AKHRI and the Shaman

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Tej Sapru

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Please Comment specifically on the language and style, it is unusual, and i would like to know if it disrupts the flow of the story. comment also on the content, does it make sense to you.
not too worried about grammar, but if something is really jarring do mention it.

AKHRI and the Shaman.


The young shaman said to the djinn AKHRI… teach me to fly.
“You cannot” AKHRI replied, “ I can teach you many things, for I am AKHRI, but you are human and you cannot fly.
“Please”, begged the shaman, “in all your thousands of years how could you have never found a way?”
“There is a way”, replied AKHRI, anger burned evenly, beneath his voice. Insult his knowledge! This pup! He would teach him humility.
“There is a way” AKHRI said again. “But a human cannot fly, you must travel out of your body, fly with your soul as I have taught you. Find an egg, a life as yet unformed, dive into it and mould your soul to its contours, become the life within the egg, and then wait”.

So the shaman undertook a great journey, he travelled far to the north, to the Afghan mountains. There nested the Kahja Hawk, the mightiest creature in the sky.
Young and supple the shaman scaled the mountains heights, to be closer to the beast of his choice. All the while, light as a feather, AKHRI floated beside him. Finally he reached a cave high up amongst the clouds, there the shaman created his sacred flame, and beneath the watchful eyes of AKHRI, travelled away from his body. Up, up to the very highest and most jagged cliff top. There he found what he sought. Nestled in the sky lay four eggs unguarded, lives as yet unformed.

The shaman descended, he selected the strongest of the four, into the contours of the half formed soul he descended, settling, moulding, consuming. He settled deep, the life forming yolk within melded with his essence. Awareness settled, thoughts, meaning and desire all settled. Now was the time for peace now was the time for waiting.


He flickered, life and infinity created and destroyed by a distant heat,a sputtering boundary encompassing the entirety of him. Every time it returned, it got closer. This heat was his mother, he simply knew this, and was at peace.


He felt his mother, as always she had returned, but this time it was different. The boundary pressed in around him, closing him in. Gone was the peace, suddenly there was only agitation, only restlessness. This desperate urge to move, to breathe, this feeling of horrific confinement, where before there had only been harmony. Fight, struggle, break through and then freedom, wind. Scream, scream with the pain of life.


His mother had returned, he felt her coming, his brothers clamoured after him, they were too slow, they were always too slow. He was easily the largest, he begged the loudest, he fought for her attention. His mother rewarded strength. He ate, he ate his fill.


Once more this restlessness, once more this horrific confinement. He grew too quick, his world shrank upon him, he was forced to its outer limits, forced to gaze again and again at the dizzying fall all around him. He shied away in terror, but his world kept shrinking, kept pushing him closer to the edge. His mother would not help him, his mother only rewarded strength.


Over he fell, pushed past that final inch, that last resistance before all falls away.
Down he plunged, inconsequential, helpless, pushed into death by his own restlessness. He screamed, he screamed his fear, he screamed his defiance. Every fibre of his being, every tendon in his body defied, defied the inevitable. He reached out and clung to the wind, found its secret strength. He opened his wings and soared. Away from the earth, away from all inevitability. Up he flew, pushed higher and higher, no longer fearful, no longer restless, he was purity, a creature of wind and instinct. No thought clouded his mind, no boundaries held him. Higher and further he pushed, a tiny speck of dust amongst white mountains.


He was in his prime, he knew every dance of the wind, knew it without remembrance, knew it in every particle of his being. He was unstoppable, a juggernaut of wind. He looked down on the tiny white body frantically flapping far below him. A gods regard, cold and focused. On he hovered hardly moving, the wind fondling him like a lover. But he did not notice its attentions; his whole world had collapsed to a point, waiting for a moment, a single moment of perfection. And then it was upon him, he shot down, cutting the wind like a knife. Spurning all control, no thought of life, of preservation. Hurtling down in total silence. A collision of perfection, a moment of eternity. His talons tear flesh, the tiny white life turned to meat.

He settled down to feed, the precious moment forgotten, consumed now by the taste of blood and quivering flesh. Suddenly a presence, floating there behind him, disturbing, familiar… AKHRI. A fierce pain, sudden and sharp, and then it was over. It was not a moment of fear, he was a creature of wind and instinct, he need not fear death.


