Post-apocalyptic Fiction - Intro (400 words)

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Tyler Danann

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[FONT=Times New Roman, serif]Hey folks, just getting my post-apocalyptic book written, this is likely to be the introduction sequence (unless I go for a prologue?).[/FONT]​
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[FONT=Times New Roman, serif]Old Galt stood over six feet tall with beaming hazel-green eyes. A man born with the sign of the fiery pioneer in him but one who had been on the verge of melancholy.[/FONT]
[FONT=Times New Roman, serif]This day though did not see him take up his usual despondent manner in the ramparts of Gelstown. Instead, as evening moved to night-time he had the people loyal to him and his cause gather round. They were like children to him in some ways and he the aloof father, but he loved them nonetheless for their faults. Now though like a Shepard guiding his flock he laid out his plan, just before he did so he started he recalled what had brought them to stage a breakout from the 'prison' of Gelstown.[/FONT]


[FONT=Times New Roman, serif]For too long now the place of Gelstown had changed, not a change for the better. It had gone from comfortable confines, to smothering regulations and finally to a walled-prison.[/FONT]

[FONT=Times New Roman, serif]First the town’s leader, Ferdez had been accepting and friendly, especially appreciating the supplies and skills the newcomers had brought with them. [/FONT]
[FONT=Times New Roman, serif]In turn the newcomers found the sanctuary, with its walled perimeter and ditches ample defense against the nomadic raider bands who still preyed on folk. [/FONT]
[FONT=Times New Roman, serif]For Galt and his followers the first three months were as much a relief as they were exciting. For the items that had seemed as much elusive as they had been a luxury were now much closer to hand and obtainable.[/FONT]

[FONT=Times New Roman, serif]Three times a band of tenacious raiders struck Gelstown. Three times they were repelled. The last time with heavy losses. Old Galt himself being slightly wounded at the last clash. [/FONT]

[FONT=Times New Roman, serif]It had been nearly a season after ‘The Fall’ and, as Galt had feared, the new-civilization that would rise out of the ashes of the old one was not altogether benevolent. The old mentality’s and prejudice’s Galt had hoped would be burned away for fresher, more in-tune ways to blossom still lingered.[/FONT]
[FONT=Times New Roman, serif]For while Galt’s wounded shoulder mended, a cancer that would not die rotted at the heart of Gelstown. [/FONT]
[FONT=Times New Roman, serif]Ferdez, a likeable man was trusted by Galt’s people. [/FONT]
[FONT=Times New Roman, serif]As he was originally one of the surviving town’s council men he took the reluctant leadership of the town.[/FONT]

[FONT=Times New Roman, serif]Instead of being a commander first and decisive in the way Gelstown would go in this brave new world Ferdez instead took the softly approach. Commendable in winning favor but also instrumental in devolving powers to dozens of his favorites. These became known as Magistrates and Galt was quick to recognize the true power behind Gelstown. [/FONT]
 
The first few paragraphs offered a lot of promise, which was good to see.

And then you spoiled it all with an info dump!!

If this is your first scene, forget the backstory. This scene is not about back story - it is clearly a tension-setting scene, which means you must stick with the tension and focus on conflict - external and internal.

If you insist on stopping for a history lesson, you kill the pace of the story and the reader's interest with it.

You've introduced Old Galt well - you capture his spirit in a single sentence, which is very good. There are probably a few areas you can tighten, perhaps:

[FONT=Times New Roman, serif]Instead, as evening moved to night-time he had the people loyal to him and his cause gather round. They were like children to him in some ways and he the aloof father, but he loved them nonetheless for their faults (skirting dangerous close to cliche and melodrama, but this can work - just be careful you don't move obviously into it). Now though like a Shepard guiding his flock he laid out his plan (fine so far), just before he did so he started he recalled what had brought them to stage a breakout from the 'prison' of Gelstown (No! Kill this clause!).[/FONT]

But, overall, I think this piece shows promise - it puts me in mind with the opening of a Western.
 
