Chapter 2 - Siege of Gernrik (1400 words)

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Glisterspeck

Frozen sea axe smith
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In the critiques of my first chapter, the majority hinted that they'd continue reading, but if the next chapter had the same feel, they'd put the book down. Naturally, I thought I should probably post my next chapter then, see how the pair works as a set!

Same basic questions: would you read on after this chapter? Does the lack of detail around newly introduced concepts put you off or pull you in? Is the description level better here? More clear? Also, any general critique is always welcome! I know it's long for a critique. Hopefully, it's not dull...

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The Ovelyn

The green honey tea, viscous and bitter, coated Myra’s throat. Her lips grew numb. Her tongue, heavy. Her body began to float, untouched by the ark built around her couch, untouched by the couch. She floated above the fleece coverings and embroidered pillows that covered the couch, above everything, apart from everything. She floated in blackness, unknowable, unknown.

Why had she drunk so much? The executor who had prepared the tea before Myra left the capital had told her never to drink so deeply, but once she had started, she could not stop. The itching had grown unbearable. Her belly itched, and her palms itched, and the soles of her feet itched. The executor had told her not to scratch, to drink the honey tea instead. So she had.

Myra sighed. The itching had passed, but another sensation lingered, far away, inside her belly. The Ove fluttered there. Myra touched her rounded belly.

What should an itch matter to an Ove-bearer? Myra should not dwell upon such trivial discomforts, but recall, instead, the awe that had swept over her in the convent when she had first felt the Ove move. The marvel of a living thing living inside her, sharing her breath, her blood. Could she be worthy of such a gift? The Ove kicked again, harder than before.

"The Ove speaks,” whispered Myra.

With an unsteady hand, she reached for the wall of her ark. The Ove’s kicks were strong. Where was the executor? If Myra were to be blessed with a vision from the Ove an executor would be required to interpret. Myra could not. It was not an ovenlyn’s place to do so.

The carved wall of the ark fell away at her touch. Each of the ark's paneled walls fell away. The gilded panels and silk roof were whisked into a whirlwind that carried the couch up into the sky.

Myra shaded her eyes. For six months, she had been cloistered inside her ark. For six months, she had not seen the full light of day. But it was not day. The army had camped for the night. The Ove’s boundless sight, it had taken her somewhere. Where?

Beyond the whirlwind's blur, ice-bound mountaintops vanished into clouds that weighed heavily upon a bright, still sky. The Ove turned inside Myra, and Myra knew where the Ove had brought her. Her couch hovered near the Celestial Pillars, the twin lords of all mountains and home of Brackmeer, the demon city. Where was the executor? He would want to know that the Ove had brought her to Brackmeer.

The whirlwind stilled. The circling walls fell. Myra pulled herself to the edge of the couch. Like a leaf floating on the wind, the couch spiraled down after the plummeting walls. Myra looked from Brackmeer, far below, to the peaks of the Celestial Pillars above, and she saw both the city and the mountains at once, as though there were no limit to her vision and she could see what lay before her, above her, below her, and even behind her, all in one great, sweeping view.

She had to remember every detail, for she could not possibly know which facet of the Ove’s vision might help the executor unravel its mysteries. A river of ice as broad as any river in all the valleys of the cordillera split the Twin Lords. The river plunged down between the shrouded peaks, through a chasm that zigzagged from pillar to pillar to descend on Brackmeer like a streak of blinding, frozen lightning. Only a jagged spur, the headwall beneath which Brackmeer huddled, kept the river from crushing the city under its flow. The city's many terraces, each a tangle of alleys and tumbledown buildings, were carved from the face of the headwall, deeply undercutting the spur.

Myra knelt on the couch. She wrapped one arm over her breasts, the other, around her swollen belly. She could hardly feel her flesh, bare and trembling beneath her arms. She could barely feel her arms. Never had the tea affected her so. She had drunk too deeply.

