Beggars & Choosers

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reiver33

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This may come over as a bit Avatar (which I haven't seen) but is actually a return to an older thread of mine (Paper Tiger) - kind of! It's definitely in the 'virtual reality' vein though, so I apologise for its populist subject matter and can only blame yet another painkiller-fuelled, fitful attempt at sleep. Cheers!

One

Ever fancied changing sex for fun and profit?

Take it from me, it’s not habit forming.

I needed access to The Tower in short order, and the only persona Jimmy D could come up with was ‘Donna-Donna’, a female wannabe celebrity with neither the money nor smarts to cut it in the ‘real world’ – whatever that means these days. Looking over her specification I frowned, as ‘barely adequate’ didn’t come close, and given the smile on his face I suspected he hadn’t tried too hard to find something male in the first place. Still, any port in a storm…

Transition.

The crowd milling about outside the rope barriers was bigger than I’d anticipated, and I could feel my new body being jostled while the ‘vLife, incorporating SecondLife, all rights reserved. Welcome to the Reality Zone’ titles scrolled across my field of vision. Donna-Donna was a slim brunette with shoulder-length curly hair, wearing a long chiffon print dress and not much else. It was a very retro look and I was just thankful she’d gone barefoot rather than the in-period platform shoes as well. Not being able to throw my weight about and simply barge forward took a bit of getting used to, but eventually I wormed my way through the press of bodies and found myself near the line of security staff in their corporate beige polo shirts.

His name was Todd and he was obviously used to offers of future ‘gratitude’ in return for waiving the entrance fee, which was just as well given that his piercings and tattoos made him look like some diminutive extra from ‘Hellraiser’. I tried to think feminine and smile sweetly without simpering, but he was obviously taken by my plunging neckline and unhooked his section of rope without much encouragement. He took my left hand in both of his by way of verification and I felt a slight tingle as The Tower recorded my presence – but what I didn’t realise at the time was this would enable him to trace me throughout my stay. Leaving him with what I hoped was an alluring wink I tried to sashay over to the main doors, although having wider hips than I was used to made my gait a bit stilted and self-conscious, and wearing heels at that point would have been just plain suicidal.

Once in the foyer I stood to the side and inspected my makeup for flaws in one of the large floor-length mirrors, thoughtfully provided for patrons unused to the wear and tear of the Reality Zone. It was now that my problems started in earnest, as progressive access to the facilities on the upper levels was determined by your credit rating and although Donna-Donna had the usual interface in her right palm (a handshake would rate her as low-median), the financial back-up to this was entirely bogus. Basically I looked good, but any attempt to buy anything would see the Credit Police eject me from the building in short order.

There was a polo-shirted attendant beside each elevator – each of which went only to a designated floor – and I was sure their ‘meet and greet’ routine was designed to allow a close-proximity scan; ensuring only the right people reached the right level. Although I wasn’t alone in hanging back - a lot of people didn’t want to display their level of fiscal acceptability and would slip into an elevator while the rest of us pretended not to notice – eventually one of the floor-walkers would catch on to my persistent hesitation and step forward, all smiling encouragement. My only option was one of the Alternates, so I set off towards the row of shimmering arches off to my right while trying not to look too conspicuous.

Impressions of data washed over me and I was momentarily blind to my surroundings; an image of a ground-crawler carrying a nuclear demolition charge, proposed surveillance flight-paths, positions of anti-aircraft batteries, high-value target locations. Obviously this region of the Construct was utilised by the military and Donna-Donna was in some way sensitive to their (highly classified) programmes, which made me think that Jimmy D had definitely been pursuing his own agenda when foisting her on me. I swore under my breath and blinked, but it was already way too late and I had blundered through an arch at random.

Transition.

I was on what looked like an airport bus, travelling through a large, rain-swept car park, illuminated by harsh halogen floodlights. Beyond that I could see very little apart from a few distant lights, and before I could adjust to the sudden change in environment we arrived at what was apparently our final destination. I say ‘we’, although I was the only passenger and the driver was invisible behind an anti-theft screen, as I had the distinct impression someone was watching over me, remaining just out of sight beyond my peripheral vision, no matter how quickly I turned my head.