Heaviness, awareness…words, the shaman opened his eyes and saw before him his sacred fire. His life flooded into him. He remembered the formation of words, but somehow he could not find the will to mould them. He could not find the strength.
Behind him floated the voice of AKHRI. “Your soul remembers, your soul knows what it was, simply find that place within, return to it, mould your flesh to that memory and you will be able to fly. You shaman! not the animal, your flesh can be moulded to a remembrance, but your soul will forever again be human. You will be aware, conscious. You will see and understand what a human was never meant to understand. You shaman will fly.

And so the young shaman found desire again, with great eagerness and skill he dove down within himself, and found his souls remembrance. As AKHRI had told him, he changed his flesh to fit that remembrance, he had gained the ability to take the shape of the mighty hawk, to soar into the clouds and perceive the world below with all his human understanding.

With AKHRI beside him, he flew all the way back to his home, a journey of many months, over in days. Only when they reached his village only when they reached his home did the shaman change back to his human form, thinking as he did so of all the benefits that this ability would give him and his tribe.
“Are you happy?” AKHRI inquired smugly, “Glad that you have all knowing AKHRI who has taught you how to fly?”
For the first time the shaman moulded thought into words, he spoke in a voice filled with the pain of knowing, “I flew, we made the journey home in a matter of days… but its not the same. I understand your lesson AKHRI, but it was too harsh, you should have let me live, you knew what you were doing… you should have let me fly.”
 
Hi,
There are others more worthy of grammatical nuances who can point you towards the errors thereunder. I will restrict myself to telling you what I feel as a reader.

It was a good piece...the description of the flight of the bird was very good. However, I somehow had this feeling that as a writer, you were in a great hurry. I think you should take your time, create a feel of the character for your reader. the opening para was blurry (if there's such a word) and unclear.

As I see it, not everyone can figure out where and as what he or she can be born, maybe adequate support of the character build up for Shaman and his power to be born into something else and about Akhri could help.

If its a prelim draft, great job...you need to go back and beef it up a bit. I hope my critique is useful. My observations are not in anyway meant to dissuade you or criticise your work.

Sai
 
I agree with BSCVadhan. I feel it need a little fleshing out, and would have liked it a little less 'rushed' as BSCVadhan put it.
I loved the language, loved the poeticalness. You have a great understanding of language, and its inspiring for a novice like myself.
I really got what it was like to BE a bird in flight, which was the point, I'm guessing.

The only thing that jarred a little was the difference in time between him being born the hawk, and his mother returning. I had to read the second part a couple of times to get what was going on there. Its because the rest flows so nicely, it was just this part that had me a little confused. (Which I'll admit isn't very hard to be honest!)

Other than that, I loved this piece. Great flow and great language use.
 
Wow! It's beautiful, I loved it.
I have to agree, though, that the bit about him being born and then his mother returning, does not fit. I got the impression his mother was already present.
Otherwise, I think the life of the hawk was beautifully described, and it is really sad to understand that the shaman has lost it all.
 
First of all, thank you for the comments, and for taking the time to read this story.
ok so you hit the nail right on the head when you called it rushed, i wrote this in about ten minutes, frantically trying to get it out before i lost the idea (this is why a lot of the grammar and the structure is pretty messed up). since writing it, i have gone back to it once (i rewrote the part about him as an egg), but i felt like the changes i made didnt flow with the rest of the story, and now im not sure how to go about 'fleshing out' any of it.
I see what you mean about the movement from him being born to his mother returning being jarring, but i dunno how to make that transition, if i do something specific there, it will have to be applied every other time it skips through time.. im open to suggestions on all of this! its the reason why i joined this community! again thanks so much for your help.
 
[/quote]
Please Comment specifically on the language and style, it is unusual, and i would like to know if it disrupts the flow of the story. comment also on the content, does it make sense to you.
not too worried about grammar, but if something is really jarring do mention it.

AKHRI and the Shaman.


