Third Chapter - Gernrik (992 words)

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Glisterspeck

Frozen sea axe smith
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This is the introduction to my third POV character. I've gained a ton of insight from the first two critiques, so I thought I would post this, and next week, the last of the introductory chapters for feedback and then probably just huddle down with the story a bit, doing another pass on the MS to implement feedback.

The main question is the same: if you had gotten to this point, would you read on afterwords? I'm also interested in notes on voice, what's too ambiguous, thoughts on the character: anything really. ;)
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The Pilgrim

Ayos lurched awake. His hand fell against the gravel that tumbled down the shoulder of the final step. The gravel squirmed. It crawled over his fingers. Buried his hand. Ayos yanked his arm free and raised it to the moonlight.

Ants scrambled across his arm like scurrying freckles. They swarmed across his lap. Colored his cotton cloak a deep and bloody red. Ayos shot to his feet.

A brisk wind howled down the Heavenly Ladder. It battered Ayos. Tore clumps of ants from his cloak, whipped his ragged beard, tangled his matted locks. Ayos spun in the wind. He had once watched a swarm of lava ants climb a tree heavy with scute apples. A flock of dimbirds had flown from the tree. The sky had rained flesh and feathers and bloody red ants.

Ayos clenched his teeth. The ants would not pick the flesh from his bones. He had not climbed the Great Stair to die on the shoulder of the final step. He would climb the Heavenly Ladder. Be welcomed by the Hayom above.

He tugged at his ant-ridden cloak. A cord tied around his waist kept him from pulling the cloak over his head. Orderly and disordered, the ants massed only to break into streams, red rivulets flowing down the slope, toward a distant termite mound. The termite mound that Ayos, ravenous and starving, had smashed open when the moon was last new.

Ayos slid down alongside the river of ants. His feet, each bound in a scrap of fleece, scattered gravel down the shoulder. His right ankle twisted beneath him. Ayos fell against the rocks. He rolled down the slope. Tumbled through the ants.

A peculiar boulder split the flow of ants. Ayos toppled onto it. He winced and bit his lip. Pulled his right foot up, away from the ants. Broken ants wriggled all along the path of his fall. Tapping his fingertips against the boulder, Ayos frowned at the dead ants.

“I did not mean to kill them, father,” Ayos mumbled. “Did not mean to break my vow. I will not do so again.”

It did not matter that Ayos mumbled. The boulders never asked him to repeat himself. They rarely spoke at all. For that, Ayos was thankful. The termite mound rose from a pile of the odd boulders. A pile of old, withered men, petrified or carved from stone, knees curled against chests and heads bent between knees. The ants’ vanguard climbed a sloped tunnel that connected the mound to the boulder where Ayos crouched. The ants marched toward a breach Ayos had opened. A phalanx of termites lined the opening. Their jaws secured the breach, just as they had when Ayos first broke into the tunnel.

“They do not deserve to die, father,” said Ayos. “Not because of me.”

Ayos tore a strip of quilted cotton from the hem of his cloak. The red vanguard charged into the wall of termites. Jaws snapped. Termite soldiers tossed twitching bodies down the wall of the mound. More ants scrambled over the fallen, toward the breach.

Ayos shook his head. He reached beneath his cloak. Touched a satchel made of waxed burlap. His fingers crossed a circular ridge pressed in the burlap. The ridge felt like a part of him. A twisted sinew jutting from his flesh. An eager soldier, glowing in the moonlight, darted from the breach. Ants seized the termite.

From the satchel Ayos pulled a flint and steel. A bit of char cloth. A finger of sisal twine. The stranded termite writhed beneath a clump of ants. Ayos rolled the twine between his palms to spread the fibers.

“Fire will repel them,” said Ayos. “Turn them back, father. Such is their nature.”

The stranded termite stilled. Its abdomen swelled. Burst open. A yellow ooze splattered from its shell. Ayos scowled. He remembered the bitter taste of the ooze. Recalled its texture, sticky against his tongue. The ants struggled to escape the ooze, but the more they twisted the stickier it became.

Ayos held the char cloth on top of the flint. He struck the steel. Caught a spark in the cloth. Sheltering the spark from the wind, Ayos slipped the cloth into the nest of sisal fibers.

