Living dead

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chrispenycate

resident pedantissimo
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I know you visualise me shambling about and grunting "BRAINS!" I know because everybody thinks that way– the B-thriller stereotype. I wouldn't have behaved that way while alive, and see no reason why undeath should cause a complete loss of taste. Look at vampires, after all; you might not like what they stand for, but they've got style.

Inhuman patience and a lack of all emotions except for murderous rage are useful when commuting to work – they put you more on the level of the drivers around you, and they don't even have the excuse of undeadness. Undeath? At least, I don't think many of them do.

Would I eat your brains if I got the chance? Probably, yes. Periodic feeding frenzies where bone or belt-buckle have been attacked as enthusiastically as flesh have left my teeth in dreadful shape, jagged and broken, and soft tissue is much easier to absorb. I'd certainly eat the brains of the person who wrote this accounting program, but I suspect they wouldn't add up to more than a light snack.

I won't dress up in rags, either. I was already too old to appreciate the punk scene and, being comfortably dead, am not tempted to learn a new fashion consciousness. So I shower each morning as unthinkingly as before the change, and put on a shirt while hoping, insofar as 'hope' is an option for one of us, that I can get through the day without it getting blood-saturated and needing dry cleaning.

Actually, I don't think my direct superior in the office hierarchy has ever noticed I've died; the nerve damage that stops us from feeling pain (or pleasure, or anything else much) is as nothing beside the normal human ability to rationalise away, or simply not see any information which does not gibe with their accepted universe-image. I would like him to be there next time go through a crisis, but suspect narrative requirements will leave him ignorant to the end, when comes flaming torch and pitchfork time.

So, I shamble to work and, after a day's undeath of entering irrelevant figures into an incomprehensible Exel document, shamble back to the car to drive home. Driving unobservantly, with ill-controlled last-minute corrections, about like all the other drivers on the road.

Once a week I go to a disco, where my spastic, mindless movements draw so little attention that there could well be dozens of us in there. I know that, should the rage take me I'd attack others of my own kind as violently as unchanged humans, assuming there were any.

For that is, of course, the question – have we already? Is the Earth now inhabited by pain-free, mindless, ill-coördinated ex-humans, free of all desire except during an occasional fleshfest? From watching television or during my occasional supermarket trips I see no contradictory evidence. Would anyone even notice if the last battle had been, and gone, the last human transformed, and the last vestiges of human creativity devoured?
 
wow! Pure class! The first time I have seen your work, and I am well chuffed I get first post rights! :)

It hits like a car crash (the good kind :D) and sucked me right in. Deft with the infodumps, excellent characterisation, and just so much expansion possible that it beggars belief! I am not one to gush, but this is good.

Actual critisism; there is linear plot :rolleyes:
there is no milieue :rolleyes:
theres no um, yeah, okay there is!

More!
 
Biting social satire, but like the narrator it lacks feeling. Coming out the end I'm left feeling 'OK...So...Now what?'

I'm reminded of Pratchett's Reaper Man (no bad thing).
 
This piece is as much about humans as it is about the undead. Most of us loiter around brain dead, insensitive to the pain of others and sometimes too lost in our ruminations to even realise that there is a world out there. I think, by his nature, the narrator is supposed to be without feelings and yet I wonder...isnt he a little sad that humankind may have fought its last battle and worse still that the last vistages of human creativity is lost? What are we if we are not creative? as undead as the undead. Brilliant and provocative piece of writing by Chris.
Sai
 
Expansion? No, the idea came along and it was this length, one of my 'throwaway's. I may yet shorten it still further. The advantage of short is that it's easy to try different versions. Anyway, you're not going to persuade me as with the dragon saga and Elfin safety to develop the idea further.

I was travelling on a commuter train, and started wondering what evidence I had that the auto-piloted fleshrobots sharing the carriage with me transformed into human beings, with families and cats and lawnmowers, when they got home after a hard day's whatever. After all, they might just turn on the télévision Suisse Romande over a takeaway brain pizza, and sit there in the flickering glow, immune to all these nasty endocrine stimuli.

Linear plot? You think ideas would just float randomly to the front of his/her brain as synapses jostled together, a sort of 'stream of lack of consciousness'? Worth trying, and short enough to attempt. And in first person, if your character is not aware of its surroundings, your reader will never be. (They're grey. Colour vision has leaked away with pain and interest. But it hasn't even noticed that.)

Hardly 'biting' satire, even if my teeth are in somewhat better shape than my character's. Oozing nihilism; the thing has less drive than me. The disco probably plays electro-pop. It was intended to be mildly humoristic, though, but it might be a bit grey for that.

Thank you for your support; I will always wear it.
 
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