Opening chapter of SF novel

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Droflet

I don't teach chickens how to dance.
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Hello Chrons,
After many rewrites, this now is the opening chapter of my novel (part one). Some crits have seen this before and I have taken your comments onboard.
As always all and any crits will be appreciated and feel free to beat me to death with your honesty opinions.

Main point is this: Although there will be appropriate explanations in the next paragraph, does this work as a stand alone opening?

Thanks for your time.

Prologue:

Lucas beat the fingers of his right hand lightly against the armrest. His years of service in Monitor Corps, before returning to Bellinda, had only served to sharpen his intrinsically keen instincts. At the moment those instincts were screaming at him that something was wrong. Could it have been the tone of the Pruessen captain's voice as he signed off? The halting but deliberate tenor of his words, that suggested he did not buy the colonel's story? He would have trouble believing such a tale himself. Yet whether he believed it or not, it had bought them the time that they so desperately needed.

His finger hovered over the comm stud for a moment, then returned to tapping the armrest. Contacting the Senior Engineer would only serve to interrupt his train of thought. Tuning the harmonics of the hyper generator took total concentration even with the best of technology. The jury rigged apparatus that had taken four years to cobble together, had none of the sophistication of their old system. It might not even work.

Lucas checked the chronometer. It had been two point four hours since they had left Kania behind, and one point nine hours since they had cleared her sensor envelope and began calibrating the generator.
Lucas knew that if the Pruessens discovered their ploy, they would never allow them to escape. But for the time being he could only sit and…

"Contact!"

Mary's voice struck him like the crack of a whip.

"Captain, I have a contact, coming in fast from astern." She looked up from her readouts, dread painted across her face. "It's Kania."

A collective groan filled the bridge. Lucas resisted the urge to join in the mournful dirge.

"Captain," Jackson said, "we are being hailed."

"No reply. Have Daniel report to the bridge." He did not wait for Jack's reply. "Mary, raise the shields. Helm, give us best possible speed to the hyper ingression point." He tapped the comm stud. "John, we need to go now." He felt a twinge of surprise at how low and calm his voice sounded.

"Almost there." The Senior Engineer's voice sounded far away, clouded with matters not of the real world.

"John, we have company."

"Just a few more minutes."

He hit the off stud and turned to the First Officer. "How long?"

"She will be in firing range in fifty seconds,” Mary said. “She is on full tactical alert and her sensors are active."

Lucas nodded. With her military grade sensor suite, Kania could not help but detect Bellinda's hyper emissions.

The crew's tension was palpable.

"Very well people, we knew this was a possibility from the outset. We aren't out of the race yet. Mary, let's take a look."

Since his days in Monitor Corps, Lucas had become accustomed to seeing the face of the enemy. It was an old failing of his. The screen shimmered to life against the forward bulkhead, before solidifying into a representation of the patrol ship that dogged their course. He snorted.

"What?" Mary caught his gesture and had managed to force a curious smile.

"I was thinking that we wouldn't be here at all if that was a real warship. We would be vaporized by now."

"You have always had an odd sense of humor, Captain," she said with a dark smile. "She will be in extreme pulsar range in ten seconds."

The bridge hatch slid aside and Daniel, sidestepping the dried blood stain, rushed to the Damage Control Console. Lucas feared that the young engineering officer would have his work cut out for him today.

"John?" Lucas called to the Senior Engineer.

"Just a few more minutes."

Lucas gritted teeth and shook his head. The old engineer would get his harmonic calibrations exactly aligned, even if it ended up killing them all.

"Captain," David reported, "we have passed the hyper ingression mark. We can ingress as soon as we calibrate our harmonics for transition."

"Very well." Lucas resisted the urge to contact the John again.

"Janine, stand by; I will keep this channel open."

"Aye, captain."

"Sally, are you ready?"

"Yes, sir." Again, the inhumanly steady tenor.

The ship shook. "High and to starboard," Mary said. "She's coming in at maximum acceleration and will be in optimal firing position in twelve seconds."

"Very well. Shut down the reactor and close the engine carapaces."

“Acknowledged.”

One decent shot through her belly and into the reactor room would finish them all. With the shields up and the bulkhead hatches sealed there was little more that he could do to protect his family. The ship's fate rested in the hands of Sally and John. He could only hope for the long overdue return of Telford's luck, for Bellinda's shields and armor cladding would afford little protection from the enemy's pulsars.

