The Short Story Thread

"Black Hole Station" by Jack Williamson -- A young man travels to the title outpost to find his father and bring him back to Earth, even though he knows the journey back will mean that four centuries will go by at home. Good to see that the old master can spin a yarn full of the sense of wonder in his mid-nineties, three-quarters of a century after his first story was published.

"Station Spaces" by Gregory Benford -- Narrated in a wide variety of styles, this is a complex story of a centuries-long project to transform the Moon into an Earth-like environment. Manages to be the most "hard science" story in the book, and also the most literary.

And that's the end of that anthology.
 
This is not about a particular story but is likely of interest to this thread's readers:

Tangent Online 2016 Recommended Reading List (released today)

Actually, I could mention a specific story while I'm here, though. Speaking of Jack Williamson, I'm reading Groff Conklin's Great Science Fiction by Scientists (because I'd just read Mike Brotherton's Science Fiction by Scientists and wanted to compare and contrast) which contains a story by his mentor/friend/collaborator Miles J. Breuer. "The Gostak and the Doshes" (March 1930 Amazing) wasn't as good as I remembered (which was extremely good) but it was still really neat and appallingly applicable today. A guy re-orients himself into another dimension in which people are chanting non-sensical slogans that powerfully affect them emotionally, resulting in the rational protagonist's peril. I think the reason it so powerfully affected me when I was younger was because it's such a wild concept with such an important and memorable central idea and title, whereas I think the weakness now may be in the ease of plotting, but it's still recommended.
 
Starting a series of reviews of this collection:

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"A Letter From the Clearys" (Asimov's, July 1982; Nebula for Best Short Story) -- A teenager narrates her trip to the post office to pick up mail and the consequences of what she brings back. Only slowly does the reader realize that the setting is not an ordinary one. Requires careful reading to pick up on the fact that the seemingly small events of the story reflect larger themes. The young girl's tone owes something to Heinlein's wisecracking adolescents, I believe.

Good, detailed analysis by John Kessel here (click on the little tilde):

~

"At the Rialto" (Omni, October 1989; Nebula for Best Novelette) -- Light romantic farce set at a convention of physicists in Hollywood. Features lots of wacky Southern California stuff and multiple mixups and misunderstandings. No real speculative content at all (unless you want to count the fact that this is a universe where Benji IX is playing at the theater) but lots of analogies between the weirdness of quantum physics and the weirdness of Los Angeles.
 
"Death on the Nile" (Asimov's, March 1993; Hugo for Best Short Story) -- A group of tourists aboard a plane bound for Egypt have strange experiences when they land. The narrator speculates very early in the story that they are dead, and there seems no reason to doubt this, so the story relies more on mood and characterization than plot suspense. Besides references to the Agatha Christie novel of the same name, allusions are made to the old movie Outward Bound. Besides the fantasy, it deals to a great extent with the narrator's husband's apparent affair with the narrator's friend.

"The Soul Selects Her Own Society: Invasion and Repulsion: A Chronological Reinterpretation of Two of Emily Dickinson's Poems: A Wellsian Perspective" (Asimov's, April 1996; also part of the theme anthology War of the Worlds: Global Dispatches edited by Kevin J. Anderson; Hugo for Best Short Story) -- Very silly spoof of academic articles. The thesis is that Emily Dickinson confronted the Martians from The War of the Worlds (even though, as the article points out, she had been dead for some time) and left a few scraps of poetry about it. Amusing in a Mad magazine kind of way, but I'm not sure if that's worth a major award.
 
"At the Rialto" (Omni, October 1989; Nebula for Best Novelette) -- Light romantic farce set at a convention of physicists in Hollywood. Features lots of wacky Southern California stuff and multiple mixups and misunderstandings. No real speculative content at all (unless you want to count the fact that this is a universe where Benji IX is playing at the theater) but lots of analogies between the weirdness of quantum physics and the weirdness of Los Angeles.

