New Beginning: The Adventures of Tarquin Seebohm Jenkins

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The Bloated One

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Dear All,

I recently had my first three chapters looked at by a much respected author of science fiction and fantasy. (PM me and I'll tell you more). He suggested that children's editors would have a hard time if I didn't explain how my protagonist, Tarquin came to be time travelling very early on in the book. I have therefore tried to put a lot of exposition in the opening chapter. I have dressed it up by having Tarquin sitting in detention and reflecting on his first two years of travel.

I know I will get excellent advice from the members of this superb site, so if you have the time I really would appreciate your thoughts.

Simple question - Does exposition the way I have put it work?



The Adventures Of Tarquin Seebohm Jenkins

Chapter One


The Canal Boat


Tarquin Seebohm Jenkins could travel five hundred years in a second but fail to keep an appointment a mile from his house. Miss this ‘jump’ and he would have to wait a further month before travelling again. Time, for so long on Tarquin’s side, was running out.

“Jenkins,” said Mr Reynolds, wagging a finger in Tarquin’s face, “I am fed up with your fairytales. Detention, now.”

Tarquin was horrified. The timing of his trip was now on a knife-edge.

“And don’t give me those big soulful eyes. Sit at the back of the room and think about the nonsense you told the class today.”

Arguing had made Tarquin late. He simply couldn’t resist questioning Mr Reynolds knowledge of Eduard Manet in front of the whole class. Advising teachers wasn’t unusual; some found it irksome, others humorous. But, all agreed that Tarquin spoke of historical figures as if he knew them personally. Except that is for Mr Reynolds, his art teacher.

Tarquin crossed his arms, looked out of the classroom window and sighed. He was going to be late, very late. For two years he had never missed an appointment on the canal.

He thought back to the fateful day in 2008 when he received the invitation to a Teddy Bears Picnic in the Steeple Snoring Tea Rooms. He had gone along, more out of curiosity than expectation and found the Tea rooms empty apart from an old couple and two bears; a kodiak and a grizzly sitting at a corner table, hunched over a map of the Macclesfield Canal drinking coffee through straws. He knew it was the Macclesfield Canal as the invitation told him to look for two bears reading it and also be prepared for a big surprise. He wandered over and was greeted by a paw.

“You must be Tarquin,” said the paws owner, the Kodiak. Tarquin shook it.

“Sit down, we have a lot to talk about.”

Tarquin sat and looked at the two bears. “Where are the others?” he asked, half expecting to see Goldilocks and a posse of smaller bears coming out of the washroom.

“Others?” said the kodiak, looking at the grizzly.

“There’s be no others?” said the grizzly with a thick country accent that Tarquin found hard to decipher.

“The invitation was for a party and to expect a big surprise?”

“Oh that,” said the Kodiak, dismissively, “you’re the only one invited.” Tarquin looked around, half expecting someone to jump out from behind one of the many plastic fern pots and startle him. Nothing happened. The only thing moving albeit it slowly, was ‘Nippy’ Tumbley, the silver haired octogenarian waitress and owner of the Tea Rooms, coming to the table.

“What would you like to drink,” she asked.

“I am not sure I am stay—“

“He’ll ‘ave a pot of yer finest Earl Grey tea, Mrs Tumbley,” said the grizzly.

“No problem Mr Cavendish,” said ‘Nippy’, unconcerned she was talking to a large brown bear. She turned and began her slow trek back to the kitchen, ambling the way old folk do, resplendent in her original J Lyons teashop black dress, starched apron and paper tiara; a living homage to simpler and more elegant times.

“Please, take off your heads, you’re making me very nervous,” said Tarquin, addressing the bears.

“Of course, how impolite of us.” They took off their heads and placed them on the table. Tarquin sat down.

“Me names Jeremiah Pharaoh Cavendish,” said the tall, thickset man with the baldhead and silver handlebar moustache.

“And I am Jules, Jules. Rigsworth,“ said the smaller man with the manic expression, fiery eyes and ill-fitting wig of red, curly hair.

“We knew your parents.”

“We were their travelling companions.”

