something from something about magic

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subtletylost

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I started writing a story about magic. This is what I am considering possibly for the prologue, but I'm not so sure. It needs something, but I don't know what. I know it's going to be in the story somewhere even if it's not the prologue. It's only about 900 words. I think I got the grammar right, but I don't know for certain.

~~

She jumped down from the top of the wall. It’s quiet here I wish I didn’t have to sneak in all the time.

An owl hooted from a nearby tree. She turned toward it and lowered her hood. She smiled. The owl hooted again. She waved. ‘Mrs. Owl,” she called. “Have you seen Charmel?” The owl flew out of its tree with a shaking of branches and rattling of leaves. It landed on a nearby gravestone and lifted its right wing in a gesture that pointed her farther into the old cemetery. “Thank you Mrs. Owl.” She curtsied, lifted her hood and ran off.

She ran along the main path, which was lined on each side by gravestones that only got older the farther in she went. She came to a fork in the path. She lowered her hood. Down one path she glanced and then turned to the other. She closed her eyes and slowed her breathing. Casting out with her senses, she tried to find her friend. Down the left path a ways she sensed her friend’s familiar presence, turning to head that way she noticed something on one of the graves.

“Claw marks?” Then she felt something. A presence, unfamiliar and cold. Down the right path the presence was growing, cold and yet warm at the same time. She glanced up the left path one more time and then ran down the right path.

This is not good the deeper I go, the more ancient these stones get, and the more I feel that presence.

She hurried toward the presence and then stopped in front of a gravestone. She knelt down and brushed the cobwebs off the stone so she could read. Angella Carson 1537-1551. There was an old cast iron bell beside the grave.

Oh Angella you died so young.

Eyes blinked on the gravestone. She looked up, the eyes blinked again. She jumped back. The eyes came out of the grave followed closely by the rest of a ghostly face.

“Oh, Angella,” the mouth moved and an other worldly voice sarcastically stated, “you died so young. Ha. I was 14. I didn’t die.” The rest of a body began to materialize. When she was mostly whole, save for two fairly large holes, one in its chest and one in the abdomen, the voice spoke again. “I had a life! Everyone in my town loved me! I am the mayor’s daughter. I did not die! You see this hole?” The spectre’s hand motioned to her chest. “And this one too?” It motioned to her chest. “I did not die!” The spectre was getting angry.

She stood up. “I understand that you are angry. You are young. You are dead.”

“I was murdered!” The spectre’s yells filled the cemetery with noise.

“You lived hundreds of years ago. You were sick. That’s why you were buried with a dead ringer, that bell. I don’t want to cause you any trouble.”

“I was murdered! The poison is in the cake! It was meant for my father! It ate me from the inside out. I was murdered! The world will pay!” The spectre let out a shriek like a banshee and disappeared.

“The world must pay?” The girl looked around. Malevolent spirits are never a good thing.

“Luna,” a voice called out.

She turned to see her friend Charmel running up to her. “Oh. Charmel it’s just you.” She glanced around, the spectre was gone but not the cold presence.

“Luna, I heard a banshee, are you okay?” Charmel stood over Luna and then leaned down to look her in the eyes.

“I am fine, but that spirit is not the only malevolent force at work here and now. Can you feel it? It’s so cold, cold yet warm. Alive and yet something is different about it, it’s not quite alive like we are. It’s scary.”

Charmel took Luna into his arms. “I sense it too. Something dangerous, something as ancient as the Earth itself. Perhaps we should go for now.”

“Charmel, I came to see you today. This evil force, it distracted. I was curious. However, now that you are here with me, I must tell you this: someone has died and they are to be buried in the Peirevo Crypt at the west end of the cemetery.”

“The Peirevo Crypt but that hasn’t been opened in 100 years. It’s decrepit.”

“I know, but it’s in his will. He is to be buried next week. The person was 107 year old Michael Peirevo, the last people to be buried in the crypt were his parents. He will be the last to be buried in the crypt. He had no children, at least none left alive. The Peirevo family is all but dead. The name exists elsewhere but they are not the same, Michael’s family line is dead.”

“Alright, I understand. I’ll get to work on making the crypt ‘livable’ for dear Michael. Luna you best leave. If you can come to dear Michael’s funeral, you’ll finally see the inside of one of the older’s crypts. In a safe way.”

Luna hugged Charmel. “I’ll be back, his funeral is on the 15th, a week from Saturday. I’ll see you then.”

“See you then Luna.”

Luna ran back through the cemetery following the path. She headed back to the wall she entered from, climbed up and jumped down onto the sidewalk outside of the cemetery. She ran off down the sidewalk.
 
