Untitled Urban Fantasy - Opening Scene - 1300 words

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DaCosta

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This was the project I began committing to e-paper last night (the one MS Word gobbled up). After Word ate it, I had to rewrite it again. Besides that hiccup, I had a fab time getting the words down and wondered what you guys thought of it.

This is very different from my current WIP. It has a faster pace and should be a light enjoyable read. It's at the first draft stage, so basically a splurge of ideas that will need drilling down later on.

I'm looking for your opinions on:

Voice - whether the female MC is interesting enough to carry a story.
First person - it's been a long time since I've written in 1st person so I'm not sure if I've got the tone right.
How does it work as an opener? - I've tried to avoid the infobump scenario.
Audience - What type of audience would read this?

Any and all comments welcome. :)

~~~

Fate walked into my workshop that evening. Ankle length red leather coat, platinum hair, timberland boots, he was like something out of a graphic novel and if the goosebumps shivering across my skin were anything to go by he clearly wasn't as human as his anime-inspired appearance would have me believe.

At first I ignored him, refusing to give him the satisfaction of seeing me hesitate. I’d be damned if I was going to drop everything just because he’d helped himself into my person space. So I continued to work on the blade resting on the anvil before me. I hammered out the imperfections in the surface, metal singing with each blow. Behind me the forge blazed, waves of heat rolling over me. I told myself it was the heat that sprinkled perspiration across my face and back, but in truth it was fear.

Picking up the blade with gloved hands I turned and plunged the metal into the molten coals, before turning to face my uninvited guest. He’d given himself the tour of my small workshop, admiring the various swords on display, some unfinished, some as close to art as I was ever going to get.

“Well?” I asked, managing to inject some genuine irritation in my words in the hope it hid the anxiety building inside me.

“Impressive.”

He turned icy blue eyes on me and smiled a killer smile. If he thought I was going to gush and swoon he was in for a shock. “Who are you and what the hell do you want?” I demanded.

“You’re Muse, right?” He gestured at the cramped workshop. “I was expecting something... else.”

I hadn’t heard that name in years. A tag left over from darker days, ones I didn’t wish to revisit.

He reached inside his leather coat. I tensed as I noticed the glint of a custom handgun, the pearl grip engraved with what looked like entwined scorpions but it wasn’t the gun he reached for. He withdrew a short sword and rested it on the anvil in front of me. “I want you to read this.”

Tugging off a glove I skipped my fingertips over the rippled surface of the blade. The metal burned cold against my brazen touch, as though the sword resented my presence. It was a wonderful piece of workmanship, the tempered edge sharp enough to slice through flesh and bone with little effort. An intricate hand-forged guard and leather-woven hilt betrayed the sword as functional but with a flair for the dramatic and yet it was clearly a weapon meant for combat, not ceremony.

A thin snap of power danced up my fingers and with a small hiss I drew my hand back and looked up at my intriguing visitor. “What’s in it for me?”

“What do you want?” he asked.

Now there was a loaded question. With no idea who or what he was I had no notion of what he could potentially afford or the stakes involved. “It depends on what I’m going to find. If this blade as seen murder then I want danger money. If it’s just a lovers tiff you’re interested in, then a few hundred should do it.”

“Or I could walk out of here now and tell the world where you are. I know there are a few unsavouries from your chequered past who would be very grateful for the heads-up on your whereabouts.”

He just had to, didn’t he. I smiled, it was the first smile I’d given him since his arrival. “Now, there, you see. We were having a civilised conversation and you just had to go and spoil it by threatening me.”

“Why don’t you just read the blade and I can leave you to get on with your...” he cast a shallow glance about him. “...work?”

And now he’d insulted me. “I’m not telling you anything until you give me more to go on.” Who did he think he was talking to? Some back alley halfwit that would fall over their own feet to do his bidding. He might know my name but he didn’t know me.

He blinked, my retort stalling him, before he turned on the charm once more. “You’re right. I’m sorry. A few hundred was it?” He dug deep into his coat pocket and pulled out a wad of cash. Without counting it, he tossed it onto the anvil. “That should cover it.”

I tugged my glove back on, pinching the heatproof fabric between each finger. “I think you should leave.”

He narrowed his eyes at me. “Just read the sword, Muse.”

I never did get on well with assholes. “Get out.”

I just couldn’t leave well alone, could I. If I had let him have his way, just read the damn blade and been done with it I might never have seen him again. But no, I just had to dig my heels in.

He pulled the gun on me, finger resting firmly on the trigger. “You will do this for me.”

“Go back to hell,” I sneered before reaching around and snatching the blade from the forge, flinging the molten blade and hot coals at him. He recoiled, cursing as the coals bounced off his coat. I didn’t hesitate and dashed for the doors, my hand on the handle to tug them open when he slammed me against the door, knocking the wind out of me.

He thrust the gun under my chin. “Why do you have to be so difficult?”

I really didn’t want this to escalate. Bad **** happens when she comes out to play. The darkness resting at my core began to unfurl, opening like the petals of a flower, but its intent was far from delicate. The touch of it spilt into muscle, flooding a welcome heat through my body. The magic embraced me, as it always does, the lure of chaos undeniable.

He released me and took a few steps back, gun up.

I turned, magic dripping from my fingertips. I couldn’t see it, my human half blind to the energy, but he could. His arctic eyes blaze with the promise of conflict.

He laughed then lowered the gun and tucked it back into the holster inside his coat. “You’re right. This isn’t worth it.” Hands up, as if in surrender, he turned and retrieved the sword in question before weaving his way back around the workbenches towards me.

“I’ll leave you in peace.”

“What?”

“Step aside. I’m leaving.”

I did as asked and watched him slide the door open and pass through. Confused and somewhat disappointed I followed him out into the alley. The magic he’d aroused now began to fizzle out, it’s departure leaving me with a sickly chill and bitter sense of loss.

He climbed into the drivers side of a crimson Dodge Charger. I had no idea who he was, where he’d come from, how he’d found me or what lay hidden in that damn sword and he was leaving. That couldn’t be right? Didn’t I deserve some sort of explanation here?

“Hey!” I called, venturing further into the street.

Headlights bathed me in twin beams, forcing me to shield my eyes. He gunned the engine, jammed the box into reverse and swung the car back into a J-turn before speeding off, fat tyres squealing on wet tarmac.

I stood there, hand on hip, head tilted to one side when the shockwave hit me. I didn’t so much hear the blast as feel the explosion lash across my back. I must have briefly lost consciousness but the furious pain riding my back soon summoned me from the depths. A whine drilled into my skull, various alarms sounding from the industrial units around me.

I turned my head towards the heat, grit digging into my cheek as I peered into the rolling smoke at the hollow spot between two industrial units.

My workshop had gone and with it my attempt at a normal life.