I'm not a Willis fan at all, but I thought this story was hilarious. I actually have To Say Nothing of the Dog in the Pile which I got just on the strength of "At the Rialto" and in hopes that some of that talent at humor would be in the novel.

Found another current story I like: "The Dark Birds" by Ursula Vernon (about).

Also, posted about the eleven stories (mostly my four favorite) that can be read online for free and which appear in multiple "Year's Best" anthologies this year: Reading the 2016 "Best" Stories (Part 1).
 
I'm not a huge fan of Willis either, despite her many awards and honors. I can definitely see her keeping up the tradition of Heinlein-style "plain" narration (often from a smart alec narrator), which is not an easy thing to do at all, so that is worthy of admiration. But I can also see her repeating some of the tricks of her style from story to story. (The most blatant is varying a certain phrase multiple times throughout the story, either for ironic effect in the serious stories, or for humorous effect in the comedies.) So far the only story I would call truly excellent (and it takes close reading to get the full effect) is "A Letter From the Clearys."

Onward:

"Fire Watch" (Asimov's, February 1982; Hugo and Nebula for Best Novelette) -- First in the author's series about time-travelling historians. This one takes place at St. Paul's during the Blitz, as the protagonist becomes involved in the lives of those defending the cathedral. More historical fiction than SF, although the fact that the protagonist comes from a future when St. Paul's really has been destroyed adds some poignancy.

"Inside Job" (Asimov's, January 2005; Hugo for Best Novella) -- A journalist who works for a publication specializing in debunking the supernatural (think Skeptical Inquirer) and his ex-movie star assistant investigate a phony psychic who seems to be genuinely channeling H. L. Mencken. Manages to use a fantasy concept to attack superstition.

"Even the Queen" (Asimov's, April 1992; Hugo and Nebula for Best Short Story) -- Takes place in a near future when medical treatment allows women to live without menstruation. The narrator's young daughter decides to join a group of women who choose to go back to the natural way. Lightly satiric story on an unusual theme.
 
But I can also see her repeating some of the tricks of her style from story to story.

That's interesting. I'd read many stories by Nancy Kress and thought I really liked her but then read a novel or two that were just okay and then a collection and, when you put all the stories side-by-side, I liked them much less (usually, with writers I like, it's the other way around and the strong stories and author "vibe" lift up even the lesser ones a bit). I still often enjoy individual Kress stories that I run into but have never picked up another collection. So maybe something similar there.

Speaking of individual stories, I found an almost un-fantastic fantasy story I liked a lot: "The West Topeka Triangle" by Jeremiah Tolbert (about).
 
"The Winds of Marble Arch" (Asimov's, October-November 1999; Hugo for Best Novella) -- The narrator experiences powerful winds which carry different strange scents at various parts of the London Underground. At first I thought this was going to be about ghosts of those killed during the Blitz, but it's more complex than that and deals with loss in general, as well as marital fidelity and the lack thereof.

"All Seated on the Ground" (Asimov's, December 2007; Hugo for Best Novella) -- A group of aliens arrive on Earth and seem not to relate to human attempts to communicate at all, except for the fact that they respond to certain Christmas carols, but not all of them, and not all versions of them. A comic puzzle story.

"The Last of the Winnebagos" (Asimov's, July 1988; Hugo and Nebula for Best Novella) -- Set in a near future when all dogs have died out from a plague. The Humane Society has become a repressive branch of the government in response. The narrator is a news photographer. The story shifts back and forth quickly from the present, when the narrator is on assignment photographing the last recreation vehicle in the USA (hence the title) and the past, as he remembers when his own dog was hit by a car and killed. There's a lot more to it than that, and even photographic technology plays a large role.

That's the end of the collection. I'd say the best are "A Letter From the Clearys" and "The Last of the Winnebagos" among the serious ones, and "Even the Queen" among the comedies.

