Head hopping

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Bowler1

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I have a number of characters here and I'm worried the scene is not clear enough - confused head hopping is my main concern. Not very long and is a full section.

Fingers crossed there are no comma splices, they follow me everywhere!

Enjoy....

Charlie smiled to himself as he drank his morning coffee; it was amazing what you could get used to. He was watching one of Laura’s multiples playing with Lizzie; they were dressing NannyBot, putting ribbons and other odds and ends of colourful material on the robot. Charlie had been against the idea of Laura playing with Lizzie but Trisha had talked him into it, the two women had become good friends. This morning Charlie thought Trisha was right, he could see Laura was being very attentive and caring, his daughters happy laugh and screeches making him smile.

‘Addy, Addy, ook at Nanny, ook, it unny.’

‘Funny, Lizzie not unny,’ he was trying to get Lizzie out of baby talk, but with little success. She just laughed and carried on playing.

‘Would you like more coffee Charlie?’ asked his robot Bill; who was hovering and waiting to serve Charlie with the steady patience of a machine.

‘No, I need to get going. Do you know if Trisha is finished her jog yet?’

‘Trisha will be here in minutes, she is almost done,’ replied Bill, his tone flat and empty.

Charlie finished his coffee in one quick gulp and handed his empty mug to Bill and the robot headed off toward the kitchen area. ‘Laura, I’m late, can you let Marco know I’ll be on my way soon.’

‘He knows. He won’t be happy you’re late, not this morning.’

‘Is he happy any morning?’

‘Not in the time I have worked with him, almost twenty years now,’ replied Laura, smiling and enjoying the shared joke.

Just then Trisha returned sweaty after her run. ‘Hey hon, I’m back.’

Fighting boredom was the biggest problem on board ship and Trisha had started keeping fit for something to do. Charlie looked at his wife feeling overweight and promised himself he would start exercising tomorrow.

‘I got to go, Marco is waiting,’ said Charlie, but no-one was listening. Lizzie was shouting and pointing at NanyBot, ‘ook, ook. Ook mommy.’ Charlie just sighed, gave his wife a quick kiss on the cheek as he left, getting a quick air kiss in return.

Charlie had to get to the other side of the ship; a journey of almost twenty minutes. He started with a short walk down the outside hallway, passing closed doors and empty rooms; the only sound the low hum of air conditioning. At the end of the hallway Charlie accessed transit tubes with carriages used to travel the ship. In the second week of the voyage Charlie had been allowed free access to the whole of the ship and he had spent days exploring. He soon stopped. The feeling of being the only guest in an empty hotel had settled Charlie’s curiosity. The crew quickly noticed that the Kerr family were becoming withdrawn and that was when Laura’s multiple had moved into the rooms next to theirs. They had found tasks to keep Charlie busy, gardening work in the air recycling sections mostly. It was physical work that meant he got his hands dirty; work Charlie enjoyed. After that the days slipped past almost un-noticed and a routine of sorts had developed.

But not today, today was different and a break in the routine of the last few months. Two indentured were going to be revived from suspended animation. Charlie had been asked to help because of his ‘social skills,’ a sensible request he thought, the spacers were an odd bunch and difficult to deal with.

The doors opened on to a large storage space that was mostly empty feeling like a lost and forgotten warehouse.

‘Charlie, you are six minutes late.’

‘Good morning, I’m fine thank you for asking Marco, how are you this morning?’ replied Charlie as he entered, deciding not to let Marco’s abrupt manner get the better of him today.

‘I have already revived one of them,’ replied Marco, pointing toward a small clump of machinery sitting near the middle of the empty floor.

What looked like a large yellow humanoid robot that looked to be built for strength, with hydraulic pistons on the arm and leg joints stopped what it was doing and focused on Charlie. It quickly covered the distance between them, moving silently across the empty floor.

‘I am Sebastian, Seb if that helps,’ holding out his foot long metal hand.

‘Charlie, nice to meet you.’ Charlie was unsure if he should shake hands or not.

Seb noticed, and laughed, ‘Sorry Charlie, habit. I forget what I must look like to you, what I am now.’ He laughed again, heading back toward the machinery he had just left, ‘let’s get started, Asil needs decanting. Unlike me, this will be his first time harnessed. Some Muppet from earth, signed up for the romance of space I’d bet.’

‘Then he will be disappointed,’ said Marcus.

‘The first interesting thing you have said this morning Marcus.’ Seb waved Charlie over, ‘ignore him, he has been too long in space. Ship life is boring, as I’m sure you have discovered Charlie boy!’

Charlie found he liked Seb, he had an easy manner that showed through his machines movements. ‘It’s been quiet around here ok.’

‘Not anymore Charlie boy, I’m here’ stated Seb, posing as he did so; the sight of a ten foot machine strutting made Charlie laugh.

‘We have work to do.’

