Prologue - Anathema

Status
Not open for further replies.

December88

Well-Known Member
Joined
Nov 17, 2008
Messages
68
Yet another draft of my prologue.

Awkward grammar aside, i really want to know if this is a 'decent' prologue. ie: did it hook you guys and would you want to read on?

I'm a little worried that my writing becomes clumsy toward the end. Are my suscpicions True/False?

Thanks!




PROLOGUE

I have killed enough to know that the real enemy is not the one at the end of my sword but the one whole told me to kill. May my life be the only one you take before you realize the same.


The words cracked, then crushed and crashed as the parchment they were scrawled upon crumpled within a trembling grasp. Long, cold fingers slowly unfurled and the parchment was seized by howling winter wind and borne away into the empty, starless night.


“Simariel!” cried a voice.


Ten steps to the tent, brisk, exact and forcefully determined, Simariel paused on the ninth as if unsure – as if overcome. Here, on the threshold of no return, she waited alone; drowning in a sea of saline sorrow, struggling and gasping for air whenever she could.


“Enter.”


She wiped at her face but was far too hasty; the meandering trails of tears were many upon her cheeks, which now glistened slippery silver in the pale moonlight.


“Enter!” the irritation in the voice was blatant.


Simariel started at the tone, her back tensed and her jaws clenched. In urgent desperation, she forced herself to suffocate and stifle the sobs that still squeezed themselves from her lungs. She could no longer tarry, the time was at hand. She took a deep breathe and entered.


“Closer.” ordered the voice. It's owner, Terinis, knelt upon the murky floor, leering over someone.


Simariel obeyed her master, walking forward until the inadequate glow of a single, pitiful brazier illuminated the form of Karrad Ebonlocke – the general. He was in the same position she had left him in the previous night – shackled by the waist to a large iron trunk against which his back was propped up. The tangle of makeshift woolen bandages around his forearm was a sickly shade of rusty red. He had inflicted that upon himself the previous night when she had told him that there was no ink to go along with his request for a quill and a single strip of parchment.


“I trust that Simariel has been looking after you well general?” smiled Terinis.


The general swore in response.


“I apologize if that isn't the case. See, she isn't meant to look after prisoners, she is...”


“I know what she is!” thundered the general. His chest heaved up and down in angry, sporadic jerks while his face flushed red. “I know what you've twisted her into."


Terinis' eyebrows raised bemusedly. “Of course you do. But do you know that I'm going to send her to Boughshire after she is done here? To kill your sons and retrieve the letter you stole from my king?”


The general's brow furrowed, heavy with distress. Shaking his head helplessly as the color drained from his face, he pleaded in a coarse whisper, “Not my sons.” He tried to catch Simariel's eye but she looked away. “Not my boys!”


“She won't look at you general,” chuckled Terinis, getting to his feet and casually strolling over to a cabinet. “which is a shame because she is young and pretty.” Opening a draw, he began rummaging for something and when he found and secured it, drew up beside Simariel. “See,” he continued, “she has been taught to never look into the eyes of someone she is about to kill.” He pressed the cold steel hilt of a dagger into Simariel's palm.


“To look into the victim's eyes risks the onset of emotion, a weakness.” recited Simariel to a dark corner.


“Very good Simariel, very good. You have prepared for your first kill well then?”


“Yes.”


“Do not lie to me!” snarled Terinis all of a sudden, violently grabbing Simariel's chin and tilting it upward into the light of the brazier which, as if on cue, flared and roared brightly. “Do you think I couldn't hear your pathetic sniveling outside? You're a nervous wreck and I should have you done away with!”


Simariel's muscles tensed, panic coursed through her veins but she remained still.


Gradually, Terinis relaxed his grip and turning to the general, he sighed. “But her martial prowess is second to none. Oh even your most hardened and famed veterans would have little chance against her general. Fast and deadly like no other but alas! Emotionally weak.”


“I'm not... weak.”


“No? Then prove it.” Terinis swooped down beside the general and eyed Simariel. “Look into the his eyes when you kill him! Promise him that you will do the same to his children!”


“Sixteen years you have trained me, I am ready I swear!”


“Then do as I say!”


“There is no need for...”


“Look!”


And Simariel looked and in that moment, the empty void inside of her threatened to cave in upon itself and cease to exist. She saw his grizzled cheeks, his long drawn out face, his broken nose and his red watering eyes.