The bus deposited me outside the ‘Lazy-T’ diner, a single storey building in the Western ‘ranch house’ style, incongruous though that seemed given the surrounding expanse of wet tarmac, but I was in no position to quibble over the only source of shelter available. The inside was pure Country & Western, from the red-and-white check tablecloths in the booths to the background ‘honky-tonk’ soundtrack, and, wow, was I so out of place. The other patrons favoured plaid shirts, jeans and boots, beer either in bottles or pitchers, and a distinct lack of interest in their surroundings. I mean that quite literally, as while small groups sitting together would chat amongst themselves they ignored both their fellow diners and, thankfully, myself.

Then they all stood, as if in response to some soundless command or announcement, and began filing out through the saloon-style double doors at the rear of the diner. This led into an opaque, milky, nothingness – and I felt no desire to accompany them – so I just watched as the last cowboy vanished into what I suspected was virtual Dollywood or its ilk. I was left standing there, shivering in chiffon, with only blank-faced serving staff for company, almost in tears. In fact I had to flick a few errant drops from my cheeks and shook my head, setting my hair swinging, as an instinctive counter to embarrassment.

There was a door, no, more a milky-white gap in the fabric of the left-hand wall, but only visible when I wasn’t looking directly at it. This was definitely in the realms of technical support and that meant Donna-Donna was definitely not your run-of-the-mill air-head avatar. However, as I was out of options I sidled up to the systems access portal, closed my eyes, and stepped into oblivion.

 
OK I will say I read it - got a bit muddled here and there but...

I liked it , quite a nice pace and survives without dialogue - much like my style.

Cav
 
Fascinating. I don't know where it is going, but I'm intrigued...

Thank you.

Having written 'Version Shock' about a bed-ridden but straight guy who is offered a very feminine android avatar to replace his defunct 'Mark Six', I was wondering how you'd handle the scenario. So far, so good...
 
Sorry if this came over as a bit confusing, but it's a classic example of getting ahead of yourself. I don't usually sketch out a storyline in real detail - at best I hope for a clear start, end and occasional narrative stepping-stones - but pursing a chain of thought from the original posting I ended up here, having avoided all the tedium of actually writing down the bits in-between.

Short version; in the future the rights to almost all literature are owned by multi-media corporations. Rather than promote the written word they have developed 'the classics' as fully interactive, virtual reality theme parks - so, for example, you can experience 'Pride & Prejudice' as a background character while the plot plays out around you. Appalled at this bastardisation, a group of self-styled ‘literary guerrillas’ (the Paper Tigers) have been infiltrating and sabotaging these multi-media experiences, with some minor degree of success (e.g. killing Miss Marple). Unfortunately the primary AI behind these adaptations (known as Narrative) retaliates by killing off the hero’s girlfriend while they hang out in a 1930’s cocktail party (courtesy of Hercule Poirot) – leading to a real-world ‘death of consciousness’. Distraught, he vows revenge, but then learns that there may be a digitized copy of her personality in the MediaCore archives. As a physical assault on their real-world premises is a non-starter, he sets out to penetrate their virtual reality corporate HQ (and multi-media experience), known as The Tower.

Phew!

That’s where ‘Beggars & Choosers’ kicks off…

PS And this next bit involves the proverbial 'adult themes'....
 
Two

Lost in a sea of dreams, and they weren’t human.

I’d expected technical support to offer a stylised view of the Construct; maybe corridors and rooms, each representing a discrete virtual environment and allowing access – via the systems portals – to specific locations. Instead what I got was…chaos.

I was bombarded by ideas, concepts, and data representations, all swirling around me without form or structure in a soundless riot. There was no sense of up or down, no sense of gravity, no sense of my own physical presence – and thus no eyes to close – just naked awareness via a medium that obviously wasn’t designed for a linear, human, intelligence. Even my sense of being was under attack, like it was being eroded through exposure to this meaningless jumble of information, my self-awareness starting to fray round the edges like a ragged blanket in a high wind.

Trying to concentrate I found that thinking about a specific topic would bring it into sudden and sharp relief, but the sensation was akin to having your face jammed against a brick wall when you wanted to look at the whole building – there was just no sense of scale, it was all just details. Eventually I discovered that trying to think about two separate topics would throw up the interrelationship between them – effectively a data sub-set – which gave me a feeling of mass (if that makes sense) but still represented an unmanageable amount of data.

