Damn. I guess I'll have to rethink my story about obsessive vampire orcs this monthmaybe vampires are one of them. Same with orcs
@paranoid marvin , the only thing that perhaps put me off was the vampire theme. I tend to be drawn in more by SF narratives than by horror or fantasy. Having said that, I did just vote for three spooky stories in the 300 word challenge, so it isn't a firm rule. I think there are a number of recurring themes that might put people off, and maybe vampires are one of them. Same with orcs (or maybe that's just me).
I experienced the last line as flat/disappointing. I liked it up to then. I don’t know why exactly I didn’t like it, but it immediately took the story out of contention in my listings. Maybe it was too abrupt, too much of a sudden change of pace in the prose to enable that last line twist that can really work.
@paranoid marvin FWIW I find entries that only feature straight-up dialogue, like a play, in the 75-word challenge, will struggle. I understand why one might do it - to get as much dialogue in as possible into the 75-word limit - but it's sacrificing setting and description as a result. And if you're just working with dialogue then it has to be excellent to stand out.
Taste also comes into it - these dialogue-only entries are not to my taste (although @Starbeast gets a pass from me as I feel we're kindred spirits with our brand of off-kilter hypotyposis) - and I like entries that can paint a little vignette.
Having said all that... it is a nicely-written entry, but perhaps the ending isn't as punchy as it's supposed to be.
@paranoid marvin: I thought it was a good story, I might have even given it a Short listing, but don't remember for sure. The only thing I would point to a weakness is that the beginning of the story did not give me enough background. Were they lovers? Had he been shanghaied? Was he there by mistake?
But let me reiterate, that was a good story because I think that's the most important thing to remember.
@paranoid marvin I liked it but would have like to have seen more emotional conflict like @emrosenagel said. As it is, it read more like pillow talk to me.
I did find that I could take the last sentence both ways though; he could be saying either 'yes' or 'no' to the offer.
@paranoid marvin, I think it had story enough for 75 words, but I find stories with more narrative between the dialogue to be more fleshed out. To avoid the whole floating head thing, you know? I would have liked to see him struggle a bit more with his choice (I don't know the extent of their relationship, but I'm assuming he loves her and that should be a hard decision, despite what she did), but that's asking a lot for only 75 words. I think you nailed the theme, though -- stuck between mortal and immortal. Very tragic.
I had the exact same experience. Was enjoying it a lot up until the last line. I found the change in tone jarring. I also really liked your penultimate line. Just now, after reading that line I was wondering why this didn't make my list. Then after reading the last line, I had my answer.I experienced the last line as flat/disappointing. I liked it up to then. I don’t know why exactly I didn’t like it, but it immediately took the story out of contention in my listings. Maybe it was too abrupt, too much of a sudden change of pace in the prose to enable that last line twist that can really work.
I struggle with that myself more often than not.I knew there was something missing from this. That it lacked some sort of underlying meaning or some spark of life that would elevate it into 'story' status.
I find it hard to find that element sometimes, or even define it.