The warmth came, it was just like she had thought it would feel; quaint and piercing, gracing her heart with something it had been secretly longing for her whole life – compassion. She closed her eyes and let it smother her and leave her breathless and wanting more.


“Fight it!” cried Terinis. “Fight the folly of man. All it will ever cause you is pain and misery a thousand fold for every scrap of false happiness it tempts you with. Fight it, be true to yourself and what you really are!”


A killer. A strained expression splayed itself across her face and as the air rushed out of her lungs, she nodded weakly. She nodded because she knew that she could never trust her fickle heart; it pained too much. Maybe Terinis was right; maybe she wasn't meant to laugh or cry or to have a family or children. Perhaps there was no changing what she had been taught and trained to do since childhood – to kill.


Even as she began to hate and curse herself, even as the general forgave her for his own life but pleaded for his sons, Simariel stepped forth and knelt down. “I'll make it as quick as possible. Painless.”


“Quick? Painless?” snapped Terinis. “I want you to make it as painful as possible! Do not think about it and there will be no guilt!”


Slowly Simariel lifted the dagger, upward and over head head where it lingered, delaying the inevitable.


“Do not prolong! Finish him!”


“I will!” snarled Simariel, glaring murderously at Terinis, her eyes flashing in the firelight. “I will.” she said again, this time much more softly. She took several deep breathes but they were to no avail; blood began to pound within her head and thunder in her ears.


“Please, not my sons.”


Simariel heard it. A soundless whisper, a plea for mercy, uttered in helplessness by a man who had killed hundreds, commanded thousands and feared none. It called to something deep and raced, screaming across the immense emptiness of her soul to strike as the single greatest force she had ever felt. She felt the sudden urge to help the general, to hold him and assure him that she would never harm him or his sons.


But she knew that she couldn't. His was the life that she had to take before she could move forward – either down the dark path set for her by Terinis, or of realization like the words on the parchment said, which would only be filled with regret and constant running.


Unless. For the smallest fraction of a second, Terinis' wicked face flashed through Simariel's mind and she contemplated the impossible, the unforgivable.


“No!” She cried, turning away with a sense of urgency and grasping the hilt of the dagger harder than ever. She trembled, then rasped, “Let it be done with!” For a second, the dagger wavered in her hand, possibly because of how hardly it was being or held or possibly because it was unsure of its target. Then it plummeted downward with frightening speed.


A full minute later, Simariel opened her eyes. “You were right Terinis, I feel no guilt.”
 
Titles aren't fixed but this one is very close to Anathem by Neal Stephenson which is up for a Hugo and BSF award this year.
 
Hi Dec,
General comments: well, the opening line is good, but of course, having read it before, I'm not sure I'm as hooked as a newbie would be. Hopefully a newbie will comment. But it's still a good opener.

Can I ask one thing, though? I understand that her martial prowess is second to none, since Terenis tells us, and you've shown us her 'human' side, but it might hook me more if she did something startling to kill Ebonlocke. Or is that not the point, just that she's going to be set on his sons? I'm sure I could 'plummet a dagger downward with frightening speed' if my target was tied up, but there's nothing in this prologue that shows me she's exceptional. I wouldn't believe a word Terenis says, 'cos he's a real bad'un, you bring that over very well, and he's not about to tell the truth to his enemy, he wants him quivering and the purpose of this prologue is to show Simariel's first kill, and her inner reluctance to do so.

edit: will continue this shortly....sorry!
 
Last edited:
Sorry about that, I should learn to do the critiquing in notebook and then transfer it..... it's just that I tend to do it this way as it's easier to scan through other commentators as well.

IMPORTANT: Last time I critiqued your work, I'm worried that you took all my words as correct, and that can't be true...... It's my opinion, so please don't take everything I say as gospel. Please? If it sounds okay, and you rewrite and it looks better to you then all well and good. BUT, take a consensus of opinion from the other lurkers of these threads, but let your own judgement be the final arbiter: you're not writing for me, you're writing for you...

So, where was I? Oh yeah.....