Trying to put myself, or rather Donna-Donna, into the equation proved almost impossible, as she only seemed to exist as a representation of credit, although that concept did produce a twinge, a pulse, from the interface in the right palm I didn’t have. That’s the best way I can describe it; a phantom sensation in a limb I ‘knew’ wasn’t there, and I focused on this with grim determination as my consciousness seemed otherwise devoid of both memory and purpose. The effect was like radar illumination of a target, the pulse defining my body such that outlined arms and hands appeared in front of my ‘eyes’, and I would have wept for joy, if I still knew what ‘joy’ was. Having a physical presence again gave me a buffer, some breathing space, such that I could concentrate on something else for short periods – the question was what?

Donna-Donna and The Tower.

Systems portal 331 appeared in illuminated relief, a stationary milky-white rectangle in a sea of troubles. There was no sensation of moving towards my salvation, rather it just seemed to expand and fill my field of vision.

Transition.

I found myself standing in an empty alcove off a corridor, my back to the wall. From the décor this was on the third floor in The Tower, which would have been the limit for Donna-Donna if her credit rating had been legit, and a definite dead-end to my search for the Archives. It took a moment, several moments, to get over the novelty of having arms, legs, feet again, and my initial movements were stilted and jerky, carrying me no further than one of the couches which sat in the other alcoves, each opposite a numbered door. Eventually bodily movement became more than a badly executed theoretical concept and I was able to rise and walk along the curved corridor, idly trying the occasional door but finding them all locked. Although there was only one elevator for the third floor down in the lobby, up here there was one every hundred feet or so; not entirely realistic as far as the Zone was concerned, but I suppose it was a way of ensuring an equal distribution of patrons and avoiding potentially awkward conversations when queuing to leave.

What you would find behind each door was anyone’s guess, as the environment could be configured to suit your specific requirements, although certain commercial enterprises paid a premium for consistency. Thus I knew from the advertising blurb that ‘333’ was always ‘McGregor’s Tavern’, a faux-Scottish setting complete with a poetry-spouting bard by the hearth. Och eye the noo.

The nearest elevator announced its arrival with a musical ping and Todd stepped out, grinning broadly.

“Sorry I couldn’t get away earlier, babe. Been waiting long?”

I blinked, surprised, and then some persona-driven impulse took over and I smiled in return.

“No, no. I don’t think so. Time doesn’t seem to pass at quite the right rate here, even though it’s supposed to be a realistic environment.”

He took my elbow and I allowed him to guide me along.

“Ultra-realistic, babe, ultra-realistic, even down to wood splinters and broken fingernails – but I know what you mean. Sometimes I think my employer’s slow-down your perception when you’re enjoying yourself, while the real-time clock keeps ticking. That way they can hit you with the full rate while minimising their presentation outlay. Depends on the charging policy, obviously, so if you’re paying by what you consume then even an hour up here can seem a hell of a long time. This is our room, hope you’re ready.”

He opened the door without benefit of a key – staff privilege – and ushered me inside. I found myself in a bland hotel environment; nondescript carpet and décor, double window with curtains closed, wardrobe, chest of drawers, door to a fake en suite, leather-covered, king size waterbed.

Ah.

There was no warning, no foreplay; he simply eased the dress from my shoulders so that it fell in a circle of chiffon at my feet. Then it started; a touching human drama in three acts, no holes barred, for the benefit of the paying public who could experience our ‘Performance’ from the perspective of either party.

I felt simultaneously violated, exhilarated, aroused, and outraged. Not passive but strangely acquiescent as my male psyche struggled and failed to cope with the physical sensations generated by a female avatar. I’ve never been one for virtual gender-hopping and the sheer novelty of the situation – although that term doesn’t do the sensation justice – had me both screaming for release and pleading for more. Although my real-world tastes are hetro this was something else again, the pleasure was real and intense, even though the medium might have been a tad confused, to say the least.

At last Todd finished and stood back, a wide leer on his lips, having remained fully-clothed throughout.

“That was just great, babe, totally! Really fresh and intense. I’ve checked you out and for a fem-in-fem you come over way innocent and needy. Definitely do this again if you’re up for it, although maybe you should rethink your look, you know? Maybe glasses, like the whole secretary thing? Anyway, the initial figures are just stellar! Straight in there, Gold Channel coverage!”

He zipped up and flexed his shoulders.