[FONT=Times New Roman, serif]Ok, slight revision made.
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[FONT=Times New Roman, serif]Old Galt stood over six feet tall with beaming hazel-green eyes. A man born with the sign of the fiery pioneer in him but one who had been on the verge of melancholy.[/FONT]
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[FONT=Times New Roman, serif]This day though did not see him take up his usual despondent manner in the ramparts of Gelstown. Instead, as evening moved to night-time he had the people loyal to him and his cause gather round. They were like children to him in some ways and he the aloof father, but he loved them nonetheless for their faults. For too long now the place of Gelstown had changed, not a change for the better. It had gone from comfortable confines, to smothering regulations and finally to a walled-prison. [/FONT]


[FONT=Times New Roman, serif]Like a Shepard guiding his flock he laid out his plan, just before he did so he started to recall what had brought them to stage a breakout of Gelstown. First the town’s leader, Ferdez had been accepting and friendly, especially appreciating the supplies and skills the newcomers had brought with them. In turn the newcomers found the sanctuary, with its walled perimeter and ditches ample defense against the nomadic raider bands who still preyed on folk.
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[FONT=Times New Roman, serif]For Galt and his followers the first three months were as much a relief as they were exciting. For the items that had seemed as much elusive as they had been a luxury were now much closer to hand and obtainable.[/FONT]


[FONT=Times New Roman, serif]Three times a band of tenacious raiders struck Gelstown. Three times they were repelled. The last time with heavy losses. Old Galt himself being slightly wounded at the last clash. [/FONT]


[FONT=Times New Roman, serif]It had been nearly a season after ‘The Fall’ and, as Galt had feared, the new-civilization that would rise out of the ashes of the old one was not altogether benevolent. The old mentality’s and prejudice’s Galt had hoped would be burned away for fresher, more in-tune ways to blossom still lingered.[/FONT]
[FONT=Times New Roman, serif]For while Galt’s wounded shoulder mended, a cancer that would not die rotted at the heart of Gelstown. [/FONT]
[FONT=Times New Roman, serif]Ferdez, a likeable man was trusted by Galt’s people. [/FONT]
[FONT=Times New Roman, serif]As he was originally one of the surviving town’s council men he took the reluctant leadership of the town.[/FONT]
 
I am a bit of a nit picker. :)



[FONT=Times New Roman, serif]Old Galt stood over six feet tall with beaming hazel-green eyeshow can eyes beam? I didn't quite get the analogy, others might like it.. A man born with the sign of the fiery pioneer in himthis intrigued me, and I would have liked it to be a little clearer what it meant. Was it something inside him, or a mark, or like a star sign. If the latter, i think it should be that he was born under? but one who had been on the verge of melancholyA little bit of telling.[/FONT]


[FONT=Times New Roman, serif]This day though did not see him take up his usual despondent manner inon? the ramparts of Gelstown. Instead, as evening moved to night-time he had the people loyal to him and - I think I'd drop and just leave his cause, they say essentially the same thing? his cause gather round. They were like children to him in some ways and he the aloof father, but he loved them nonetheless for their faultsThis line I didn't like. It was telling me something that could easily be shown in his mannerisms, in the way the meeting is held. It slowed things for me. For too long now the place of Gelstown had changed, not a change for the better. It had gone from comfortable confines, to smothering regulations and finally to a walled-prisonAgain, this is telling, and it would have made nice showing, maybe as he walked along the ramparts and could see the changes or something? . [/FONT]


[FONT=Times New Roman, serif]Like a Shepard shepherd? guiding his flock he laid out his plan, just before he did so he started to recall what had brought them to stage a breakout of GelstownThe order threw me. If he said something first, I'd like to have it come at me first, otherwise I stop reading while I rearrange my thoughts. First the town’s leader, Ferdez had been accepting and friendly, especially appreciating the supplies and skills the newcomers had brought with them.In turn the newcomers found the sanctuary, with its walled perimeter and ditches ample defense against the nomadic raider bands who still preyed on folk. I wonder why this isn't being shown in dialogue. It might make a nice bit of conflict at the meeting with one lot accusing the leader, and his lot defending him. I think it might be more engaging? [/FONT]



[FONT=Times New Roman, serif]For Galt and his followers the first three months werehad been? as much a relief as they were exciting. For the items that had seemed as much elusive as they had been a luxury were now much closer to hand and obtainable.[/FONT]


[FONT=Times New Roman, serif]Three times a band of tenacious raiders struck Gelstown. Three times they were repelled. The last time with heavy losses. commaOld Galt himself being slightly wounded at the last clash. This is all telling, and it's back story, and really I just want to see what happens at the meeting and what Galt does, how he manages his flock. [/FONT]


