Tom Brown, Private Eye (In Space)

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Blackrook

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I have had a Road to Damascus epiphany. I actually write better when I'm trying to write badly. At least, that's my opinion.

Here's a story I wrote badly to see if it would actually turn out good.

Let me know what you think.

*****
On the planet Hun Wat, everything was dirty. The air was dirty, the rivers were dirty, the streets were covered with filth and garbage. Even the cops were dirty. Especially the cops.

My name is Brown. Tom Brown. I was once a cop, served 15 years, and tried to stay clean. It wasn’t easy, and for my efforts I was framed for a crime I didn’t commit. The big boys upstairs weren’t happy with me because I didn’t have my hand in the cookie jar. So they set me up. I stumbled on the body of a 10-year-old girl who had been tortured with pliers, raped with a flashlight, and stabbed 30 times with a penknife. My DNA was all over the scene -- on the pliers, on the flashlight, on the penknife, and in the girl.

The Commisioner offered me a deal. My badge, my silence, and the charges would be dropped. He even threw in a good severence package to sweeten the deal. I was looking to my future so I asked for more. I would set up shop as a private dick and he would ease the paperwork through the bureaucracy. We struck a deal, and drunk Altairian whiskey. After I finished my drink, I flattened the Commissioner with a right cross to the jaw. He took it, without complaint. I think he was even glad I hit him – eased his conscience a bit. He told the cops who grabbed me to let me go. I walked out the door and out of police work forever.

That was three years ago. I have an office now, ten blocks from the starport, on the side of town respectable people avoid. Business was bad. I got a reputation as an honest PI, so the wealthiest and best connected clients avoided me. My compensance was that people who were poor and down on their luck trusted me. But working for the poor means you’re poor too. It would take an entire month’s wages for these people to pay me for a job that lasted two days. The economics wasn’t working out and I was pondering alternative employment.

I was doing nothing in particular, looking out the dirt streaked window of my dusty, dingy office one hot, steamy afternoon, because all afternoons on Hun Wat are hot and steamy, whe she walked in. To say she was a knock-out would not give her justice. She was an unbroken series of knock-outs by an undefeated champion of the heavyweight division who was hopped up on military grade combat pharmaceuticals, which was illegal on Hun Wat, but the cops didn’t care so long as they were paid off to look the other way.

I felt the stirrings of something between my legs that I hadn’t felt since my sexy ex-wife left me for a young, handsome and wealthy shareholder of the ComStock Corporation, the most powerful corporation on Hun Wat, and hence the real power on a world where the government’s only function was taking bribes and shaking down people who didn’t have the connections to fight back.

Let me start with her legs, because that’s what first caught my attention. They were like pile drivers enveloped with luscious flesh, poised precariously on top of stiletto heels that could easily kill a man if they were used as weapons against his forehead. As she walked towards me across the room, her heels drove deep impressions into the plexi-concrete floor, making me feel sorry for any cockroaches who might be under her feet. Her hips swayed like a pendulum swung by hypnotist, and I almost fell under her spell, and only my hard-boiled distrust of my fellow human beings saved me. Her breasts were generous handfuls of tropical fruit, like the ones Hun Wat imports from the agg planets, and I ached to reach out and touch them. But her lips were the best, so I saved them for last as I lustfully checked out her form. They were luscious, wet, inviting, and slightly lopsided in a cynical half-grin. Her eyes were amused, and indeed she was amused, for she knew her power over men, and she intended to use that power on me. So it took all my grit and willpower to lean back in my chair, kick my feet up casually on my desk, light up a cigarette and snarl, “You don’t impress me lady, I just threw my girlfriend out of my apartment because she bored me, and she had twice your looks and a rich daddy who paid me just to keep his daughter amused.”

The woman sat down on one of the chairs I keep for clients and her smile grew even wider as she flashed me brilliant teeth that looked like pearls, like the ones they have on Earth, though I’ve never actually seen one myself, “I’m not here to seduce you Mr. Brown, can I call you Tom?”

“No you may not.”