“Gotta get back to work, babe, but it was just great. Later”.

After he left I lay there for a while, not feeling like a victim, definitely not that, but more a case of retrospective surprise? Like I’d been taken aback and was only now adjusting to the new situation. I find it difficult to put it into words, and I don’t claim any new perspective into the whole female experience as it was all just too alien, almost dreamlike.

Eventually I rose, retrieving my dress from the floor at only the second attempt, and entered the fake en suite. This was actually a Ready Room, and in there I reset both my physical appearance and sensorium to a pre-Performance state, which did a lot to calm me down and get my analytical faculties working again.

OK, so I was now officially a ‘Performer’, and while I was here MediaCore (who owned The Tower) would function as my de facto agent for a hellish percentage. Still, as Todd had said, our ratings were stellar; ‘Donna-Donna and Todd Longrod’ (oh, please!) had pulled in so many hits as to warrant promotion by the Gold Channel, which was watched, reviewed and sampled by the wealthy and corporate elite. The royalties from each sensory voyeur had already boosted my (her) credit rating way beyond its bogus starting point and, more importantly, while we rode high in the Gold Channel ratings it meant Donna-Donna had access to every facility The Tower had to offer. Every retail outlet and pleasure palace, on every floor.

All the way up to Eleven.
 
Just sticking in this last piece for now as I'm away for most of this week...

Three

I took the elevator back down to the foyer as there was no direct access from the third floor to any higher level, not without trying to navigate my way through technical support again, and that was an experience I’d rather not repeat.

Anyway, being back on the ground floor allowed me to make a statement; striding along to elevator Eleven past the small crowd still milling about near the entrance doors. There I was greeted by not just the attendant but a suave flunky in full evening dress; not quite top hat and tails, but you get the general idea. He took my right hand and bowed over it, his lips brushing my knuckles, but it was just an excuse to access my credit interface – and we both knew it.

“Mademoiselle, a pleasure to meet you at last. I believe that this will be your first visit to our humble establishment? I am Concierge Veryon, and I assure you that every desire can be satisfied on the Eleventh floor.”

He was all oily charm, his voice a mere intimate murmur, and I responded in kind.

“The pleasure is all mine, Monsieur Veryon, and I look forward to enjoying your hospitality, to the full.”

He smiled and ushered me into the elevator, and although I expected him to drop the act once the door closed and we were free from any witnesses, he continued to treat me like minor royalty. I guess they were hedging their bets against the one-in-whatever chance of a newcomer becoming an established member of the elite, as it didn’t pay to offend someone on the way up (no pun intended). We exchanged pleasantries during the brief assent – featuring real acceleration – and then the doors opened onto Lounge Eleven.

Plush carpets, discrete lighting, mood music, high-end décor and the sound of wealth changing hands in the background conversation. We were met by a tall blond man in an up-market version of the corporate livery; obviously a waiter, complete with white linen cloth draped over his left arm.

“Alas I must leave you now, Mademoiselle, but may I introduce Mathias, one of my bailiffs. He will show you to your table and whatever your requirement, please feel free to ask.”

Bailiff?

Before I had time to worry about this there was another bow, another hand-kiss, and the Concierge was whisked away. Mathias was handsome, good-looking even, in an overly athletic way, and I guessed the assigned waiter was chosen based on your known or estimated sexual preference. That meant they’d run a background check on Donna-Donna, and I could only hope that Jimmy D was keeping the real-world ‘Donna Wilkinson’ incommunicado, as planned. It would be a tad embarrassing if some low-tech tabloid actually managed to contact Ms Wilkinson when her alter-ego was supposedly strutting her stuff in The Tower, but I was fairly sure (and a bit concerned) that Jimmy D would do ‘what was necessary’ to ensure I had unfettered use of her avatar.

Mathias led me to a small table in the main body of the Lounge and hovered, expectantly, while I ordered a Russian tea. While he went to fetch this from the ‘kitchen’ I glanced round at my fellow patrons, without trying to appear too obvious. Seated at the nearest table were two middle-aged women, sporting grey-on-black urban camouflage fatigues and severe hairstyles; evidently both majors in the Pacification Corps, although I wondered just what ‘special assignment’ had earned them this particular piece of ‘R&R’. One of the women was browsing a screamsheet, thankfully with the audio muted, and I could see that ‘Donna-Donna visits Lounge Eleven’ was item three on the list, and falling.

