Excerpt from a new opening (631 words)

Status
Not open for further replies.

Tecdavid

Verdentia's Gardener
Joined
Nov 23, 2011
Messages
633
Location
This site will surely be suffering no shortage of
It's that time again! The last time I uploaded my WiP's opening, it took place during a dream-sequence. Well, I've shuffled things around a bit, and now that dream's events take place later (since I was told the dream introduced too many concepts for an opening. A little too heavy). Now, the opening follows an entirely different group of events, and is hopefully a bit simpler.

Since this is the beginning chapter 1, I'm not going to describe the context. I want to make sure this can stand up on its own.

Fingers crossed.

------

Jhona clung tight to the rollercoaster’s track, fingers grating against the rust. Down below, the park’s attractions were like colourful little flecks – tiny sprinkles over tarmac.
He could just make out Mark, staring up at him beside the workmen. Was that a thumbs-up he saw?

All was according to plan, then.

The wind whistled past the ride’s steel beams, chilliness chiselling at his fingers. He hoisted himself up, ignoring the crow-like creaking of the metalwork. He could do this, he told himself. No different than clambering up a tree, or across the rooftops back home. He could do this. Sitting himself atop the track, he looked down again to see a truck pull by the coaster. Workmen hurried from it like ants from their hill, while one of them deployed an aerial ladder. Coming to get him, were they?

‘That thing isn’t safe, boy!’ growled a workman’s voice over the park’s tannoy. ‘You wait right where you are, you hear?’

Jhona lifted his gaze from the park – all those flocking workmen were bringing spots to his eyes – and looked ahead, out at the city. All the bustle was distant; streams of cars and buses coursing through the mazy streets, and from here he had the perfect view. Swarms of people in their summer shirts flocked out beyond the park’s walls, and sun shone upon everything from the sidewalks to the skyline. From here, it was all so silent. A good thing the park’s closed today, he thought. Standing up, he considered the track, and stepped forward. The straining metals creaked. Another step. Come on – no time for cold feet. And another. Hey, you might even survive this, if you’re lucky. His thoughts came clearly – that was always a good sign. He started walking across the narrow track. It seems stable enough. He looked ahead, picked up the pace, and started to run. As that ladder stretched up toward the track, Jhona hurried, and scampered across the battered, rusted coaster, the wind rattling him like his footsteps rattled the framework. He could feel it trembling beneath his feet. Voices hollered up from the park, as cutting as the wind whipping through his hair and jacket. Jhona’s view of Mark vanished as he leapt from one splintered track to another. His fingers grazed as he seized the rusty rail, reaching it just barely, and he hung tight as he pulled himself up. He’d better be getting to work, thought Jhona, taking care not to trip. This had been Mark’s idea. Oh, the dangerous ones were always Mark’s ideas, but he never got stuck into the danger himself. Just until he nicks the keys, Jhona reminded himself. Just keep clambering ‘til then. Another jump – here we go. Pushing off from the rickety rail beneath him, something snapped. The wind came rushing at him as he fell, before he grabbed hold of another beam, as rusty as the rest of them. Blood trickled from his finger where a snarl of metal pricked him. A great gasp, and a lot of cursing, fumed up from the workers bellow. He was between the middlemost framework now – the stuff beneath Devil’s Drop, that great big rise that drove so many would-be riders away. Onward and upward, c’mon! Keeping those workmen distracted was all he had to do. Nice and simple. The retired old coaster seemed to sag about him as he perched, rust and cobwebs staining his black jacket. For a moment, he let himself rest. Let himself breathe. That ladder wouldn’t reach him for a minute or two, anyway. His cold, scraped fingers clung fast to the framework, and sweat dripped from his forehead. Cold wind or none, skilled climber or not, that sweat still dripped. The creaking was starting to sound like moaning . . .
 
Ok, since I know you're hoping to send this out, soon, I shall sharpen my teethies. I'm in editing mode, too, which makes me picky:


Jhona clung tight to the rollercoaster’sI'm not sure if this should be a possessive plural or not -- is it rollercoaster track ie an entity in its own right? Maybe one of the grammar pros will confirm it, but it read to me that rollercoaster track would be neater, but I could be very wrong track, fingers grating fingers grating makes me wonder is the rust actually grating his skin. i don't think that's what you mean, but it's what the sentence implied. against the rust. Down belowBelow would be enough -- that's always down, the park’s attractions were like colourful littleI'd lose little -- flecks by their nature are little and you have tiny in a moment flecks – tiny sprinkles over tarmac.
He could just make out Mark, staring up at himfrom? beside the workmen. Was that a thumbs-up he saw?

