While they are not rayguns and spaceships, some of them still have SF elements (The Bridge is a little like Life On Mars/Ashes to Ashes) or they, at the very least, have some surreal elements (The Wasp Factory, Whit) which demand a suspension of disbelief, and State of the Art contains a Culture story, though it is one set on present day Earth.I haven't tried any of his "non M." books so if this one has SF elements sounds good to me.
One thing I must say about Banks, he has good re-read value.
I have yet to read Alastair Reynolds. Recommended for Banks fans?
I would say they both paint their universes with broad brush strokes. But you can tell which one is the english/philosophy major and which one is the scientist. Perhaps, dear Pooh, this is a worthy thread subject.I have yet to read Alastair Reynolds. Recommended for Banks fans?
I would say they both paint their universes with broad brush strokes. But you can tell which one is the english/philosophy major and which one is the scientist.
While they are not rayguns and spaceships, some of them still have SF elements (The Bridge is a little like Life On Mars/Ashes to Ashes) or they, at the very least, have some surreal elements (The Wasp Factory, Whit) which demand a suspension of disbelief, and State of the Art contains a Culture story, though it is one set on present day Earth.
I think Dave was referring to the collection State of the Art, rather than the novella (novelette?) of the same name.
But didn't you think more than a passing similarity with Special Circumstances (which has a C in it)?Just finished Transition. An atypical Banks SF story. More in common with Use of Weapons than any other Banks tale, but only because of its unrelenting grittiness and salacious sidelights. A worthwhile read. I'll say no more to avoid spoilers, but only add that in the "C" universe, the "Concern" bears little resemblance to either the "Culture" or the "Company" (Kage Baker).
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