‘Of course, sorry Marcus,’ replied Charlie, ignoring Seb’s hand actions.

#

System boot
..
….
……..
Security check
..
….
……..
Online
..

‘You are functional, respond,’ said Marcus, impatient as ever.

‘Ahhh for f*$k sake; let Charlie do it.’

A middle age man, slightly bald and a little overweight stepped into Asil’s sight line. ‘Can you both step back, your crowding him.’

‘Who are you?’

‘Welcome back Asil, I’m Charlie. These two are Seb and Marcus.’

Asil looked at the other two, one was a gray skinned heavily augmented spacer and the other was a large yellow robot – no not a robot – indentured, he could tell from the way it moved. ‘Are we there yet?’

‘Not yet, this is your acclimatization phase, as per you’re contract.’

‘Ignore Marcus, he needs to get out more,’ said Charlie, giving the spacer clear shut up hand signals. ‘How do you feel?’

‘Ok, a lot better than I had expected.’

‘It should feel almost natural mate, you’ll be used to your new body in no time,’ said Seb, releasing Asil from his shipping container. ‘Time for you to get up, we have work to do. Charlie lad, step back now, you don’t want to get in the way.’

Seb hauled Asil up onto his feet, both of the large machines swaying, almost unbalanced. ‘Easy to start with, let me help you,’ said Seb, his massive arms holding Asil up. The two machines stumbled slowly off, Seb supporting Asil’s weight, helping him along.

Charlie watched them both as they slowly moved away, feeling sad for Asil.

‘You look worried Charlie?’ asked Marcus, an unexpected show of concern from the spacer.

‘I just wonder what drove Asil to make his decision, to allow himself to be a machine.’

‘Asil’s decision is sensible. His brain is encased in a secure and protected armoured core, supported by a strengthened body. He is almost impervious to radiation. His brain is even backed up in case the worst happens. It is you Charlie I feel sorry for; you have no protection against unforeseen accidents and open space. The human body is weak.’

For Charlie, Marcus had done it again, ‘You’re a f*$king ray of sunshine,’ said Charlie, stomping off to join Seb and Asil – they were easier to get on with, when compared to the spacer.

Marcus watched Charlie walk away, wondering what it was he had said today. The truth it would seem; was not welcome.
 
Charlie smiled to himself as he drank his morning coffee; it was amazing what you could get used to. He was watching one of Laura’s multiples playing with Lizzie; they were dressing NannyBot, putting ribbons and other odds and ends of colourful material on the robot. Charlie had been against the idea of Laura playing with Lizzie but Trisha had talked him into it, the two women had become good friends. This morning Charlie thought Trisha was right, he could see Laura was being very attentive and caring, his daughters happy laughter and screeches making him smile.

‘Addy, Addy, ook at Nanny, ook, it unny.’

‘Funny, Lizzie not unny,’ full stop, this isn't a dialogue tag he was trying to get Lizzie out of baby talk, but with little success. She just laughed and carried on playing.

‘Would you like more coffee Charlie?’ asked his robot Bill; who was hovering and waiting to serve Charlie with the steady patience of a machine.

‘No, I need to get going. Do you know if Trisha is finished her jog yet?’

‘Trisha will be here in minutes, she is almost done,’ replied Bill, his tone flat and empty.

Charlie finished his coffee in one quick gulp and handed his empty mug to Bill and the robot headed off toward the kitchen area. ‘Laura, I’m late, can you let Marco know I’ll be on my way soon.’

‘He knows. He won’t be happy you’re late, not this morning.’

‘Is he happy any morning?’

‘Not in the time I have worked with him, almost twenty years now reads like an info dump,’ replied Laura, smiling and enjoying the shared joke.

Just then Trisha returnedcomma sweaty after her run. ‘Hey hon, I’m back.’

Fighting boredom was the biggest problem on board ship and Trisha had started keeping fit for something to do. Charlie looked at his wife feeling overweight sounds like the wife is feeling overweight, a comma each side changes the emphasisand promised himself he would start exercising tomorrow.

‘I got to go, Marco is waiting,’ said Charlie, but no-one was listening. Lizzie was shouting and pointing at NanyBot, ‘ook, ook. Ook mommy.’ Charlie just sighed, gave his wife a quick kiss on the cheek as he left, getting a quickquick/quick air kiss in return.

Charlie had to get to the other side of the ship; a journey of almost twenty minutes. He started with a short walk down the outside hallway, passing closed doors and empty rooms; the only sound the low hum of air conditioning. At the end of the hallway Charlie accessed transit tubes with carriages used to travel the ship. In the second week of the voyage Charlie had been allowed free access to the whole of the ship and he had spent days exploring. He soon stopped. The feeling of being the only guest in an empty hotel had settled Charlie’s curiosity. The crew quickly noticed that the Kerr family were becoming withdrawn and that was when Laura’s multiple had moved into the rooms next to theirs. They had found tasks to keep Charlie busy, gardening work in the air recycling sections mostly. It was physical work that meant he got his hands dirty; work Charlie enjoyed. After that the days slipped past almost un-noticed and a routine of sorts had developed.