The problem isn't grammar. Not at all. It's the execution. The what troubled me with in this especially is the delicate balance of description, action and exposition. Some could even say it's a style point.

Action
Description
Exposition
She jumped down from the top of the wall. It’s quiet here I wish I didn’t have to sneak in all the time.

An owl hooted from a nearby tree. She turned toward it and lowered her hood. She smiled. The owl hooted again. She waved.Mrs. Owl,” she called. “Have you seen Charmel?” The owl flew out of its tree with a shaking of branches and rattling of leaves. It landed on a nearby gravestone and lifted its right wing in a gesture that pointed her farther into the old cemetery. “Thank you Mrs. Owl.” She curtsied, lifted her hood and ran off.

She ranalong the main path, which was lined on each side by gravestones that only got older the farther in she went. She came to a fork in the path. She lowered her hood. Down one path she glanced and then turned to the other. She closed her eyes and slowed her breathing. Casting out with her senses, she tried to find her friend. Down the left path a ways she sensed her friend’s familiar presence, turning to head that way she noticed something on one of the graves.

“Claw marks?” Then she felt something. A presence, unfamiliar and cold. Down the right path the presence was growing, cold and yet warm at the same time. She glanced up the left path one more time and then ran down the right path.

This is not good the deeper I go, the more ancient these stones get, and the more I feel that presence.(?)

She hurried toward the presence and then stopped in front of a gravestone. She knelt down and brushed the cobwebs off the stone so she could read. Angella Carson 1537-1551. There was an old cast iron bell beside the grave.

Oh Angella you died so young.

Eyes blinked on the gravestone. She looked up, the eyes blinked again. She jumped back. The eyes came out of the grave followed closely by the rest of a ghostly face.

“Oh, Angella,” the mouth moved and an other worldly voice sarcastically stated, “you died so young. Ha. I was 14. I didn’t die.The rest of a body began to materialize. When she was mostly whole, save for two fairly large holes, one in its chest and one in the abdomen, the voice spoke again. “I had a life! Everyone in my town loved me! I am the mayor’s daughter. I did not die! You see this hole?” The spectre’s hand motioned to her chest. “And this one too?” It motioned to her chest. “I did not die!” The spectre was getting angry.

She stood up. “I understand that you are angry. You are young. You are dead.”

“I was murdered!” The spectre’s yells filled the cemetery with noise.

You lived hundreds of years ago. You were sick. That’s why you were buried with a dead ringer, that bell. I don’t want to cause you any trouble.”

“I was murdered! The poison is in the cake! It was meant for my father! It ate me from the inside out. I was murdered! The world will pay!The spectre let out a shriek like a banshee and disappeared.

“The world must pay?” The girl looked around. Malevolent spirits are never a good thing.

“Luna,” a voice called out.

She turned to see her friend Charmel running up to her. “Oh. Charmel it’s just you.” She glanced around, the spectre was gone but not the cold presence.

“Luna, I heard a banshee, are you okay?” Charmel stood over Luna and then leaned down to look her in the eyes.

“I am fine, but that spirit is not the only malevolent force at work here and now. Can you feel it? It’s so cold, cold yet warm. Alive and yet something is different about it, it’s not quite alive like we are. It’s scary.”

Charmel took Luna into his arms. “I sense it too. Something dangerous, something as ancient as the Earth itself. Perhaps we should go for now.”

“Charmel, I came to see you today. This evil force, it distracted. I was curious. However, now that you are here with me, I must tell you this: someone has died and they are to be buried in the Peirevo Crypt at the west end of the cemetery.

The Peirevo Crypt but that hasn’t been opened in 100 years. It’s decrepit.

I know, but it’s in his will. He is to be buried next week. The person was 107 year old Michael Peirevo, the last people to be buried in the crypt were his parents. He will be the last to be buried in the crypt. He had no children, at least none left alive. The Peirevo family is all but dead. The name exists elsewhere but they are not the same, Michael’s family line is dead.”

“Alright, I understand. I’ll get to work on making the crypt ‘livable’ for dear Michael. Luna you best leave. If you can come to dear Michael’s funeral, you’ll finally see the inside of one of the older’s crypts. In a safe way.”

Luna hugged Charmel. “I’ll be back, his funeral is on the 15th, a week from Saturday. I’ll see you then.”

“See you then Luna.”

Luna ran back through the cemetery following the path. She headed back to the wall she entered from, climbed up and jumped down onto the sidewalk outside of the cemetery. She ran off down the sidewalk.
I did that so that you can see where you placed the elements: how they act with each other, how the play their role and where you might want to focus your edits.

Although I admit that it might not make any sense to you, I hope it'll open your eyes on how you write your prose, as at the moment it doesn't look good. Not technically.