Far below, the walls of the ark splintered against a monumental stairway of granite steps, a white, meandering scar that the city bore from terrace to terrace, then threw over a great wall and down a steep ramp of scree, into the waters of a black lake. A fort constructed of makeshift rafts and boats, each lashed to another, floated in the lake. Siege engines hurled burning pitch over the great wall, and everywhere, smoke billowed up from Brackmeer. The smoke reeked of death and death’s cry echoed from the walls of the valley.

“It is only a vision,” Myra whispered. “That I must witness and remember.”

Men charged up the wide steps, past the dead and the dying, through the gates of Brackmeer, into the fire. Myra rocked forward and stared down into the rising smoke. She had to remember it all. She was strong enough to do so. She would prove she was worthy to carry an Ove, to bear witness to Medavea’s Will.

The smoke stung Myra’s eyes. The Ove moved inside her, and a hushed song fell over Brackmeer. Myra's all-seeing vision was fading; she had to look toward the chasm above the headwall to find the singer. A gern-demon, barely distinguishable in the shadow of the pillars, stood on a treacherous path that climbed alongside the ice river.

The Ove kicked, and Myra could understand the words of the song. The gern-demon offered a lament for Gernrik, the name the demon folk used for their city. The grim melody bore a sadness not altogether unfamiliar to Myra, the longing for a home now lost, the sorrow of total solitude.

The song rang from the valley walls and became one with death's cry, a great drone that shook Brackmeer, shook the great and constant mountains, shook the very air. Myra trembled. The Ove twisted inside her. She should not care about the gern race. They were demons, formed of the Naught. Myra did not care.

Myra squeezed her belly, wiped a tear from her cheek, and toppled over the edge of the couch. She fell, and the black smoke enveloped her. The smoke thickened, filling her nostrils, and the wind whipped ashes against her bare flesh, causing her to itch. She coughed and kicked and flailed her arms. She screamed.

A white form rushed up through the blackness. Myra braced herself to meet the white steps, to smash into granite, to shatter as the gilded walls of her ark had shattered.

Her flailing arms swept aside a thick fleece. Her fists pounded against the ark's walls. Myra lurched sideways and sat up on her couch, gasping for air. Just overhead, gold torchlight filtered through the silk shroud that covered her ark.

"What is it, Om Ovelyn?" It was Hurekine’s voice. Even though she remained cloistered and holy inside the ark, unknowable and unknown, Myra covered her face with the ivory veil that hung from her turban.

"The Ove has spoken, captain. We must speak to an executor. The Will of Medavea must be made known."

Myra's fingers trembled as they played over a pearl that dangled from the hem of her veil. Why had she fallen from the couch? Was it a lingering effect of the tea? Perhaps the Ove willed it. It was not because she was weak. And not because she was moved by the demon's song or the loss of so many men on the stair. That could not be. She was not weak.

"The High Lord Executor Jacus,” said Hurekine, “has trekked through the night to announce your coming at Brackmeer, Om Ovelyn."

Hurekine stood between the torches and the ark. His bulk cast a great, black shadow across the silk shroud, which formed the ark’s ceiling. Hurekine, captain of the Tuskul Guard. Hurekine, her protector. Hurekine.

"We must follow,” said Myra. “We must go now to Brackmeer. We must deliver the Ove's vision."

Hurekine’s shadow slipped away as he turned from the ark. The torchbearers followed Hurekine, and the torchlight that had played across the sheer silk gave way to meager moonlight.

“The Ove has spoken!” Hurekine shouted to his men. “We decamp for the demon city before dawn. There, the Ove’s vision will be heard by the Grand Executor himself, Lord Gom oc Deoc, who waits for us on the shores of Lake Brackmeer."
 
I liked this a lot. It feels different and attractively weird, and you write well -- almost nothing made me frown at all, and there's a good feeling of someone in control of his material, who knows what he wants to communicate and is able to do it. I would read on.

Now, I hadn't read your first chapter before, because I'd looked at it and wasn't in the mood to tackle the voice, but after reading this, I went back and did so. I was willing to give it more of a chance because this one was so good, and I wonder if you should reverse the order of the two chapters, since this one is so much more accessible? Also, we would then know what a gern is, which would help to hold us in Unkel's chapter. And we would know that not all the story was in gern-speak. Just a thought.

