The Lifeboat (1)

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Estee

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I’m testing the water with this post to see how easy (or hard) the formatting is.
The concept of this story came to me in a dream and, as I woke up long before the end, I have no idea where the journey will take me. Hopefully I’ll make up something marginally interesting along the way which might even float a boats or two.

******************


Leaving a trail of billowing red dust in its wake the schooner skims rapidly across the barren surface of a parched terrain veined with subaerial desiccation cracks. Beneath its keel, levitated dust combines with the positive ions driving the craft to form ripples of heat haze just below the level of the cloud swirl.

‘Mother Board reports she recorded a strange signal from thirty kilometres overhead.’

‘The… stratosphere?’

They stand together, a man and a young girl, leaning over the bridge-rail, gazing in the direction of what was once known as Guam.

‘Yes, my child. The stratosphere,’ replies the man, his gaze fixed firmly upon the horizon. ‘Do you recall the designation of all the layers?’

‘I think so. Yes. Thermosphere, Mesosphere…’

The girl pauses briefly to collect her thoughts. ‘Um, the t… troposphere? And the exosphere.’

‘That is correct. Very good, my child.’

‘Could it have been another vessel?’

‘It is most unlikely. However, I have asked Mother to remain vigilant.’

The girl turns to face her father, gently smoothing out a crease in her yellow cotton dress with the palm of her right hand. ‘A glitch, perhaps?’

‘It is most likely an energy signature born of an asteroid’s death throes,’ suggests the man.

Approximately five miles to leeward a giant steam vortex swirls counterclockwise.

‘The solar sails will soon be fully charged. We must find shelter before this day is too old,’ says the man. In the east, the swollen orb of day continues its slow ascent.

‘Would you by chance know the location of my parasol, father?’

‘It is in the aft cabin, I believe.’

‘No. I have already checked there.’

‘Then perhaps it has been recycled. We shall ask Mother Board to fabricate another.’

‘Perhaps I could create one myself with -’

‘No, my child. The rings are not playthings. Please, leave the task to Mother.’

‘I am sorry, father, I -’

‘It is quite alright, my child. No harm will come of idle thought alone.’

Observing the look of remorse in his daughters eyes the man tenderly places his fingertips to her cheek. ‘I must say that I really do admire your new dress.’

‘Why, thank you, father.’ She twirls in a flurry of lace frills and, smiling coyly, ends her performance with a curtsey. ‘It is fashioned on early twentieth century. Mother Board found the design amongst her archives.’

‘Indeed? Well it really is most splendid.’

The girl returns her attention to the red landscape. ‘It seems to me that there is less dust present in the sky. The winds would appear to be quietening down at last.’

‘I can still see a number of plumes to the west… intermixing with cloud. You see, over there.’ He waves a finger to port. ‘Do you see the clouds in a rippled pattern? Observe how their bottommost edges are tainted pink by the -’

‘You made the very same observation only last week, father.’

‘Did I,’ he replies nonchalantly. ‘I really must endeavour to be more original in my topics of conversation.’

‘It is quite alright, father. I know that it is not your fault,’ replies the girl and places her hand upon the braided sleeve of his navy blue jacket. ‘Tell me, what is this location we fast approach?’

‘It is called the Mariana Trench. It was once the deepest point in the old world's oceans. Now it is just the deepest scar in the crust of a dead world.’

‘Do you imagine that it might still contain water?’

‘It is possible. After all, at its southern end it is close to four miles deep.’

‘Four… miles?’

‘Six thousand metres.’

‘Then we must go take a look.’

‘It could be dangerous, my child. I do not know what strange creatures we might encounter lurking in its depths.’

‘Then we really must go and take a look,’ says the girl gleefully as she fingers a ringlet of her flaxen hair.

‘In which case we must gain altitude. We shall break through the upper cloud layer to ensure our rings receive a full charge of unadulterated solar energy.’

‘I do so hope that we will have sufficient time for a thorough investigation of the area.’

From out his waistcoat pocket the man retrieves a fob watch, the entire outer surface of which is engraved with runic designs. ‘Time is all that we have, my child.’ He flips open the hinged gold casing and peers at the watch’s pearl-white face. ‘It is still three days before I must begin a new cycle. It should afford us ample time for our little spelunking adventure.’

‘And if we are unfortunate enough as to run short of time we can always return to explore anew.’

‘Yes, indeed we could. An yet nothing that we do together is ever quite the same the second time around.’

‘Then, if there is a need for a second visit, I will endeavour to maintain the pretence that it is my first time also.’
 
