The Seekers

Status
Not open for further replies.

Dash

Active Member
Joined
Jan 12, 2010
Messages
32
Hi all,

I've just started writing my book - well I've managed to pull all the ideas together at least! I've done about 30,000 words so far and am posting it up on my web site in stages every week. I would be interested in any feedback you can give as this is my first serious writing effort

PS. I'm rubbish at similes - are they really necessary?!

Anyway, here is the first 1,000ish words of the prologue (which is nearly 3,000 words so didn't want to put the whole thing up all at once!)

Prologue: Part 1

The staccato bursts of the girl's rifle firing up the staircase faded as the Hunter ran silently out of the old building. It took all his willpower to resist the urge to look back, to stay and help the girl. He knew she was good enough not to let the horror of the sudden and quite unexpected destruction of their tight-knit little unit get in the way of finishing the job they had started. She would keep the ******* pinned down and distracted for a while. Long enough for him to find another route up there.

It was fortunate that the foreman's house appeared to be entirely held together by ivy, thick twisted trunks curling up the wall, roots growing into the brickwork giving the building the appearance of a big mutant plant. Although it was almost pitch dark here in the forest, the Augmented Reality glasses made everything clear as day as they scanned the outside of the building and presented him with a quick and easy route to the window on the first floor, the one furthest away from the staircase. He made short work of clambering up the plant, hoping that the noise of the shooting was enough to mask the sound of his ascent.

No time to worry about that now son, just stay alert, stay focused. The echo of the old man's voice seemed to cut through his thoughts. The Hunter tried to ignore it, just a remnant of an old friend long gone. He was desperate to avoid coherent thought and thus transmitting his true intentions to the combatants inside

They had been forced to switch to sign language when he had realised what had been going on.

He must be listening in on the Neuros!

What? How? The girl's eyes had been wide.

I don't know, but we need a different approach.

What do you want to do? He's pretty well dug in up there.

I don't know.... Need a distraction. Think you can hold him?

Sure thing! I'll keep him busy! She had been frightened, her hands almost shaking too much to do the signing although the sentiment was ripe with bravado. He had seen the darkness descending around her and he'd left her there, alone.

It usually wasn't a problem to distract himself - coherent thoughts were normally more of an issue - but with the adrenaline of the last few days coursing through him all he could think about was the look on the man's face when they had met for the first time on the train a couple of weeks ago. The sneer as the murderer had leapt backwards out of the car and rolled away into the bushes. That was the closest they had ever been, until now.

Balan. The Hunter felt the bile rise in his throat as he thought the name. Nari had come up with it. The demon of finesse and ruses. Also a prince of hell and this ******* was certainly living up to the description. They had finally learned his real name once the Hunter had downloaded his image off the glasses into Unicorn's systems, but it was too late to adjust their thinking by then. The name stayed.

The press had called him The Invisible Killer. This year's big thing, leaving behind a trail of bodies with no evidence, no DNA. Twelve bodies to be exact, twelve that they knew about, anyway. Fourteen now, the Hunter thought and felt the pressure begin to build behind his eyes.

He shook his head. Little lights were appearing in his peripheral vision, pulsing in time with the blood pumping round his head, like he could see his heart beating. Music: Stars, he thought and a gentle staccatto melody began to feed through his earbuds. With each note a white dot was extinguished and soon he was able to concentrate on the task in hand.

He crept through the window as quickly and quietly as he could, the Neuros silent now, lest Balan was still listening in. The glasses were feeding him constant information about the place, ambient temperature, structural stability, IR readings. Of course there were no readings from Balan himself. Somehow the ******* had managed to throw the system off so it was impossible to see him on the infra-red. When he scanned the room, the glasses highlighted potential obstacles and showing him the optimal path through them. He felt his muscles tense and tried to relax, to concentrate his mind so that when he finally caught up with the man there would be no mistakes. He would be on top of things this time.