I had a couple of nit-picks.


Myra looked from Brackmeer, far below, to the peaks of the Celestial Pillars above, and she saw both the city and the mountains at once, as though there were no limit to her vision and she could see what lay before her, above her, below her, and even behind her, all in one great, sweeping view.

I'm not sure how literal the idea of her seeing it all at once is meant to be. In any case, her looking "from" and "to" implies that she's moving her head to do so, which contradicts the "all in one view" idea.

“It is only a vision,” Myra whispered. “That I must witness and remember.”

She's only speaking one sentence (I assume) so if you want it broken, I'd do it thus:

“It is only a vision,” Myra whispered, “that I must witness and remember.”

Myra rocked forward and stared down into the rising smoke.

Again, if she has to move, this seems to contradict the earlier idea that she can see everything at once, so I'm a bit confused what that meant.
 
The Ovelyn

The green honey tea, viscous and bitter, coated Myra’s throat.
Her lips grew numb. Her tongue, heavy. Her body began to float, untouched by the ark built around her couch, untouched by the couch. She floated above the fleece coverings and embroidered pillows that covered the couch, above everything, apart from everything. She floated in blackness, unknowable, unknown. – Deliberate or not, the repeated words were too much for me.

Why had she drunk so much? The executor who had prepared the tea before Myra left the capital had told her never to drink so deeply, but once she had started, she could
n’t stop. The itching had grown unbearable. Her belly itched, and her palms itched, and the soles of her feet itched. The executor had told her not to scratch, to drink the honey tea instead. So she had.

Myra sighed.
– I’d like more of a feeling of time having passed here. The itching had passed, but another sensation lingered, far away, inside her belly. The Ove fluttered there. Myra touched her rounded belly.

What should an itch matter to an
Ove-bearer? Myra should not dwell upon such trivial discomforts, but recall, instead, the awe that had swept over her in the convent when she had first felt the Ove move. The marvel of a living thing living inside her, sharing her breath, her blood. Could she be worthy of such a gift? The Ove kicked again, harder than before.

"The
Ove speaks,” whispered Myra.

With an unsteady hand, she reached for the wall of her ark. The
Ove’s kicks were strong. Where was the executor? If Myra were to be blessed with a vision from the Ove an executor would be required to interpret. Myra could not. It was not an Ovenlyn’s – assuming it’s a person, but if it’s a title then lower case o and ignore me! place to do so.

The carved wall of the ark
fell away at her touch. Each of the ark's paneled walls fell away. The gilded panels and silk roof were whisked into a whirlwind that carried the couch up into the sky. – I think the two fell away lines could be melded into one.

Myra shaded her eyes.
– You use lots of very short lines. For six months, she had been cloistered inside her ark. For six months, she had not seen the full light of day. But it was not day. The army had camped for the night. The Ove’s boundless sight, it had taken her somewhere. Where? – A bit too disjointed for me. Day/army/sight/where = a little confusion for me.

Beyond the whirlwind's blur, ice-bound mountaintops vanished into clouds that weighed heavily upon a bright, still sky. The
Ove turned inside Myra, and Myra knew where the Ove had brought her. Her couch hovered near the Celestial Pillars, the twin lords of all mountains and home of Brackmeer, the demon city. Where was the executor? He would want to know that the Ove had brought her to Brackmeer. – Some word repeating again and I can’t make up my mind if it’s intended or not.

The whirlwind stilled.
And – would have fitted in nicely here? The circling walls fell. Myra pulled herself to the edge of the couch. Like a leaf floating on the wind, the couch spiraled down after the plummeting walls. Myra looked from Brackmeer, far below, to the peaks of the Celestial Pillars above, and she saw both the city and the mountains at once, as though there were no limit to her vision and she could see what lay before her, above her, below her, and even behind her, all in one great, sweeping view. - From short lines to one really big one. There is no emotion from the character, awe, fear etc. so all this runs flat for me.