All was according to plan, then.

The wind whistled past the ride’s steel beams, chilliness chisellingI'm not keen on the ch repeat, others might like it at his fingers. He hoisted himself up, ignoring the crow-like creakingthis, though, I like of the metalwork. He could do this, he told himselfconsider dropping he told himself -- you're pretty deep in his thoughts anyway?. No different than clambering up a tree, or across the rooftops back home. He could do this. Sitting himself atop the trackhow did he get from where he was to sitting, I can't quite visualise it, he looked down again to see a truck pulled or pull up? by the coaster. Workmen hurried from it like ants from their hill, while one of them deployed an aerial ladder. Coming to get him, were they?

‘That thing isn’t safe, boy!’ growledI'm not sure about growling with an exclamation a workman’s voice over the park’s tannoy. ‘You wait right where you are, you hear?’

Jhona lifted his gaze from the park – all those flocking workmen were bringing spots to his eyes – and looked ahead, out at the city. All the bustle was distant;don't like this semi streams of cars and buses coursing through the mazy streets, and from here he had the perfect view. Swarms of people in their summer shirts flocked out beyond the park’s wallshere I'm a bit confused -- he can barely make out the detail of the people directly below him but can see the detail of the shirts of those far away, and sun shone upon everything from the sidewalks to the skyline. From here, it was all so silent. A good thing the park’s closed today, he thought. I'm be inclined to take a new paragraph here, just to break things up for the eyesStanding up, he considered the track, and stepped forward. The straining metals creaked. Another step. Come on – no time for cold feet. And another. Hey, you might even survive this, if you’re lucky. His thoughts came clearly – that was always a good sign. He started walking acrossalong or across. If across, why? Surely that doesn't take him anywhere? the narrow track. It seems stable enough. He looked ahead, picked up the pace, and started to run. As thatthe, I think ladder stretched upagain, drop up -- it's implied toward the track, Jhona hurriedI'm drop, we already know he's running and go straight to scampered, and scampered across the battered, rusted coasterand this then brings me back to my confusion from the very start. If the coaster is the carriage and not the frame then this confused me, if it's the frame and not the carriage, then should it have been called a coaster from the start. I think a wee bit of research would clarify the terms for you?, the wind rattling him like his footsteps rattled the framework. He could feelget rid of he could feel -- it distances us? Just it trembled beneath...? it trembling beneath his feet. Voices hollered up from the park, as cutting as the wind whipping through his hair and jacket. I really need a paragraph break somewhere, there's a lot going on with no room to breathJhona’s view of MarkI'm surprised he's even noticing, I'd have thought he'd be concentrating on his feet vanished as he leapt from one splintered track to another. His fingers grazed as he seized the rusty railI'm confused, where is the rail? Is it above him? If so is it another part of the frame?, reaching it just barely, and he hung tight as he pulled himself up. He’dMark? better be getting to work, thought Jhona, taking care not to triphow is he going to trip if he's hanging? Or has he got onto the top of the other rail, if so we haven't had this confirmed. . This had been Mark’s idea. Oh, the dangerous ones were always Mark’s ideas, but he never got stuck into the danger himself. Just until he nicks the keys, Jhona reminded himself. Just keep clambering ‘til then. Another jump – here we go. new paragraph?Pushing off from the rickety rail beneath him, somethingI'd be inclined to name the something to make this stronger. It's also slightly implied that the something was what pushed off the rickety rail. snapped. The wind came rushing at himrushed at him might be more active as he fell, before he grabbed hold of another beamwhat's the connection with this and the wind stopping. I'd lose the before and go to a new sentence. , as rusty as the rest of them. Blood trickled from his finger where a snarl of metal had? since the blood is already tricklingpricked him. A great gasp, and a lot of cursing, fumed up from the workers bellowbelow -- he appears to be able to hear them well now. Also, is he scared at all? Is his heart hammering, or his hands sweaty or anything?. He was between the middlemost framework now – the stuff beneath Devil’s Drop, that great big rise that drove so many would-be riders awaynice. Onward and upward, c’mon! Keeping those workmen distracted was all he had to do. Nice and simple. The retired old coaster seemed to sag about him as he perched, rust and cobwebs staining his black jacket. For a moment, he let himself rest. Let himself breathe. That ladder wouldn’t reach him for a minute or two, anyway. His cold, scraped fingers clung fast to the framework, and sweat dripped from his forehead. Cold wind or none, skilled climber or not, that sweat still dripped. The creaking was starting to sound like moaning . I liked the end .[/QUOTE]

Ok, sorry about the red. I think this is a really good scene, very arresting, and I liked it lots better than your previous versions. I think it's a bit different, too, for a fantasy novel.