But when he saw what was lying there waiting for him, he felt his heart leap into his throat and a wave of nausea caused him to double up, throwing a hand out to steady himself against the nearby wall. The body of a young woman lay discarded on the floor, across a rotting old mattress. Her limbs were twisted awkwardly, beautiful face scratched and bruised. Still bleeding, he noticed, reaching out to place his fingers on her neck. She had no pulse, but her soft pale skin was warm. A recent kill, then.

Of course the scanner had already told him this and in much more disturbing detail than necessary, but the Hunter had always felt there was no substitute for real touch, real feelings. It was part of his need to remain in touch with reality at all costs. Looking at the broken body, his eyes filled with tears and his vision tunnelled until all he could see were shadows and death, dark winged daemons spiralling around her battered face. They had only just found each other and now she was gone. They were all gone.

They were all dead now.

(To be continued)
 
What-ho!

PS. I'm rubbish at similes - are they really necessary?!

No. Nothing is absolutely necessary. Good writing is good writing, however it is put together. But that said, similes are an excellent means of depicting imagery, which in turn gives a depth and richness to the writing.

And they aren't difficult. A simile is just a comparison - saying that something is like something else. Metaphors are more complex, as they can so easily look forced or contrived.

Simile:-

Mrs Graham came into the kitchen to find Peter dismantling an engine block on the kitchen table and using her best trifle bowl as a makeshift sump. Peter jumped back like a startled rabbit.

Metaphor:-

The moon was a ghostly galleon. (We were given this one at school as an example of potentially bad metaphor).

In your case, I think that your writing style and command of the language is strong enough to make it worth your while exploring imagery. You definitely know how to put a sentence together - no mean feat in this day and age when even supposedly professional people write like a room full of monkeys trying to replicate Hamlet - and your narrative voice is both strong and confident. But I do feel that you could give your writing greater depth through enhanced use of imagery and description. It works without in this piece, as it is an action sequence and therefore needs a certain immediacy, but if you want to present a credible, alternative, steam-punk world, you will have to use imagery to avoid dropping in to info dump.

Which brings us on to my principle observation. You have a tendency to break up the action by bringing in extraneous detail. This tears the reader away from the immediacy of the scene and risks undermining the suspension of disbelief. If you don't let us become immersed in the here and now, we might just switch off.


Sure thing! I'll keep him busy! She had been frightened, her hands almost shaking too much to do the signing although the sentiment was ripe with bravado. He had seen the darkness descending around her and he'd left her there, alone.

It usually wasn't a problem to distract himself - coherent thoughts were normally more of an issue - but with the adrenaline of the last few days coursing through him all he could think about was the look on the man's face when they had met for the first time on the train a couple of weeks ago. The sneer as the murderer had leapt backwards out of the car and rolled away into the bushes. That was the closest they had ever been, until now.


See what you have done? We are taken away from the drama of your opening scene and dropped back into the past to learn about things which have no bearing on whether Our Hero is going to Save The Girl.

You go on to give us another two paragraphs of additional information before taking us back into the action. Whilst this information may be very necessary for the reader to know, it has no place here.

The staccato bursts of the girl's rifle firing up the staircase faded as the Hunter ran silently out of the old building.

Ran silently? Really?

It was fortunate that the foreman's house appeared to be entirely held together by ivy, thick twisted trunks curling up the wall, roots growing into the brickwork giving the building the appearance of a big mutant plant

Nothing much wrong with this simile!

You do have a slight tendency to drift towards info dump:-

He crept through the window as quickly and quietly as he could, the Neuros silent now, lest Balan was still listening in. The glasses were feeding him constant information about the place, ambient temperature, structural stability, IR readings. Of course there were no readings from Balan himself. Somehow the ******* had managed to throw the system off so it was impossible to see him on the infra-red. When he scanned the room, the glasses highlighted potential obstacles and showing him the optimal path through them.