"Guard our belly and port side, Sally."

"Aye, sir." Her fingers flew across the console pitching the ungainly vessel about, in a frantic attempt to throw off the patrol ship's aim and protect her stern quarter. She was good, but four hundred thousand tonnes of freighter did not outmaneuver a fast attack ship; period.

Twin beams struck out from Kania followed by a horrific concussion.

"Direct hits on upper hull. Shield blisters fifty two through sixty seven overloaded," Daniel reported.

Almost before he finished speaking the ship rocked again.

"We are open to space," Daniel said. "Starboard bow, sections twenty through twenty eight on decks eight through eleven."

Lucas' eyes darted to the screen. A great plume of frozen air trailed behind the ship, along with detritus from the shattered hull. And a mass of bodies. Some were broken pieces of humanity, mercifully killed outright. Some of the bodies flailed their arms and legs in their death throes. Merciful God almighty, he thought.

The ship trembled as the energy beams tore at her.

"Starboard upper. Sections sixty one through seventy, on decks eleven through fifteen. Sealing off."

The Imperial warship maneuvered for the freighter's stern lower quarter. Bellinda's only advantage lay in her size. She could absorb a lot of punishment. Unless they maneuvered for a shot into her reactor.

"She has passed optimal and is closing," Mary said.

"Watch her, Sal," Lucas warned.

"I see her. I, see, her." Sally's hands were a blur across the helm controls. She could not outmaneuver the smaller vessel but she could outguess it.
A handful of heartbeats before Kania fired, Sally hit the bow thrusters for one point five seconds. The bow rose and the stern dropped. The move saved all of their lives.

The pulsar beams missed their intended target, the engine nacelles, and ripped into the boat bay doors. Massive decompression blew the doors outward, along with the untethered landing boats.

Bellinda shuddered violently. The stern feeds went down under the onslaught, blacking out the screen. Lucas felt quietly thankful for the reprieve from the carnage. He could not know how many family members he had lost. Not to mention the hundreds of Kulaks.

"She's hitting her forward thrusters full on," Mary said hurriedly.
"Switching to port and starboard scanners."

The screen split in two, showing twin images of destruction. The great rent in the top of deck one gapped open like a torn mouth, still trailing a gossamer venting of air.

"Standing by, captain." Sally might be a damn good helm, but she had yet to learn patience.

Lucas kept his eyes on Kania, dropping them only occasionally to his readouts.

So quiet that no one could hear he whispered, "Come on you little *******. Just a bit closer."

The patrol ship repositioned for another shot at Bellinda's belly.

Lucas waited and counted the seconds as Kania hurtled towards them. Safe in the knowledge that their opponent was unarmed, the enemy took chances that no naval officer would normally risk. That confidence was worth a broadside of torpedoes.

"Now, Sally!"

Sally rotated the ship through her axis. The untouched port side of the ship swung around to face the onrushing Pruessen ship. Sally stopped the rotation with counter thrust then sat motionless with her fingers poised over the attitude thrusters.

"Five degrees over," Lucas ordered. Then, "Janine, blow them all, now."

Each of the eight great cargo hatches that ran along the port side of the ship was composed of two interlocking sections. Each section was a solid construct of durillian and weighed forty tonnes a piece.

Janine had prepared the hatches with a quantity of shaped explosive charges, courtesy of the mining consignment bound for Kulak Four. Lucas could imagine Janine crashing to the deck as all eight hatches blew from their mountings. The explosive decompression would add to their momentum.

Since the port side of the ship pointed directly at Kania, the mass of six hundred and forty tonnes of ejected hatches blew directly into the attacker's flight path.

Lucas held little hope of actually hitting a vessel as fast and maneuverable as Kania. But if he could give her pause, make her change her angle of attack, make her delay firing for even a few seconds, it would be worth the effort. The pursuing ship rose up on her nose applying a sharp amount of thrust from her main engines and avoided the debris field.
 
Some kind of error.
A less than humble opinion.