But as it stands, I think there is enough in it that could be tightened or is confusing that you're giving an agent an excuse to put it down (hence the red). And that is all they need. I know of one agent who gets over 100 mss a week to review, and I think, looking at this, even if she really liked the story, she might think there is too much needing fixed for her to want to take it on.


I'm not trying to be horrible or anything, but I really think this would benefit from sitting for a month or two and then you coming back with fresh eyes. I think you'd see the one or two extra words in there, or the bits where the action is a wee bit confusing.
 
Definitely I think just make it tighter. I think you lingered too long over the danger of climbing. You repeat something about the creakiness several times. I don't think you need that many. If you can still create the mood of danger with fewer words, that'd be great. Because I mean, at the beginning, I am gripped by the danger, but that wears off as you spend longer and longer on it.

As far as an opening goes, the danger was enough to keep me excited (for most of it) and the bits of character stuff you mention, were intriguing. They made me want to find out who Mark is. It seemed like Jhona didn't like him much, so then I wonder why he works with him. Also that bit you mentioned about jumping across rooftops back home. That hints at an interesting past.

Overall, it was good, but could be improved.

(Obviously, I'm not an editor, so these are just my opinions.)
 
So the scene isn't too clear, and lingers a while at the descriptions? Basically, what Jhona's trying to do is run along the rollercoaster's track and climb across its framework in order to distract the workmen. Even if I've made some poor word choices (which I have, by the look of it. Those always seem to come back and bite me), I at least hope the general goings-on are understandable. It'd be a real worry if they aren't.

But thank you both -- I'll keep this in mind when I do the next round of dusting and polishing. :) And Springs, Jhona isn't really worried. He has a head for heights.
 
A couple of sentences read as clumsy to me:

chilliness chiselling at his fingers

The straining metals creaked


I'm not sure what the technical term is, but I noted quite a few verbs ending in -ing that might be sharper as -ed.

I think my biggest concern, though, is that nothing has really been introduced - no wider questions, themes, or conflicts. We spend 600+ words experiencing someone's immediate experience of climbing and running along an old roller coaster track.

The immediacy is good, but we're missing the context of why this is important. A plan is mentioned early on, and then no reference to it again - so what is the goal of going through all this action?

Just to clarify - we still know nothing about this character or the reasons why they are doing this, and because you don't, there is no hook to draw us in. When I read him stopping to look across to the city I felt the story stopping.

I think - just looking at the shape of the text - that it speaks volumes that there are 5 paragraphs and almost everything is in the fifth.

Overall, I did think it was well-written, though could probably enjoy a little tighter editing - and while 600 words is still early days, I think you are missing a trick by not raising any questions to hook the reader during this time.

Hope that helps.

 
Replacing -ing with -ed is a good point. I often glance over that, thanks to old habits.
I'm glad to hear the writing itself has some plus-points, but I guess I need to tighten things. After being told the previous opening had too much going on, I tried to make this a bit more spacious. The rest of the chapter picks up on things, but if the first 600 words don't seem to be going anywhere... Hmm...
 
Basically, what Jhona's trying to do is run along the rollercoaster's track and climb across its framework in order to distract the workmen.

THIS! You haven't explained the why in the text, but you stated it here - put it in the text!

We don't need to know "why" he's doing it yet, but it at least provide a motivation. :)

If it's any consolation, Teresa often challenges me when she edits my work - it's one of the most valuable aspects of being edited. It either means something is superfluous and must be removed, or else I've failed to explain why something is important. I may know the answer in my head, but it needs to be in the text instead, so has to be written in. :)
 
I got that it was Mark's idea and plan - but I didn't get a suggestion of the need to distract the workmen, which would at least be asking a question.

Perhaps I'm looking for more of an overt statement of intentions. I know from the GRRM board that other people can be much better at picking up clues, relationships, and intentions, than myself. :)
 
Jhona's thoughts mention that Mark's going to steal some keys while Jhona has the workmen distracted, but it's a rather fleeting reference. The rest of the chapter makes it much clearer (we get to follow Mark's PoV for a while), but again, maybe I should elaborate a little more if it isn't clear just yet. A lack of clarity during chapter 1 is something I'd really want to avoid. :p
 
I think you could achieve that most efficiently by elaborating the "all was according to plan" line.
 
Status
Not open for further replies.

Similar threads


Back
Top