He breathed into the nest. His eyes darted across the final step. White tents pitched between a web of empty salt pits and the shore of a dry lake. Gray rock piled on all sides of the dry lakebed. Bright glaciers that split the gray of the step's shoulders from the black sky. The snowcapped peaks of the Celestial Pillars lost to the night on either side of the Heavenly Ladder.

The spark glowed. A red tide climbed the sides of the mound. Ayos held the nest to his lips and blew. The termites, jaws thrashing, drove the ants back. A flame shot up in the nest.

Ayos wound the strip he had torn from his cloak around the nest and sat it on the odd boulder’s head, between his feet. The cotton took the flame. Ayos ripped another strip from his cloak. He wadded the strip. Held it over the fire. The flames licked the quilted cotton.

“They are ruled by instinct, father,” said Ayos. “By primal fear. They will fear the fire.”

The cotton began to burn. It turned brown. Blackened. Shriveled in his hand. Ayos let the wind unfurl the strip. He dropped the charred cloth between the tide of ants and the breach. A gust fanned the embers that edged the cotton.

Ayos poked at the burning nest. He pushed it away from the boulder’s head. His hands trembled, his heart pounded, his ankle throbbed. He had not noticed until now. Flames flickered all along the cotton strip. The ants turned back against their ranks. A wall of fire now blocked the breach. Ayos grinned down at the boulder.

“The termites will not die, father,” he said. “Not because of me.”
 
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Ha. I'm guessing you mean the frequency of posting, not the writing?

I'm in the process of editing this WIP, so I have 30 chapters queued up. (I was only planning on putting the first four up for feedback before I start another round of editing.)

Anyhow, it is a brisk pace. Thanks for the earlier feedback; it was very helpful and will be put to good use. :)
 
This is much better than the first two. It's not as intriguing but it's very interesting so If I've come this far, I would read on.

Is there any way you could let us know a little of why Ayos has apparently taken a vow not to kill anything, even ants? (or termites rather) It could reveal a lot of character, however, don't let it all out either. Curiousity about this vow might serve as the hook this needs.

You're doing well overall here and I don't want you to take my previous critiques in the wrong way. The subs were, IMO, a little confusing, but confusion is something I can learn to live with and even like, in a story that has other virtues, and this does.
 
The Pilgrim

Ayos lurched awake. His hand fell against the gravel that tumbled down the shoulder of the final step. The gravel squirmed. It crawled over his fingers. Buried his hand.You have two povs which use very terse sentences. I think in one, that's fine, but if you're wanting to write it -- as I think you are -- that each voice has its own style, it makes me wonder if the author likes short sentences. Not that it would bother me, I think there needs to be an overarching voice in a book, but I wondered if it was something you wouldn't want the reader to be thinking? Ayos yanked his arm free and raised it to the moonlight.

Ants scrambled across his arm like scurrying freckles. They swarmed across his lap. Colored his cotton cloak a deep and bloody red. Ayos shot to his feet.

A brisk wind howled down the Heavenly Ladder. It battered Ayos. Tore clumps of ants from his cloak, whipped his ragged beard, tangled his matted locks. Ayos spun in the wind. He had once watched a swarm of lava ants climb a tree heavy with scute apples. A flock of dimbirds had flown from the tree. The sky had rained flesh and feathers and bloody red ants.

Ayos clenched his teeth. The ants would not pick the flesh from his bones.I'm finding it all very terse. I think the odd longer sentence might break it up a bit and add to the rhythm. He had not climbed the Great Stair to die on the shoulder of the final step. He would climb the Heavenly Ladder. Be welcomed by the Hayom above.

He tugged at his ant-ridden cloak. A cord tied around his waist kept him from pulling the cloak over his head. Orderly and disorderedI like this, the ants massed only to break into streams, red rivulets flowing down the slope, toward a distant termite mound. The termite mound that Ayos, ravenous and starving, had smashed open when the moon was last new.