Can I ask one thing, though? I understand that her martial prowess is second to none, since Terenis tells us, and you've shown us her 'human' side, but it might hook me more if she did something startling to kill Ebonlocke. Or is that not the point, just that she's going to be set on his sons? I'm sure I could 'plummet a dagger downward with frightening speed' if my target was tied up, but there's nothing in this prologue that shows me she's exceptional. I wouldn't believe a word Terenis says, 'cos he's a real bad'un, you bring that over very well, and he's not about to tell the truth to his enemy, he wants him quivering and the purpose of this prologue is to show Simariel's first kill, and her inner reluctance to do so. So is the main purpose of the critique to tell us about Simariel's reluctance, or her skills? 16 years he's been training her, and on her first kill she's snivelling outside to the point that Terenis says (sorry snarls):
Do you think I couldn't hear your pathetic sniveling outside? You're a nervous wreck and I should have you done away with!”

Can't have been very good training can it? Now, if I'm asking the question, then obviously I'm not convinced, and since you asked about clumsy writing, can I go over a few points?

The whole essence of the prologue is to give us a teaser, and make us want to read more (although the jacket blurb will do it as well) and find out what the prologue was all about later in the book. Might even be the first chapter, or much later, but it does need to excite our interest. The problem is that everything is so obvious, there's very little that isn't laid out for us, except her 16 years of training, and in this bit, I'm strangely uninterested in it, and I can't really work out why. I think it's because I'm not engaging with any of the characters at all. Terenis is drawn as a bad guy, with no redeeming features, but he seems to be over-acting, for want of a better expression. I'm not sure why he loses his temper and snarls at her, isn't that showing weakness in front of his enemy? I'd have thought Ebonlocke would pick up on this immediately, and throw in an insult to Terenis, he hasn't got anything to lose (except his life and that's a given!). I think the creepy bad guy is more evil (and more interesting) than the shouting bad guy. You never saw Darth Vader shout, did you? Or the Emperor?

So what can I say about Simariel? I've no idea how old she is, what her features are, what she's wearing, what weapons she is carrying, etc. All I know is her inner turmoil. Now STOP: this isn't important or relevant in a prologue, totally agree with you on that point. But there's just nothing that does draw me in to have an opinion on her either way, apart from this inner turmoil that (possibly) is hammered too much.

So, back to (in your words) clumsy writing. I don't think it's clumsy at all, it's working hard to get the situation over to us, but perhaps it's working that bit too hard, and swamping us. Lemme show you what I mean:

The words cracked, then crushed and crashed as the parchment they were scrawled upon crumpled within a trembling grasp. Long, cold fingers slowly unfurled and the parchment was seized by howling winter wind and borne away into the empty, starless night.

Erm....can you see what I mean? She's crumpled up a bit of parchment and it's been blown away by a cold wind. How can words crack, crush and crash? Is that physical noise, or what it's doing inside her head? If it's a trembling grasp (which denotes hesitancy, gentleness etc) how did it crush it, crash it? Then the parchment is 'seized by howling winter wind' and the description of where it goes is just laying it on too much - 'the empty, starless night'.

It's a great attempt to bring a lot of mystery over to us, and plunging us into the situation on hand, (shakespeare always uses storms in the heavens to reflect storms in the characters), but I think you're going a little too far. I don't even know if she's reading this fatalistically, resigned, or whether it's regretfully. Does she mean to let it go? Does she hate it? Does it help her? Now I've asked you for even more, and I just told you you're overdoing it!! What help am I? Well, I hope I'm asking you to focus on what is important in this scene. And the howling winter wind and the empty starless night aren't. At all. The crushing cracking crashing might be important, but we've no way of telling... If you want to keep the mystery, consider deleting the paragraph above, and move straight from the italic section to "Simariel!" This way we know (or we think we know) what's going through her head, but guess what? We're intrigued (Hooked even) by this: what does it mean? And by holding back, we have to go further to find out, a cunning ploy by the writer to make us do this.

Or, if it is important (and I only know it's going to pop up again later because of your other posting, but an ordinary reader wouldn't know this), then at least give us an teeny idea why it's been crushed: anger, disgust regret, moving on etc... A small clue will go a long way to making us sit up and take notice. I feel this section was overwhelmed by the descriptive elements.

Now I won't go over everything, but just perhaps if I point out where you're overdescriptive again?

Here, on the threshold of no return, she waited alone; drowning in a sea of saline sorrow, struggling and gasping for air whenever she could.

She's stopped and she's crying. Drowning in a sea of saline sorrow, struggling and gasping for air whenever she could????? Surely this is when she's fallen in the harbour? And anyway, if there's really a howling winter gale there won't be any tears on her face, they'll have been whipped away or evaporated.....

