hopewrites
Crochet Streamer
Hex I really feel you are spot on with your perceptions, cold or no. Springs too.
Of all the thins I've lived through rape has been tough, but not the toughest. That award goes to the emotional conditioning that made the (I loose count) latter set possible. I know I'm up against years of reconditioning on that one. But pretty much most of what we've discussed here about rape goes for those other horrors too. In my not inexperienced opinion.
Think about the really old fairy tales, campfire stories, and old wives tales. They're full of grim things that people have to survive and move on from. I secretly loved Hansel and Grettle as a little girl, she took care of her own without brandishing her strengths to anyone. While I openly adored Arora for waiting with pure patients for her true love, I secretly wished I was as smart and indomitable as Grettle.
There is a famous line whose origins I don't know "you'd be suprised what you can live through" I've oftener found the opposite true. I'm suprised what people die of. I'm not talking physically though I'm talking about those cases where the will to live abandons the flesh to let it die in its own time and way.
When I'm writing a new character I often ask myself where their limits are and what would happen if I crossed them. The one romance I tried to write had a male protagonist who fell in love, risked everything, failed miserably, repeatedly, and for about 1/3 of the story I was suprise he wasn't going to get the girl in the end. I new this wouldn't be crushing for him but couldn't justify the plot I'd started out with of torturing then rewarding him. Decided the female protagonist was weakness and made her more human and rational. This made her more attractive to all the male characters who then had to be overhauled so I could figure out if any of them could be attractive to her, let alone the one I wanted. I gave it up as a bad plot when I realized the whole thing had no point. But that's not the point I forgot I was making.
Of all the thins I've lived through rape has been tough, but not the toughest. That award goes to the emotional conditioning that made the (I loose count) latter set possible. I know I'm up against years of reconditioning on that one. But pretty much most of what we've discussed here about rape goes for those other horrors too. In my not inexperienced opinion.
Think about the really old fairy tales, campfire stories, and old wives tales. They're full of grim things that people have to survive and move on from. I secretly loved Hansel and Grettle as a little girl, she took care of her own without brandishing her strengths to anyone. While I openly adored Arora for waiting with pure patients for her true love, I secretly wished I was as smart and indomitable as Grettle.
There is a famous line whose origins I don't know "you'd be suprised what you can live through" I've oftener found the opposite true. I'm suprised what people die of. I'm not talking physically though I'm talking about those cases where the will to live abandons the flesh to let it die in its own time and way.
When I'm writing a new character I often ask myself where their limits are and what would happen if I crossed them. The one romance I tried to write had a male protagonist who fell in love, risked everything, failed miserably, repeatedly, and for about 1/3 of the story I was suprise he wasn't going to get the girl in the end. I new this wouldn't be crushing for him but couldn't justify the plot I'd started out with of torturing then rewarding him. Decided the female protagonist was weakness and made her more human and rational. This made her more attractive to all the male characters who then had to be overhauled so I could figure out if any of them could be attractive to her, let alone the one I wanted. I gave it up as a bad plot when I realized the whole thing had no point. But that's not the point I forgot I was making.