The young shaman said to the djinn AKHRI… teach me to fly.
quotation marks round " teach me to fly."
“You cannot
comma
” AKHRI replied, “ I can teach you many things, for I am AKHRI, but you are human and you cannot fly.
“Please”, begged the shaman, “in all your thousands of years how could you have never
"never" before "have"?
found a way?”
“There is a way”, replied AKHRI,
Either a full stop here or, more likely, "burning" rather than "burned", and without the next comma
anger burned evenly, beneath his voice. Insult his knowledge!
this is more a question mark than an exclamation.
This pup! He would teach him humility.
“There is a way” AKHRI said again. “But a human cannot fly,
full stop
you must travel out of your body, fly with your soul as I have taught you. Find an egg, a life as yet unformed, dive into it and mould your soul to its contours, become the life within the egg, and then wait”.

So the shaman undertook a great journey,
semicolon
he travelled far to the north, to the Afghan mountains. There nested the Kahja Hawk, the mightiest creature in the sky.
Young and supple
comma
the shaman scaled the mountains heights,
probably no comma
to be closer to the beast of his choice. All the while, light as a feather, AKHRI floated beside him. Finally he reached a cave high up amongst the clouds,
full stop, or no comma and "where" instead of "there"
there the shaman created his sacred flame,
I'd put this comma after the "and"
and beneath the watchful eyes of AKHRI, travelled away from his body. Up, up to the very highest and most jagged cliff top. There he found what he sought. Nestled in the sky lay four eggs unguarded, lives as yet unformed.

The shaman descended, he selected the strongest of the four, into the contours of the half formed soul he descended, settling, moulding, consuming.
there are three sentences there
He settled deep, the life
hyphen
forming yolk within melded with his essence. Awareness settled,
semicolon
thoughts, meaning and desire all settled. Now was the time for peace
Theoretically a full stop, but perhaps eliminate the second"now was"
now was the time for waiting.


He flickered, life and infinity created and destroyed by a distant heat, a sputtering boundary encompassing the entirety of him. Every time it returned, it got closer. This heat was his mother,
semicolon
he simply knew this, and was at peace.


He felt his mother,
Full stop
as always she had returned, but this time it was different. The boundary pressed in around him, closing him in. Gone was the peace, suddenly there was only agitation, only restlessness. This desperate urge to move, to breathe, this feeling of horrific confinement, where before there had only been harmony. Fight, struggle, break through and then freedom, wind. Scream, scream with the pain of life.


His mother had returned,
semicolon
he felt her coming,
Full stop
his brothers clamoured after him, they were too slow, they were always too slow. He was easily the largest, he begged the loudest, he fought for her attention. His mother rewarded strength. He ate, he ate his fill.


Once more this restlessness, once more this horrific confinement. He grew too quick
quickly, unless it is possible for a bird to become over rapid.
, his world shrank upon him, he was forced to its outer limits, forced to gaze again and again at the dizzying fall all around him. He shied away in terror, but his world kept shrinking, kept pushing him closer to the edge. His mother would not help him, his mother only rewarded strength.


Over he fell, pushed past that final inch, that last resistance before all falls away.
Down he plunged, inconsequential, helpless, pushed into death by his own restlessness. He screamed, he screamed his fear, he screamed his defiance. Every fibre of his being, every tendon in his body defied, defied the inevitable. He reached out and clung to the wind, found its secret strength. He opened his wings and soared. Away from the earth, away from all inevitability. Up he flew, pushed higher and higher, no longer fearful, no longer restless,
semicolon
he was purity, a creature of wind and instinct. No thought clouded his mind, no boundaries held him. Higher and further he pushed, a tiny speck of dust amongst white mountains.


He was in his prime,
semicolon
he knew every dance of the wind, knew it without remembrance, knew it in every particle of his being. He was unstoppable, a juggernaut of wind. He looked down on the tiny white body frantically flapping far below him. A gods
god's
regard, cold and focused. On he hovered
comma
hardly moving, the wind fondling him like a lover. But he did not notice its attentions; his whole world had collapsed to a point, waiting for a moment, a single moment of perfection. And then it was upon him,
semicolon
he shot down, cutting the wind like a knife. Spurning all control, no thought of life, of preservation. Hurtling down in total silence. A collision of perfection, a moment of eternity. His talons tear
tore
flesh, the tiny white life turned to meat.