~~~
 
Firstly, I'll warn you that this isn't my genre, I'm opinionated, and nit-picky. :)

That said, I did enjoy the piece, though there were a few nitpicks:

Fate walked into my workshop

I'm unsure whether you mean this person is an act of fate, or this person is Fate personified. With supernatural stories it's hard to tell. :) I'm presuming the former, but it did make me stop and wonder.

something out of a graphic novel ... anime-inspired appearance

I can appreciate you're trying to appeal to your audience with cultural references, but my niggles here are: graphic novels and anime tend to be very different media - there's a world of difference between Frank Miller and Final Fantasy. Also - if your protag is a magical character, will these really be her first frames of reference?

“You’re Muse, right?” He gestured at the cramped workshop. “I was expecting something... else.”

I hadn’t heard that name in years. A tag left over from darker days, ones I didn’t wish to revisit.

I'm left immediately expecting some kind of reference to the Greek Muses. Demanding even. :) Or is "Muse" simply a cover name? As "Fate" has walked in on a "Muse", the potential is dripping for mythological references - yet we see none. Of course, it's good to raise questions for readers and not answer them straight away - at the moment I'm still uncertain what sort of context. By having her refuse to acknowledge what "Muse" means to her as a reference, you obfuscate the character somewhat from the reader. This can and does work, but I feel completely teased by lack of mythical references here. Partly because I want to know whether you are using them deeply, or flippantly, and I want to make a judgement on that. (Oh! the arrogance!). :)

He withdrew a short sword

You've introduced her smithing, yet she immediately notices all sort of details on the gun, and little about the sword. What sort of style is it? Italian dueling dagger? Replica or original? I want to see some of her knowledge show here. I don't expect an essay, but just a couple of words to show she knows her trade, and you haven't simply chosen a random word from a D&D manual.

“Step aside. I’m leaving.”

I did as asked

IMO she's showing a lack of power and control here - I'm led to believe so far that she's a powerful mythical/magical being, yet she allows someone to assault her: push her up against a wall, gun under chin, and then just let's him walk out. I can appreciate an everyday woman may feel powerless, but I'm expecting this character to be a little more confident, in control, and more proactive than reactive. It's good that you show she has power and is willing to use it, and disappointed not to - but I'd like to personally see more of a sense of control and power here, that shows perhaps more clearly that she knows what she's doing in allowing it, and why.

Otherwise, I did actually enjoy the piece. :)

Anyway, all just personal opinion and immediate thoughts on reading this.
 
[/Quote]
This was the project I began committing to e-paper last night (the one MS Word gobbled up). After Word ate it, I had to rewrite it again. Besides that hiccup, I had a fab time getting the words down and wondered what you guys thought of it.

This is very different from my current WIP. It has a faster pace and should be a light enjoyable read. It's at the first draft stage, so basically a splurge of ideas that will need drilling down later on.

I'm looking for your opinions on:

Voice - whether the female MC is interesting enough to carry a story.
First person - it's been a long time since I've written in 1st person so I'm not sure if I've got the tone right.
How does it work as an opener? - I've tried to avoid the infobump
infodump - infobump would suggest you're reminding your audience of facts they might have forgotten. Oops, I wasn't supposed to critique this bit, was I?;)
scenario.
Audience - What type of audience would read this?

