Little excerpt from a work in progress: Out Patient

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hectic

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There is a certain weary comfort to a Monday morning here; despite the horrors in the prefabs and the faintly gamma-positive sleet pocking the poly roof of my office, I take some solace from the generic, familiar schlep of the starting week.

I had been up for three hours already, a nagging occipitalis ache dragging me neck first from an uneasy sleep on my surplus noncom cot. In contrast to my usual fractious, broken dreams, my office looked the same as always – a small pokey appendix epoxied to the back of the main ward. One small desk, one half destroyed chair – the seat as hard as permafrost, one semi-opaque sheet of plastic masquerading as a window, one extremely modern laptop – my sole luxury – it’s probably the single most expensive item in a hundred kilometre radius. There’s over a thousand carbon and partially silicon based entities within effective sniper fire range that would cheerfully kill me for it, but so far I think I’ve kept it a secret. A beautiful distillation of thirty years of west coast technofetishism, the computer fortunately doesn’t look anything like a computer does here in the technological doldrums of the Middle East - they still coo over a Macbook in these parts.

I have no fixed schedule here, but many demands on my time. My charges have the sweet plaintive demands of the truly helpless, raggedy stick and bone shapes only faintly tenting the rough blankets that are the only bedclothes available in the chilly main ward. As usual I make a morning tour of the ward, a depressing euphemism for a shuffling survey of the two small bays that are the full extent of the hospital. Zalmai is awake - I’ve never seem him asleep - his sightless head tracking every small sound I make as I negotiate the defunct medical clutter he insists on heaping on and around his bed, a pitiful hedge against further pain.

We found Zalmai about a month ago; he had crawled over twenty kilometres from the Maheepar Pass to the suburbs of Jalalabad. I was led to where he lay by one of the filthy interchangeable urchins who hang around the compound and who know we will pay a few afgani for information on the latest unfortunates to stagger out of the western mountains. Zalmai had heard me coming, the chill winter morning air telegraphed my approach clearly to his undamaged ears. Mewling pathetically he had scrabbled backwards, bloodied palm prints darkening the cracked, dried mud of the grubby no man’s land of the road verge. He looked up at me – his excised, bloodless, empty eye sockets somehow a much worse horror than the terrible battle gore I had seen and treated – they had taken his eyes.
 
Phew !!

A serious, serious tale, with layers upon layers...

If this was a tale-posting forum, I'd be yelling, "More, PLEASE !!"

If there's more anywhere else, please PM me.
 
Hi. I thought I'd make a few remarks on this, if you don't mind. :)

You have a very good base here for a fantastic tale. I do have a few minor complaints.

The first paragraph seems a bit longwinded to me. You might consider breaking it up a bit, just to help the pace a bit.

I had been up for three hours already,
Excessively passive. Had been and already in the same sentence, not good. You might want to try a more active voice. Three hours ago, the nagging ache woke me.... something to that effect anyway.

my office looked the same as always –
Instead of saying what looked the same, it's much more interesting to the reader if something is different. -just a suggestion.

I have no fixed schedule here, but many demands on my time.
I would delete this and bring the second paragraph to the forefront of the paragraph since it shows better.


As for general comments, the work seemed a bit on the wordy side. The idea seems interesting and engaging, but cutting down some of the wordiness would really make this piece shine.

I hope this helped. :) Well done.
 
@Nik: Thank you for your words, a slew more is available, PM to follow.

@ChrisQ - this sort of critique is one of the reasons I posted, I appreciate it lot. And thanks for the encouragement. As for wordy - you're not the first :)
 
@Nik - doh, not enough posts to send PM yet - will do it shortly.

Rgds
J
 
Nit-picking on an entirely different front; and probably more to do with me than your story, which is fine, if a little richly told for my liking (but that really is just a matter of taste; and I would certainly not stop reading because of it).

Anyway....

I know Wikipedia thinks Afghanistan (and by extension, Jalalabad) can be considered to be in the Middle East, but it doesn't sound right to me. (To be fair, "South Asia" is little better and I'm not that keen on "Central Asia", though this is probably the best of the three that Wiki offers.) It doesn't really conjure up the right images in my head: more endless dunes and oases than rugged mountain passes; or is it fabulously wealthy port cities rather than deep poverty? (Again, that may just be me.)