But not today, today was different and a break in the routine of the last few months. Two indentured were going to be revived from suspended animation. Charlie had been asked to help because of his ‘social skills,’ a sensible request he thought,semi colon or full stop here the spacers were an odd bunch and difficult to deal with.

The doors opened on to a large storage space that was mostly empty feelingcomma like a lost and forgotten warehouse.

‘Charlie, you are six minutes late.’

‘Good morning, I’m fine thank you for asking Marco, how are you this morning?’ replied Charlie as he entered, deciding not to let Marco’s abrupt manner get the better of him today.

‘I have already revived one of them,’ replied Marco, pointing toward a small clump of machinery sitting near the middle of the empty floor.

What looked like a large yellow humanoid robot that looked to be built for strength, with hydraulic pistons on the arm and leg joints stopped what it was doing and focused on Charlie. It quickly covered the distance between them, moving silently across the empty floor.

‘I am Sebastian, Seb if that helps,’he said as he held out.... needs a dialogue tag of some sort holding out his foot long metal hand.

‘Charlie, nice to meet you.’ Charlie was unsure if he should shake hands or not.

Seb noticed, and laughed,I'd put a full stop here, both are technically ok. ‘Sorry Charlie, habit. I forget what I must look like to you, what I am now.’ He laughed again, heading back toward the machinery he had just left,full stop; it's not a run on dialogue, you closed the last. ‘let’s get started, Asil needs decanting. Unlike me, this will be his first time harnessed. Some Muppet small mfrom earth, signed up for the romance of space I’d bet.’

‘Then he will be disappointed,’ said Marcus.

‘The first interesting thing you have said this morning Marcus.’ Seb waved Charlie over,full stop, capital I, not a run on ‘ignore him, he has been too long in space. Ship life is boring, as I’m sure you have discovered Charlie boy!’

Charlie found he liked Seb, he had an easy manner that showed through his machines movements. ‘It’s been quiet around here ok.’

‘Not anymore Charlie boy, I’m herecommma’ stated Seb, posing as he did so; the sight of a ten foot machine strutting made Charlie laugh.

‘We have work to do.’

‘Of course, sorry Marcus,’ replied Charlie, ignoring Seb’s hand actions.

#

System boot
..
….
……..
Security check
..
….
……..
Online
..

‘You are functional, respond,’ said Marcus, impatient as ever.

‘Ahhh for f*$k sake; let Charlie do it.’

A middle aged man, slightly bald and a little overweight stepped into Asil’s sight line. ‘Can you both step back, your crowding himyou're crowding him?.’

‘Who are you?’

‘Welcome back Asil, I’m Charlie. These two are Seb and Marcus.’

Asil looked at the other two, one was a gray skinned heavily augmented spacer and the other was a large yellow robot – no not a robot – indentured, he could tell from the way it moved. ‘Are we there yet?’ this is a head hop, because now we're being told what Asil can see. plus we've already had a description of one of the robots, we don't need it again.

‘Not yet, this is your acclimatization phase, as per you’reyour contract.’

‘Ignore Marcus, he needs to get out more,’ said Charlie, giving the spacer clear shut up hand signals. ‘How do you feel?’

‘Ok, a lot better than I had expected.’

‘It should feel almost natural, mate; or ., you’ll be used to your new body in no time,’ said Seb, releasing Asil from his shipping container. ‘Time for you to get up, we have work to do. Charlie lad, step back now, you don’t want to get in the way.’

Seb hauled Asil up onto his feet, both of the large machines swaying, almost unbalanced. ‘Easy to start with, let me help you,’ said Seb, his massive arms holding Asil up. The two machines stumbled slowly off, Seb supporting Asil’s weight, helping him along.

Charlie watched them both as they slowly moved away, feeling sad for Asil. here you were in Seb's head, now we're back in Charlie's.

‘You look worried Charlie?’ asked Marcus, an unexpected show of concern from the spacer.

‘I just wonder what drove Asil to make his decision, to allow himself to be a machine.’

‘Asil’s decision is sensible. His brain is encased in a secure and protected armoured core, supported by a strengthened body. He is almost impervious to radiation. His brain is even backed up in case the worst happens. It is you Charlie I feel sorry for; you have no protection against unforeseen accidents and open space. The human body is weak.’

For Charlie, Marcus had done it again, ‘You’re a f*$king ray of sunshine,’ said Charlie, stomping off to join Seb and Asil – they were easier to get on with, when compared to the spacer.

Marcus watched Charlie walk away, wondering what it was he had said today. The truth it would seem; was not welcome. again now we've switched to Charlie.