Any and all comments welcome. :)

~~~

Fate walked into my workshop that evening. Ankle length red leather coat, platinum hair, timberland boots,
slightly stronger punctuation to indicate the end of a list. Semicolon, period?
he was like something out of a graphic novel and if the goosebumps shivering across my skin were anything to go by
set off the subordinate clause – commas?
he clearly wasn't as human as his anime-inspired appearance would have me believe.

At first I ignored him, refusing to give him the satisfaction of seeing me hesitate. I’d be damned if I was going to drop everything just because he’d helped himself into my person space
It'd be 'personal space' for me, but 'helped himself' generally implies taking something
. So I continued to work on the blade resting on the anvil before me. I hammered out the imperfections in the surface, metal singing with each blow. Behind me the forge blazed,
While the waves of heat are right, a forge doesn't blaze - no flames. Just incandescent coals (charcoal, not mined coal).
waves of heat rolling over me. I told myself it was the heat that sprinkled perspiration across my face and back, but in truth it was fear.
Actually, even with AC her evtire body would have been running with sweat, both from radiant heat and effort
Picking up the blade with gloved hands I turned and plunged the metal into the molten coals
'molten' means liquid; you use it later for the blade itself
, before turning to face my uninvited guest. He’d given himself the tour of my small workshop, admiring the various swords on display, some unfinished, some as close to art as I was ever going to get.

“Well?” I asked, managing to inject some genuine irritation in my words in the hope it hid the anxiety building inside me.

“Impressive.”

He turned icy blue eyes on me and smiled a killer smile. If he thought I was going to gush and swoon he was in for a shock. “Who are you and what the hell do you want?” I demanded.

“You’re Muse, right?” He gestured at the cramped workshop. “I was expecting something... else.”

I hadn’t heard that name in years. A tag left over from darker days, ones I didn’t wish to revisit.

He reached inside his leather coat. I tensed as I noticed the glint of a custom handgun, the pearl grip engraved with what looked like entwined scorpions
Comma, I think, after the subordinate clause.
but it wasn’t the gun he reached for. He withdrew a short sword and rested it on the anvil in front of me. “I want you to read this.”

Tugging off a glove I skipped my fingertips over the rippled surface of the blade. The metal burned cold against my brazen
why 'brazen'? Literally made of brass in some manner, or shameless?
touch, as though the sword resented my presence. It was a wonderful piece of workmanship, the tempered edge
This gives me the impression that only the edge of the sword is tempered, leaving the bulk of the blade softer, less brittle but less supple. Like making a good axe head. But even the Japanese swordsmiths, who beat in a different, harder steel for the cutting edge always quenched the entire blade.
sharp enough to slice through flesh and bone with little effort. An intricate hand-forged guard and leather-woven hilt betrayed the sword as functional but with a flair for the dramatic and yet it was clearly a weapon meant for combat, not ceremony.

A thin snap of power danced up my fingers and with a small hiss/Quote][stand off the subordinate clause
I drew my hand back and looked up at my intriguing visitor. “What’s in it for me?”

“What do you want?” he asked.

Now there was a loaded question. With no idea who or what he was I had no notion of what he could potentially afford or the stakes involved. “It depends on what I’m going to find. If this blade as
has
seen murder then I want danger money. If it’s just a lovers
possessive. Lovers'
tiff you’re interested in, then a few hundred should do it.”

“Or I could walk out of here now and tell the world where you are. I know there are a few unsavouries from your chequered past who would be very grateful for the heads-up on your whereabouts.”

He just had to, didn’t he. I smiled,
Comma slice
it was the first smile I’d given him since his arrival. “Now, there, you see. We were having a civilised conversation and you just had to go and spoil it by threatening me.”

“Why don’t you just read the blade and I can leave you to get on with your...” he cast a shallow