[FONT=Times New Roman, serif]It had been nearly a season after ‘The Fall’ and, as Galt had feared, the new-civilization that would rise out of the ashes of the old one was not altogether benevolent. The old mentality’sno apostrophe and prejudice’sno apostrophe Galt had hoped would be burned away for fresher, more in-tune ways to blossom still lingered.[/FONT]
[FONT=Times New Roman, serif]For while Galt’s wounded shoulder mended, a cancer that would not die rotted at the heart of Gelstown. [/FONT]
[FONT=Times New Roman, serif]Ferdez, a likeable man was trusted by Galt’s people. [/FONT]
[FONT=Times New Roman, serif]As he was originally one of the surviving town’s council men he took the reluctant leadership of the town.[/FONT][/QUOTE]

I thought it started promisingly enough, but the back story being told to me slowed it to the extent where I wouldn't read on. I think going straight into the meeting and showing the conflicts would be a more engaging start? Plus it would allow dialogue to break up the info a bit? Good luck with it.
 
Hi

I'm afraid I'm not so taken with it as Brian is, as I'm a nit-picker, and there are a few too many issues for me to settle with here.

red = suggested addition/amendment
blue = suggested deletion
purple = comment
Old Galt stood over six feet tall with beaming [? do you mean as in a beaming smile? Or light beams shone from them? As a piece of imagery it isn't quite working for me, perhaps because it's not been thought through sufficiently?] hazel-green eyes. A man born with the sign of the fiery pioneer in him but one who had been on the verge of melancholy.[though the first half is intriguing, I'm not at all sure what it means]

This day, though, did not see him take up his usual despondent manner [does one really "take up" a manner?] in the ramparts of Gelstown. Instead, as evening moved to night-time, he had the people loyal to him and his cause gather round. They were like children to him in some ways, and he the aloof father, but he loved them nonetheless for their faults. [as Brian says, this is something of a cliche] Now, though, [repetition of "though" is ungainly] like a shepherd guiding his flock, he laid out his plan, [the comma here is wrong -- it isn't strong enough to link the two parts of the sentence. I'd suggest either a semi-colon, a full stop (period) or a "but" linking the two clauses] just before he did so, [he started] [I imagine this is simply faulty proof-reading but if it's meant to be there, I'm not sure what is intended] he recalled what had brought them to stage a breakout from the 'prison' of Gelstown.

For too long now the place ["place" is rather a vague word. Is it town, a city, a part of a city, a castle, what?] of Gelstown had changed, [um... I understand what you mean, but the sentence itself doesn't make sense -- "had changed" is a completed action, but the "for too long now" represents a continuing one, and the two are incompatible. I'd suggest eg "The city of Gelstown had changed" which is a lot more direct and to the point. Also the comma is again wrong -- again, you need to link the two clauses with a semi-colon or conjunction] not a change for the better. [this clause can only work if the noun "change" was used in the first part of the sentence eg "... had undergone change". As it was a verb there, you need another verb here eg "and it hadn't been a change for the better"] It had gone from comfortable confines, to smothering regulations and finally to a [walled-] prison. [unless the walls have physically grown in the time, I'd suggest dropping mention of them in that way. In any event, the hyphen isn't right in this context. The repetition of "prison" in the two paragraphs is also clumsy -- I'd suggest you find a synonym for one of them]

At first the town’s leader, Ferdez, had been accepting and friendly, especially appreciating the supplies and skills the newcomers had [since you slip from past perfect into simple past hereafter, I'd probably dump this "had" as well] brought with them. In turn the newcomers found the sanctuary, [when you say "the sanctuary", is this a separate part of the town? If not, if you just mean the sanctuary is the town itself, then I'd suggest "its"] with its walled perimeter and its [necessary, otherwise the adjective "walled" might be thought to apply to the ditches as well] ditches, ample [surely more than simply "ample"??] defense against the nomadic raider bands who still preyed on folk. ["folk" seems a rather underwhelming word here]

For Galt and his followers the first three months were as much a relief as they were exciting. For [um... I really think you've got that sentence the wrong way round, since we can expect them to feel relief, not to feel excitement, necessarily. In any event, its order and the use of "for" means you should now go on to explain why they experience "relief". I'm not clear from what follows whether you are therefore suggesting they were, for instance, close to starvation and therefore the food is a relief (not likely with the "supplies" they brought with them, I'd have thought) or whether in fact you mean that these items make life exciting for them, and you need to change the word order in that first sentence] the items [very vague -- what are you talking about here?] that had seemed as much [repetition of "as much" a bit ungainly] elusive as they had been a luxury [um... a clause that actually doesn't make any sense -- if things are elusive, ie can't be found, they are going to be a luxury so the apparent dichotomy of "seemed as much" is wrong] were now much [a third "much" is too much :p] closer to hand and obtainable.