Ayos slid down alongside the river of ants. His feet, each bound in a scrap of fleece, scattered gravel down the shoulder. His right ankle twisted beneath him. Ayos fell against the rocks. He rolled down the slope. Tumbled through the ants.At no point am I getting pulled close to him. the nearest bit was when he didn't want to be taken on the shoulder of the step. I know what's happening to him, I know some of how he feels about this, but I'm feeling nothing of his fear, or his anger, or his determination, and I think I need to. (But I am a very character driven reader, others might be happy with this level of involvement.)

A peculiar boulder split the flow of ants. Ayos toppled onto itand hurt where? . He winced and bit his lip. Pulled his right foot up, away from the ants. Broken ants wriggled all along the path of his fall. Tapping his fingertips against the boulder, Ayos frowned at the dead ants.

“I did not mean to kill them, father,” Ayos mumbled. “Did not mean to break my vow. I will not do so again.”

It did not matter that Ayos mumbled. The boulders never asked him to repeat himself. They rarely spoke at all. For that, Ayos was thankful. The termite mound rose from a pile of the odd boulders. A pile of old, withered men, petrified or carved from stone, knees curled against chests and heads bent between knees. The ants’ vanguard climbed a sloped tunnel that connected the mound to the boulder where Ayos crouched. The ants marched toward a breach Ayos had opened. A phalanx of termites lined the opening. Their jaws secured the breach, just as they had when Ayos first broke into the tunnel.The description is very nice, but, like the second chapter, it doesn't entirely work for me. I went and had a cup of coffee and thought about this, and I think it's because it's too cold -- both here and in the last chapter. Where is the character's feelings in this? Where is their actual voice? If they were describing it to me would they use this rather cold description of it? On the one hand, you're close into voice, particularly in action scenes (although I'm not getting as much from Ayos as I have from the other two povs), on the other, it seems to go distant, and cold, and into a sort of narrator. I'm not very good at technical stuff, btw, I just sort of know when something jars with me, if not why, but this is the nearest I can get to explaining it.

“They do not deserve to die, father,” said Ayos. “Not because of me.”

Ayos tore a strip of quilted cotton from the hem of his cloak. The red vanguard charged into the wall of termites. Jaws snapped. Termite soldiers tossed twitching bodies down the wall of the mound. More ants scrambled over the fallen, toward the breach.

Ayos shook his head. He reached beneath his cloak. Touched a satchel made of waxed burlap. His fingers crossed a circular ridge pressed in the burlap. The ridge felt like a part of him. A twisted sinew jutting from his flesh. An eager soldier, glowing in the moonlight, darted from the breach. Ants seized the termite.

From the satchel Ayos pulled a flint and steel. A bit of char cloth. A finger of sisal twine. The stranded termite writhed beneath a clump of ants. Ayos rolled the twine between his palms to spread the fibers.

“Fire will repel them,” said Ayos. “Turn them back, father. Such is their nature.”

The stranded termite stilled. Its abdomen swelled. Burst open. A yellow ooze splattered from its shell. Ayos scowled. He remembered the bitter taste of the ooze. Recalled its texture, sticky against his tongue. The ants struggled to escape the ooze, but the more they twisted the stickier it became.

Ayos held the char cloth on top of the flint. He struck the steel. Caught a spark in the cloth. Sheltering the spark from the wind, Ayos slipped the cloth into the nest of sisal fibers.

He breathed into the nest. His eyes darted across the final step. White tents pitched between a web of empty salt pits and the shore of a dry lake. Gray rock piled on all sides of the dry lakebed. Bright glaciers that split the gray of the step's shoulders from the black sky. The snowcapped peaks of the Celestial Pillars lost to the night on either side of the Heavenly Ladder.

The spark glowed. A red tide climbed the sides of the mound. Ayos held the nest to his lips and blew. The termites, jaws thrashing, drove the ants back. A flame shot up in the nest.

Ayos wound the strip he had torn from his cloak around the nest and sat it on the odd boulder’s head, between his feet. The cotton took the flame. Ayos ripped another strip from his cloak. He wadded the strip. Held it over the fire. The flames licked the quilted cotton.

“They are ruled by instinct, father,” said Ayos. “By primal fear. They will fear the fire.”

The cotton began to burn. It turned brown. Blackened. Shriveled in his hand. Ayos let the wind unfurl the strip. He dropped the charred cloth between the tide of ants and the breach. A gust fanned the embers that edged the cotton.