can a glance be profound?
glance about him. “...work?”

And now he’d insulted me. “I’m not telling you anything until you give me more to go on.” Who did he think he was talking to? Some back alley halfwit that would fall over their own feet to do his bidding.
Probably a second question mark here (if I'm hearing the dialogue aright).
He might know my name but he didn’t know me.

He blinked, my retort stalling him, before he turned on the charm once more. “You’re right. I’m sorry. A few hundred was it?” He dug deep into his coat pocket and pulled out a wad of cash. Without counting it, he tossed it onto the anvil. “That should cover it.”

I tugged my glove back on, pinching the heatproof fabric between each finger. “I think you should leave.”

He narrowed his eyes at me. “Just read the sword, Muse.”

I never did get on well with assholes. “Get out.”

I just couldn’t leave well alone, could I. If I had let him have his way, just read the damn blade and been done with it
Comma
I might never have seen him again. But no, I just had to dig my heels in.

He pulled the gun on me, finger resting firmly on the trigger. “You will do this for me.”

“Go back to hell,” I sneered
Comma
before reaching around and snatching the blade from the forge, flinging the molten blade
Again the liquid nature of "molten" (from 'to melt'). Even with an electric air pump a forge can't get anything above bright yellow heat, a long way from melting iron (when you weld in a forge you are literally hammering the molecules into contact)
and hot coals at him. He recoiled, cursing as the coals bounced off his coat. I didn’t hesitate and dashed for the doors, my hand on the handle to tug them open when he slammed me against the door, knocking the wind out of me.

He thrust the gun under my chin. “Why do you have to be so difficult?”

I really didn’t want this to escalate. Bad **** happens when she comes out to play. The darkness resting at my core began to unfurl, opening like the petals of a flower, but its intent was far from delicate. The touch of it spilt into muscle, flooding a welcome heat
With the temperature those muscles were already at, from exertion and ambient temperature, that heat wouldn't be all that welcome. A little coolth would have been more comfortable.
through my body. The magic embraced me, as it always does, the lure of chaos undeniable.

He released me and took a few steps back, gun up.

I turned, magic dripping from my fingertips. I couldn’t see it, my human half blind to the energy, but he could. His arctic eyes blaze
blazed
with the promise of conflict.

He laughed then lowered the gun and tucked it back into the holster inside his coat. “You’re right. This isn’t worth it.” Hands up, as if in surrender, he turned and retrieved the sword in question before weaving his way back around the workbenches towards me.

“I’ll leave you in peace.”

“What?”

“Step aside. I’m leaving.”

I did as asked and watched him slide the door open and pass through. Confused and somewhat disappointed I followed him out into the alley. The magic he’d aroused now began to fizzle out, it’s
its
departure leaving me with a sickly chill and bitter sense of loss.

He climbed into the drivers
driver's
side of a crimson Dodge Charger. I had no idea who he was, where he’d come from, how he’d found me or what lay hidden in that damn sword and he was leaving. That couldn’t be right? Didn’t I deserve some sort of explanation here?

“Hey!” I called, venturing further into the street.

Headlights bathed me in twin beams, forcing me to shield my eyes. He gunned the engine, jammed the box into reverse and swung the car back into a J-turn before speeding off, fat tyres squealing on wet tarmac.

I stood there
There's an argument for past continuous 'I was standing', since another action takes place during that one.
, hand on hip, head tilted to one side when the shockwave hit me. I didn’t so much hear the blast as feel the explosion lash across my back. I must have briefly lost consciousness but the furious pain riding my back soon summoned me from the depths. A whine drilled into my skull, various alarms sounding from the industrial units around me.

I turned my head towards the heat, grit digging into my cheek as I peered into the rolling smoke at the hollow spot between two industrial units.

My workshop had gone and with it my attempt at a normal life.