“I’m not here to seduce you Tom, I’m here to give you a job,” she said, pulling out a stick of lipstick and moistening her lips with a ruby red color that made me think of sex. “I’m about to be arrested for a murder I didn’t commit, and I want you to prove I’m innocent.”

“Innocence doesn’t mean much on this planet, lady,” I commented dryly, taking another draw of sweet tobacco smoke from my cigarette. “You know my name, what's yours?”

“Bell,” she answered, making it sound like an invitation to bed. “Cassandra Bell. I was named after the woman in Greek mythology who had the gift of prophesy, and the curse that no one ever believed what she said.”

“Any relation to the Bells of Bell Hall?” I asked.

“Bill Bell, CFO of ComStock is my husband,” she responded.

I whistled long and low, the kind of whistle you make when you’re really impressed. The Bells were of the elite class of executives that held the real power in Hun Wat. As a top executive in the most powerful corporation on the planet, Bill Bell was really, really, really powerful.

“Actually, Bill was my husband. He’s dead now. He’s the man I will be accused of murdering. But I’m innocent. Someone knocked me out from behind while I was combing my hair in my bedroom. When I came to, I was standing over the bed with a bloody knife in my hand, and my husband was a corpse in blood-stained sheets with matching stab wounds.”

“I don’t want to get mixed up in this,” I said, getting up to escort Mrs. Bell out the door and out of my life. “I had similar problems myself and don’t want to relive the experience. Too many powerful players. Too many chances of me ending up as a bullet-riddled corpse thrown in the fuel tank of a merchant cruiser headed outbound to a distant colony world on the edge of space.”

“Mr. Brown, I can pay you,” she said, her hard veneer of sexy detachment breaking for the first time.

I grabbed her arm and pushed her towards the door, “Good luck, Mrs. Brown, and get out.”

“I can pay you a lot,” she said, reaching into her purse. The cop in me reacted to her sudden hand motion and I knocked the purse out of her hand with one hand, and pinned her to the wall with the other.

We were pressed against each other, chest to chest, leg to leg, her lips just inches from mine. Her breath smelled like apricots, that delicious fruit they grow on Earth, that mutated into something far more sinister when they planted it in the poison soil of Xerxes V. It was a smell that could mean wholesome nutrition, and it was a smell that could mean lingering pain and death. Who could tell with Cassandra? All I knew is she was probably a murderer. And then suddenly, I didn’t care. I pressed my lips against hers and our bodies melted into one flesh, and the world fell away into a whirling sensation of passion and desire. We made love on the floor right then and there.

That was the moment I lost everything I had, which wasn’t much but valuable to me – my integrity, my code of ethics, my sense of right and wrong. I would do anything for her. Anything. I didn’t know it then, but I was a dead man.
 
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I like it: I hear the PI voice from those TV series in the 60s, (even though I pictured Bob Hoskins in 'Who Killed Roger Rabbit') and it slotted really well. Occasional sentences that were too long, when telling about things, and what is:
compensance
?


Nicely cliched piece. Only you might want to chnage the name of the PI - I thought 'Tom Brown's Schooldays' when I saw it.
 
I liked it a lot. I had a couple of little things that bugged me. When describing someone who is so hot that she would blow your socks off you don't always have to describe every single detail of her. Phillip Marlowe, Robert Parker both are masters at that. Sexy without having to be told sexy. Other than that, I thought it was great.
 
It's a good beginning however, there are a few points - The gratuitous reference to the ten year old adds nothing other than turn away potential readers. I thought the 'crime' was a bit too graphic and didn't add to the plot. I don't think that flooring the commissioner and getting away with it works unless you have something on the Mayor if you know what I mean.

Red delete
Blue Comments in general
Green Possible suggestions

All just opinions

I have had a Road to Damascus epiphany. I actually write better when I'm trying to write badly. At least, that's my opinion.


Here's a story I wrote badly to see if it would actually turn out good.

Let me know what you think.