Hi bowler, the first part seemed okay to me, but I need head hops to hit me with a sledgehammer, sometimes. the second half had definite shifts, so one minute Charlie was seeing something, then Seb, then Marcus.

I think your dialogue is getting a lot more natural, and the punctuation is much better in it. the one thing I did pick up was that you sometimes had a run on ie.
If the sentence reads okay as one sentence then it can run as one sentence within dialogue, but it needs commas to join the two bits, and not too long a break. So;

"I hope I know what I'm talking about," muttered Springs, "otherwise this will be very confusing."

Or you could have,

"I hope I know what I'm talking about." Springs muttered to herself. "Otherwise this will be very confusing."

You can't have.

"I hope I know what I'm talking about." Springs muttered to herself, "otherwise this will be very confusing."

Because without the dialogue tags this reads as "I hope I know what I'm talking about. otherwise this will be very confusing."

Which I think it is. :eek: Sorry.
 
I didn't notice the head hops so much myself. Looks like Springs did a good job of of finding what you wanted, among other things.

First, I will say that I found the second half more interesting than the first half (although the first half introduces some interesting concepts and establishes the character, setting, etc.). But the "indentured" idea came across very well in the next section. Also, I agree with Springs that your dialog seems to be working well. Overall, I have to say pretty good work. I like where you are going with it.

I did notice that you consistently miss the "comma of direct address." For example:

Bowler1 said:
‘Would you like more coffee Charlie?’

There should be a comma after "coffee" and before "Charlie." This is known as the comma of direct address because the character is directly addressing another character. Say you had the sentence with just those two words. Then it would like this:

"Coffee Charlie?"

It isn't very likely this particular sentence will confuse anyone, but I think can see how this construction can have its drawbacks. We could see it as "coffee Charlie" (he's got a nickname? likes to drink coffee? maybe he's made of coffee?) rather than "Coffee, Charlie?" Like I said, this sentence probably won't throw anyone off, but other sentences might.

From what I can see, you are missing the comma of direct address in every case. I'll move further down now to give you an example that could pose more confusion. Have a look at this:

Bowler1 said:
Seb noticed, and laughed, ‘Sorry Charlie, habit. I forget what I must look like to you, what I am now.’

So now we have "sorry Charlie." It reads as a unit, rather than an address.

This will be pretty easy for you to spot, though.

Anyway, keep up the good work!
 
Thank you Michael, I was not aware of the error but now that it has been pointed out and I talk the sentance out with the comma, then yes its an error ok. This is of course why I'm on Chrons, to learn.

I like my indentured idea, not very novel for an Irish man as we travelled the world as indentured. History gives us good lessons.
 
Charlie smiled to himself as he drank his morning coffee; it was amazing what you could get used to. He was watching one of Laura’s multiples playing with Lizzie; they were dressing NannyBot, putting ribbons and other odds and ends of colourful material on the robot. He'd been against the idea of Laura playing with Lizzie, but Trisha had talked him into it, the two women had become good friends. This morning he thought Trisha was right, he could see Laura was being very attentive and caring, his daughters happy laugh and screeches making him smile.


Please, don't get me wrong but this para feels passive; even though you have tried your best making it active. It's a style issue, and in this style you have stepped back and let the narrator to take over, thus allowing yourself to veer towards the tendency where you use omniscient narrator to hop in everyone's mind. The fix is to get a closer perspective, but then again, don't know should you change so drastically your style.

‘Addy, Addy, ook at Nanny, ook, it unny.’

‘Funny, Lizzie not unny.’ He was trying to get Lizzie out of baby talk, but with little success. She just laughed and carried on playing.


I can see that you're having a problem with separating the speech from narrative. We all do that and the good rule is to look critically the narrative bit and figuring out if it's directly linked to the dialogue line. The next step is to figure out if you would need the passitivity in the narrative or if the active sentencing could take you that small step closer to the character.

In here you use: "He was trying..." when instead you could had written: "He tried to get Lizzie out of baby talk, but it was so hard. Almost impossible. The little girl just carried on laughing and playing; completely ignoring his attempts."

Note that my example is written from closer perspective.


‘Would you like more coffee Charlie?’ asked his robot Bill; who was hovering and waiting to serve Charlie with the steady patience of a machine.


This is where you do the dreaded head-hopping and it's because of the distant narrator. When start the dialogue tag with denotion of "... asked his robot Bill..." the reader get the nation, but when you continue with "... who was hovering and waiting to serve Charlie..." you not only start with passive sentencing, but you also tell the reader things from robot's perspective. The other thing is that you also underestimate the reader's intelligence by adding telling bit, as I think they can get idea of a robot serving the human overlords. There are a number of ways to fix it, can you figure a way to add that hover description without head-hopping?


‘No, I need to get going. Do you know if Trisha is finished her jog yet?’

‘Trisha will be here in minutes, she is almost done,’ replied Bill, his tone flat and empty.