~~~
Sorry. A natural nitpicker, and I learnt something of smithcraft (not that the smith I knew would ever have made a sword – more agricultural implements. No, actually I think he would have enjoyed the challenge, but there wasn't much call for. them) And I wasn't convinced by the forge (or more the workroom, with the forge in one corner. I did, however, like the fact that neither noticed how dim it was inside until the headlights dazzled her, though I missed the shock of cold when she went through the door into the alley.
 
I'm not going to say there's anything wrong with the story itself as the biggest flaws I've seen is in your first person execution. In the beginning you go heavily into the third person narrative rather than letting your innerself to come out to play with the words.

I could as well say that you're not listening your muse but you're anxiously trying to get the words in the paper, and the only way you can correct this is by letting the narrative coming out from your mind. Let it flow through your fingers and don't try so hard on trying to be the other person. Instead in the first person narratives it is vitally important that you listen to the and let it do what you used to do in the third person.

So the answer to your first two questions is: it's there but it is not quite right. Not to my eyes at least. And therefore the opening isn't working.
 
Hey you! Good on you for rewriting your lost opener and for trying something that isn't your WIP (re: the other thread about what we do with all our ideas) :)

This was the project I began committing to e-paper last night (the one MS Word gobbled up). After Word ate it, I had to rewrite it again. Besides that hiccup, I had a fab time getting the words down and wondered what you guys thought of it.

This is very different from my current WIP. It has a faster pace and should be a light enjoyable read. It's at the first draft stage, so basically a splurge of ideas that will need drilling down later on.

I'm looking for your opinions on:

Voice - whether the female MC is interesting enough to carry a story.
First person - it's been a long time since I've written in 1st person so I'm not sure if I've got the tone right.
How does it work as an opener? - I've tried to avoid the infobump scenario.
Audience - What type of audience would read this?