*****
On the planet Hun Wat, everything was dirty. The air was dirty, the rivers were dirty, the streets were covered with filth and garbage. Even the cops were dirty. Especially the cops.

My name is Brown. Tom Brown. I was once a cop, served 15 years, and tried to stay clean. It wasn’t easy, and for my efforts I was framed for a crime I didn’t commit. The big boys upstairs weren’t happy with me because I didn’t have my hand in the cookie jar. So they set me up. I stumbled on the body of a 10-year-old girl who had been tortured with pliers, raped with a flashlight, and stabbed 30 times with a penknife. My DNA was all over the scene -- on the pliers, on the flashlight, on the penknife, and in the girl. (see above)

The Commisioner offered me a deal. My badge, my silence, and the charges would be dropped. He even threw in a good severence package to sweeten the deal. I was looking to my future so I asked for more. I would set up shop as a private dick and he would ease the paperwork through the bureaucracy. We struck a deal, and drunk Altairian whiskey. After I finished my drink, I flattened the Commissioner with a right cross to the jaw. He took it, without complaint. I think he was even glad I hit him – eased his conscience a bit. He told the cops who grabbed me to let me go. I walked out the door and out of police work forever.

That was three years ago. I have an office now, ten blocks from the starport, on the side of town respectable people avoid. Business was bad. I got a reputation as an honest PI, so the wealthiest and best connected clients avoided me. My compensance was that people who were poor and down on their luck trusted me. But working for the poor means you’re (doesn't pay the bills) poor too. It would take an entire month’s wages for these people to pay me for a job that lasted two days. The economics wasn’t working out and I was pondering alternative employment.

I was doing nothing in particular, looking out the dirt streaked window of my dusty, dingy office one hot, steamy afternoon, because all afternoons on Hun Wat are hot and steamy, whe(n) she walked in. To say she was a knock-out would not give her justice. She was an unbroken series of knock-outs by an undefeated champion of the heavyweight division who was hopped up on military grade combat pharmaceuticals, which was illegal on Hun Wat, but the cops didn’t care so long as they were paid off to look the other way.

I felt the stirrings of something between my legs that I hadn’t felt since my sexy ex-wife left me for a young, handsome and wealthy shareholder of the ComStock Corporation, the most powerful corporation on Hun Wat, and hence the real power on a world where the government’s only function was taking bribes and shaking down people who didn’t have the connections to fight back. (The ex wife is irrelevant and you could introduce ComStock when she tells him about her dead husband. It will have more impact there. If the wife is important then tell us more when she enters the plot)

Let me start with her legs, because that’s what first caught my attention. They were like pile drivers enveloped with luscious flesh, poised precariously on top of stiletto heels that could easily kill a man if they were used as weapons against his forehead. As she walked towards me across the room, her heels drove deep impressions into the plexi-concrete floor, making me feel sorry for any cockroaches who might be under her feet. Her hips swayed like a pendulum swung by hypnotist, and I almost fell under her spell, and only my hard-boiled distrust of my fellow human beings saved me. Her breasts were generous handfuls of tropical fruit, like the ones Hun Wat imports from the agg planets, and I ached to reach out and touch them. But her lips were the best, so I saved them for last as I lustfully checked out her form. They were luscious, wet, inviting, and slightly lopsided in a cynical half-grin. Her eyes were amused, and indeed she was amused, for she knew her power over men, and she intended to use that power on me. So it took all my grit and willpower to lean back in my chair, kick my feet up casually on my desk, light up a cigarette and snarl, “You don’t impress me lady, I just threw my girlfriend out of my apartment because she bored me, and she had twice your looks and a rich daddy who paid me just to keep his daughter amused.” (I agree with Damiynn this is too much. All we need is an impression that she's everything any man wants. Here you spoil it by telling us what he wants. Most men have there own preferences so let them indulge themselves.:). Also I find that what first thing catches a mans attention about a girl is what he's most interested in not the last - hence you have a bum man a tits man etc. so the best is rarely mentioned last)

The woman sat down on one of the chairs I keep for clients and her smile grew even wider as she flashed me brilliant teeth that looked like pearls, like the ones they have on Earth, though I’ve never actually seen one myself, “I’m not here to seduce you Mr. Brown, can I call you Tom?(Oh yes she is:))

“No you may not.” ("Try harder" maybe)

“I’m not here to seduce you Tom, I’m here to give you a job,” she said, pulling out a stick of lipstick and moistening her lips with a ruby red color that made me think of sex. “I’m about to be arrested for a murder I didn’t commit, and I want you to prove I’m innocent.”