Three times a band of tenacious raiders struck Gelstown. Three times they were repelled. The last time with heavy losses. [I use fragments myself in my writing, so I can't criticise you for a lack of a verb here, but this third short staccato sentence is one too far, I think, and I'd suggest you enlarge it, not least to make clear who suffers the heavy losses] Old Galt himself being slightly wounded at the last clash. [another short sentence is too much and the "being" doesn't work in a discrete sentence like this, only as a continuation of another. If it is the town which has suffered the losses, link this to the previous sentence with a semi-colon or long dash. Otherwise, you'll need to re-phrase]

It had been [you're back to past perfect. I'd suggest leaving in simple past a while longer. As a matter of style, I'd also suggest you avoid "It was" and the like as much as possible] nearly a season after ‘The Fall’ [why in inverted commas? I'd suggest you delete them and use only a lower case "t"] and, as Galt had feared, the new-civilization that [would] rose out of the ashes of the old one was not altogether benevolent. The old mentalities and prejudices [mentality’s and prejudice’s] [these are simply plurals, not possessives, so no apostrophe] Galt had hoped would be burned away, to allow [for] [the "for" is a bit ambiguous and makes the "to blossom" an awkward construction] fresher, more in-tune [in tune with what?? I'd suggest you avoid slang in any event] ways to blossom, still lingered.
[your paragraphing is all over the place in what follows. I'm not sure what's intended and what's a mistake, but having several stand-alone sentences as individual paragraphs isn't a good idea]
For while Galt’s wounded shoulder mended, a cancer that would not die rotted at the heart of Gelstown. [this reads as something of a mixed metaphor, and a cliche to boot]
Ferdez, a likeable man, was trusted by Galt’s people.
As he was originally [he's originally one of the survivors? Or he's originally one of the town council and one of the few to have survived?] one of the surviving town’s [strictly this means it's the town that has survived, not, as I imagine you mean, the men -- I'd suggest you rephrase this entire sentence] council men he took the reluctant leadership [leadership can't be reluctant, only the man taking it can be] of the town.

Instead of being a commander first and decisive in the way Gelstown would go ["would go"? You mean how it would progress? How it would approach problems? I think you need to clarify things a little] in this brave new world, [cliche] Ferdez instead took the softly approach. Commendable in winning favor, [why on earth is that commendable?] he was nonetheless [but] also instrumental in devolving powers to dozens of his favorites. [Another false dichotomy, I think. Anyway, as written the sentence isn't finished -- by starting with "commendable" you have to put "he" in there with a verb. If in fact it isn't him that's commendable but his softly apprach from the previous line then add the verb there "eg "That was commendable" but then you need to make him the subject of the instrumental anyway] These men became known as Magistrates and Galt was quick to recognize the true power behind Gelstown.

Overall, while you may have a good intriguing story here, to my mind your writing style lets you down. For me, you need to concentrate on basics eg punctuation (I probably over-punctuate, particularly commas, but those I've added are very necessary) and on learning to craft a sentence so it says what you mean it to say. You really need to think carefully about sentences and what they mean -- eg that "Commendable" line.

I think you also need to cure yourself of some woolly, waffly writing. This to me is a bit like a politician's speech -- vague ideas and lots of exciting buzz-words, but when it's analysed there's nothing there. It isn't enough to have a great idea for a plot, it's important that it reads easily, that people can understand what's going on and that they don't get jarred out of it by mistakes or by puzzling over what is meant. It's like preparing a meal -- the actual look and smell and taste are as important as the nutritional content, and you can't ignore those factors by simply throwing something down on the plate/page and hoping for the best.

Sorry if this sounds a bit harsh. As I say I'm a nit-picker, and to me the use of language is important, and when I start finding mistakes, I can't see beyond them to the story beneath. Good luck with it, anyway.