Given that you are being very specific - Jalalabad and the Maheepar Pass - is there any reason** for not simply stating the following?
...the computer fortunately doesn’t look anything like a computer does here in the technological doldrums that is Afghanistan.



** - And you may have a perfectly valid one; perhaps that country does not exist as such in your tale.
 
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And you may have a perfectly valid one; perhaps that country does not exist as such in your tale.

He mentions afgani, Ursa...



hectic said:
and who know we will pay a few afgani for information

I liked this - and I'd disagree with it being labelled "wordy", as well: I'd call it textured...:p

The only real nit-pick I'd mention is the horror of the last four words being diluted by the mention of "eye-sockets" in the previous part of the last sentence. IMHO, it would have been more effective if the precise nature of his loss had been omitted until the final revelation:

He lifted his face - its shadowed, bloodless hollows somehow a much worse horror than the terrible battle gore I had seen and treated – they had taken his eyes
 
He mentions afgani, Ursa...
There are Kurds but no Kurdistan; and there have been times when there were Poles, Germans and Italians, but no Poland, Germany or Italy. This was what I was getting at. Anyone for Pashtunistan?


I do agree with you about the decription, "wordy"; it isn't. The reason I do have (minor) doubts possibly reflects my thoughts about the length of the whole work and whether this texture is present everywhere. I think I would read a short story/novelette written in this way, but even a medium-length SFF book (100,000+ words) might become a tiring read. (But again, that's just me.)
 
@Pyan - thanks for the tweak in the last para - v.helpful.

@Ursa - what you said is interesting, a lot of my stuff is "textured" in this way, i.e.: benefiting from research based verimisilitude (IMHO), is it really tiring to read? I had felt that it went a good way to hint at layers without over burdening the text with lengthy digression.

Rgds
Jonathan
 
It may be tiring for me, but just what others really want to read. (And if a lot of your stuff is like this, there's the implication that some of it isn't.)




I'm a you-can-never-have-too-much-ping-pong-dialogue sort of person, which is definitely not to some peoples' tastes: the other day, a poster said that there was a danger of taking too much notice of critiquers and removing almost all of the description; I think this poster said the result looked more like a script than what you'd find in a book.
 
I'm a you-can-never-have-too-much-ping-pong-dialogue sort of person, which is definitely not to some peoples' tastes: the other day, a poster said that there was a danger of taking too much notice of critiquers and removing almost all of the description; I think this poster said the result looked more like a script than what you'd find in a book.


And that was me, as well - I just get a wee bit tired of the purist line of some of the critiquers...it's a good job people like JRRT, or GRRM, for that matter, didn't go down that line.
 
Slightly OT: This thread reminds me of Fritz Leiber's 'Spiders vs Snakes' time-war.
The Big Time - Wikipedia, the free encyclopedia

I suppose it's classic 'left brain vs right brain': Some tales are too linear for one view, or too 'hippity-hoppity' for the other...

Requiring a reader to 'catch the wave' with arcane, oft merely implied referents can go horribly wrong...

D'uh, I'm stuck either way. My 'HardSF' arc is stodgy, my 'wake, grabbing for notebook' tales are weird, and I write neither well...
 
Hectic, you have a lot of information here but after four paragraphs, you still haven't started your story.
 
Not every story starts in the first four paragraphs; here, however, there is a story because we have a world weary medic discovering a man who has - we assume - been tortured. Or has he? Is he mad, and has he destroyed his sight through psychosis? Or could he even have destroyed his own eyes for a very sane reason?

There are plenty of places the story could go from here. Having written some tens of thousands of words about the sole doctor struggling to provide care to thousands of alien prisoners of war on a prison planet, I'm intrigued by this, and would definitely read more.

I don't think the 'texturedness' is a problem unless the whole book is like this, and even then I can think of a lot of writers who have long sections of description, and seem to sell quite well.

I imagine that there's going to be some dialogue and other stuff along the way, though...
 
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