Charlie finished his coffee in one quick gulp and handed his empty mug to Bill and the robot headed off toward the kitchen area. ‘Laura, I’m late, can you let Marco know I’ll be on my way soon.’

‘He knows. He won’t be happy you’re late, not this morning.’

‘Is he happy any morning?’

‘Not in the time I have worked with him, almost twenty years now,’ replied Laura, smiling and enjoying the shared joke.


Good. The dialogue works. The only problem I had with my current critical mindset is with Laura dialogue tag, especially with the end notion as I think you could let the reader to figure out if you just had written, "... replied Laura sardonically." And before you say it's an adverb, I'd like to say that sarcastic remarks often include a wicked hint of a smile with the witty joke.

Just then Trisha returned sweaty after her run. ‘Hey hon, I’m back.’

Fighting boredom was the biggest problem on board ship and Trisha had started keeping fit for something to do. Charlie looked at his wife feeling overweight and promised himself he would start exercising tomorrow (it's never going to happen).


Two things. First, I feel again that you're underestimating the reader as running always includes sweating. So could you please figure another way to introduce the character into the scene? Second, you're veering towards the head-hopping by using the distance with your narrator. The reader starts to wonder when you say, "... Fighting boredom..." and continue especially with "...Thrisha had started" that if you're switching the character on fly. And the only way to correct is to use the PoV to do observations and then doing conclusions in his mind without italicizing the thoughts.


‘I got to go, Marco is waiting,’ said Charlie, but no-one was listening. Lizzie was shouting and pointing at NanyBot, ‘ook, ook. Ook mommy.’ Charlie just sighed, gave his wife a quick kiss on the cheek as he left, getting a quick air kiss in return.

Charlie had to get to the other side of the ship; a journey of almost twenty minutes. He started with a short walk down the outside hallway, passing closed doors and empty rooms; the only sound the low hum of air conditioning. At the end of the hallway Charlie accessed transit tubes with carriages used to travel the ship. In the second week of the voyage Charlie had been allowed free access to the whole of the ship and he had spent days exploring. He soon stopped. The feeling of being the only guest in an empty hotel had settled Charlie’s curiosity. The crew quickly noticed that the Kerr family were becoming withdrawn and that was when Laura’s multiple had moved into the rooms next to theirs. They had found tasks to keep Charlie busy, gardening work in the air recycling sections mostly. It was physical work that meant he got his hands dirty; work Charlie enjoyed. After that the days slipped past almost un-noticed and a routine of sorts had developed.


Almost working. You got the story moving after the dialogue, but as you've decided to keep the narrator so distant, you also veered down the path to include perspectives from the people who has nothing to do with the POV. And that is because of the style decision. I think you know what you need to do if you want to fix it, and the highlighted bit tells you where you're doing it.


Another note: Do you really need to use so much of his name?

But not today, today was different and a break in the routine of the last few months. Two indentured were going to be revived from suspended animation. Charlie had been asked to help because of his ‘social skills,’ a sensible request he thought, the spacers were an odd bunch and difficult to deal with.

The doors opened on to a large storage space that was mostly empty feeling like a lost and forgotten warehouse.

‘Charlie, you are six minutes late.’

‘Good morning, I’m fine thank you for asking Marco, how are you this morning?’ replied Charlie as he entered, deciding not to let Marco’s abrupt manner get the better of him today.

‘I have already revived one of them,’ replied Marco, pointing toward a small clump of machinery sitting near the middle of the empty floor.

What looked like a large yellow humanoid robot that looked to be built for strength, with hydraulic pistons on the arm and leg joints stopped what it was doing and focused on Charlie. It quickly covered the distance between them, moving silently across the empty floor.


It was working, but as you decided to add the stopped and focused bit, you switched momentarily from one PoV to another. The focused word especially denotes a word that should only be used by the PoV character, and in this context, you start sliding inside the automaton's head.


‘I am Sebastian, Seb if that helps,’ holding out his foot long metal hand.

‘Charlie, nice to meet you.’ Charlie was unsure if he should shake hands or not.

Seb noticed, and laughed, ‘Sorry Charlie, habit. I forget what I must look like to you, what I am now.’ He laughed again, heading back toward the machinery he had just left, ‘let’s get started, Asil needs decanting. Unlike me, this will be his first time harnessed. Some Muppet from earth, signed up for the romance of space I’d bet.’

‘Then he will be disappointed,’ said Marcus.

‘The first interesting thing you have said this morning Marcus.’ Seb waved Charlie over, ‘ignore him, he has been too long in space. Ship life is boring, as I’m sure you have discovered Charlie boy!’

Charlie found he liked Seb, he had an easy manner that showed through his machines movements. ‘It’s been quiet around here ok.’

‘Not anymore Charlie boy, I’m here’ stated Seb, posing as he did so; the sight of a ten foot machine strutting made Charlie laugh.


The humour works, but as you can see, you again head-hopped.