PS I see I've been too slow and springs has got in ahead of me with some of the same comments. Apologies for the repetition.
 
I don’t see anything wrong with the idea, I like ideas where the world ends. The section is all narrative and telling. The characters are quickly sketched and you move on. There is no dialogue. This is the end of the world, show us, preferably through the eyes of a character so we can feel and live the hardships with the characters. You have used 500 words, where 5,000 could have been used. Skip the telling, it’s not working. Develop dialogue, description and emotion to engage the reader.

Try not to let the red (purple too) ink get the better of you, many of us have suffered quiet a lot of red ink when we first joined Chrons. I still get red ink; I don't like the colour red so much these days!
 
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[FONT=Times New Roman, serif]Ok, slight revision made....
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[FONT=Times New Roman, serif]T[/FONT][FONT=Times New Roman, serif]hey were like children to him in some ways and he the aloof father, but he loved them nonetheless for their faults. [/FONT]

You've had some great crits Tyler, and I wouldn't have much to add to them, but this made me twitch when I read it and I don't think anyone else commented on it.

I think perhaps you mean "in spite of" their faults, not "nonetheless".

Or do you mean this:

[FONT=Times New Roman, serif]...[/FONT][FONT=Times New Roman, serif]he loved them[comma] nonetheless[comma] for their faults. [/FONT]

Which suggests to me that he loved them because of their faults -- but it might be dialect.
 
Most of this would be much better if put later in the story. This is an introduction, so right now we need to know why we should read on.

The first thing I'd do is cut the two lines after "a cancer that would not die rotted at the heart of Gelstown." and then put your info dump after that, (if you can't work it into the action of the story)

And best of all just start with the breakout and show us why it is happening as it happens
 
You've had some good crits posted for this already so I don't see the need to repeat all that.
Essentially the opening sentences are okay (apart from some awkwardness of construction) but then you go in for a big info-dump of the back story.
To be blunt, you should haul some books off the shelf and look at how published writers start a new book. You'll find that mostly they start at the beginning with an active scene that grabs the reader's attention. IF there is anything the reader needs to know, that can be dribbled in later. Getting a story launched and under way without either mystifying or boring your reader does present a challenge, and one that can be difficult to get right, but IMHO most readers would rather be mystified than bored. The temptation to start with an info-dump should be resisted.
I note that you have already presented a second version of your opener, that is a variant of the first. Rather than fiddling overmuch with the opening, you should note our comments and then get on with the rest of the story.
There seems nothing wrong with your story idea, so you should just sit down and write out the whole thing, if you haven't already. The opening can always be fixed later (much later) if necessary.
 
Alright!

Thanks for these criticism!

But I can't just move the 'info-dump!' It's inherent to who Galt and his folk are etc.

It's interwoven to the first chapter in such a way I'd have to sit down for HOURS and strip out details to make the break-out work correctly.

The main story is not at Gelstown but miles and miles away, I'm just trying to get onto that while explaining the issues of a control system of the town etc.

Maybe I should beef up the 'showing' through the characters then info-dump??

I might also show a meeting sequence, I've got to buzz on with the story though, up to Chapter 11 so far of about 14 or 15.
 
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Alright!

Thanks for these criticism!

But I can't just move the 'info-dump!'
It's interwoven to the story in such a way I'd have to sit down for HOURS and strip out details to make the break-out work correctly.


If you want to keep it as a discrete entity, you could give it its own section, perhaps as a flashback. But looking at the way you wrote it, maybe as a discovered document, a diary, or a story being told to another character.
 
Alright!


But I can't just move the 'info-dump!' It's inherent to who Galt and his folk are etc.

It's interwoven to the first chapter in such a way I'd have to sit down for HOURS and strip out details to make the break-out work correctly.

.

We all have stuff in our stories that are inherent to the characters that we have to show at some stage. It's when you show it, and if you could show him first, make us buy into him, then we're interested in getting to that info, but if you tell us that info first, it doesn't make us want to get to know him. (Well it didn't for me.)

I fully sympathise with the hours it will take, having rewritten my first one about 16 times because of this sort of feedback on here, but it's, maybe, better to put those hours in knowing you'll have a product out there that more people will read? That's how I keep myself going through it, and I've just spent two days rewriting the end chapters of a book because things changed. That's writing... :)
 
But I can't just move the 'info-dump!... I'd have to sit down for HOURS and strip out details to make the break-out work correctly.