Leaving a trail of billowing red dust in its wake the schooner skims rapidly across the barren surface of a parched terrain veined with subaerial desiccation. cracks
A bit long without punctuation. Possibly a comma after "wake". And "subaerial" by contrast with "submarine"? Hmm.

Observing the look of remorse in his daughters eyes
daughter's

says the girl gleefully as she fingers a ringlet of her flaxen hair.
possibly a comma after "gleefully"?

An yet nothing that we do together is ever quite the same the second time around.
And yet (sorry. I seem to be programmed to pick up typos)


So, the sun has just started swelling into a red giant, and all the water is in clouds in the upper atmosphere. Which means the external temperature is too high to support human life.
But he's not human, is he? So possibly she isn't, either. Or possibly the bridge rail is totally enclosed, not open to the environment the way it sounds; it would keep the dust out.

Energy charges the sails, but is stored in rings?

And this is far, far future, but we have continuity of dating, and records, so there is continuity of civilisation. I'm quite surprised to have continuity of species; are these observers by any chance time travellers?
 
This is clear, terse writing; at no point did I find myself lost or floundering, so well-done in terms of pacing. I like the scenario that you have set up; I tend to be a bit automatically twitchy at steampunk-style settings, owing to their faddishness, but this actually seemed to be something different despite the steampunk trappings, so well-done on the differentiation.

Chris caught some of the typos that I would have mentioned, but I'll also add that 'Thermosphere, Mesosphere..." The girl pauses briefly etc. -- should all be one paragraph, since it's the same speaker, and that 'Well, it really is most splendid' is lacking a comma.

Thanks to lack of contractions, the dialogue reads as stilted, which I know is your intent, but to me it reads in a bit too stilted fashion -- like you're 180 degrees away when you only need to be 90, if that makes sense.

One big quibble for me personally: Your narration reads as very, very dry, particularly by referring to 'The girl' and 'The man' alone, and using phrases like 'The girl turns to face her father, gently smoothing out a crease in her yellow cotton dress with the palm of her right hand.' Again, your intent is to distance your scene from the reader, but I'm feeling a bit too removed from it, personally. Different readers will have different opinions, though, so this is a matter of taste.

Overall: Well-done, but you may want to watch the dryness/distance if you're writing to a general reader, or bring a greater sense of immediacy to the current story if this is to be a prologue.
 
Wake, grabbing for note-book...

Yup, been there, done that. Trick is to scribble as much as possible, hope to capture the essentials of the complex scenario and the, um, essence of the dream. And, yes, hope that you can come back in the harsh light of day and build oft-kaleidoscopic scraps into a logical whole...

This is an eerie, evocative partial tale which, IMHO, needs time to grow.

My best guess is these characters are post-humans, whose avatars are synthetic bodies of limited life-span, adapted for these conditions...

Superconductive or plasma energy-storage rings ? Neat ! Nano-assemblers ? Good ! Electrostatic levitation ? Cracklin' stuff !

More, please !
 
Leaving a trail of billowing red dust in its wake the schooner skims rapidly across the barren surface of a parched terrain veined with subaerial desiccation cracks. Beneath its keel, levitated dust combines with the positive ions driving the craft to form ripples of heat haze just below the level of the cloud swirl.


This whole paragraph is telling and possibly info-dumping. It could be written in different way to lessen the impact.

‘Mother Board reports she recorded a strange signal from thirty kilometres overhead.’

‘The… stratosphere?’

They stand together, a man and a young girl, leaning over the bridge-rail, gazing in the direction of what was once known as Guam.

‘Yes, my child. The stratosphere,’ replies the man, his gaze fixed firmly upon the horizon. ‘Do you recall the designation of all the layers?’

‘I think so. Yes. Thermosphere, Mesosphere…’
At this point you should be fixated on the Point-of-View. Also you should given us a hint of who's talking and who's listening in first two lines. Red marks for telling.

The girl pauses briefly to collect her thoughts. ‘Um, the t… troposphere? And the exosphere.’

‘That is correct. Very good, my child.’

‘Could it have been another vessel?’

‘It is most unlikely. However, I have asked Mother to remain vigilant.’

The girl turns to face her father, gently smoothing out a crease in her yellow cotton dress with the palm of her right hand. ‘A glitch, perhaps?’

‘It is most likely an energy signature born of an asteroid’s death throes,’ suggests the man.

Approximately five miles to leeward a giant steam vortex swirls counterclockwise.

‘The solar sails will soon be fully charged. We must find shelter before this day is too old,’ says the man. In the east, the swollen orb of day continues its slow ascent.