I sat back and afforded myself a small self-satisfied grin at the coverage, as it would do the Gold Channel ratings no harm whatsoever. Mathias reappeared at my table bearing my glass of tea plus crystal pot of jam on a silver tray, but didn’t immediately set it down.

“Complements of Mr Barcelona, Mademoiselle, and he invites you to join him in the Salon.”

I noticed that Mathias didn’t bother to give Ricardo Barcelona his title of ‘Producer’, as just about everyone on the planet knew who MediaCore’s most flamboyant content selector was. Although an invitation to Salon sounded tempting – it was the roped off exclusive section adjacent to the Lounge, the preserve of the long-term rich and famous – I knew it would come at a price. Members of the corporate elite, such as Barcelona, were used to selecting new ‘artistes’ for more personal performances, but the most it would earn me would be an interview on some down-market talkshow or a walk-on part in a failing soap. Instead what I needed was long-term access to the eleventh floor, as if I was to access MediaCore’s digital archives it would only be via this corporate heartland.

I smiled at Mathias.

“Please convey my thanks to Producer Barcelona for his most generous invitation, but I’d rather remain here for the time being.”

A flicker of surprise registered in his eyes, but he merely placed the tea and jam on the table in front of me, bowed, and withdrew. I knew that there would be no ‘Donna-Donna snubs Barcelona’ headline, as such potential embarrassments simply didn’t happen to members of the elite, but hopefully no come-back either – he’d simply pretend the whole thing never happened - although I doubted Todd would be looking me up anytime soon.

I shadow fell across my table and I looked up to find a man standing there; tall, narrow shoulders, a long, pinched face, shaven head. Even without the black leather biker jacket and tartan bondage trousers, marking him as part of the UltraRetro Movement, I knew this was last year’s fashionwave enfant terrible.

“I’m Designer Vargas. May I sit?”

I inclined my head in what I hoped was a gracious fashion and he slid into the chair opposite. His manner was tense and jittery, his gaze bordering on a fixed stare. Here was someone wound way too tight, even in avatar form, and I considered myself lucky this wasn’t a real-world encounter, with access to sharp objects.

“I sampled your Performance and was taken by the sense of, of naiveté, if you don’t mind that term, in contrast to your evident responsiveness. Usually someone who wishes to perform in The Tower is much more, ah, accomplished, but at the expense of any genuine passion. I have a new range of garments and a forthcoming slot on ‘Model of the Moment’, but no-one to do my creations justice.”

He drew a glowing rectangle in the air with his forefinger and tilted it towards me with a hand gesture as it resolved into a high-def screen. This wasn’t exactly in keeping with the spirit of the Reality Zone, but I knew that the famous, and near-famous, were allowed these little indulgences. The static images paged in response to his snapping fingers and I stared at them, transfixed, aware of my face colouring due to a mix of embarrassment and anticipation.

“This new range is certainly, ah, ah, provocative, Designer Vargas. Why do you think I’d be suitable, given my lack of modelling experience?”

He collapsed the screen with another hand gesture and smiled, although there was little humour in his face.

“My new range goes by the title ‘Soiled Innocence’, and what I have in mind for my next exhibition is a series of Performance tableaux, rather than a hackneyed catwalk or simple fashion shoot. Edited together, of course, to remove the set-up sequences, and broadcast with guaranteed Gold Channel coverage. I feel you would bring a freshness to the role that complements the subject matter perfectly. Interested?”

Was I interested? The overt bondage theme was evident in his work and the Performance aspect, probably involving multiple partners, was shading into a fetish display, but it would definitely keep Donna-Donna in the public eye. I smoothed back my hair and smiled.

“I’m interested, Designer Vargas, although I’m not sure how MediaCore, as my de facto agent, will handle the mixture of disciplines, as it were.”

He made a dismissive hand gesture and sat forward.

“Irrelevant. My own agent will co-opt you and have the matter resolved within the hour. My studio is down on Six, for now, and I’ll expect to see you there when the transfer is finalised. We are agreed?”

He held out his right hand, fingers curled into a fist apart from the pinky. I did the same and we hooked fingers, the gesture feeling like a mild static discharge as the contract-bonding took place.

“We are agreed.”
 
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