Tarquin breathed deeply, looked intently at Jules and shook his head. His parents had died unexpectedly several years ago and it still hurt.

“I am not finding this at all funny,” said Tarquin, getting up to go.

“We travelled in time together,” said Jules.

Tarquin stood by the table and shook his head. “People like you need help,” he said, walking toward the door.
Jules pointed to his throat and shouted.

“Around your neck is a gold cricket bat given by your Father.”

“We can tells yer what the inscription means,” said Jeremiah.

Tarquin stopped. How did they know? He turned, walked back to the table and sat down just as Mrs Tumbley, ably supported by her tea trolley arrived. She swung effortless through her tea ceremony and, after much instruction, Tarquin was allowed to take charge of the pot of Earl Grey tea.

“I suppose,” he said, looking at Jules, then at Jeremiah, “You are the Doctor and you are his travelling companion?”

Jules grabbed Jeremiah’s hands just as the big man’s eyebrows knotted and the ends of his moustache went south.

“So like your Father,” said Jules, shaking his head. He spun the Macclesfield Canal plan around on the table. "You see those lines."

Tarquin took his cup, looked at the map and nodded. It wasn’t a plan of the Macclesfield Canal at all. Tarquin examined it carefully. It reminded him of a map of the London Underground but this much bigger and far more complicated with dozens of intersecting coloured lines and hundreds of odd sounding station names. He thought it more a picture of spaghetti and alphabet soup than a map.

Jules pointed to a bend on a line of green. "That’s the lock keeper’s cottage on the Grand Union Canal at Steeple Snoring. Travel Manager, Jeremiah. P. Cavendish, my colleague."

“Yer interested?” asked Jeremiah, leaning forward.

Tarquin nodded.

“Right then, sit back and listen.” Jules explained the link between wormholes, follies and the waterways of the British Isles. How follies and canals were similar to rail stations and how wormholes converged on the stations. Jeremiah, a member of the Venerable Corps of Lock and Folly Keepers guarded the converging wormholes.

“Okay, but how do you know what the wormhole is and where it’s going? And what has this to do with my parents?”

“Isabella Mary Mayson,” said Jeremiah beaming.

“Who?” asked Tarquin.

Jules chuckled and shook his head. “Mrs Beeton, of course! The mother of all time travelers.” He went on to explain that Mrs Beeton wasn’t a simple Edwardian housewife with a unique lifestyle plan. Somehow she understood that shifts in time, portals, and black holes by their very nature can be constant, and in certain circumstances, form a repeating pattern. After logging their appearance, she made a jump calendar that followed a ten-year cycle and cleverly disguised the information and other nuggets amidst her needlework, recipes and housekeeping recommendations. Her books were the definitive Time Travellers' companions. Jules also pointed out, with some relish, that they also held Jeremiah’s three favourite meals: broiled pheasant, jugged rabbit and potted chicken. Jeremiah explained that he wasn’t allowed to go out hunting for the ingredients any more. A misunderstanding at Trotter’s Open Petting Farm, situated just outside Steeple Snoring, had led his wife, Ingeborg to demand he hand over ‘Bessie’, his twelve-bore shotgun, and promise never to go “a hunting” near the farm again.

“And, my parents?” asked Tarquin.

“They want you to enjoy travelling through history and meeting famous people like they did.”

Jeremiah nodded. “We agreed. Once yer reached thirteen.”


TBO
 
Hi TBO

I'm not going to do a detailed crit, because for me, the issue that overrides the details is that having the character reminisce within half a page of starting the story is likely to put people off. In fact it's the second example given in "How Not to Write a Novel" by Sandra Newman and Howard Mittelmark, where it's called "The Waiting Room". We want the story to start in the here and now, not have him daydreaming in class about something that happened to him some other time.

Two other, more minor points. I've read some of your stuff before, but I was confused by the two bears. Knowing there are some odd people in your stories, I wondered briefly if these were actually two talking bears from some other time, and that possibility threatened to give it a younger tone than you're after - it might be worth making sure Tarquin knows darn well (and tells us) they're not real bears straight away. The only reason not to do so is to lead us on as to whether or not they are real bears, which, since Tarquin obviously knows they're not, is a cheat.