Ayos poked at the burning nest. He pushed it away from the boulder’s head. His hands trembled, his heart pounded, his ankle throbbed. He had not noticed until now. Flames flickered all along the cotton strip. The ants turned back against their ranks. A wall of fire now blocked the breach. Ayos grinned down at the boulder.

“The termites will not die, father,” he said. “Not because of me.”[/QUOTE]

This one didn't work for me, sorry. I got a bit bored when he was lighting the fire and what not. I also, partly, blame Jude the obscure for my dislike of this sort of character, who gets overconcerned - fussy even - about something like ants. I know it's there to tell me something about him, but it isn't something about him that makes me like him more. This all sounds very negative, which isn't entirely what I want -- but I know you do want people to be honest -- because the writing is very good, and I'm not sure if it's a taste thing ie I like action and being with the characters, and you're doing something opposite to that, or if it's a case of what you're trying to do with the writing, the different voices, is making it hard for me to get to know and like them all.
 
Joandrake, I have him talking more with the boulders about his vows and whatnot in his next chapter, but in this chapter, I didn't think he would stop mid rush to think too much. The valley description was more detailed as well. But there is definitely something missing in terms of motive, and putting a reason for the vows in may help, if I can manage it. (The no kill vow is one he has a particularly hard time keeping. Lots of, didn't mean to, never will again, comments.)

Springs, you've got me. I do prefer terse language. ;)

Unkel's becomes less so as he moves from action scenes (I'm a little concerned about this, because gern speak is simpler to follow when terse), but Ayos's voice stays terse. He's the one who uses the proper noun subject, pronoun subject, understood subject sentence pattern. To death.

Unfortunately, I'm with you concerning Ayos. Stylistically, his voice is strong, but it's not yet him. That is, with Ayos and Myra, the reader doesn't get pulled in as closely as they do with the other two. At first, he didn't have the vow, and the ants and termites was a distant, though just as fussy, piece of observation. This was originally influenced by the Battle of the Ants in Walden's Pond, mixed up with Leiningen Versus the Ants, which was a favorite of mine as a kid. Anyway, in switching from the emotionally distant POV to the more engaged (concerned about the termites and ants) the terse language isn't working as well. I'll have to figure out what to do about that, I guess.

Gotta get folks invested in these two. Unkel and the next guy, I feel more comfortable with.
 
Ha. I'm guessing you mean the frequency of posting, not the writing?

No, if I got bored with you're posting then you wouldn't hear from me.

I was in a conference yesterday so I didn't have much time to post and my tiny little review was unhelpful, which was not fair. However, I still find I'm not bothered about the ants, termites or whatever. There was very little from the character, a lack of feeling I thought.

For me, you can write, and that post with the weird creature was really close to the mark for me, so I know you can take a reader into a characters head. This time the guy never jumped off the page for me, that's all.

You will find a style that will work for you, I've no doubt, so keep at it. I like a lot of what I see, so don't worry too much.
 
Bowler, thanks. This guy falls flat for me too, and does until his third chapter, which is way too far into the book. They all used to be this flat, save the villain, but with Unkel and Myra, I at least started to find my way. With Unkel, it was introducing the concern for the pet that made him relatable, I think. So I was trying to do something similar with Ayos and the termites, but it doesn't work. Yet. Anyway, thanks for the review. Between yours and Springs', it's helped to confirm my own suspicions about where I was in connecting with this character.
 
You may do this already, but for me half of my writing is daydreaming - but in the characters. So when I'm planning the plot, before I write I will try and imagine what my characters would do. This is like acting, as each is different, so I have to get into the character. So would a character having woke from sleeping on a cold mountain side really start playing with ants, or just go, urugh!! - shake them off his cloak and move to the next spot with no ants, picking at the bites as he did so? Have you ever been bitten by ants, I have, and the last thing I'd do is go poke a stick in their nest after been bitten. So you had your character do something that didn't ring true for me.

If he wondered off shivering from the cold, grumbling about ants, feeling sorry for some ants he trod on by accident and hating this part of his quest - yes, that's what I'd do and the realism would hook me in more.