‘Would you by chance know the location of my parasol, father?’

‘It is in the aft cabin, I believe.’

‘No. I have already checked there.’

‘Then perhaps it has been recycled. We shall ask Mother Board to fabricate another.’

‘Perhaps I could create one myself with -’

‘No, my child. The rings are not playthings. Please, leave the task to Mother.’

‘I am sorry, father, I -’

‘It is quite alright, my child. No harm will come of idle thought alone.’

Observing the look of remorse in his daughters eyes the man tenderly places his fingertips to her cheek. ‘I must say that I really do admire your new dress.’

‘Why, thank you, father.’ She twirls in a flurry of lace frills and, smiling coyly, ends her performance with a curtsey. ‘It is fashioned on early twentieth century. Mother Board found the design amongst her archives.’

‘Indeed? Well it really is most splendid.’

The girl returns her attention to the red landscape. ‘It seems to me that there is less dust present in the sky. The winds would appear to be quietening down at last.’

‘I can still see a number of plumes to the west… intermixing with cloud. You see, over there.’ He waves a finger to port. ‘Do you see the clouds in a rippled pattern? Observe how their bottommost edges are tainted pink by the -’

‘You made the very same observation only last week, father.’

‘Did I,’ he replies nonchalantly. ‘I really must endeavour to be more original in my topics of conversation.’

‘It is quite alright, father. I know that it is not your fault,’ replies the girl and places her hand upon the braided sleeve of his navy blue jacket. ‘Tell me, what is this location we fast approach?’

‘It is called the Mariana Trench. It was once the deepest point in the old world's oceans. Now it is just the deepest scar in the crust of a dead world.’

‘Do you imagine that it might still contain water?’

‘It is possible. After all, at its southern end it is close to four miles deep.’

‘Four… miles?’

‘Six thousand metres.’

‘Then we must go take a look.’

‘It could be dangerous, my child. I do not know what strange creatures we might encounter lurking in its depths.’

‘Then we really must go and take a look,’ says the girl gleefully as she fingers a ringlet of her flaxen hair.

‘In which case we must gain altitude. We shall break through the upper cloud layer to ensure our rings receive a full charge of unadulterated solar energy.’

‘I do so hope that we will have sufficient time for a thorough investigation of the area.’

From out his waistcoat pocket the man retrieves a fob watch, the entire outer surface of which is engraved with runic designs. ‘Time is all that we have, my child.’ He flips open the hinged gold casing and peers at the watch’s pearl-white face. ‘It is still three days before I must begin a new cycle. It should afford us ample time for our little spelunking adventure.’

‘And if we are unfortunate enough as to run short of time we can always return to explore anew.’

‘Yes, indeed we could. An yet nothing that we do together is ever quite the same the second time around.’

‘Then, if there is a need for a second visit, I will endeavour to maintain the pretence that it is my first time also.’
The red marks for the problems. Think about them. Think about how you could write them in past tense and to fix them on POV. But when you do that, try to not head-hop between the characters.
 
[FONT=Arial, sans-serif]Dear chrispenycate, [/FONT]
[FONT=Arial, sans-serif]Yes, I did feel that the intro para was slightly Kafkaesque in construction (or lack of) and will eventually look to chopping up this piece of exposition and placing it amongst the story whole – possibly leading in with “They stand together, a man and a young girl, leaning...”[/FONT]

[FONT=Arial, sans-serif]Thank you for: girl's, comma and and – these kind of typos and punctuation glitches annoy me more than anything else. No matter how many times you read back through your work they manage to slip through the net – it's the age-old problem of reading what's in your head and not what's on the paper/screen.[/FONT]

[FONT=Arial, sans-serif]In the absence of water, most everything is subaerial. [/FONT]

“[FONT=Arial, sans-serif]... the external temperature is too high to support human life. But he's not human, is he?” They are both human.[/FONT]

“[FONT=Arial, sans-serif]... the bridge rail is totally enclosed.” Yes.[/FONT]

[FONT=Arial, sans-serif]Time travellers? No. but there is an element of time manipulation involved.[/FONT]

[FONT=Arial, sans-serif]I'm loathe to give too much away at this early stage. You'll just have to keep reading.[/FONT]
[FONT=Arial, sans-serif]Thank you for your time. [/FONT][FONT=Arial, sans-serif]Please feel free to critique my work whenever you wish.[/FONT]
[FONT=Arial, sans-serif]Steve (Estee) [/FONT]​
 