Lastly, the opening sentence is good. (Another one that might have made a good opener is: "All agreed that Tarquin spoke of historical figures as if he knew them personally.") The second line, though, is confusing, because it isn't absolutely clear that "this 'jump'" means the appointment refered to in the first line. At least, it wasn't clear to me.

I think you probably do need to explain his time-travelling fairly early, but it doesn't have to be on the first page. Intrigue us with his here-and-now story, with something dramatic happening, then you can start explaining how he got there. As long as knowing how he got there isn't essential to understanding the initial drama, no one will mind.
 
Hi BO, (do they still sell bloater paste?)

Ok. Bearing in mind that, like you, I've just had an encounter with an Author, I'm possibly just passing on what he said to me. (I'm trying hard not to be insufferable about, so somebody slap me if I fail...)

What he told me about his original opening of Name of The Wind was this character, Kvothe, at the Wayside Inn, looking back over his life, 'woe is me' kind of style and it went on for a few pages. When he read it back, he knew it was just not engaging at all, and so he brought in more characters to break it up. None of them were originally in it, but farmers come into the Inn, and Kvothe's comapanion, Bast was brought in so the past could be hinted at, discussed in a very roundabout way, and the farmers could tell stories about Kvothe, not even knowing he was behind the bar...

You face the same sort of problem. You need to tell us about Tarquin, and how he got to do time-travel, because that's important, but (and I'm not a child reader, so I could be barking up the wrong tree!) you ask if this expostion works this way, and I think the answer is no. It goes on too long, even though it's extremely humourous, the real strength in your writing. As an adult I read it with a smile on my face, even though I'm also a tad confuded by the bears...

So... what if Traquin is telling someone about the time-travel whilst he's in detention? If he's sworn to secrecy, that might be problem, but you could get around it, as suggested below*.

Suppose there are just the two of them in detention, and after your opening line of:
Tarquin Seebohm Jenkins could travel five hundred years in a second but fail to keep an appointment a mile from his house.
The next line is something like this:
"So, let me get this straight: you can travel back in time. All you have to do is jump off a barge, and whammoh, you're there. You've been doing it for two years, and it all started after you met two bears in a library?"
"Yes."
Reflective pause
"Yeah, I can see that, happens all the time. Friend of mine regularly travels to the Milky way when he's out of chocolate."

And in a shortened way, there could be some banter back and forth, with the dialogue revealing oodles about Tarquin. I see Tarquin saying things about Historical characters that he's met that amuse/interest us - Napoleon had dreadful flatulence and so on. Naturally everything he says is met with derision, but any minute now, we're about to find out the truth, in a fantastic reveal when the time-travel happens.

'What describes a character best is the actions they take and the dialogue they use' - direct Patrick Rothfuss quote.

So it's either a good friend, who he's decided to come clean with, because he asks why he's so fed-up about this detention, *or it could be the teacher who gave him the detention, telling Tarquin to tell him the truth about Manet, how he knew. "You wanted the truth" he says when the teacher gives him another detention for lying. "You can't handle the truth!" Jack Nicholson style (Or would that be lost on younger readers?)

Now, you know Tarquin's character better than anyone. Could he be pushed into this, ie telling the truth? He could (quite reasonably) know that the teacher would never believe him in a million years, but what about the first guy? Maybe he says at the end of the detention "That's why I like you tarc, nobody can invent stuff like you do."

But it occurs to me ( and correct me if I'm wrong) that it might occur to Tarquin that he can just walk out of detention, do the Time Travel and return before the detention. Can he control when he returns? He might even avoid the detention, by returning before the class that he got it in? I assume that this kind of thing isn't possible, too many conundrums...

Anyway, hope this helps. It'll get around the flashback bit, and should intrigue us -we'll know Tarquin can Timetravel, because of the title of the book, but it also allows you to cut to the action quicker, and I sort of assume that younger readers will like that - what do I know?
 
Harebrain, Boneman,

Thanks, I'll work on your suggestions and post a re-write in a couple of days. I am leaning toward showing back story via dialogue (like you suggested Boneman. This will be between Jeremiah and Tarquin). I'll also use Tarquin's thoughts during the opening of chapter one.