Thanks for posting, Tyler, I realize this is a vulnerable step to take.

Early criticism can be difficult to hear. Few of us enjoys that part, but listen and practice. Do you want to write a book, or a book that sells? These hours are necessary to become a best-selling author, and people here really do want others to improve their skills. This is part of the process, and the feedback is extremely valuable.

Read and put this aside for a day or two, then come back with fresh eyes, and give their input very sincere consideration. Your readers will thank you for it.

What happens when an editor comes back with your manuscript and asks you to rewrite the last 5 chapters? "But that will take HOURS!" The editor will drop your opportunity into the nearest trashcan.

We should each expect to write a million words before publishing a novel. Why not get started now?
 
Alright!

Thanks for these criticism!

But I can't just move the 'info-dump!' It's inherent to who Galt and his folk are etc.

It's interwoven to the first chapter in such a way I'd have to sit down for HOURS and strip out details to make the break-out work correctly.

The main story is not at Gelstown but miles and miles away, I'm just trying to get onto that while explaining the issues of a control system of the town etc.

Maybe I should beef up the 'showing' through the characters then info-dump??

I might also show a meeting sequence, I've got to buzz on with the story though, up to Chapter 11 so far of about 14 or 15.

OIC, OK, yeh, you didn't say it was an intro, did you? Sometimes I just think everything is an intro, probably cause that's all the further most of my stuff gets.

Well, go ahead and dump it then. The "rules" say that infodumps ARE permissible sometimes and this might just be one

Also, the last two ideas you state look good.

A friend of mine is a commissioned author for one of the WoW books. They "lore checked" him and told him some changes were necessary. He told them they were impossible without extensive rewriting but could be simply inserted as flashbacks later, they said "fine".
 
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I've been ranting about this elsewhere but I'm reading The Curse of Chalion just now, and it's like a tutorial in how to drip-feed background information. For the first few scenes, you only know that the main character is injured and returning from some trauma, not what injured him or what the trauma was.

It's one of the things that keeps you reading -- that you don't know what happened to him, and you want to find out. Because apparently, what keeps a reader engaged with a story are the questions. So, for me, your introduction maybe isn't as interesting as it could be because you're giving me all the information up front -- and what I want is: someone to care about (Galt?), enough information to have some small idea what he's like (which you provide) and a question about what he's going to do.

I wondered: what's the question I should take from this opening 400 words?
 
The big problem with this scene is there isn't anything to connect the reader to the character. It needs more PoV depth. We aren't in Galt's head, we are being told details from outside his head - the very first line starts like an omniscient narrator, but we get no feel for the voice of the narrator. If it's an omniscient narrator doing the scene, give the narrator a character voice separate to Galt. Another character talking about Galt is fine as long as we know about that character as well.

As Hex points out with The Curse of Chalion, you have to drip feed the details to us throughout the scene - telling us all in one go kills any reason for the reader to want to read on.

If it's not intended to be omniscient PoV, then everything should be through Galt's eyes and it should be done with dialogue, and how he would describe stuff from his perspective. You've told us he talked to the villagers, but instead of narrating that, have the actual dialogue in there with conflict between characters, other townspeople giving suggestions to the plan, and then treat us to little thoughts of his about those characters and how they relate to him. This scene needs to be greatly expanded, but not as an info-dump
 
It's strange but I feel the best way is to move from one to the other and let the reader work it out, but that's just me. It allows for a flowing move of transition and dynamic-shifts to take place.

I have to admit the introduction is a hasty piece in retrospect. But like the foundation-stones of a citadel, they aren't that easy to remove and replace... :)
 
Sit for hours. Then, years! muAh.

A man born with the soul of a fiery pioneer, but one who had recently been on the verge of melancholy.
You need 'recently' or some other qualifier in there, just saying 'one who had been melancholy' could mean now, years ago, whenever. So every sentence has to be looked at, even if you have to sit for millenia* )
 
Sit for hours. Then, years! muAh.

A man born with the soul of a fiery pioneer, but one who had recently been on the verge of melancholy.
You need 'recently' or some other qualifier in there, just saying 'one who had been melancholy' could mean now, years ago, whenever. So every sentence has to be looked at, even if you have to sit for millenia* )

Oh yes! I like my prose, not too much, not too little either. :)
 
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