He settled down to feed, the precious moment forgotten, consumed now by the taste of blood and quivering flesh. Suddenly a presence, floating there behind him, disturbing, familiar… AKHRI. A fierce pain, sudden and sharp, and then it was over. It was not a moment of fear,
semicolon
he was a creature of wind and instinct, he need not fear death.


Heaviness, awareness…words,
full stop
the shaman opened his eyes and saw before him his sacred fire. His life flooded into him. He remembered the formation of words, but somehow he could not find the will to mould them. He could not find the strength.
Behind him floated the voice of AKHRI. “Your soul remembers, your soul knows what it was,
semicolon
simply find that place within, return to it, mould your flesh to that memory and you will be able to fly. You
comma
Capital "N"
not the animal,
full stop
your flesh can be moulded to a remembrance, but your soul will forever again be human. You will be aware, conscious. You will see and understand what a human was never meant to understand. You
comma
comma
will fly.

And so the young shaman found desire again,
full stop
with great eagerness and skill he dove down within himself, and found his souls
soul's
remembrance. As AKHRI had told him, he changed his flesh to fit that remembrance,
semicolon
he had gained the ability to take the shape of the mighty hawk, to soar into the clouds and perceive the world below with all his human understanding.

With AKHRI beside him, he flew all the way back to his home, a journey of many months, over in days. Only when they reached his village
comma
only when they reached his home did the shaman change back to his human form, thinking as he did so of all the benefits that this ability would give him and his tribe.
“Are you happy?” AKHRI inquired smugly, “Glad that you have all knowing AKHRI who has taught you how to fly?”
For the first time the shaman moulded thought into words,
semicolon
he spoke in a voice filled with the pain of knowing, “I flew, we made the journey home in a matter of days… but its
it's
not the same. I understand your lesson
comma
AKHRI, but it was too harsh,
full stop
you should have let me live,
full stop
you knew what you were doing… you should have let me fly.”

I've done a conventional punctuation on this, even understanding that was not exactly what you were searching for. There are literally dozens of little short sentences in there that you have attempted to glue together with commas to say 'this concept is not yet finished.' And no, it wasn't, but the sentence was, which is all right; an idea can continue through more than one sentence, and if you want to keep the chopped, simple structure of the bird's thoughts, it's probably just as well if it does.
 
I see what you mean. How about: 'His mother had again/once more returned' or 'His mother was flying in'? or how about making a reference first to how he has grown and then his mother returning? Or perhaps how he is waiting for his mother to come back with food?
 
and no BSCVadhan im not Tej Sapru the actor! heh heh..

Hmm...you've got the gift of playing with words though. By fleshing it out, you need to give some background to your characters, maybe they are a pair of timeless magician-genie trying out new things just for the kick of it or they are simply friendly rivals...some background about them, what makes them tick sort of a thing.
 
Chrispenycate, that was comprehensive! it was not what i asked for, but it was very very useful, and i would never have done it on my own. For the most part your corrections only helped with the movement of the story.

"..dozens of short sentences in there that you have attempted to glue together with commas to say 'this concept is not yet finished.' And no, it wasn't, but the sentence was, which is all right; an idea can continue through more than one sentence.."

This glueing of unfinished concepts toggether with commas, is something i do a lot! you pointed it out very neatly, so thanks.
 
zaelyel, BSCVadhan i rewrote the description of the shaman as an egg, without actually referring to his mother. the hope is that this will make the next paragraph less confusing. what do you think?
 
He flickered, life and infinity created and destroyed by a distant heat, a sputtering boundary encompassing the entirety of him. Never constant, but always returning, always getting closer, containing, solidifying.
This was the only thing that existed outside of himself, it gave him life, nurtured him, its inexorable approach could never have seemed threatening.
The boundary pressed in around him, closing him in. Gone was the peace, suddenly there was only agitation, only restlessness. This desperate urge to move, to breathe, this feeling of horrific confinement, where before there had only been harmony. Fight, struggle, break through and then freedom, wind. Scream, scream with the pain of life.

His mother had returned, he felt her coming. His brothers clamoured after him, they were too slow, they were always too slow. He was easily the largest, he begged the loudest, he fought for her attention. His mother rewarded strength. He ate, he ate his fill.
 
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