Another thing that keeps cropping up in these stories: A first person narrator who keeps running around from place to place in a big hurry. In addition to that, most of the funny stories involve a couple finally getting together after their misadventures, so they can be fairly called romantic comedies.
 
I've been reading The Mammoth Book of Best New SF 21 (from 2007) recently. I've found it quite disappointing on the whole, but Laws of Survival by Nancy Kress is superb. An alien invasion and lots of dogs.

The Sword of Loving Kindness (Beneath Ceaseless Skies - The Sword of Loving Kindness, Pt. I by Chris Willrich) by Chris Willrich is a great fantasy with enjoyable characters.

I discovered kraxon.com last week and rattled through a few stories. The Nymph Of Hampstead Heath by Jo Zebedee (The Nymph Of Hampstead Heath - Kraxon Magazine) is my favourite I've read there so far.
 
Welcome to the Chrons (and the thread). I didn't think that one was the best Dozois annual either but it was better than some of the ones that followed it and it did have a number of stories I liked a great deal. The main problem, really, was just that it wasn't arranged very well, at least as far as its effect on me. And I agree, "Laws of Survival" was one of my favorites. Others were "An Ocean Is a Snowflake, Four Billion Miles Away" by John Barnes and "Of Late I Dreamt of Venus" by James Van Pelt (in spite of their long , sighing titles), Elizabeth Bear's "Tideline" and Bruce Sterling's "Kiosk" (now those are story titles), and Neal Asher's "Alien Archaeology." That last is what turned me into a Neal Asher freak. Also, Ted Chiang's "The Merchant and the Alchemist's Gate" was great even though it seems completely like a fantasy - it actually does have a tiny seed of "real" (if theoretical) science. So it's a perspective thing for me. A small anthology with just those stories and maybe one or two duds would have seemed incredibly good. It's just that there were 25 other stories in the anthology and, while many were fine, many were a slog. And, of course, almost nobody would pick my "best of the best" except me so it's a good thing it's a whomping big anthology and had room for them. :)
 
Thanks. :)

I was really enjoying Kiosk - but if I remember rightly, there was a period towards the end where it fell into past tense narration and became pretty boring. The characters and dialogue just disappeared.

The Merchant and the Alchemist's Gate, Tideline, Steve Fever and Last Contact (Stephen Baxter) were good too. I started to skip the longer stories in the book as I want to get on and read something else, so Alien Archaeology might have been one of those. There was one story I gave up on, which I rarely do. I've just finished Kristine Kathryn Rusch's Craters, which was good, and rather terrifying.
 
Starting reviews from this 1999 anthology of original stories (and one reprint):

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"Hunting Mother" by Sage Walker -- Set inside an asteroid which has been transformed into a generation starship. Some of the inhabitants are chimerae created from a combination of human and animal genes. The story deals with a young man with some of the characteristics of a cougar and his elderly, dying "mother" (source of his human genes.) Written in an intense style with multiple points of view.

"Judith's Flowers" by Susan Palwick -- The protagonist is a woman who was created from the genetic information of her parents in an artificial womb. On vacation in Mexico, both parents died during an influenza epidemic, and the infant was adopted by a elderly Mexican woman. As a young adult she emigrates to the United States with temporary double citizenship. On her twenty-first birthday she has to decide which citizenship to renounce and in which nation to live. Notable for the fact that much of the back story is narrated in the style of a fairy tale.

"A Gift to Be Simple" by Patricia A. McKillip -- The few remaining members of the Shakers (in the real year of 2017, there are only two surviving members), who do not engage in sexual intercourse, ponder how to keep their society from dying out. It's no surprise what they decide, but it's an interesting point of view.

"Island of the Ancestor" by William F. Wu -- A young man who has been cloned from the ancient ancestor of a major Chinese clan acts as the reincarnation of the ancestor on a luxurious island set up by the billionaire who created him. He feels guilt over being part of what he sees as a fraud. Interesting concept and setting, traditionally narrated plot.