She had to remember every detail, for she could not possibly know which facet of the Ove’s vision might help the executor unravel its mysteries. A river of ice as broad as any river in all the valleys of the cordillera split the Twin Lords. The river plunged down between the shrouded peaks, through a chasm that zigzagged from pillar to pillar to descend on Brackmeer like a streak of blinding, frozen lightning. Only a jagged spur, the headwall beneath which Brackmeer huddled, kept the river from crushing the city under its flow. The city's many terraces, each a tangle of alleys and tumbledown buildings, were carved from the face of the headwall, deeply undercutting the spur.
– I honestly glazed over half way through that description. The image was too detailed for me to picture so I’m not sure what was said.

Myra knelt on the couch. She wrapped one arm over her breasts, the other, around her swollen belly. She could hardly feel her flesh, bare and trembling beneath her arms. She could barely feel her arms. Never had the tea affected her so. She had drunk too deeply.
– Have you got any more of this tea? Sadly, still no emotion, which is needed I think to lift the section.

Far below, the walls of the ark splintered against a monumental stairway of granite steps, a white, meandering scar that the city bore from terrace to terrace, then threw over a great wall and down a steep ramp of scree, into the waters of a black lake. A fort constructed of makeshift rafts and boats, each lashed to another, floated in the lake. Siege engines hurled burning pitch over the great wall, and everywhere, smoke billowed up from Brackmeer. The smoke reeked of death and death’s cry echoed from the walls of the valley.
– Again, I’m wondering why I need all this description?

“It is only a vision,” Myra whispered. “That I must witness and remember.”
– dry mouth from the tea, heart fluttering and lots of other engaging stuff would have been nice!

Hurekine stood between the torches and the ark. His bulk cast a great, black shadow across the silk shroud, which formed the ark’s ceiling. Hurekine, captain of the Tuskul Guard. Hurekine, her protector. Hurekine.

"We must follow,” said Myra. “We must go now to Brackmeer. We must deliver the Ove's vision."

Hurekine’s shadow slipped away as he turned from the ark. The torchbearers followed Hurekine, and the torchlight that had played across the sheer silk gave way to meager moonlight.

“The Ove has spoken!”
Hurekine shouted to his men. “We decamp for the demon city before dawn. There, the Ove’s vision will be heard by the Grand Executor himself, Lord Gom oc Deoc, who waits for us on the shores of Lake Brackmeer."

I’ve been lured into a dream sequence, and I’m not a big dream fan. A lot of word repeating that once noticed I found hard to get passed and found distracting. Yes some bits will need a word repeated, but if it was not intended review and see if you agree with me. The vision was too detailed, I couldn’t join you in the images presented. As the images are core to the section, you’ve left this reader behind you. It will be interesting to see if other members feel the same – anyway, less can be more sometimes. Very little feel from the character, lacking emotion and because of that I thought the section felt distant. Not enough character with far too much of the vision. You’ve not pulled me in, but I’m not usually pulled in by dream scenes so it might just be me. Just seen HB’s review, yes - it might just be me!
 
You have some really wild and poetic imagery in here. I especially liked the picture of the icefall over the city. Your names for things are great

I can't really make much sense of either chapter, and I'm getting the idea that may not even matter much at this point. It's an interesting story that just sort of picks you up and carries you along. I have to say I sort of envy you at this point. Were I ever to get something like chapter 2 going I'd try to just write until I felt done and then sort it out later

I get the idea that the first one should be later than this one, maybe even a good deal later, but I can't honestly say where that feeling comes from.

I would still keep reading, very definitely,
 
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The Ovelyn

The green honey tea, viscous and bitter, coated Myra’s throat. Her lips grew numb.I'm itching for a semi or some sort of join. Her tongue, heavy. Her body began to float, untouched by the ark built around her couch, untouched by the couch. She floated above the fleece coverings and embroidered pillows that covered the couch, above everything, apart from everything. She floated in blackness, unknowable, unknown.