She wiped at her face but was far too hasty; the meandering trails of tears were many upon her cheeks, which now glistened slippery silver in the pale moonlight.

Well, howling winter wind, I guess? She must have been really blubbering out there for ages if there are meandering trails of tears that now glisten slippery silver.

In urgent desperation, she forced herself to suffocate and stifle the sobs that still squeezed themselves from her lungs. She could no longer tarry, the time was at hand.

Erm..... why 'urgent' desperation? and why 'suffocate' and 'stifle', rather than just one of them? And the last sentence isn't really necessary, we know from his repeated 'Enter!' and the tone of his voice that she should have entered before now....

Dec, I'm going to stop, because I realise all I'm doing is telling you how I would write it, rather than how it could/should be written, (or even -how you could write it better) which is not going to help you at all. Your voice is unique, and your storyteling is very strong, and I fear that all I'm doing is stressing the negative, which is not my intention.

I do think there's too much inner dialogue and not enough action in the last section, and your tendency to descriptive text still runs away with you, which I find distracting from the story, rather than enhancing it. If you feel your own writing is clumsy then try this exercise (It's one I do a lot because it helps me get to grips with the same thing you are doing): take any section and go through it, removing all adverbs and adjectives and see what the core of it is saying. For instance:

Simariel obeyed her master, walking forward until the inadequate glow of a single, pitiful brazier illuminated the form of Karrad Ebonlocke – the general. He was in the same position she had left him in the previous night – shackled by the waist to a large iron trunk against which his back was propped up. The tangle of makeshift woolen bandages around his forearm was a sickly shade of rusty red. He had inflicted that upon himself the previous night when she had told him that there was no ink to go along with his request for a quill and a single strip of parchment

becomes:

Simariel obeyed her master, walking forward until the glow of a brazier illuminated the form of Karrad Ebonlocke. He was in the position she had left him – shackled by the waist to a trunk against which his back was propped. The bandages around his forearm was red. He had inflicted that upon himself the previous night when she had told him there was no ink to go with his request for a quill and parchment

The writing becomes somewhat clearer, just telling the story without overdescriptive (sometimes unnecessary) words. Plus it's so much easier to alter/edit now. Of course this is only an exercise, and I would put back the 'large iron' for the trunk and a couple of others, and have to change some words to fit, but it lets you see clearly what you're trying to say, and a possible way forward of how to say it better.

I apologise in advance if I've confused you.........
 
Last edited:
Ughhh, my response just got eaten up by a 404:page not found error :mad:

So this will hopefully be shorter.

Thanks for the advice bone, your crits are always in detail and log which i like!


Okay, so let me start with Terinis.

I do realize that he is portrayed as a one dimensional 'baddie' in this scene. However, i fear that showing his 'full' character in the prologue would detract from the main focus of the scene which is -Simariel and her reluctance to kill the general.

Simariel is a pretty big character in the story right from chapter one - where she meets the MC (who is the general's son). From then onward, she is solely described through the eyes of the MC and hence, i was hoping to describe as much of her character as possible in the prologue.

Bascially, in the prologue i was hoping to achieve two things:

1) Focus on Simariel and have the readers empathize with her (which isn't really happening because as you say: the only thing the reader is presented with is her 'inner turmoil')

2) Engross the readers by keeping them doubtful on whether Simariel is actually going to kill the general or do something else. (which i hope to show by her crying at the beginning and her reluctance toward the end of the scene.)

Now I'm not sure if these two things alone are enough to build the prologue around but i hope they are :eek:

So i am going to work on another draft and have it up ASAP. (Definitely going to change the second paragraph because you were right; that description doesn't fit at all.)

Thanks again for the crit! :)
 
Newbie-opinion!
There's definite tension in it, and that grabbed me by the throat. There needs a bit more scene setting, maybe a bit of description at the beggining. The language seemes a little (!) overblown for my tastes, the occasional floweryness that jars, but, hey, that's just me! Try reading aloud, for rythmn.
One question though, how many rewrites is this? Theres an adage on the BBC Writersroom website, Write first, fix later. Personally I have tried this myself before, where the need to find that crisp 'Clive-barker' perfect prose drives the story into the ground. So long as you know what's going on, go to the next chapter - that's the bit you should be worrying about!!!
All my own personal opinion, all probably wrong - but hey, its good. So bloody write the next chapter will ya!! :)
 
Status
Not open for further replies.

Similar threads


Back
Top