You repeat a lot of stuff when you don't need to do so. And then you have a tendency to act a lot when it would be advisable to write less. The reader needs to drop in the middle of the story and feel comfortable.

BUT...

... there's a hook. The magic works and I'm glad you don't go down the technical path; explaining everything that's not needed. At not in this point.

The main character is also interesting. She has history and she wants to tell a story. So embrace your muse and allow her to do the narrative.

And what you might want to explore, even expand is the spirit world - as I for one would love to read a bit more of the mysticism, and how this world is different from our own.

So don't give up. Think this through and make a decision on if you really need a prologue as this doesn't read like one.
 
The problem isn't grammar. Not at all. It's the execution. The what troubled me with in this especially is the delicate balance of description, action and exposition. Some could even say it's a style point.
What do you mean delicate? Are you meaning how there seems to be about the same amount of each?

What exactly does exposition mean? I looked it up and only got more confused, I thought the exposition was the part at the beginning of stories that explained a little about something, and was where we meet the characters.

Although I admit that it might not make any sense to you, I hope it'll open your eyes on how you write your prose, as at the moment it doesn't look good. Not technically.

You repeat a lot of stuff when you don't need to do so. And then you have a tendency to act a lot when it would be advisable to write less. The reader needs to drop in the middle of the story and feel comfortable.


And what you might want to explore, even expand is the spirit world - as I for one would love to read a bit more of the mysticism, and how this world is different from our own.

So don't give up. Think this through and make a decision on if you really need a prologue as this doesn't read like one.

1. It did confuse me a bit but if I didn't admit to it then I would never learn anything.
2. I knew from the get-go that it didn't look good but I didn't know why.
3. I am going to expand on the spirit world, and some other things in their world.
4. I won't give up.
5. Thank you for taking the time to put so much into helping me better my writing.
6.:D:):cool: <-----for you.
 
Exposition is the art of info-dumping. The readers need information about various things and it never should just come up at the beginning of the chapter. No ma'am. You should be dropping info all the time, but not too much so that the readers doesn't feel like as if they're reading an encyclopaedia.

So drop info when its needed and don't be afraid of "exposing" your world, your characters, the history and the details about the settings. Done well and the world not only immerse you but also your readers. And the good way to get there is by doing the story an honour from the beginning.

And when you rewrite or edit this think about the flow, the description and how you could write this better as you don't need to explain every single action when a lot of them can be taken as granted.

That might not make sense, but I don't want to rip this in apart and write it as if it would be my own. Some other person can do that.
 
She jumped down from the top of the wall. It’s quiet here, I wish I didn’t have to sneak in all the time.

An owl hooted from a nearby tree. She turned toward it and lowered her hood. She smiled. The owl hooted again. She waved.
– I felt some of these short lines could have been linked. ‘Mrs. Owl,” she called. “Have you seen Charmel?” The owl flew out of its tree with a shaking of branches and rattling of leaves. It landed on a nearby gravestone and lifted its right wing in a gesture that pointed her farther into the old cemetery. “Thank you Mrs. Owl.” She curtsied, lifted her hood and ran off.

She ran along the main path, which was lined on each side by gravestones that only got older the farther in she went. She came to a fork in the path
and lowered her hood. Down one path she glanced and then turned into the other. She closed her eyes and slowed her breathing. Casting out with her senses, she tried to find her friend. Down the left path a ways she sensed her friend’s familiar presence, turning to head that way she noticed something on one of the graves. – Short sentences at the start broke the flow for me.

“Claw marks?”
Dialogue or thoughts, I don’t know which this is? Then she felt something. A presence, unfamiliar and cold. Down the right path the presence was growing, cold and yet warm at the same time. She glanced up the left path one more time and then ran down the right path. – Repeat of paths and glancing.

This is not good the deeper
in I go, the more ancient these stones get, and the more I feel that presence.

She hurried toward the presence and then stopped in front of a gravestone. She knelt down and brushed the cobwebs off the stone so she could read. Angella Carson 1537-1551. There was an old cast iron bell beside the grave.

Oh Angella you died so young.

Eyes blinked on the gravestone. She looked up, the eyes blinked again. She jumped back. The eyes came out of the grave followed closely by the rest of a ghostly face.
– If she was kneeling to look at the grave stone, why look up to see eyes? A little unclear here is all.

“Oh, Angella,” the mouth moved and an other worldly voice sarcastically stated, “you died so young. Ha. I was 14. I didn’t die.” The rest of a body began to materialize. When she was mostly whole, save for two fairly large holes, one in its chest and one in the abdomen, the voice spoke again. “I had a life! Everyone in my town loved me! I am the mayor’s daughter. I did not die! You see this hole?” The spectre’s hand motioned to her chest. “And this one too?” It motioned to her chest. “I did not die!” The spectre was getting angry.
– I had problems following this and had to reread a few times.