I'll have to park 'Nippy' and bring her out later in my novel. She deserves a run-out in her pinny and paper tiara!

TBO
 
Hi Bloater,

I rather agree with HB and Boneman, I'm afraid, although on the positive side, you've sorted out the pacing. This flows much better and there is none of the drunken-stagger-followed-by-a-mad-sprint which characterised some of your ealier posts.

I think the issue here is that you have taken the advice you've been given too literally and have ended up info-dumping all over page 1.

I'm not totally against the idea of Tarquin sitting in detention and harking back to the earlier action - in fact, I think it's quite a good idea - but he should recall a conversation, or at least some sort of exchange which can then be brought out in real time. A bit like in Jackanory, where Bernard Cribbins or Kenneth Williams would start with a bit of an intro, then take us back in time to the start of the story. But as soon as the story proper got underway, we were in "real time", action wise.

You also do a double time slip in the first couple of paras - the teacher gives him detention before the lesson starts! I know you are recalling the event, but it makes for too much recollection which potentially confuses the time line.

I'll leave it there for now as I know a rewrite is imminent, but if you come back in here without sorting the apostrophe in "paws owner", I'll apply to the moderators to have you eviscerated and your bones pecked clean by crows. It's for your own good.

Best regards, as ever,

Peter
 
Hello mate. On a more positive note.

I'm by no means a seasoned writer, and have realized since joining this site last night that I still have masses to learn. but... I do know a good story teller when I see one.
I do agree that to have a reminisce on the first page may put people off. But by the way you write I can tell you'll find an entertaining, and humorous way for the character to build up to that... a few pages in maybe?
I was a bit confused about the bears to start with, but I liked the pace, style, and humor. For some reason, it made me think of "Northern Lights", but I'm not sure why. Thumbs up.
 
Dale,

Thanks for adding some light to the three reprobates comments. It was getting me down how dark and sad they thought my work is. That Graham guy needs sorting out, with his threats of evisceration. He chills me to the bone. . .

Ha ha ha ha, sorry, being the newbie I thought I would get you going.

No, seriously, Harebrain, Boneman and old 'jaundice' Graham, are old friends in the writing game. if your work gets a response from theoe three you should sit up, listen and learn.

Thanks guys, my journey to London every day gives me the time to work on a re-write. Shouldn't be too long in coming!

Sneak peak;

Tarquin took off his cap and wiping his brow with the back of his hand, stared lovingly at the restored blue and gold narrow boat. It appeared to be a normal boat, but Tarquin knew its secret. He took a deep breath, kissed a small gold cricket bat on a chain around his neck and took Jeremiah’s hand before stepping aboard.

Jeremiah chuckled. “You make me laugh with your funny ways.” He opened the topside door. “I’ll be with you in a tick, got to give her majesty the rhubarb.”

Jeremiah hurried from the boat, down the winding path toward his cottage. The stems of rhubarb held high like a vast bouquet of flowers. Tarquin smiled. Jeremiah doted on his wife and it showed.

TBO
 
Sneak peak;

Tarquin took off his cap and wiping his brow with the back of his hand, stared lovingly at the restored blue and gold narrow boat. It appeared to be a normal boat, but Tarquin knew its secret. He took a deep breath, kissed a small gold cricket bat on a chain around his neck and took Jeremiah’s hand before stepping aboard.

Jeremiah chuckled. “You make me laugh with your funny ways.” He opened the topside door. “I’ll be with you in a tick, got to give her majesty the rhubarb.”

Jeremiah hurried from the boat, down the winding path toward his cottage. The stems of rhubarb held high like a vast bouquet of flowers. Tarquin smiled. Jeremiah doted on his wife and it showed.


If that's the very beginning, then I think it works a lot better. You have two mysteries raised almost straight away, one that you actually point out (the boat has a secret) and one more subtle (what is the significance of the gold cricket bat? -- and there had better be one!). I'm no expert on fiction for kids, but I'd say that was a very good "recipe". And you've started in what feels like mid-scene, with no preamble. Much improved.

If that isn't the very beginning, then maybe it should be.
 
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