Extollager
Well-Known Member
- Joined
- Aug 21, 2010
- Messages
- 9,229
I'd like to start a thread on this story, but the thread is intended only for people who can discuss any aspect of it with respect for others as human beings. Evidently Joanna Russ didn't when she told PKD what she thought of his pro-life story.
I think at least three topics could be discussed:
(1) The story as a work of literary art, as a piece of fiction published in a magazine (Fantasy and Science Fiction) and a book
(2) The beliefs about the sacredness of life implied by the story, the story's satire of pro-abortion ideology (PKD does not use "pro-choice")
(3) The relevance of the story for PKD personally -- preferably without a lot of speculation
I will begin by throwing out the following comments:
I agree with PKD as regards being pro-life and opposed to permissive abortion laws. I am disappointed by the story because, in its second half especially, it seems to me to suggest that permissive abortion laws are to be blamed on women. I think that, if you grant that permissive abortion laws are wrong, men are at least as much to blame as women are. (a) A man should never have intercourse with a woman if he would not commit to the physical and spiritual rearing and security of any child born of that intercourse. Men who do not accept this are unmanly; they are like boys and should stick to m*********** or wet dreams until they can rule themselves and affirm the humanity of other people. (b) Especially at the time of Roe vs Wade, but now also, more men are legislators than women are. If permissive abortion laws are wrong, men are therefore more to blame than women.
I had read a little of PKD's difficulties as husband and boyfriend (although I have not read any of the biographies, just dipped in). He seems to have been messed up about women. Unfortunately that defect of his character intrudes itself in the story. I don't know what Russ said. I wonder if she would have moderated her comments to PKD if the story had stayed strictly with the issue of termination of life.
Finally, I think the story works as a story. It is not a political tract cynically exploiting the sf form as a way to make people read a message; it is a work of literary art, although not, to me, necessarily his most impressive story (compare "I Hope I Shall Arrive Soon," which practically brought tears to my eyes the other day on a second reading -- be it noted, this was at the point when the ex-wife promises to stay with the protagonist as long as he needs her; I find myself thinking that one of the things that most impresses me about PKD is how he conveys love; I'm reminded of how Ursula Le Guin conveys compassion; most sf authors I've read just don't negotiate these states of the soul). I'm reminded of Jonathan Swift.
I think at least three topics could be discussed:
(1) The story as a work of literary art, as a piece of fiction published in a magazine (Fantasy and Science Fiction) and a book
(2) The beliefs about the sacredness of life implied by the story, the story's satire of pro-abortion ideology (PKD does not use "pro-choice")
(3) The relevance of the story for PKD personally -- preferably without a lot of speculation
I will begin by throwing out the following comments:
I agree with PKD as regards being pro-life and opposed to permissive abortion laws. I am disappointed by the story because, in its second half especially, it seems to me to suggest that permissive abortion laws are to be blamed on women. I think that, if you grant that permissive abortion laws are wrong, men are at least as much to blame as women are. (a) A man should never have intercourse with a woman if he would not commit to the physical and spiritual rearing and security of any child born of that intercourse. Men who do not accept this are unmanly; they are like boys and should stick to m*********** or wet dreams until they can rule themselves and affirm the humanity of other people. (b) Especially at the time of Roe vs Wade, but now also, more men are legislators than women are. If permissive abortion laws are wrong, men are therefore more to blame than women.
I had read a little of PKD's difficulties as husband and boyfriend (although I have not read any of the biographies, just dipped in). He seems to have been messed up about women. Unfortunately that defect of his character intrudes itself in the story. I don't know what Russ said. I wonder if she would have moderated her comments to PKD if the story had stayed strictly with the issue of termination of life.
Finally, I think the story works as a story. It is not a political tract cynically exploiting the sf form as a way to make people read a message; it is a work of literary art, although not, to me, necessarily his most impressive story (compare "I Hope I Shall Arrive Soon," which practically brought tears to my eyes the other day on a second reading -- be it noted, this was at the point when the ex-wife promises to stay with the protagonist as long as he needs her; I find myself thinking that one of the things that most impresses me about PKD is how he conveys love; I'm reminded of how Ursula Le Guin conveys compassion; most sf authors I've read just don't negotiate these states of the soul). I'm reminded of Jonathan Swift.