BearCavalry
New Member
- Joined
- Apr 8, 2012
- Messages
- 1
This is my first post, but I hope to have many on here.
I'm working on an illustrated "web-novel" with an artist friend of mine, I'm writing. It is decidedly fantasy, set in a modern world, but with a fantastic pantheon - think Neil Gaiman or Gunnerkrigg Court. Souls travel to the Underworld upon death, which is ruled by four deities called the Horsemen, inspired by the Four Horsemen of the Apocalypse. Instead these Horsemen are both benevolent and malevolent, in regards to humans. They govern the deaths of all humans, eventually, but we can all agree this is eventually for our own good.
The characters in the novel are widespread, having come from several pantheons of "First Children". The First Children were humans who were given immortality of a sort and ridiculous power by the Piper, who was one of the originally five Horsemen, who rebelled against the rest. Anyway. The most prominently featured First Children are the Aesir and other Norse figures. In this story, Ragnarok occurred long ago, and it follows the tale of Richard Wagner's Der Ring des Nibelung cycle. The characters of Woden, Loki, and Alberich feature prominently as two antagonists and a deuteragonist of sorts.
Anyway, my dilemma is how to mix multiple mythologies without hitting the cliché of "the greek gods hang out here in Greece, the Norse gods have a secret meadhall in Copenhagen" sort of thing. I'm hitting an obstacle when two "clashing" mythologies arrive. Igbo mythology (from Nigeria) and other African myth is featured alongside the Norse and Germanic gods, and I have a difficult time portraying them as anything but opposing, in order to keep the "styles" of the characters coherent on each side.
How much and which characters should I modernise? Adopting a contemporary visual style seems to be the only way to keep these characters from falling into clichés. Should Woden wear Westwood, rather than robes? Does Anansi dress like a traceur?
In the end, my question is how do you like your mythological figures portrayed in a modern setting?
I'm working on an illustrated "web-novel" with an artist friend of mine, I'm writing. It is decidedly fantasy, set in a modern world, but with a fantastic pantheon - think Neil Gaiman or Gunnerkrigg Court. Souls travel to the Underworld upon death, which is ruled by four deities called the Horsemen, inspired by the Four Horsemen of the Apocalypse. Instead these Horsemen are both benevolent and malevolent, in regards to humans. They govern the deaths of all humans, eventually, but we can all agree this is eventually for our own good.
The characters in the novel are widespread, having come from several pantheons of "First Children". The First Children were humans who were given immortality of a sort and ridiculous power by the Piper, who was one of the originally five Horsemen, who rebelled against the rest. Anyway. The most prominently featured First Children are the Aesir and other Norse figures. In this story, Ragnarok occurred long ago, and it follows the tale of Richard Wagner's Der Ring des Nibelung cycle. The characters of Woden, Loki, and Alberich feature prominently as two antagonists and a deuteragonist of sorts.
Anyway, my dilemma is how to mix multiple mythologies without hitting the cliché of "the greek gods hang out here in Greece, the Norse gods have a secret meadhall in Copenhagen" sort of thing. I'm hitting an obstacle when two "clashing" mythologies arrive. Igbo mythology (from Nigeria) and other African myth is featured alongside the Norse and Germanic gods, and I have a difficult time portraying them as anything but opposing, in order to keep the "styles" of the characters coherent on each side.
How much and which characters should I modernise? Adopting a contemporary visual style seems to be the only way to keep these characters from falling into clichés. Should Woden wear Westwood, rather than robes? Does Anansi dress like a traceur?
In the end, my question is how do you like your mythological figures portrayed in a modern setting?