, I think you'll find it hard to maintain for any length of time.

No blemish did mark its proud bark, nor did its leaves bear any signs of decay. For all his eyes could discern in the twilight, it was utterly intact.

This above extract is a good example. It's one of the more obvious uses of the medieval-esque style, but it doesn't quite ring true. I think it should read:-

"No blemish did its proud bark mark....."

In addition, some of the word use (such as "utterly intact" - an unabashed 21st Century phrase) jars with the chosen narrative style.

Seccondly, you also have a bit of an issue with comma use - you tend to use too many of them and you often put them in the wrong places. By way of an example:-

Its roots delved deep into the rocky plinth, upon which it had stood defiantly for centuries, to the unremitting force of death, which had devoured all life at its feet.

You don't need the first comma at all - "Its roots delved deep into the rocky plinth upon which it had stood defiantly for centuries" is a single, self-contained phrase.

In addition, the use of the second comma (and perhaps the word order) is confusing. I think you are trying to link the unremitting force of death to the defiance, but the comma use effectively leaves you with a floating sub clause ("to the unremitting force of death"). You need to link this directly to the "defiantly", which at present only refers to the manner in which the tree stands.


Thirdly, the imagery can also be a little odd:-

The leaves were like black coals against the ashen sky, dancing to-and-fro to the cold and blustery wind, which blew down from the northern wastes.

I don't think this simile works, because, put simply, if the leaves were like black coals, they wouldn't dance in the wind - they'd hang heavy and motionless, or at best, just swing a bit. If you want to limit the image to the description of the colour of the leaves only, you could try something like:-

"The coal-black leaves danced in the cold and blustery wind...."


Finally (and this is very much a matter of opinion) you have chosen a "difficult to pronounce" name for the main character. In all fairness, it is not as difficult as some, but the use of two apostrophes, whilst exotic, does make it a bit of a mouthful. But, like I say, this is just a personal observation and I'm sure many would disagree.

Keep at it!

Regards,

Peter
 
I wouldn't have noticed any deviation from the medieval-esque style. Not because it isn't there, but because I'm not an expert in it. But I think "No blemish did mark its proud bark..." seems to read better than "No blemish did its proud bark mark." Also, since the story takes place in the future, rather than the Middle Ages, maybe he might have some leeway there. I don't know. I'm just sort of thinking about it. ;)
 
Thank you for your feedback, Peter Graham and Michael01.

I don't think 'no blemish did it's proud bark mark' actually works, because this would mean that the bark would be doing the marking.

You are right about the commas, I do tend to go a little bit over-the-top with them. :D

I believe you are right about coals dancing, but I originally only wrote the simile: '
The leaves were like black coals against the ashen sky', to convey a sense of industrialism which was beginning to choke the world. I added the second part later on, to kill two birds with one stone, so to speak. In fact, at this point in time, I would feel more comfortable describing the leaves as 'hanging heavy and motionless,' and having the wind pick up as the scene progresses.

As for the name, Arun'thor, there is only one apostrophe, which I used as a 'reduced vowel' (
ə) as in English above, or in the name, Rosa. There was only one instance in which the were two apostrophes, and the second was to indentify possession. The name derives itself from Sanskrit [FONT=Mangal, serif]अरुण [/FONT]aruna (aruṇá), possibly meaning ‘redness of the rising sun’or simplyrising sun’. The element, athor, on the other hand, can be held to originate from Greek v.αθ[FONT=Times New Roman, serif]ή[/FONT]ρ aether or æther meaning to- ‘-light up’, ‘-kindle’ or ‘-burn’. :)
 
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