Any and all comments welcome. :)

~~~

Fate walked into my workshop that evening. Ankle length red leather coat, platinum hair, timberland boots,

Timberland is a brand name and should be capitalised. Also, would you consider changing the word coat to duster? (Google duster coat to see what I mean if you're unfamiliar) It would allow you to take out that ankle-length bit which makes the first clause a bit clunky.

At first I ignored him, refusing to give him the satisfaction of seeing me hesitate. I’d be damned if I was going to drop everything just because he’d helped himself into my person space.

I thought this was quite an extreme reaction to someone coming in to the workshop - afterall it may be an offer of business beneficial to the MC. Seems a bit grumpypants ;)

So I continued to work on the blade resting on the anvil before me. I hammered out the imperfections in the surface, metal singing with each blow. Behind me the forge blazed, waves of heat rolling over me.

The waves of heat seems a bit of a generic or clichéd description for heat. Perhaps tinker with it?

I told myself it was the heat that sprinkled perspiration across my face and back, but in truth it was fear. Really like this!

...my uninvited guest. He’d given himself the tour of my small workshop, admiring the various swords on display, some unfinished, some as close to art as I was ever going to get.

Again, not sure why the MC is so put out by the fact he's uninvited. I like the turn of phrase of He’d given himself the tour of my small workshop, but then the fact that he's admiring the MCs work makes me feel the MCs even more grumpy for not liking him. I also really like the some as close to art as I was ever going to get as it gives a really strong sense of the MCs abilities, the stuff in the workshop, and how she sees herself.

He turned icy blue eyes on me and smiled a killer smile. If he thought I was going to gush and swoon he was in for a shock. “Who are you and what the hell do you want?” I demanded.

Okay, I'm not going to go on about your MC being a meanie-bucket any more as I think you get my point ;). I would like this grumpiness, though, if I felt it had been justified to some degree. Also, as with waves of heat, I think killer smile is a bit hackneyed.

“You’re Muse, right?” He gestured at the cramped workshop. “I was expecting something... else.”

I hadn’t heard that name in years. A tag left over from darker days, ones I didn’t wish to revisit.

Nice.

Tugging off a glove I skipped my fingertips over the rippled surface of the blade. The metal burned cold against my brazen touch, as though the sword resented my presence.

Another nice turn of phrase, especially liking the juxtaposition of burning cold but not sure about brazen. Makes me think of Moll Flanders :D

...and yet it was clearly a weapon meant for combat, not ceremony.

Another nice line.


A thin snap of power danced up my fingers and with a small hiss I drew my hand back and looked up at my intriguing visitor. “What’s in it for me?”

How did the resentment turn to intrigue? This could do with a bit of explanation as to how the MC has changed her opinion.


Now there was a loaded question. With no idea who or what he was I had no notion of what he could potentially afford or the stakes involved. “It depends on what I’m going to find. If this blade [h]as seen murder then I want danger money. If it’s just a lovers tiff you’re interested in, then a few hundred should do it.”

I really like this, too! But, she has become empowered and ballsy after being scared or intimidated in the opening.

He just had to, didn’t he. I smiled, it was the first smile I’d given him since his arrival. “Now, there, you see. We were having a civilised conversation and you just had to go and spoil it by threatening me.”

Same as above comment re empowerment.


“Why don’t you just read the blade and I can leave you to get on with your...” he cast a shallow glance about him. “...work?”

Lovely dialogue and informs me about this smug visitor.

And now he’d insulted me. “I’m not telling you anything until you give me more to go on.” Who did he think he was talking to? Some back alley halfwit that would fall over their own feet to do his bidding. He might know my name but he didn’t know me.

I'd be tempted to cut this out. If not, I would want to see a more logical progression from intimidation, towards being more relaxed, to then being more empowered. She comes across as a bit of an emotional weathercock.

He blinked, my retort stalling him, before he turned on the charm once more. “You’re right. I’m sorry. A few hundred was it?” He dug deep into his coat pocket and pulled out a wad of cash. Without counting it, he tossed it onto the anvil. “That should cover it.”

He is making snap personality changes, too. I think it is hard in first person to show why he would switch back to being nice, or less confrontational, without going into his voice. He just seems to change his mind too quickly I think.

I tugged my glove back on, pinching the heatproof fabric between each finger. “I think you should leave.”

He narrowed his eyes at me. “Just read the sword, Muse.”