Lucas beat the fingers of his right hand lightly against the armrest. His years of service in Monitor Corps, before returning to Bellinda, had only served to sharpen his intrinsically keen instincts. At the moment those instincts were screaming at him that something was wrong. Could it have been the tone of the Pruessen captain's voice as he signed off? The halting but deliberate tenor of his words, that suggested he did not buy the colonel's story? He would have trouble believing such a tale himself. Yet whether he believed it or not, it had bought them the time that they so desperately needed. Ok, slow down with the info. What is Monitor Corps? Who is Bellinda? What is Pruessen? What is...? Pick something and focus on that with some supporting details.

His finger hovered over the comm stud for a moment, then returned to tapping the armrest. Contacting the Senior Engineer would only serve to interrupt his train of thought. Tuning the harmonics of the hyper generator took total concentration even with the best of technology. The jury rigged apparatus that had taken four years to cobble together, had none of the sophistication of their old system. It might not even work. I'm as much into techno-porn-scifi as the next guy, but two paragraphs of infodumps is too much. Give me either characterization or action or dialog or something.

Lucas checked the chronometer Chronometer? Is this so far into the future that people don't know how to say clock, or timepiece? Seriously, that's a mouthful. Say it out loud to yourself.. It had been two point four hours since they had left Kania behind, and one point nine hours since they had cleared her sensor envelope and began calibrating the generator. I have to say it again, slow down. On top of all the wondering about the first paragraph, we've got the cobbled together flux capacitor and the guy trying to fix it, and now getting away from Kania.

Lucas knew that if the Pruessens discovered their ploy, they would never allow them to escape. But for the time being he could only sit and…You've alluded to this already, this paragraph doesn't add anything further. If you're going for mystery, wave the proverbial carrot and give the reader a reason to keep reading.

"Contact!" Undo line break (need some kind of marker to immediately tell who is speaking) Mary's voice struck him like the crack of a whip.

"Captain, I have a contact, coming in fast from astern." She looked up from her readouts, dread painted across her face. "It's Kania." Is this a military vessel? If it is, I think the manner of relaying the information would sound different. Also, is this in space? The reader still doesn't know anything about the setting.

A collective groan filled the bridge. Lucas resisted the urge to join in the mournful dirge.

"Captain," Jackson Who? said, "we are being hailed."

"No reply. Have Daniel report to the bridge." He did not wait for Jack's reply. "Mary, raise the shields. Helm, give us best possible speed to the hyper ingression point." He tapped the comm stud If you want your technobable to stand out and sound more important, drop the technobable that describes mundane items. Use words like button or clock/timepiece for stuff, and then Quantum Waveflux Generator and Ion Disintegration Turret. It makes the important parts stand out.. "John, we need to go now." He felt a twinge of surprise at how low and calm his voice sounded. Wait, you said earlier that he's been doing this for years with Monitor Corps (we still don't know what that is btw), shouldn't he have done this before. Why is he surprised?

"Almost there." The Senior Engineer's voice sounded far away, clouded with matters not of the real world. He better get his head in the real world. The Kania (whatever that is... I thought it was a planet the first time you mentioned it) is coming to blow them up. Your hypermovement-thingy is pretty well imbedded in this world.

"John, we have company."

"Just a few more minutes."

He hit the off stud and turned to the First Officer. "How long?"

"She will be in firing range in fifty seconds,” Mary said. “She is on full tactical alert and her sensors are active." Ok, is this a military ship or not? Why are people continually being referred to by their first names? Bridge crew of the Enterprise: Kirk, Uhura, McCoy, Sulu, and Spock (do vulcans have surnames?)

Lucas nodded. With her military grade sensor suite, Kania could not help but detect Bellinda's hyper emissions. Bellinda's a ship? This is the kind of thing we should have known several paragraphs ago.

The crew's tension was palpable. Passive voice. Consider revising to active voice; it's better suited for storytelling.

"Very well people, we knew this was a possibility from the outset. We aren't out of the race yet. Mary, let's take a look." I'd love to know what they're actually out here doing. Why is the Kania after them? Is this military vessel? Are these guys spies? Pirates? Ninja catgirls? ;)

Since his days in Monitor Corps What? , Lucas had become accustomed to seeing the face of the enemy. It was an old failing of his What was an old failing? Seeing the face of his enemy?. The screen shimmered to life against the forward bulkhead, before solidifying into a representation of the patrol ship that dogged their course. He snorted.

"What?" Mary caught his gesture and had managed to force a curious smile. Gesture? Describing a snort as a gesture probably isn't the best fit.

