Tyburn
Terrorastrian
I wanted to do that - have chapters with character names and the story coming from their viewpoints all through the chapter. Then the character list grew a bit too much for that.
One piece of advice I've heard is 'be brutal when editing'. It's probably better if you get to the end before you start any major editing work, at least that way you won't accidentally omit any small snippet of information which, at the time, seems insignificant but later has a huge impact on things. I've been guilty of that before - in a short serial I put together I had specific mention of the killer being left-handed and by the time I got to the climactic chase-fight-conclusion I'd completely forgotten about the fact I was going to make the guy who turned out to be the killer ambidextrous and that was what keyed the protagonist into it.
Exposition's good, but better when it doesn't seem like exposition. I have an early scene where Admiral of the Fleet the Right Honourable Sir Audley Bearable calls Captain Flight to give him his orders - something which would normally be blatant exposition. The fact that the Admiral delivers the orders in a code nobody could decipher means that Flight goes off in the wrong direction and has his adventures whilst the Admiral gets furious that he's (apparently) disobeyed orders.
[Edit: Actually, after thinking a little while about weaving in an extra plotline, I think I might have one. Flight encounters his old rival Space Captain Damien Drake early in the second chapter, I could get the Admiral to send Drake out to track down Flight with the intent of arresting him - it would make an interesting parallel when Flight has to arrest Drake in the sequel.]
One piece of advice I've heard is 'be brutal when editing'. It's probably better if you get to the end before you start any major editing work, at least that way you won't accidentally omit any small snippet of information which, at the time, seems insignificant but later has a huge impact on things. I've been guilty of that before - in a short serial I put together I had specific mention of the killer being left-handed and by the time I got to the climactic chase-fight-conclusion I'd completely forgotten about the fact I was going to make the guy who turned out to be the killer ambidextrous and that was what keyed the protagonist into it.
Exposition's good, but better when it doesn't seem like exposition. I have an early scene where Admiral of the Fleet the Right Honourable Sir Audley Bearable calls Captain Flight to give him his orders - something which would normally be blatant exposition. The fact that the Admiral delivers the orders in a code nobody could decipher means that Flight goes off in the wrong direction and has his adventures whilst the Admiral gets furious that he's (apparently) disobeyed orders.
[Edit: Actually, after thinking a little while about weaving in an extra plotline, I think I might have one. Flight encounters his old rival Space Captain Damien Drake early in the second chapter, I could get the Admiral to send Drake out to track down Flight with the intent of arresting him - it would make an interesting parallel when Flight has to arrest Drake in the sequel.]
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