Jade44
Well-Known Member
Having read a ton of Sci-Fi novels in the last few years I find it interesting to note the many authors whose perception of the future is already outdated. I've been reading Sci-Fi for almost six decades and it is interesting to note that very few writers got the future right. Of course, predicting almost anything beyond a few years is next to impossible. Technology changes so quickly that it is easy for authors to get things wrong. One only has to think of the writers of the 1950s and and how different 2013 is from what most of them envisioned to understand that problem.
However, a few seem to almost deliberately miss the mark. In David Drake's Lieutenant Leary series, for example, the starships are sailed through "n" space like 19th century clippers. The gear on the ship squeaks and groans, and frequently rusts up and jams. Crowbars and massive wrenches are as much a part of the equipment as astral navigation aids. And computer techs still use physical input to enter data.
Weber, of course, has his ships acting like 18th and 19th ships of the line in that they can't shoot through their "wedges," forcing them to fire broadsides. His crews act an awful lot like jolly old salts, descending upon the sleazy bars and gin joints of the backwoods worlds visited by the hero and heroine.
Even David Weber has his naval staff using the equivalent of Ipads rather than some more advanced form of communication such as bio-electrical implants.
Mike Shepherd has his heroine wear her almost human artificial intelligence around her neck, and able to communicate directly with her mind. Graham Sharp Paul speaks of psionic implants that are physically linked to the brain. Ditto for Catherine Asaro whose Evolving Intelligences actually have personalities and are part of the neural network of their users. It seems to me that these authors are probably a little closer to the mark.
I don't object to any of this. In many cases it actually makes the books more interesting in that technology hasn't replaced people in every area, leaving something for the human crews to do. Sci-fi authors face the same problems in writing about technology that everyone else does. No matter how advanced they make their societies they are bound to underestimate the inventiveness of the future civilizations they try to depict.
However, a few seem to almost deliberately miss the mark. In David Drake's Lieutenant Leary series, for example, the starships are sailed through "n" space like 19th century clippers. The gear on the ship squeaks and groans, and frequently rusts up and jams. Crowbars and massive wrenches are as much a part of the equipment as astral navigation aids. And computer techs still use physical input to enter data.
Weber, of course, has his ships acting like 18th and 19th ships of the line in that they can't shoot through their "wedges," forcing them to fire broadsides. His crews act an awful lot like jolly old salts, descending upon the sleazy bars and gin joints of the backwoods worlds visited by the hero and heroine.
Even David Weber has his naval staff using the equivalent of Ipads rather than some more advanced form of communication such as bio-electrical implants.
Mike Shepherd has his heroine wear her almost human artificial intelligence around her neck, and able to communicate directly with her mind. Graham Sharp Paul speaks of psionic implants that are physically linked to the brain. Ditto for Catherine Asaro whose Evolving Intelligences actually have personalities and are part of the neural network of their users. It seems to me that these authors are probably a little closer to the mark.
I don't object to any of this. In many cases it actually makes the books more interesting in that technology hasn't replaced people in every area, leaving something for the human crews to do. Sci-fi authors face the same problems in writing about technology that everyone else does. No matter how advanced they make their societies they are bound to underestimate the inventiveness of the future civilizations they try to depict.