‘We have work to do.’

‘Of course, sorry Marcus,’ replied Charlie, ignoring Seb’s hand actions.

#

System boot

..

….

……..

Security check

..

….

……..

Online

..


‘You are functional, respond,’ said Marcus, impatient as ever.

‘Ahhh for f*$k sake; let Charlie do it.’

A middle age man, slightly bald and a little overweight stepped into Asil’s sight line. ‘Can you both step back, your crowding him.’

‘Who are you?’

‘Welcome back Asil, I’m Charlie. These two are Seb and Marcus.’

Asil looked at the other two, one was a gray skinned heavily augmented spacer and the other was a large yellow robot – no not a robot – indentured, he could tell from the way it moved. ‘Are we there yet?’

‘Not yet, this is your acclimatization phase, as per you’re contract.’

‘Ignore Marcus, he needs to get out more,’ said Charlie, giving the spacer clear shut up hand signals. ‘How do you feel?’

‘Ok, a lot better than I had expected.’

‘It should feel almost natural mate, you’ll be used to your new body in no time,’ said Seb, releasing Asil from his shipping container. ‘Time for you to get up, we have work to do. Charlie lad, step back now, you don’t want to get in the way.’

Seb hauled Asil up onto his feet, both of the large machines swaying, almost unbalanced. ‘Easy to start with, let me help you,’ said Seb, his massive arms holding Asil up. The two machines stumbled slowly off, Seb supporting Asil’s weight, helping him along.

Charlie watched them both as they slowly moved away, feeling sad for Asil.

‘You look worried Charlie?’ asked Marcus, an unexpected show of concern from the spacer.

‘I just wonder what drove Asil to make his decision, to allow himself to be a machine.’

‘Asil’s decision is sensible. His brain is encased in a secure and protected armoured core, supported by a strengthened body. He is almost impervious to radiation. His brain is even backed up in case the worst happens. It is you Charlie I feel sorry for; you have no protection against unforeseen accidents and open space. The human body is weak.’

For Charlie, Marcus had done it again, ‘You’re a f*$king ray of sunshine,’ said Charlie, stomping off to join Seb and Asil – they were easier to get on with, when compared to the spacer.

Marcus watched Charlie walk away, wondering what it was he had said today. The truth it would seem; was not welcome.



I didn't bother to interact at the end, as I suspect you'll get so annoyed. So I just highlighted you the bits that are told from alternative perspective to Asil. I think you have got enough of hints of what you should do incase you want to fix this.

In the story wise I'd like to say that it's interesting, slightly humorous, definitely scifi, but aimed at some other crowd than me.
 
Bowler, it just occurs to me, reading this, that the way I had to approach head hopping in the end, I'm just so bad at it in drafts, was to go through the draft and use a different colour font for each pov. It was like a rainbow, one page had about 8 different povs, all changing. painful. And then I chose the dominant one for that scene and rewrote what the others had done into their perspective. It helped me to learn the discipline of staying in one.
 
I have a number of characters here and I'm worried the scene is not clear enough - confused head hopping is my main concern. Not very long and is a full section.

Fingers crossed there are no comma splices, they follow me everywhere!

Enjoy....

Charlie smiled to himself as he drank his morning coffee; it was amazing what you could get used to. He was watching one of Laura’s multiples playing with Lizzie; they were dressing NannyBot, putting ribbons and other odds and ends of colourful material on the robot. Charlie had been against the idea of Laura playing with Lizzie but Trisha had talked him into it,
Comma splice
the two women had become good friends. This morning Charlie thought Trisha was right,
Comma splice; but as the sentence is structured it looks as if the "making him smile" later on is more related to Laura than him (does that make sense?) so it could do with being rewritten, anyway.
he could see Laura was being very attentive and caring, his daughters
daughter's (possessive, not plural)
happy laugh and screeches making him smile.

‘Addy, Addy, ook at Nanny, ook, it unny.’

‘Funny, Lizzie not unny,’
Full stop (period) and capital "H"; not direct speech attribution.
he was trying to get Lizzie out of baby talk, but with little success. She just laughed and carried on playing.

‘Would you like more coffee Charlie?’ asked his robot
Preferably comma
No need for this semicolon, a comma would suffice
who was hovering and waiting to serve Charlie with the steady patience of a machine.

‘No, I need to get going. Do you know if Trisha is finished her jog yet?’

]‘Trisha will be here in minutes, she is almost done,’ replied Bill, his tone flat and empty.

Charlie finished his coffee in one quick gulp and
Unless you have a particular reason for the sequential "and"s, replace this one with a comma
handed his empty mug to Bill and the robot headed off toward the kitchen area. ‘Laura, I’m late, can you let Marco know I’ll be on my way soon.
Question mark


‘He knows. He won’t be happy you’re late, not this morning.’

‘Is he happy any morning?’

