Boneman
Well-Known Member
Is anyone else watching Channel 4's Utopia? It's a wonderful fantasy... it has to be, because otherwise it's the most moronic piece of rubbish I've seen in a very long time.
Confusing premise to hook you, more gratuitous violence that Stanley Kubrick/Sam Peckinpah could handle (every week), characters who sleep-walk their way through their lines, and the dumbest police force in existence. When the uber-bad guy finally got close to the manuscript last night, the uber-good girl was hiding in the bathroom, armed, and did nothing while the bad guy killed an unidentified woman (may have been a police woman or a social worker) and then the mother of a girl who'd been given the manuscript (Aled Jones' daughter, incidentally). The uber-good girl has already shown a ruthless streak in strangling an old tramp who knew too much and whacking a CIA agent unconscious, and torturing her, and the uber-bad guy has been offing everyone in his way,(I think he's killed about 35 so far, but I may have missed one or two) in his search for her. She could have shot the bad guy but (apparently) that would probably remove the chance for more gratuitous killings next week. Yeah, just in case we didn't get it by their actions - they both appear to be sleep-walking most of the time - we're told that the uber-characters are 'different'.... WTF???
Oh yeah, after the bad guy shoots 22 children and two teachers in a school, he apparently (because it happens off screen) just walks out and later cctv identifies someone who wasn't there along with a fingerprint (just to set up a 12 year old kid). Apparently, the real police force in this country are all on holiday... Oh yeah, right at the beginning of episode one, the bad guy's partner whacks a character with an iron bar, and we see the obligatory pool of blood, and they then use a canister to gas everyone in the shop. Pool of blood? Dead Bodies? Investigation? Nah, (apparently) it was just a gas leak one character tells another.
I'm not even going to get into the Russian flu (apparently) outbreak in the scottish Island, and the civil servant who (apparently) gets a russian prostitute pregnant for the sole purpose of being blackmailed. Oh yeah, she gets set up for the murder of a journalist who (apparently) knew too much.
It's truly unbelievable ****. And I'm not watching any more because it's just so utterly stupid, stupid, stupid. I think I'd rather read 50 shades of Grey, that at least has a plot. How do writer's get away with this kind of drivel? It has more holes it than a dam made out of swiss cheese (Eion Colfer) and whilst I may not be its target audience, it should be given the audience it deserves - say 3am in the morning, for insomniacs.
If you have a hankering to write for TV, and want a series accepted by Channel 4, load it with the worst kind of stupidity you can think of, violence of the worst kind (did I mention the removal of an eye with a spoon after rubbing chilli pepper, sand and bleach into both eyes?) and an air of mystery that, when it's finally explained, everyone is bound to go - "Gosh. Didn't. See. That. Coming" because it's so utterly banal I laughed out loud. Thank God it wasn't made with the licence-payer's money!!
Please don't tell me how it ends. I'd rather not know, because that would vindicate (in the smallest way possible) the show itself, and the 'writer's' ability to produce such a pathetically inept series... It'll probably win awards at the next 'back-slapping-isn't-British-Television-wonderful' ceremony, hosted by Jonathan Ross.
Confusing premise to hook you, more gratuitous violence that Stanley Kubrick/Sam Peckinpah could handle (every week), characters who sleep-walk their way through their lines, and the dumbest police force in existence. When the uber-bad guy finally got close to the manuscript last night, the uber-good girl was hiding in the bathroom, armed, and did nothing while the bad guy killed an unidentified woman (may have been a police woman or a social worker) and then the mother of a girl who'd been given the manuscript (Aled Jones' daughter, incidentally). The uber-good girl has already shown a ruthless streak in strangling an old tramp who knew too much and whacking a CIA agent unconscious, and torturing her, and the uber-bad guy has been offing everyone in his way,(I think he's killed about 35 so far, but I may have missed one or two) in his search for her. She could have shot the bad guy but (apparently) that would probably remove the chance for more gratuitous killings next week. Yeah, just in case we didn't get it by their actions - they both appear to be sleep-walking most of the time - we're told that the uber-characters are 'different'.... WTF???
Oh yeah, after the bad guy shoots 22 children and two teachers in a school, he apparently (because it happens off screen) just walks out and later cctv identifies someone who wasn't there along with a fingerprint (just to set up a 12 year old kid). Apparently, the real police force in this country are all on holiday... Oh yeah, right at the beginning of episode one, the bad guy's partner whacks a character with an iron bar, and we see the obligatory pool of blood, and they then use a canister to gas everyone in the shop. Pool of blood? Dead Bodies? Investigation? Nah, (apparently) it was just a gas leak one character tells another.
I'm not even going to get into the Russian flu (apparently) outbreak in the scottish Island, and the civil servant who (apparently) gets a russian prostitute pregnant for the sole purpose of being blackmailed. Oh yeah, she gets set up for the murder of a journalist who (apparently) knew too much.
It's truly unbelievable ****. And I'm not watching any more because it's just so utterly stupid, stupid, stupid. I think I'd rather read 50 shades of Grey, that at least has a plot. How do writer's get away with this kind of drivel? It has more holes it than a dam made out of swiss cheese (Eion Colfer) and whilst I may not be its target audience, it should be given the audience it deserves - say 3am in the morning, for insomniacs.
If you have a hankering to write for TV, and want a series accepted by Channel 4, load it with the worst kind of stupidity you can think of, violence of the worst kind (did I mention the removal of an eye with a spoon after rubbing chilli pepper, sand and bleach into both eyes?) and an air of mystery that, when it's finally explained, everyone is bound to go - "Gosh. Didn't. See. That. Coming" because it's so utterly banal I laughed out loud. Thank God it wasn't made with the licence-payer's money!!
Please don't tell me how it ends. I'd rather not know, because that would vindicate (in the smallest way possible) the show itself, and the 'writer's' ability to produce such a pathetically inept series... It'll probably win awards at the next 'back-slapping-isn't-British-Television-wonderful' ceremony, hosted by Jonathan Ross.