Angella stood up. “I understand that you are angry. You are young. You are dead.” – very stilted dialogue.

“I was murdered!” The spectre’s yells filled the cemetery with noise.
– yell/noise, is conflicting descriptions for me.

“You lived hundreds of years ago. You were sick
,’ said Angela. That’s why you were buried with a dead ringer, that bell. I don’t want to cause you any trouble.” – It’s a lot of dialogue without a speech tag.

“I was murdered! The poison
was in the cake! It was meant for my father! It ate me from the inside out. I was murdered! The world will pay!” The spectre let out a shriek like a banshee and disappeared.

“The world must pay?” The girl looked around. Malevolent spirits are never a good thing.

“Luna,” a voice called out.

She turned to see her friend Charmel running up to her. “Oh. Charmel it’s just you.” She glanced around, the spectre was gone but not the cold presence.

“Luna, I heard a banshee, are you okay?” Charmel stood over Luna and then leaned down to look her in the eyes.
– I don’t know who is who here, I thought there was someone called Angela?

“I am fine, but that spirit is not the only malevolent force at work here and now. Can you feel it? It’s so cold, cold yet warm. Alive and yet something is different about it, it’s not quite alive like we are. It’s scary.”
– said who?

Charmel took Luna into his arms. “I sense it too. Something dangerous, something as ancient as the Earth itself. Perhaps we should go for now.”
– Very stilted dialogue.

“Charmel, I came to see you today. This evil force, it distracted. I was curious. However, now that you are here with me, I must tell you this: someone has died and they are to be buried in the Peirevo Crypt at the west end of the cemetery.”

“The Peirevo Crypt but that hasn’t been opened in 100 years. It’s decrepit.”

“I know, but it’s in his will. He is to be buried next week. The person was 107 year old Michael Peirevo, the last people to be buried in the crypt were his parents. He will be the last to be buried in the crypt. He had no children, at least none left alive. The Peirevo family is all but dead. The name exists elsewhere but they are not the same, Michael’s family line is dead.”
Too long, the and feels un-natural. Is the other character just standing there nodding during this long speech?

“Alright, I understand. I’ll get to work on making the crypt ‘livable’ for dear Michael. Luna you best leave. If you can come to dear Michael’s funeral, you’ll finally see the inside of one of the older’s crypts. In a safe way.”

Luna hugged Charmel. “I’ll be back, his funeral is on the 15th, a week from Saturday. I’ll see you then.”

“See you then Luna.”

Luna ran back through the cemetery following the path. She headed back to the wall she entered from, climbed up and jumped down onto the sidewalk outside of the cemetery. She ran off down the sidewalk.


Was Luna also Angela?
Character runs in, sees a ghost, there is a big speech with someone else and the character runs out again. I have no idea what the big speech was about. Things got more disjointed and confused for me the further along I went, but I did like the start. Dialogue is never real or natural in prose, but it has to read as spoken naturally. Read your dialogue out loud, and decide if it feels natural. I think you’ll find yourself stumbling over words and pauses. Sorry, this didn’t work for me, it was too disjointed for me. I loved the owl however, that was cool.
 
An owl hooted from a nearby tree. She smiled, turned toward it and lowered her hood. The owl hooted again. She waved. ‘Mrs. Owl,” she called, “Have you seen Charmel?” The owl flew out of its tree with a shaking of branches and rattling of leaves, landed on a nearby gravestone and lifted its right wing in a gesture that pointed her farther into the old cemetery. “Thank you Mrs. Owl.” She curtsied, lifted her hood and ran off.


Overall, it's not bad, but there are a lot of short sentences that make it feel a bit breathless to read.
You could try reading it aloud (or run it through a text-to-speech processor) to see if that gives you any insight.
I note that the story is 'about magic'. That's certainly the feeling I got from this - that just about everything in the story is magical. That puts it at one end of a spectrum where at the other extreme, magic rarely features in the story. I'm not saying that one approach is better than the other; it's just something that I noticed.
If this is the prologue, one might include a word of explanation to indicate what Luna and Charmel have to do with this cemetery. They work there?
 
I should have replied to this a little earlier but I got caught up in my school work and helping my friend work on her story.

Luna doesn't work at the cemetery, she is the owner of a bookstore. She has been hanging out with Charmel in the cemetery since she was nine years old. She spends a lot of her free time there.

Charmel is the caretaker of the cemetery. That is better explained in my rewrite of this that I am working on.
 
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