[FONT=Arial, sans-serif]Jev, thank you for taking the time to comment and your missing comma.[/FONT]
[FONT=Arial, sans-serif]The “girl pausing” is all one para on my workpad but I'm still getting a handle on the site. When I first posted this piece it was all one big paragraph and it appears that when I split it down I went OTT.[/FONT]

[FONT=Arial, sans-serif]The dryness will, I hope, see an end with the introduction into the scene of Mother Board – who will be the first character to address the two main players by name. I have no intention of trying to emulate Wells and his “the Time Traveller”.[/FONT]

[FONT=Arial, sans-serif]Again, I thank you.[/FONT]
[FONT=Arial, sans-serif]Steve.[/FONT]
 
[FONT=Arial, sans-serif]Nik, my thanks to you, also.[/FONT]

[FONT=Arial, sans-serif]You are absolutely correct in that this needs time to grow, as it is currently little more than a hasty after-dream draft. Whether I have the necessary time is the question, but I shall endeavour to find a few spare moments to apply a touch more fertilizer just to see what happens. As it is, I've spent the last 18 months working on a much bigger project and Lifeboat is a pleasant distraction.[/FONT]
[FONT=Arial, sans-serif]Your supposition about limited life-span is not a million miles off but, as I replied to chrispenycate, they are both human – it's just that one is vastly older than the other. The dryness of their student teacher relationship will become clearer as their true relationship (past and possible future) is revealed.[/FONT]

[FONT=Arial, sans-serif]Thank you for your time,[/FONT]
[FONT=Arial, sans-serif]Steve. [/FONT]
 
Ctg.
An awful lot of red!
I can't say that I understand all that you are trying to convey through a simple highlight, but you are correct in that there are a lot of areas that could be a lot tighter and delivered from a different angle.
Perhaps if you have a spare moment you could rewrite a line or two so as to better reveal to me what it is you are alluding to.

I've just jumped ship from another “creative” writing site and must say that I am very impressed with the level of quality I have so far encountered within Chronicles. I've had more constructive feedback in one night here than I would have received in a month (if at all) at the last place.
I am looking forward to a long and fruitful membership - my only hope is that I can offer up the same level of help as I receive.

Thank you, Steve.
 
Estee, Steve, you're not writing a movie script but a written story. Therefore you need to improve the way you're saying things so that it reads fluidly and doesn't make the reader to think 'this is bit woody'. Look at the other pieces and check out how we have written them. Try to copy those styles and use them to improve your prose.
 
I agree that the piece needs improving but will endeavour to avoid copying another's style as that would make me very woody - oops! Sorry, wooden.
:)
Are there any particular WEs you would direct me to?
 
There's nothing wrong on copying a style. In fact, it's better that you copy someone else style. Your style will then come at some point and it will take time before it will lock down. In my case, it has taken four years for to find my own solid voice. But even now, I still pick bits and pieces from other peoples work. More I read, more things I notice. I try them in my prose and if I think they works then I keep using them.

With your case, you need to first find a way to dive into your character head and use that perspective to tell your story. To get in, you might want to plaster with cat-sized letters a note above your computer, saying "It's about characters, stupid. Focus on POV!"

Read about close third person narrative opposite to omniscient third person narrative. The Creation of Perception (Point of View) - WritersBeat.com
 
Hi there

A few nit picks the others haven't noticed - or at least upon which they haven't remarked (the lengths to which I go in order to avoid ending with a preposition...)

'... Mesosphere...' - small 'm' to match the others which follow.

'... the swollen orb of day...' - this seems too precious in comparison to the rest of the very matter-of-fact description.

'It is fashioned on early twentieth century.' - something seems to be missing. '... 20th century design' would be logical if you didn't use the word in the next line. '... something from the 20th century' perhaps? (Though frankly yellow cotton is not screaming Edwardian to me notwithstanding the parasol.)

'From out his waistcoat pocket...' - since it's a waistcoat and not a vest (ie not American usage) I think it has to be 'out of'

'... our little spelunking adventure...' - this jarred on me. While it might be correct if they are exploring caves inside the Trench, at present it is a mainly US word, and the language here is a somewhat pedantic British English. If he uses it, I think it would be in inverted commas to show a kind of raciness in its usage.

As others have said, it is dry and terse, but I think it works fine - for the length that it is, especially if it is only a prologue or some such. Any longer and yes it may become problematic. The same with the present tense. I agree with ctg that it reads a little like stage directions, particularly at the beginning - your idea of starting with the two of them standing there is I think better. But I disagree with him that you have to change everything into the past tense. I think the present tense is fine. For this. Again, over an extended period it is likely to seem much less amusing so I'd recommend going into past tense for the rest of it (if you ever write the rest of it...).