‘Not in the time I have worked with him, almost twenty years now,’ replied Laura, smiling and enjoying the shared joke.

Just then Trisha returned
Consider comma
sweaty after her run. ‘Hey hon, I’m back.’

Fighting boredom was the biggest problem on board ship and Trisha had started keeping fit for something to do. Charlie looked at his wife
Comma (I'm assuming it is he who feels corpulent, not her).
feeling overweight
comma
and promised himself he would start exercising tomorrow.

‘I got to go,
Theoretically another comma splice, But I wouldn't worry too much about this one.
Marco is waiting,’ said Charlie, but no-one was listening. Lizzie was shouting and pointing at NanyBot, ‘ook, ook. Ook mommy.’ Charlie just sighed,
Possibly and "and" in here?
gave his wife a quick kiss on the cheek as he left, getting a quick air kiss in return.
Perhaps, rather than repeat the word "kiss" try something like "a quick peck (or whatever you're comfortable with) for variety.
Charlie had to get to the other side of the ship;
Pointing out that this semicolon is not absolutely essential (but not completely wrong).
a journey of almost twenty minutes. He started with a short walk down the outside hallway, passing closed doors and empty rooms;
As the previous semicolon. Were there a verb (the only sound was the low hum of air conditioning) you'd need one. As it is, it doesn't upset too much.
the only sound the low hum of air conditioning. At the end of the hallway Charlie accessed transit tubes with carriages
Are you certain the word "carriage" carries the image you want?
used to travel the ship. In the second week of the voyage Charlie had been allowed free access to the whole of the ship and he had spent days exploring. He
had
soon stopped. The feeling of being the only guest in an empty hotel had settled Charlie’s curiosity. The crew quickly noticed that the Kerr family were becoming withdrawn and that was when Laura’s multiple had moved into the rooms next to theirs. They had found tasks to keep Charlie busy, gardening work in the air recycling sections mostly. It was physical work that meant he got his hands dirty; work Charlie enjoyed. After that the days slipped past almost un-noticed and a routine of sorts had developed.

But not today,
Consider a semicolon or full stop her.
today was different and a break in the routine of the last few months. Two indentured were going to be revived from suspended animation. Charlie had been asked to help because of his ‘social skills,’ a sensible request he thought, the spacers were an odd bunch and difficult to deal with.

The doors opened on to a large storage space that was mostly empty
Comma
feeling like a lost and forgotten warehouse.

‘Charlie, you are six minutes late.’

‘Good morning, I’m fine thank you for asking
Comma
Marco, how are you this morning?’ replied Charlie as he entered, deciding not to let Marco’s abrupt manner get the better of him today.

‘I have already revived one of them,’ replied Marco, pointing toward a small clump of machinery sitting near the middle of the empty floor.

What looked like a large yellow humanoid robot that looked to be built for strength, with hydraulic pistons on the arm and leg joints stopped what it was doing and focused on Charlie. It quickly covered the distance between them, moving silently across the empty floor.

‘I am Sebastian, Seb if that helps,’
Not direct speech attribution = new sentence. I'd put a hyphen in "foot-long", making it clearer that it's a compound adjective, and perhaps the dialogue before is a teeny bit comma splicy?
holding out his foot long metal hand.

‘Charlie, nice to meet you.’ Charlie was unsure if he should shake hands or not.

Seb noticed, and laughed, ‘Sorry Charlie, habit. I forget what I must look like to you, what I am now.’ He laughed again, heading back toward the machinery he had just left, ‘let’s get started, Asil needs decanting. Unlike me, this will be his first time harnessed. Some Muppet from earth, signed up for the romance of space I’d bet.’

‘Then he will be disappointed,’ said Marcus.

‘The first interesting thing you have said this morning Marcus.’ Seb waved Charlie over,
Logically this is a new sentence
‘ignore him, he has been too long in space. Ship life is boring, as I’m sure you have discovered
Comma
Charlie boy!’

Charlie found he liked Seb,
Comma splice.
he had an easy manner that showed through his machines
I think that's a possessive for the machine (machine's, rather than a plural, although I suppose it might be "machine movements".
movements. ‘It’s been quiet around here ok.’

‘Not anymore
Comma
Charlie boy, I’m here’ stated Seb, posing as he did so; the sight of a ten foot machine strutting made Charlie laugh.

‘We have work to do.’

‘Of course, sorry Marcus,’ replied Charlie, ignoring Seb’s hand actions.
#​
System boot

..

….

……..

]Security check

..

….

…….

Online

..


‘You are functional, respond,’ said Marcus, impatient as ever.

‘Ahhh for f*$k sake; let Charlie do it.’

A middle age man, slightly bald and a little overweight stepped into Asil’s sight line. ‘Can you both step back, your
you're
crowding him.’

‘Who are you?’

‘Welcome back
Comma
Asil, I’m Charlie. These two are Seb and Marcus.’