"I was thinking that we wouldn't be here at all if that was a real warship. We would be vaporized by now."

"You have always had an odd sense of humor, Captain," she said with a dark smile. "She will be in extreme pulsar range in ten seconds."Shouldn't somebody be scared? I've been getting the vibe that the Kania is going to blast them to bits. Why are they discussing the captain's humor?

The bridge hatch slid aside and Daniel, sidestepping the dried blood stain, rushed to the Damage Control Console. Lucas feared that the young engineering officer Ok, engineering officer, sounds military. So, this is a military vessel, right? would have his work cut out for him today.

"John?" Lucas called to the Senior Engineer.

"Just a few more minutes."

Lucas gritted teeth and shook his head. The old engineer would get his harmonic calibrations exactly aligned, even if it ended up killing them all.

"Captain," David reported, "we have passed the hyper ingression mark. We can ingress as soon as we calibrate our harmonics for transition."I know I said save the technobabble for the important stuff earlier, but I don't think a spot on the map is a good place for it. People invariably shorten long sets of words to more readily pronounceable stuff (ie, Thermonuclear Warheads = Nuke, Police Officer = Cop). Maybe they'ed call Hyper Ingression Points HIPs; I don't know, but it's a thought.


"Very well." Lucas resisted the urge to contact the John again. Pretty sure he's not contacting the latrine. :)

"Janine, stand by; I will keep this channel open." What channel? Who is Janine?

"Aye, captain."

"Sally, are you ready?" Who are these people? Slow down.

"Yes, sir." Again, the inhumanly steady tenor. Is Sally a man? Tenor is in the male range of voices.

I'm stopping the critique there. I read the rest and most of what I'd have to say is requests to slow down and explain what's going on. You introduce a bunch of types of information, but don't elaborate on much of it. Pick some of it; elaborate. Save the rest for later when you can explain it at a time when a patrol ship isn't bearing down on them. Introduce crew later.
 
Well, this is vastly improved over your earlier version. There is, as Xelah notes, quite a bit happening... but it's on the right track for an action-based beginning. As usual for action sequences, cut out every word that isn't neccessary.

Lucas beat (tapped? beat lightly is a bit contradictory) the fingers of his (right or left-does it matter?) hand lightly against the armrest. His years of service in Monitor Corps, before (his) return(ing) to Bellinda, had only served to sharpen his intrinsically keen instincts. At the moment, those instincts were screaming at him that something was wrong. Could it have been the tone of the Pruessen captain's voice as he signed off? The halting but deliberate tenor of his words, that suggested he did not buy the colonel's story.(?) He'd have trouble believing such a tale himself. Yet whether he believed it or not, it had bought them the time that they so desperately needed.

His finger hovered over the comm stud for a moment, then returned to tapping the armrest. Contacting the Senior Engineer would only serve to interrupt his train of thought. Tuning the harmonics of the hyper(-)generator took total concentration even with the best of technology. The jury(-)rigged apparatus that had taken four years to cobble together, had none of the sophistication of the old system. It might not even work.
 
Xelah, thanks for that. I wanted to know if it could stand alone and you've certainly answered that one. Good one.

JRiff, yes, I'm still struggling with my grammar etc but thanks for your comments. I can fix this, but adding more to what was supposed to be a slam bam opening may slow it down. So what to do? Explain, and slow it down a tad, or leave it and have crits going, huh? wtf? Beats the *&^#%(#* out of me. Wadda ya think Chrons?
 
Telford, it's an action opening, but it needs focusing. Do write in those changes Xelah suggested, and then read it with a thought in your mind. Even though you can see the thing in your head, do you think it's clear enough for the reader or is there a bit too much going on?

If there's too much going on then I suggest you to check BSG's episode called 33 or Star Trek's The Wrath of Khan. There's not much going on in the 33, but then again there's a great deal going in action wise. It's simplistically written, and it only focuses on the main points. In your draft, like I said in the earlier pieces, you write what you need to write and you leave out the rest. In here, you write the situation one bit at a time and then move into the action. At there you write the thing from captain's POV and you make him to see the tactical situation in his head, and through his eyes as he watches the action unfolding from the viewport. Time to time, you can try to unwind the close POV and show watch going on by using the omniscient narrator, but use it only sparringly. When you come back, you don't need to write in all the shouts and commands, just only those that are needed for the thing.
 