"One Day at Central Convenience Mall" by Nina Kiriki Hoffman -- Satiric tale set at a shopping mall where the staff are all duplicates of one person and are considered to be less than fully human. They never leave the mall and are otherwise forbidden from doing things only "real" people are allowed to do. Manages to combine comedy and tragedy.

"Dead in the Water" by Jack McDevitt -- A woman has to decide whether to allow her only offspring to be the result of a process which will greatly extend life, but which will result in permanent sterility for the child. Considers numerous philosophical issues.

"Raising Jenny" by Janni Lee Simner -- A young woman who is sort of the black sheep of the family compared to her sisters, who have professional careers and are married with children, agrees to carry the clone of their dead mother in her womb. An intimate story of parents and children.

"There Was an Old Woman" by Robert Silverberg (Infinity Science Fiction, November 1958) -- A biologist creates thirty-one clones and raises each one to have a different career. Things don't go as planned. The ending is a bit melodramatic.
 
Starting reviews from this 1999 anthology of original stories (and one reprint):

"Hunting Mother" by Sage Walker -- Set inside an asteroid which has been transformed into a generation starship. Some of the inhabitants are chimerae created from a combination of human and animal genes. The story deals with a young man with some of the characteristics of a cougar and his elderly, dying "mother" (source of his human genes.) Written in an intense style with multiple points of view.

"Judith's Flowers" by Susan Palwick -- The protagonist is a woman who was created from the genetic information of her parents in an artificial womb. On vacation in Mexico, both parents died during an influenza epidemic, and the infant was adopted by a elderly Mexican woman. As a young adult she emigrates to the United States with temporary double citizenship. On her twenty-first birthday she has to decide which citizenship to renounce and in which nation to live. Notable for the fact that much of the back story is narrated in the style of a fairy tale.

"A Gift to Be Simple" by Patricia A. McKillip -- The few remaining members of the Shakers (in the real year of 2017, there are only two surviving members), who do not engage in sexual intercourse, ponder how to keep their society from dying out. It's no surprise what they decide, but it's an interesting point of view.

"Island of the Ancestor" by William F. Wu -- A young man who has been cloned from the ancient ancestor of a major Chinese clan acts as the reincarnation of the ancestor on a luxurious island set up by the billionaire who created him. He feels guilt over being part of what he sees as a fraud. Interesting concept and setting, traditionally narrated plot.

"One Day at Central Convenience Mall" by Nina Kiriki Hoffman -- Satiric tale set at a shopping mall where the staff are all duplicates of one person and are considered to be less than fully human. They never leave the mall and are otherwise forbidden from doing things only "real" people are allowed to do. Manages to combine comedy and tragedy.

"Dead in the Water" by Jack McDevitt -- A woman has to decide whether to allow her only offspring to be the result of a process which will greatly extend life, but which will result in permanent sterility for the child. Considers numerous philosophical issues.

"Raising Jenny" by Janni Lee Simner -- A young woman who is sort of the black sheep of the family compared to her sisters, who have professional careers and are married with children, agrees to carry the clone of their dead mother in her womb. An intimate story of parents and children.

"There Was an Old Woman" by Robert Silverberg (Infinity Science Fiction, November 1958) -- A biologist creates thirty-one clones and raises each one to have a different career. Things don't go as planned. The ending is a bit melodramatic.

I might have to stop reading this thread. You make those sound really intriguing, so I've just bought the book. I'm trying to get rid of stuff at the moment you see, and have loads of unread books... :)
 
"Remailer" by Debra Doyl and James D. Macdonald -- Cyberpunkish story set in a future where, due to some kind of biological disaster, reproduction requires a female, a male, and a neuter. The plot involves a neuter hired to track down a missing male by a female. Written in a slangy style which is difficult to follow.

"The Leopard's Garden" by Constance Ash -- The editor offers her own story about a man journeying deep into Africa, which is kept apart from the rest of the world by high tech means due to a devastating plague and ecological disaster. He eventually finds an seemingly utopian garden-land within the continent. Alludes to Joseph Conrad's "Heart of Darkness" as well as tales by Burroughs and Haggard of lost African kingdoms. Seems to be more about the western idea of Africa rather than the reality.