I also disagree with ctg over his POV worries. I think standing back and being omniscient here is fine. But then I head hop like a louse in a feeding frenzy so I don't know that you ought to be listening to me anyway!

Hope this has been of some help. And yes, the quality of feedback on this site is incredible. I'd suggest if you have some time (you don't need to eat or sleep after all!) you go back and have a look at other critiques - that will give you an insight in how we each of us approach things in a different way.

J
 
This was very interesting, but like the others said it needs some work. I think what you should primarily work on is creating a hook to draw in readers. It was really interesting in concept what you are describing, but other than that the words didn't really draw me in. I'd love to read more and find out more about the world. But so far you story hasn't really told the reader anything about either of the characters or what/who the mother is. What draws me into books is interesting characters that I become connected to emotionally, and it should be your goal to create such characters. I'm sorry if I'm being too harsh, I just want to help. :)
 
[FONT=Arial, sans-serif]Dear Judge. Hi there yourself.[/FONT]​

[FONT=Arial, sans-serif]'... Mesosphere...' (m) - oops! Thank you.[/FONT]​

[FONT=Arial, sans-serif]'... the swollen orb of day...' - hopefully my rewrite will include a few more precious things to keep Mr Sun company. It is a local story![/FONT]​

[FONT=Arial, sans-serif]'It is fashioned on early twentieth century.' - something seems to be missing. ' - Agree, and this is now dealt with in the rewrite. Again, thank you.[/FONT]​

[FONT=Arial, sans-serif]'From out his waistcoat pocket...' - ditto. Passage now redrafted.[/FONT]​

[FONT=Arial, sans-serif]'... our little spelunking adventure...' - My initial intent with their spoken language was to suggest, in the absence of TV, PC, etcetera and little else to do but explore and talk about their findings, that they had drifted towards conversing in proper English as opposed to textspeek and street. I've no doubt that x-thousand of years into the future many Americanisms and new worlds will have found their way into spoken English.[/FONT]
[FONT=Arial, sans-serif]However, and after all my rambling, I have decided that potholing is an altogether nicer word and so have now changed it. Thank you.[/FONT]​

[FONT=Arial, sans-serif]As for the tense, the rewrite I am currently playing with is in past tense, which will offer myself and Chronicles an opportunity to consider both options.[/FONT]​

[FONT=Arial, sans-serif]As I've already mentioned, dry and terse is a deliberate reflection of what will be revealed as their somewhat unusual relationship.[/FONT]​

[FONT=Arial, sans-serif]Like yourself, I presently have no major concerns over the POV.[/FONT]​

[FONT=Arial, sans-serif]Your comments have been most helpful.[/FONT]​

[FONT=Arial, sans-serif]All the best,[/FONT]
[FONT=Arial, sans-serif]Steve. [/FONT]​
 
[FONT=Arial, sans-serif]Pyar, hello.[/FONT]​

[FONT=Arial, sans-serif]Harsh? On the contrary. I find all comment to be extremely useful. As previously mentioned, I am astounded by the level of helpful input I have thus far received.[/FONT]​

[FONT=Arial, sans-serif]As for your comment about making the characters interesting, I could be entirely wrong but I felt that, with such a brief intro, it was probably more important to flesh out the world and then ease – what are, initially, two quite flat personalities – into the story. As I mentioned above, the introduction of Mother Board will help to fill in a few of the blanks like names and history.[/FONT]
[FONT=Arial, sans-serif]As for who or what mother is: the clue is in the name.[/FONT]​

[FONT=Arial, sans-serif]Please come back and be harsh whenever you wish.[/FONT]
[FONT=Arial, sans-serif]All the best,[/FONT]
[FONT=Arial, sans-serif]Steve.[/FONT]​
 
Your formatting is fine, except for one thing, and that is the size of the font. We really prefer that you use something larger (see the Sticky about our Formatting guidelines) because the one you have now is difficult for some of our older -- or at least more myopic -- members to read.

It's for your benefit, too, as you're likely to receive more critiques if some of us don't have to press our faces against the screen to read what you've posted. Plus, you won't have to fiddle with the font to make it smaller and if you just stick with the default.
 
"Fourth, please use a good sized font. 1 is too small, 7 is too big. 2,3,and 4 are the best for readers to see what you are writing."

I opted for 2. Next time I'll move up to 3. Thanks for the HU, Teresa.
 
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