“Innocence doesn’t mean much on this planet, lady,” I commented dryly, taking another draw of sweet tobacco smoke from my cigarette. “You know my name, what's yours?”

“Bell,” she answered, making it sound like an invitation to bed. (difficult, maybe concentrate on the mouth and the recent lipstick and how when freshly applied the lips stick slightly) “Cassandra Bell. I was named after the woman in Greek mythology who had the gift of prophesy, and the curse that no one ever believed what she said.” (He could say this and add a remark about how he would like to tell her future or something, but she wouldn't )

“Any relation to the Bells of Bell Hall?” I asked.

“Bill Bell, CFO of ComStock is... was my husband,” she responded.

I whistled long and low, the kind of whistle you make when you’re really impressed. The Bells were of the elite class of executives that held the real power in Hun Wat. As a top CFO of executive in the most powerful corporation on the planet, Bill Bell was really, really, really powerful. would have been a man to avoid.

“Actually, Bill was my husband. He’s dead now. He’s the man I will be accused of murdering. But I’m innocent. Someone knocked me out from behind while I was combing my hair in my bedroom. When I came to, I was standing(???) over the bed with a bloody knife in my hand, and my husband was a corpse in blood-stained sheets with matching stab wounds.” (in bed maybe and you could possibly risk a 'naked' for good measure)

“I don’t want to get mixed up in this,” I said, getting up to escort Mrs. Bell out the door and out of my life. “I had similar problems myself and don’t want to relive the experience. Too many powerful players. Too many chances of me ending up dead as a bullet-riddled corpse thrown in the fuel tank of a merchant cruiser headed outbound to a distant colony world on the edge of space. < Save it it's just not right here

Mr. Brown, I can pay you,” she said, her hard veneer of sexy detachment breaking for the first time.

I grabbed her arm and pushed her towards the door (add some description of how it felt how she smelled), “Good luck, Mrs. Brown, and get out.”

“I can pay you a lot,” she said, reaching into her purse. The cop in me reacted to her sudden hand motion and I knocked the purse out of her hand with one hand, and pinned her to the wall with the other. (How did she reach for her purse if he's grabbed her arm - I swung her round " Listen sister I don't want..." It was no use I had to taste that lipstick...etc Though the lovemaking is a bit over the top)

We were pressed against each other, chest to chest, leg to leg, her lips just inches from mine. Her breath smelled like apricots, that delicious fruit they grow on Earth, that mutated into something far more sinister when they planted it in the poison soil of Xerxes V. It was a smell that could mean wholesome nutrition, and it was a smell that could mean lingering pain and death. Who could tell with Cassandra? All I knew is she was probably a murderer. And then suddenly, I didn’t care. I pressed my lips against hers and our bodies melted into one flesh, and the world fell away into a whirling sensation of passion and desire. We made love on the floor right then and there.

That was the moment I lost everything I had, which wasn’t much but valuable to me – my integrity, my code of ethics, my sense of right and wrong. I would do anything for her. Anything. I didn’t know it then, but I was a dead man.

I think you're rushing things relationship wise. I feel with this kind of plot you need to build the tension. Also with this start you cut of the possibility that he's being set up, the doubts and double crosses or that she's using him with the promise of things to come.

Hope I helped


TEiN
 
I read this piece three, four times before I got to the end. Sorry. What I'm missing in this excerpt is the most personalised voice that you should develop around the noir character. And what I mean is that I want to feel that whisky-drinking, tobacco-smoking, hard-boiled detective coming out from the first sentence.