Of course the scanner had already told him this

You almost get away with it, but when you are describing the whizzy scanning glasses, I just got the sense that you were shoehorning a lot of "spec" into the narrative. You say "of course..." twice, presumably to demonstrate that Hunter is aware of what the geps can do. But if it is so obvious to Hunter, he wouldn't be thinking that way. So you are forcing Hunter to express his thoughts in a way which he probably wouldn't, just as a means of imparting technical information to the reader. Like I say, you nearly get away with it, but I think that you should either let us work out the ability of the geps for ourselves, or tell us in some other way. Otherwise, you get close to this sort of clunking, unconvincing explanatory dialogue:-

"Hi Dave," said Peter. "Shall we go to the pub for a pint?"

"OK" said Dave. "Which pub?"

"The Lamb and Flag. Of course, we don't have much choice because it's the only pub in the village."

"Yes - and it's the place we have been going every week for the last fifteen years."

Regards,

Peter

 
Thanks for the feedback Peter! I think I see what you mean about the detail - since this is the beginning there is so much I felt needed saying. I'm not sure that I can lose it all, but how about if I move it to the end - where he has found the body and there is more of a natural pause. Then he is consumed by grief and focused only on the person who did this. (Also there is a bit of time while Balan gets across the house to find him)...

silently => quietly? He is well trained of course so is trying to sneak out without being noticed. I guess with the gunfire going on it doesn't really matter!

I understand what you mean about info-dumping, it's a tricky problem...


They had been forced to switch to sign language when he had realised what had been going on.

He must be listening in on the Neuros!

What? How?
The girl's eyes had been wide.

I don't know, but we need a different approach.

What do you want to do? He's pretty well dug in up there.

I don't know.... Need a distraction. Think you can hold him?

Sure thing! I'll keep him busy!
She had been frightened, her hands almost shaking too much to do the signing although the sentiment was ripe with bravado. He had seen the darkness descending around her and he'd left her there, alone.

He shook his head. Little lights were appearing in his peripheral vision, pulsing in time with the blood pumping round his head, like he could see his heart beating. Music: Stars, he thought and a gentle staccatto melody began to feed through his earbuds. With each note a white dot was extinguished and soon he was able to concentrate on the task in hand.

He crept through the window as quickly and quietly as he could, the Neuros silent now, lest Balan was still listening in. When he scanned the room, his glasses highlighted potential obstacles and showing him the optimal path through them. No readings from Balan himself. Somehow the ******* had managed to throw the system off so it was impossible to see him on the infra-red. He felt his muscles tense and tried to relax, to concentrate his mind so that when he finally caught up with the man there would be no mistakes. He would be on top of things this time.

But when he saw what was lying there waiting for him, he felt his heart leap into his throat and a wave of nausea caused him to double up, throwing a hand out to steady himself against the nearby wall. The body of a young woman lay discarded on the floor, across a rotting old mattress. Her limbs were twisted awkwardly, beautiful face scratched and bruised. Still bleeding, he noticed, reaching out to place his fingers on her neck. She had no pulse, but her soft pale skin was warm. A recent kill, then.

The scanner had already told him this and in much more disturbing detail than necessary, but the Hunter had always felt there was no substitute for real touch, real feelings. It was part of his need to remain in touch with reality at all costs. Looking at the broken body, his eyes filled with tears and his vision tunnelled until all he could see were shadows and death, dark winged daemons spiralling around her battered face. They had only just found each other and now she was gone. He sank to his knees.

They were all gone.

All he could think about was the look on the man's face when they had met for the first time on the train a couple of weeks ago. The sneer as the murderer had leapt backwards out of the car and rolled away into the bushes. That was the closest they had ever been, until now.

Balan. The Hunter felt the bile rise in his throat as he thought the name. Nari had come up with it. The demon of finesse and ruses. Also a prince of hell and this ******* was certainly living up to the description. They had finally learned his real name once the Hunter had downloaded his image off the glasses into Unicorn's systems, but it was too late to adjust their thinking by then. The name stayed.