Asil looked at the other two,
Comma splice
one was a gray skinned
Comma, and I'd consider some hyphens to make it seem a little less like an endless stream of adjective (gray-skinned,heavily-augmented, possibly)
heavily augmented spacer and the other was a large yellow robot – no not a robot – indentured, he could tell from the way it moved. ‘Are we there yet?’

‘Not yet, this is your acclimatization phase, as per you’re
your (you're is a contraction of "you are", see previous correction but one).
contract.’

‘Ignore Marcus, he needs to get out more,’ said Charlie, giving the spacer clear shut up hand signals. ‘How do you feel?’

‘Ok,
I find a comma rather short for the pause here.
a lot better than I had expected.’

‘It should feel almost natural
Comma
mate, you’ll be used to your new body in no time,’ said Seb, releasing Asil from his shipping container. ‘Time for you to get up, we have work to do. Charlie lad, step back now, you don’t want to get in the way.’
Officially, that's a pair of comma splices (see why?) However, Seb seems to talk in them, and it works.
Seb hauled Asil up onto his feet, both of the large machines swaying, almost unbalanced. ‘Easy to start with,
As previous
let me help you,’ said Seb, his massive arms holding Asil up. The two machines stumbled slowly off, Seb supporting Asil’s weight, helping him along.

Charlie watched them both as they slowly moved away, feeling sad for Asil.

‘You look worried Charlie?’ asked Marcus, an unexpected show of concern from the spacer.

‘I just wonder what drove Asil to make his decision, to allow himself to be a machine.’

‘Asil’s decision is sensible. His brain is encased in a secure and protected armoured core, supported by a strengthened body. He is almost impervious to radiation. His brain is even backed up in case the worst happens. It is you
Comma
Comma
I feel sorry for; you have no protection against unforeseen accidents and open space. The human body is weak.’

For Charlie, Marcus had done it again, ‘You’re a f*$king ray of sunshine,’ said Charlie, stomping off to join Seb and Asil – they were easier to get on with, when compared to the spacer.

Marcus watched Charlie walk away, wondering what it was he had said today. The truth it would seem;
No semicolon; actually, no need for any punctuation
was not welcome.
 
Very interesting points ctg, I will have to go away and digest - thank you. I especially liked the robot update, it was stating the obivous for the reader which I had missed.

Springs, I usually write each section from the pov of 1 and as a rule no more than 2 characters so its much clearer, I worry BIG TIME about losing the reader. Here however I was stuck, I needed to introduce two new characters so that made 4 - I could not think of a way around this for the plot. Action scenes have the same worry for me as pov can be difficult then as well. However good advice and will be used as a tool soon to see if it works for me.
 
Chrispenycate thank you as ever. I counted 4 to 5 comma splices which is reassuring and an improvement for me. I will digest your comments as ever, in a darkened room all on my own!
 
Actually, there are a few more comma splices, but in dialogue, and I took it that the characters actually spoke like that. Charlie's:-
‘Good morning, I’m fine thank you for asking Marco, how are you this morning?’
is solid comma splice, but that's how he delivered it, as a continuous stream rather than three separate sentences, so it works (just so you don't think I'm a "rules is rules"er) Same with several bits of Seb's dialogue. Point is, you can get away with things in dialogue that are a bit iffy in narration (or first person, building the rhythm of the thoughts)

Now, I'm not a parent; the second head on my avatar (intended to make me look not quite so unpleasant and dangerous) is a grandnephew. But the "D" on the beginning of "da", like the "M" on "mama" is something babies seem to get practically instinctively; in fact, apart from screams they prefer words starting in consonants, so your initial Lizzielogue didn't feel natural. Perhaps ask a real parent how a youngster would mutilate the first phrase; it's remarkably constant across languages.
What looked like a large yellow humanoid robot that looked to be built for strength, with hydraulic pistons on the arm and leg joints
Comma
stopped what it was doing and focused on Charlie.
a sensible request he thought,
Comma
the spacers were an odd bunch and difficult to deal with.

And I'm sorry about the "her" instead of "here".
 
I'm not a parent so I'll change these words for realism. Won't be too hard to change she does not say too much.

Michael, you too! After going through the detailed corrections above - in detail - I was left with a mild headache. I like see these guys take the time to go through my stuff - but - when I first see their posts it's a real - ohhhh/arghhhh - moment.

However, the up side is that my writing has improved - plot and technicalities. A bit to go yet I think. With luck by the end of the year I will have something that may be of interest.

Yes - sore head yesterday!!!!!
 
I write mostly in first person, so will leave pov shifts to others.

I just want to say, that I agree with Chrispenycate, about the 'baby talk'. The use of ribbons and 'dressing up' - I thought that worked well though, and I found it an interesting story.
 
Thank you CH, baby talk under review - must visit friends with babies (there are babies popping out all over, I suspect there might be something in the London water).
 
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