So put yourself on the side of a cold mountain at night, being nipped on, your sleepy and tired - would you really go play with ants?

Springs is my first buddy on here and her style of writing, which is character based, has influenced me greatly (thanks Springs). What we have been pushing for is character based writing, this may not be you, but if it is - you've gotta start acting in your head, with realism.
 
Hey Glisterspeck, I didn't mind the writing. I can see what Bowler is referring to when he says its too busy. You definitely have an original writing style but it is almost hard to "get" in a small chunk like this.

My only other comment would be the word "ANT" showed up 20 times and the name "Ayos" showed up 32 times. It was almost distracting seeing those words over and over in chapter.

But on a whole this combined with the other chapter pieces you have posted seems like an interesting story.
 
I've got to admit, I had difficult envisaging what was actually happening. There's a lot of mention about ants (which are living in a termite mound??). And more about ants. And Ayos wants to climb the Heavenly Ladder but there are ants.

There are a lot of abstract references, which in a way are quite well done, but also leave me completely disorientated - figures in caves, climbing up a step, glaciers and snow-peaked mountains - but always the ants. It's almost like a dream sequence - but I'm missing the point of this section of text: what is the character trying to do, why, what, when, where - and what is the reader supposed to get from this?

Apologies if that doesn't seem so contructive - maybe it's because I'm tired tonight - I'm just finding it very difficult to understand what's actually happening here.
 
Just briefly (it's bed time!) -- the repeated use of 'Ayos' drove me to distraction and broke the flow for me. Sorry -- your writing is, as people said, very good but it really made me twitch with exasperation.

Second -- in my opinion, you're depending too much on what Ayos says to explain the way he's behaving with the ants. If you showed his feelings about them (and the termite) more, then I'd be happier to spend several paragraphs on him and his tinder etc. trying to rescue them. Because you're quite distant, I got bored with that section because it didn't mean anything to me. Does that make sense? I think it needs a couple of tweaks to bring me into his head or you need to shorten the ant interlude.

I loved some of the writing. I loved your descriptions of the ants at the beginning.

One mini thing -- I was thrown by the mention of "the shoulder" in the same sentence as his hand, when I did not yet have an image of what was going on.
 
Thank you all for the feedback!

Bowler, the daydreaming as character technique sounds promising. I should give that a try on the bike commute.

Brian (and Bowler also): I hadn't realized how unclear the writing was concerning the ants and termites. The ants are deadly and swarming, attacking the termite mound, which Ayos smashed open because he was hungry. He is driven to save the termites from the ants, which is why he does not run away, but lights the fire. I'm suspecting that my failure to make you care about Ayos's plight led to skimming, as without an investment in the character, everything becomes an action followed by an action followed by... And I found your feedback quite constructive, as it added another voice to Bowler and Spring's initial diagnosis.

Ratsy, I hadn't picked up on the ants/Ayos echo, and I'm usually pretty good at that sort of thing! (I tend to like echoes, at least, when they provide a pleasant rhythm.)

Ratsy and Hex, One of my struggles in writing close third is what to call the current POV character. I guess I tend toward proper name and pronouns only: no titles, no other descriptors. In other words, I could alternate Ayos with "the pilgrim" (and did at one time), but I didn't think he'd actually go around calling himself "the pilgrim" in his head. I'd be interested in other folks thoughts about that: if it's okay in close third to refer to the character with their title, or the type of creature they are, or...

Hex, the shoulder bit seems obvious now. Duh. Thanks for that.
 
Ratsy and Hex, One of my struggles in writing close third is what to call the current POV character. I guess I tend toward proper name and pronouns only: no titles, no other descriptors. In other words, I could alternate Ayos with "the pilgrim" (and did at one time), but I didn't think he'd actually go around calling himself "the pilgrim" in his head. I'd be interested in other folks thoughts about that: if it's okay in close third to refer to the character with their title, or the type of creature they are, or....

Is there a reason you don't use "he" more often? Just I think in situations like this one, where there is no other possible "he", it would be more invisible that repeating his name or describing him in some other way.

(I suspect you're spot on with the skipping. I did understand what was happening with the ants and termites but I was aware of not caring as much as I should have done and I suspect that was narrative distance).
 
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