If you develop that and get well into your character then the first person POV becomes really easy to write. It is almost as if you talking out from your experience and the readers are going to sense that. And if you need examples, then check out reivers multiple examples on this particular subject.

On the planet Hun Wat, everything was dirty. The air was dirty, the rivers were dirty, the streets were covered with filth and garbage. Even the cops were dirty. Especially the cops.

My name is Brown. Tom Brown. I was once a cop, served 15 years, and tried to stay clean. It wasn’t easy, and for my efforts I was framed for a crime I didn’t commit.


You don't need to name the character straight away as you get a chance to do that when the femme fatale walks into the picture. So use this time to just introduce the plant from your (Mister Browns) own perspective.

Try to make this beginning to sound as if you're pouring out your guts to someone. You can even use 2nd person (you) lines in here. Like for example,

Hun Wat, what a s**t hole. Everything's there is so filty. The streets, rivers, parks, streets are covered with piles grim and garbage. And among them are the people. Every day people: shopkeepers, workers, politicians, criminals and coppers. None better than the person next to them.

And you know, I was once one them. A copper. ...

The big boys upstairs weren’t happy with me because I didn’t have my hand in the cookie jar.
Watch out these clichés, sometimes they work very well, but since this is set up in future or in alternative reality, you might want to develop your own expressions.


We struck a deal, and drunk Altairian whiskey. After I finished my drink, I flattened the Commissioner with a right cross to the jaw. He took it, without complaint. I think he was even glad I hit him – eased his conscience a bit. He told the cops who grabbed me to let me go. I walked out the door and out of police work forever.
You could have expanded this piece of drama a bit and add up two lines of dialogue to show the truth about the relationship.

That was three years ago. I have an office now, ten blocks from the starport, on the side of town respectable people avoid. Business was bad. I got a reputation as an honest PI, so the wealthiest and best connected clients avoided me.


I would love to see you using semi-present tense in here.

That was three years go. I have an office now. Ten blocks from the city starport. Yeah, in that side that the most respectable people avoid like a plague. So yeah, you guessed it, the business is always bad. Yet, somehow I managed to get a honest reputation. The people started to say that there goes the man, who ...


I felt the stirrings of something between my legs that I hadn’t felt since my sexy ex-wife left me for a young, handsome and wealthy shareholder of the ComStock Corporation, the most powerful corporation on Hun Wat, and hence the real power on a world where the government’s only function was taking bribes and shaking down people who didn’t have the connections to fight back.

Let me start with her legs, because that’s what first caught my attention. They were like pile drivers enveloped with luscious flesh, poised precariously on top of stiletto heels that could easily kill a man if they were used as weapons against his forehead.


You want to work on this femme fatale introduction. Try to make it clearer as you move into the main plot, where all the readers believe that the she's the one who's holding all the strings.

So it took all my grit and willpower to lean back in my chair, kick my feet up casually on my desk, light up a cigarette and snarl, “You don’t impress me lady, I just threw my girlfriend out of my apartment because she bored me, and she had twice your looks and a rich daddy who paid me just to keep his daughter amused.”


This is your chance to do the introduction.

"Mister Brown."

I kicked my feet up on the table and said, "Yes."

"Mister Tom Brown?"

"Yes." I smiled and lit up a cigarette. "How can I help you Miss..."





I hope I have provoked you to look critically your piece. It's good but it could be so much better. So do some thinking and rewrite this piece, or mark it down and carry on writing, while you get known of your character.
 
I love the voice. Reminiscent of some recent popular series (Dresden Files, Anita Blake, etc.).

I do think the description on Cassandra was a bit much. Yes, it makes sense that a guy is going to focus on the woman and describe her in exhausting detail; regardless, you started to lose me in that section, mainly because it kept going on, and on, and on...

The fact that he made love to her there in the first scene also kind of struck me as being a bit hokey. The best femme fatales promise sex, but only rarely deliver it.

Those gripes aside, I love the concept and the character voice (especially his little asides, which double as providing us with details on the setting), and I feel this certainly has potential.
 
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