"Bouncing Babies" by Kara Dalkey -- Dark comedy set in a near future when young women can earn large amounts of money by selling their ova. Shows what happens to one such person when her eggs turn out to be not as valuable as thought. Can be read as an allegory of any kind of economic bubble.
 
"Of Bitches Born" by Michael Armstrong -- The protagonist is an Alaskan dog sled racer who uses "real" dogs against teams which have been cloned. The author clearly knows a lot about the sport.

"Doppels" by Richard Parks -- Set in a near future where organic duplicates can be made of stars in the entertainment industry. The main characters are a leading man who is getting a little older and a model who is dying. A thoughtful story.

"Daddy's World" by Walter Jon Williams (Nebula Award for Best Novelette, 2001) -- The main character is a young boy who lives in what is clearly a completely artificial reality. He soon finds out what he really is. A good story.

And that's the end of that anthology.
 
Starting reviews of this collection (stories translated from the French by Xan Fielding and Elisabeth Abbott):

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"Time Out of Mind" ("Une nuit interminable," 1953) -- An ordinary Parisian fellow encounters a time traveler from the ancient past and one from the far future. Plays around with just about all the time travel paradoxes you can imagine.

"The Man Who Picked Up Pins" ("L'homme qui ramassait les epingles," 1965) -- Satiric essay which mocks an anecdote about a fellow who receives great reward from a wealthy banker because the banker sees him pick up a pin. Droll.

"The Miracle" ("Le miracle," 1957) -- The seemingly miraculous healing of a blind man changes the beliefs of both a priest and a skeptical doctor. Interesting.

"The Perfect Robot" ("Le parfait robot," 1953) -- A brilliant scientist creates machines (more computers than robots) who can duplicate all sorts of human actions. It leads to an ironic ending of what a machine must do to be considered human.
 
"The Enigmatic Saint" ("Le saint enigmatique," 1965) -- The setting is a medieval leper colony. A fellow comes to the colony and insists on embracing all of the lepers, no matter how advanced their disease may be. His reason is ironic. A bit long for its O. Henry twist ending.

"The Lunians" ("Les Luniens," 1957) -- Secret missions are sent to the Moon by both the USA and the USSR. When they run into each other, each assumes the others are inhabitants of the Moon. Not the most plausible notion in the world, but since the story is strictly intended as satiric comedy I suppose I can't complain.
 
"The Diabolic Weapon" ("L'arme diabolique," 1965) -- A prince assembles a committee to determine what warfare will be like in the age of nuclear weapons. Brief satiric fable on the human desire for battle.

"The Age of Wisdom" ("Le regne des sages," 1953) -- In the future all human conflicts have been eliminated except for the battle for power between those who believe everything is made out of particles and those who believe everything is made out of waves. Each side begins a secret project to benefit humanity, with unexpected results. A mordant satire of good intentions.
 
"The Man Who Hated Machines" ("L'homme qui haissait les machines," 1965) -- The narrator runs into a fellow who sabotages a door-opening electric eye and listens to his story of his war against the stupidity of machines. It all leads up to a final confrontation with a computer. A study in obsession and madness.

"Love and Gravity" ("L'armour et la pesanteur," 1957) -- Sex comedy about newlyweds on a space station trying to consummate their marriage in zero G. That's pretty much all there is to it.

"The Hallucination" ("L'hallucination." 1953) -- A police officer in charge of torturing prisoners has a vision of Dante's Inferno. The analogy is obvious.

"E=mc2" ("E=mc2 ou le roman d'une idee," 1957) -- Alternate history in which Einstein's famous equation is used to create matter from energy instead of the other way around. It leads to an ironic conclusion. More of a fully developed story that some of the others.

And that's the end of that collection.
 

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