With an unsteady hand, she reached for the wall of her ark. The Ove’s kicks were strong. Where was the executor? If Myra were to be blessed with a vision from the Ove an executor would be required to interpret. Myra could not. It was not an ovenlyn’sum, rather to close to an oven for my liking. Now I'm thinking about buns in the... sorry. place to do so.


The whirlwind stilled. The circling walls fell. Myra pulled herself to the edge of the couch. Like a leaf floating on the wind, the couch spiraled down after the plummeting walls. Myra looked from Brackmeer, far below, to the peaks of the Celestial Pillars above, and she saw both the city and the mountains at once, as though there were no limit to her vision and she could see what lay before her, above her, below her, and even behind her, all in one great, sweeping view.I love this paragraph.

She had to remember every detail, for she could not possibly know which facet of the Ove’s vision might help the executor unravel its mysteries. A river of ice as broad as any river in all the valleys of the cordillera split the Twin Lords. The river plunged down between the shrouded peaks, through a chasm that zigzagged from pillar to pillar to descend on Brackmeer like a streak of blinding, frozen lightning. Only a jagged spur, the headwall beneath which Brackmeer huddled, kept the river from crushing the city under its flow. The city's many terraces, each a tangle of alleys and tumbledown buildings, were carved from the face of the headwall, deeply undercutting the spur.This one, perhaps is a little too much early description for me. But only a little, and I am an anaethma to description.

Myra knelt on the couch. She wrapped one arm over her breasts, the other,I don't like this comma around her swollen belly. She could hardly feel her flesh, bare and trembling beneath her arms. She could barely feel her arms. Never had the tea affected her so. She had drunk too deeply.

Far below, the walls of the ark splintered against a monumental stairway of granite steps, a white, meandering scar that the city bore from terrace to terrace, then threw over a great wall and down a steep ramp of scree, into the waters of a black lake. A fort constructed of makeshift rafts and boats, each lashed to another, floated in the lake. Siege engines hurled burning pitch over the great wall, and everywhere,nor this one, it makes it choppy and I don't see the need for it, but i'm far from a comma expert smoke billowed up from Brackmeer. The smoke reeked of death and death’s cry echoed from the walls of the valley.

“It is only a vision,” Myra whispered. “That I must witness and remember.”

Men charged up the wide steps, past the dead and the dying, through the gates of Brackmeer, into the fire. Myra rocked forward and stared downdrop down? into the rising smoke. She had to remember it all. She was strong enough to do so. She would prove she was worthy to carry an Ove, to bear witness to Medavea’s Will.



Same basic questions: would you read on after this chapter? I don't know, if I'm honest. I liked it, but there was a lot of description and what not, and (remember, I don't tend to get along with epic fantasy for the same reason, and am probably not the best judge), and it was a bit slow for me. Having said that, the writing was very good, and I enjoyed chapter one enough that I probably would.

Does the lack of detail around newly introduced concepts put you off or pull you in? Neither, I was happy enough that I'd get them explained at some stage.


Is the description level better here?See above, for me, too much. Or rather, the passages were too long. Also see disclaimer above.

I'm going to disagree with the Learned Hare (which is immensely brave of me). This reads like the start of a fantasy book, with less to make me go oh, what's different here, then? I preferred the first chapter as the opener. Yes, it was maybe a stronger voice, but I was pulled in more by it. With this one, as a first chapter, there's a very good chance I'd pop it back and assume it was like many others.
 
Thanks everyone! Very helpful stuff here.

HB, I think your suggestion to switch the two chapters could help with those who felt lost by leading with Unkel, though I wouldn't want to lose Springs by doing so. ;) Throughout the day, I've been wavering back and forth on it, so when I finally get some beta readers, I'll probably do it both ways: some literary A/B testing, I suppose. My biggest reason for leading with Unkel is because I end with him, but I also want to get a quick bit of action in before this longer, more descriptive piece. Anyway, many thanks! I'll be giving this suggestion serious thought.

As to the nit-picks, I'm a fan of nit-pickers, especially when they're looking over material I've edited and reedited so often that I'm practically blind to it. For the first, I think I can switch, "and she saw both the city..." to "and then saw both the city..." or some such. For the rocking, I'll just make her stare. I wanted to get her near the edge of the couch to set up the fall but will find another way to do that.