The press had called him The Invisible Killer. This year's big thing, leaving behind a trail of bodies with no evidence, no DNA. Twelve bodies to be exact, twelve that they knew about, anyway. Fourteen now, the Hunter thought and felt the pressure begin to build behind his eyes.

They were all dead now.
 
Yes, I know first hand just how tricky info-dumping can be. :( That's a lot of good stuff Peter pointed out there, but I thought I'd add a few observations of my own. Like Peter, I think your writing is pretty solid, and mostly draws me in very well. You do have a few sentences I think could be simplified to improve the flow.

Red=things you might want to think about.
Blue=suggestions I made for changes.

Prologue: Part 1

The staccato bursts of the girl's rifle firing up the staircase faded as the Hunter ran silently out of the old building. It took all his willpower to resist the urge to look back, to stay and help the girl. He knew she was good enough not to let the horror of the sudden and quite unexpected destruction of their tight-knit little unit get in the way of finishing the job they had started. She would keep the ******* pinned down and distracted for a while. Long enough for him to find another route up there.

It was fortunate that the foreman's house appeared to be entirely held together by ivy, thick twisted trunks curling up the wall, roots growing into the brickwork giving the building the appearance of a big mutant plant. Although it was almost pitch dark here in the forest [Although nearly pitch dark in the forest...?], the Augmented Reality glasses made everything clear as day as they scanned the outside of the building and presented him with a quick and easy route to the window on the first floor, the one furthest away from the staircase. He made short work of clambering up the plant, hoping that the noise of the shooting was enough to mask the sound of his ascent.

No time to worry about that now son, just stay alert, stay focused. The echo of the old man's voice seemed to cut through his thoughts. The Hunter tried to ignore it, just a remnant of an old friend long gone. He was desperate to avoid coherent thought and thus transmitting his true intentions to the combatants inside

They had been forced to switch to sign language when he had realised what had been going on.

He must be listening in on the Neuros!

What? How? The girl's eyes had been wide.

I don't know, but we need a different approach.

What do you want to do? He's pretty well dug in up there.

I don't know.... Need a distraction. Think you can hold him?

Sure thing! I'll keep him busy! She had been frightened, her hands almost shaking too much to do the signing although the sentiment was ripe with bravado. He had seen the darkness descending around her and he'd left her there, alone.

It usually wasn't a problem to distract himself - coherent thoughts were normally more of an issue - but with the adrenaline of the last few days coursing through him all he could think about was the look on the man's face when they had met for the first time on the train a couple of weeks ago. The sneer as the murderer had leapt backwards out of the car and rolled away into the bushes. That was the closest they had ever been, until now.

Balan. The Hunter felt the bile rise in his throat as he thought the name. Nari had come up with it. The demon of finesse and ruses. Also a prince of hell and this ******* was certainly living up to the description. They had finally learned his real name once the Hunter had downloaded his image off the glasses into Unicorn's systems, but it was too late to adjust their thinking by then. The name stayed.

The press had called him The Invisible Killer. This year's big thing, leaving behind a trail of bodies with no evidence, no DNA. Twelve bodies to be exact, twelve that they knew about, anyway. Fourteen now, the Hunter thought and felt the pressure begin to build behind his eyes.

He shook his head. Little lights were appearing [passive - maybe "appeared"] in his peripheral vision, pulsing in time with the blood pumping round his head, like he could see his heart beating. Music: Stars, he thought and a gentle staccatto melody began to feed through his earbuds. With each note a white dot was extinguished and soon he was able to concentrate on the task in hand.