Agree with Xelah, too much info dump - ie regarding decimalising time but still maintaining 'hours', that jarred a bit. I would just generally add that throwing in hyper generator harmonic calibrations, pruesens etc. all just seems like one of those bad 60's sci fi episodes. I would personally remove all reference to techno speak and concentrate back on the story, which I think has merit. example:

Lucas tapped his hand against the armrest. His years of service in the Corps had served to sharpen his intrinsically keen instincts. At the moment those instincts were screaming at him that something was wrong. Could it have been the tone of the captain's voice as he signed off? The halting but deliberate tenor of his words suggested to Lucas that he was suspicious. He would have trouble believing such a tale himself. Yet whether he believed it or not, it had bought them the time that they so desperately needed.
 
After a quick read (all I have time for at the mo) I would agree with Xelah and the others, and having also had a quick read-through of the previous version you posted, I have to say I prefer that one (minus all the surnames). Of course, maybe that didn't work with your current plans for the story, but it might be worth having another look at it seeing if you agree. This kind of thing used to happen to me quite a lot (less often now, thankfully).
 
My thanks to CTG, Sleepless and HB. Yes, it would seem that I have another rewrite to contend with. Sigh. Catch you on the flip side.
 
Yea, but just rewrite what you have there already. Focus on the main characters and try leaving out absolutely every word that isn't required to keep it moving. The beginning is where you hook the reader, make it easy for them. *)
 
Thanks again JRiff,
Yeah, I know what you mean. I know what I want to say here, and the reaction I want to get so I'll just have to plod on.
 
Well Mister Telford, how about this? You start your scene from a unfavourable position, say your ship is taking a punishment. Really bad things are going on. So, at the moment the reader plunges in, the ship is venting the air in the space, dead bodies are floating in the view screen but the ship captain isn't giving up. Not at this point. Not ever. Not especially as he has some unfinished business with the other vessel, and besides the point if he would launch an evacuation then everything would be lost.

Zoom in from the omniscient POV and dive in the Telford's head. Make the reader to stay on his toes when you go through the punishment, the failure and the situation afterwards as Telford's clan is captured by the other vessel.

Use no more then seven to ten thousand words for this, but make the action fast and then slow down at the end situation. Don't think too hard when you write, just dive in the action and into the scene. If you do that then we will dive in as well.
 
Maybe you could start with this sort of image and then plunge in to the head of Telford. When you write that description try to be at the same time vague and only fill in the needed information for the reader to create their own ship in the head.

Ambush in the Dark by ~eRe4s3r on deviantART

ambushinthedarkbyere4s3.jpg


When you plunge into the head of Telford, use only 3 characters to create the scene from the beginning to the end. These characters could be the Captain, the XO, and the ship head-engineer. At the background you can use the enemy vessel captain and the supporting ship captain (yeah, don't forget the baddie of your last excerpt as you can let him to stay at the background by letting Telford's ship to take the punishment).

As you write in the damage reports use the captain and the XO relationship to your advange and make this to be a character drama, not a techno porn.
 
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Hello CTG,
Techno porn? Hmmm. I'm throwing some ideas around that are along the lines you suggest. I see that you have read some of my previous chapters; but it should be noted that those are gone and in their place I am trying to make this one chapter open the story. Oh well, back to the grindstone. Thanks for the ideas. Cheers.
 
What I try to illustrate to you Mister Telford is that you should try your best to create the image in your readers head and use the situation rather than a plot. And what I noticed in this particular piece is that you have too many voices at the stage in same time, when the reader can imagine rather a lot of them without you voicing them.

So to help you even more, you can open your thing by saying:


"Dammit," Telford slammed his fists on the situation table. The situation what he saw on the table didn't look good, not especially when in the corner of his he could see the bodies floating past the central command view screen. What the frell am I going to do?

He could cleary at the other half of the situation his ship - The Spartan - sections getting red under the punishment she was receiving from the NCC 1976. In the matter of moment its projectiles had passed through their shields and now half of their guns were down.

"Would you keep your voice down," the XO whispered. "Your scaring the crew."

"I don't fragging mind", Telford grated in a low voice between his teeth. ....


Drip by drip fill in the information, and use only few characters. If you need to hear something from the crew, then use the XO to pass the message as the rest plays in your head.
 
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