Bowler, I hate to leave any reader behind! Hrmph. I suppose I'm trying to "write pretty" here. Myra's voice is the most floral of my POV characters, and the repeating words and mix of sentence structures are my attempts to create rhythm. I've struggled with this character myself; she just doesn't seem as alive as the others, in part, because her formal voice introduces a distance that isn't there with the others. I can't get as much "voice" into her prose. The emotion needs to be there, I agree, but at the same time, the tea kinda suppresses her feelings... and there is MUCH more tea. :) (Variations on green honey as a drug is something I stole from Umberto Eco's Baudolino and use in several of my WIPs.) I liked the dry mouth bit; maybe I can work that in.

Springs and Bowler -- I know! WAAAAY too much description, right? It's not to my taste at all, as I prefer things to be much more terse. I thought I had set up the need for it though -- the description HAS to be there, because she HAS to see everything, remember everything. If it weren't for that, I'd be like, "and also, mountains." There's probably an issue with the writing that this didn't come through as the reason for all the description, that she is actively observing to later act as a witness. I may have to beef that up.

Springs, I'm inclined to keep the chapters ordered as they are, but mostly to place the emphasis on Unkel as the primary protagonist. There are some very appealing benefits to switching them though, so, I don't know. Ugh. I kind of like that my names don't work for you. ;) Unkel is intentional, as I wouldn't mind someone thinking of a typical uncle figure when they think of him, but Ovelyn as oven... that I did not mean to imply (though she does have a bun in the oven).

Thanks, JoanDrake. I'm about thirty chapters in, around 60,000 words. It starts making sense around 50,000 words, I suppose. ;) I've been working on a voice edit for each POV character, and am about to start Unkel's who is the gern in the first chapter. Over the next couple weeks, I'll probably post the third and fourth chapter, just to get feedback on each POV character's voice, then start one last polish of this first half of the book.
 
Hm. Good point. Myra's meant to be the most lyrical of the characters. She's been raised in temple, and hymns and scripture heavily influence her voice. One of the other characters, a wizard, is also big on description, but of the more mundane and factual sort. He makes a lot of stuff, and his processes are all described in detail. Right now, because she speaks "proper", the purplish tinge to Myra's voice is her biggest differentiator.

You're making me think through everything though, which is good! I haven't thought about why I made some of these choices in a very long time; so long, that some may not still be valid, and even those that are, may not bear rethinking.
 
I’ve heard, and only heard, as I’d never do this stuff myself – I’m a good smiley face!

When taking mushrooms and other mind expanding drugs, these naturally occurring fungus have a body reducing affect – usually tummy turning, but these drugs affect the other end of the digestion tract as well – I’ll say no more on that. The sweats are common, the bodies way of telling you – this stuff is bad, what are you doing you muppet - and many other side-affects that can feel close to a fever. For visions to occur, or similar, smiley heads other than mine of course, are what’s best called – smashed/bombed etc. - so masses of detail are not the primary concern – the colour red is for some reason, not that I’d know of course! For realism, depth and breathing life into the cardboard character you have, get her stoned. Lots of tribes in the jungles do all this sort of stuff as well, so I’d expect some more ritual involved, but that’s optional I think. So if you want your character to have tea induced visions, for me, alter her mind state and send her off into never, never.

I’d like to note, I’m not recommending a dream sequence, but will admit to a very thin line.

Right, I’m off….
 
Thanks Bowler! I like the idea of adding more physical reaction into it. I too am leery of dream sequences, especially if I end up swapping this to be the first chapter. I think having her have to fight against blacking out would help a lot, and the tea is, primarily, a sedative hypnotic (Umberto's green honey is an analog for opium, mine has a psychedelic mixed in). Her character struggle here is supposed to be around self doubt--she just wants to be worthy to do her job. Adding a struggle to stay somewhat coherent would help play that up. Also, some of the side effects you've mentioned can serve double duty with pregnancy.
 
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