He crept through the window as quickly and quietly as he could, the Neuros silent now, lest Balan was still listening in. The glasses were feeding him constant information about the place, ambient temperature, structural stability, IR readings. Of course there were no readings from Balan himself. Somehow the ******* had managed to throw the system off so it was impossible to see him on the infra-red. When he scanned the room, the glasses highlighted potential obstacles and showing him the optimal path through them. He felt his muscles tense and tried to relax, to concentrate his mind so that when he finally caught up with the man there would be no mistakes. He would be on top of things this time.

But when he saw what was lying there waiting for him, he felt his heart leap into his throat and a wave of nausea caused him to double up, throwing a hand out to steady himself against the nearby wall. The body of a young woman lay discarded on the floor, across a rotting old mattress. Her limbs were twisted awkwardly, beautiful face scratched and bruised. Still bleeding, he noticed, reaching out to place his fingers on her neck. She had no pulse, but her soft pale skin was warm. A recent kill, then.

Of course the scanner had already told him this and in much more disturbing detail than necessary, but the Hunter had always felt there was no substitute for real touch, real feelings. It was part of his need to remain in touch with reality at all costs. Looking at the broken body, his eyes filled with tears and his vision tunnelled until all he could see were shadows and death, dark winged daemons spiralling around her battered face. They had only just found each other and now she was gone. They were all gone.

They were all dead now.
(To be continued)

I enjoyed this, and found the ideas very interesting. So we have what seems an urban fantasy in a relatively high tech world? So far that's how it looks, if I understand what's happening here.... Definitely something I'd get into.

Most of what I marked above is not technically wrong, but finding a different way to express them can help to greatly improve the flow of your prose. Not something to concern yourself with during the initial writing, per se, but something to think about when editing.

Starting sentences (and especially paragraphs) with "It" or "It was" can be awkward. "It was" often leads to passive voice. This kind of thing can slow down the narrative. Sometimes that might be exactly what you want to do, but otherwise it might be best do this rarely.

You have some passive phrases (or phrases that have the same effect as passive voice, which slowing down the narrative) that might work better in a more active voice, especially in an action scene.

Adverbs have the tendency to hide more detailed descriptions, or sometimes can be unnecessary. So, sometimes it might be a good idea to replace the adverb with something more descriptive, and in other cases drop it completely if it doesn't really add anything.

Passive voice and adverbs are completely acceptable in fiction, though, so don't let me give you wrong idea. These are merely suggestions that might help to improve the flow of your piece, and ultimately you need to decide what works or what doesn't.

Hope this helps!
 
Thanks Michael, looking at some of my other writing I see that I do use the 'passive voice' quite a lot, changing them makes quite a difference to the way the prose sounds!

the next part is a fight sequence, I'm unsure about the way the action paragraphs work - they seem a little clumsy to me:


Prologue, Part 2
The Neuros sensed the Hunter's imminent mental collapse and responded quickly by feeding a gentle melody into the earbuds, Schumann's Traumerei played gently on a beautiful Bösendorfer to a hushed Festival Hall. Once it would have soothed him, helped him to focus his mind but tonight, it reverberated cruelly around his skull, mocking the dreaful seriousness of the situation. The Shadow was closer and more oppressive than it had ever been.

The Hunter grabbed the array and ripped the glasses off his head, screwing up his eyes with a sharp intake of breath at the shock of the sudden darkness. The painful disconnect when the contacts on his temples separated. The earbuds, connected to the glasses by a thin membrane of silica also popped out of his ears, tinny piano music fading as the apparatus fell. In the silence he was horrified at the clear sound of his own weeping.

The shooting downstairs stopped momentarily. He imagined she had felt the disconnect and was desperately trying to send him messages but they meant nothing to him anymore. He cradled the limp body in his arms, his face buried in sweet-smelling auburn hair. He did not even notice when the gunfire ceased for good.

"Hunter!"

When The Invisible Killer jumped him, it was more instinct than skill that caused the Hunter to drop forwards, rolling with the murderer's momentum and slamming him onto the hard floor. His riposte was only a glancing blow to the ribs as the man's fist met his chin. Balan was already on his feet. Fast for his size, strong. The Hunter allowed himself to fall back and roll sideways into a crouch. Drawing his knife, he waited warily in the darkness. Tried to slow his breathing down, to allow the usual connections to fire up and break the scene up into manageable chunks, but the emotional shock of seeing the twisted body had devastated his neural responses. Perhaps he had damaged himself further when he had unceremoniously ripped the AR system from his head. Have to do this the old fashioned way. He struggled to focus on Balan through the undulating mists of colours and lights.

The black-clad man danced around him. The Hunter watched and waited, noting his tight-fitting clothes, designed for stealth and swift combat. Invisible, indeed. There appeared to be extra padding around the chest, body armour of some description. Two fierce green eyes were all that was visible of his face and they seemed to sparkle in the darkness, taunting the young man. Suddenly Balan lunged forwards, feinted high and landed a brutal uppercut that seemed to drill all the way up through the Hunter's skull. His mouth filled with the metallic taste of blood as he bit through the tip of his tongue. His teeth practically rattled. Balan easily caught his clumsy swipe with the knife and crunched the bones in his hand together painfully. To the Hunter's shame and horror, the knife tumbled to the floor. Balan yanked on his arm and planted several swift punches on his exposed kidney then shoved him back. The Hunter reeled away, doubling up, stumbling, but the old man's teachings kicked in and at the last possible moment he turned the movement into a sweeping kick at his assailant's legs.

The Hunter could not see a thing now, his world had become filled with flashing lights and neon swirls in the encroaching darkness. He barely heard the sound of the bones in his leg breaking and collapsed to the floor in agony, helpless to prevent the man striking him again and again. His cheekbone cracked and the pain exploded with bright yellow sparks, rendering him temporarily blind. Balan laughed and took a step back. Through the mists of pain and frustration the Hunter saw that he was panting with the exertion of their combat, drawing rasping, wheezing breaths.

"Finally we meet on MY terms, Hunter" The voice was deep and gravelly, betraying a lifelong love of tobacco and liquor.

"Your terms?" The Hunter spat a long stream of blood onto the floor. He felt dizzy, the room was bathed in glorious spinning golden lights. Balan was a mere whisp of bluish motion in front of him. The world was shapeless. This is not how it is meant to be. He looked up. "It ends here, Jackson."

"For you, maybe." Balan sighed. "I have to admit though, I thought you were better than this."

"Why? Why did you do it? Why her?" The Hunter started to pull himself to his feet, but Balan pushed him down, grinding a sharp heel into his injured knee. The Hunter nearly fainted with the pain. He tried to keep his breathing steady while his brain thought treacherous thoughts. YOU put yourself here, in this situation. YOU made them come with you, YOU killed them. He attempted to pull his thoughts together, to shut out the words. The feelings were so strong, he did not think that he could invoke the trance now, but he had to try, or he would fall too. Time to show the old man he did not waste his life on you. Balan was speaking again.

"Perhaps you should ask your precious Unicorn. Seems there's a lot they don't tell you."

"Unic- How dare you pretend to know about us! Scum like you? You've killed fourteen people!"

"Oh, that many?" He seemed pleased. "And none more deserving than our little friend there."

"But - she did nothing! She was just -" the Hunter spluttered, "you know nothing!" He added lamely, quietly, his hand on her hair.

Balan reached down and pulled the Hunter up by the lapels until their noses touched. He tried to resist, but the man was inhumanly strong and he could not help crying out when the bones in his injured leg ground together.

Acrid breath overpowered the Hunter's senses and the man began to laugh.​
 
thanks for the feedback flickimp, you saying that has made me realise I've got a girl a bit later with bright green eyes - don't want to overdo it!

Anyone got a colour preference?
 
Status
Not open for further replies.
Thread starter Similar threads Forum Replies Date
DCBastien JRR Tolkien 110

Similar threads


Back
Top