I never did get on well with assholes. “Get out.”

I just couldn’t leave well alone, could I. If I had let him have his way, just read the damn blade and been done with it I might never have seen him again. But no, I just had to dig my heels in.

He pulled the gun on me, finger resting firmly on the trigger. “You will do this for me.”

His motivation is clear in your piece, but the way he goes about it is so extreme: confident, then arrogant, then humble, then nasty. If he really has something on her, would he not be unfazed by her lack of co-operation and go straight for the threat?

There's some really great stuff in here and some lovely turns of phrase. I think you also have really authentic dialogue skills but the goals for both characters and their drive seem unclear because of the chopping and changing. I like that there is an undercurrent of flirtation, or sexual tension between them whether that was intentional on not.

I'm not sure about audience, as I'm not often caught reading fantasy. It did make me think of Sixty-One Nails by Mike Shevdon and I did enjoy that.

The pace is good, too and I think if the goals of your characters were borne out more authentically in their dialogue, it would be great.

pH
 
Thank you ctg; I suspected I might be having issues with 1st person, so I appreciate you flagging this. It's falling a little flat, isn't it. I need to flex those 1st person muscles a bit more and get my mojo back.

Chrispenycate & I,Brian - You don't need to apologise for any nit-picking etc. It's exactly what I need. (I'm happy for you lot to tear into it - so be brutal, I can handle it)

The workshop feels empty to me. I definitely need to flesh that out, including 'Muse's' expertise with weapons.

Muse is a nickname - I can easily add that in to reduce the overall greek mythology effect likewise the 'Fate' line will have to be changed. I dove right in with that one but didn't think it through.

In reference to her vulnerability. She's deliberately playing down her 'power' as she's been in hiding and doesn't want to: 1, reveal herself and 2, start liking it again. She's half human (as mentioned once she starts calling her power) so she's at a disadvantage as the stranger isn't human. Not only is he 'something else', he knows a lot about her and has the potential to ruin her comfy lifestyle. She's afraid but also stubborn enough to tell him where to go.

Point taken re: graphic novel / anime mismatch. Wondering whether to take that reference out altogether.

Oh, reference the 'brazen' - She can read the sword, in other words see what the sword was used for, who made it and who it's killed - exposing its secrets. I wanted to imply it was an invasion, almost like a violation of the sword. However, brazen does also imply brass, which is not want I had in mind... Mmm...

I had a ball writing it and will try and 'let the muse go' when it comes to the rewrite. :D
 
Thanks for your kind comments pH. Some lovely gems of advice in there I can take away with me.

Sexual tension - yes. Glad you picked up on that. ;) I think it comes mostly from references to the heat/perspiration, plus the whole magic arousal thing.

Duster for coat will work.

She's grumpy because he's not human which means she's in a whole load of trouble. I'll make that clearer in the rewrite - As though someone 'inhuman' walking into her workshop is more of a rare event than it appears in this draft.

(Btw, I love the way you say you're not often 'caught' reading fantasy. :D )

She is all over the place... I definitely need to pin down her motivations. I can't help but feel some of the nuances from my original attempt were lost when Word gobbled it up, although that could be wishful thinking on my part! ;)
 
The only problem I can see is that you're unclear throughout as to the gender of the blacksmith and maybe you wanted to do that. It's clear, interesting and has a good hook at the end.

I especially liked the Dodge Charger. Put in something about the light from the forge glinting off its shinyness. Cars are prettier than men any day.

Slightly cliché but no more than most fantasy
 
The only problem I can see is that you're unclear throughout as to the gender of the blacksmith and maybe you wanted to do that. It's clear, interesting and has a good hook at the end.

I especially liked the Dodge Charger. Put in something about the light from the forge glinting off its shinyness. Cars are prettier than men any day.

Slightly cliché but no more than most fantasy

Nice imagery on the Charger, I like it.

It is a tad tongue-in-cheek with some cliches peppered in there - nothing new here people, move along. :D
 
"What type of audience would read this?" well I would but urban Fantasy is a guilty pleaser of mine. and I suspect me at any age past early teens would have.

things I liked. I liked the imagery and I liked the MC I thought the dark past and the hints you give as to her secrets work well for a hook intro and as I said I would defiantly like to read more of it.

things I did not like so much. I did not pick up on the gender of the MC that can be kind of hard to get across frist person but it probably needs to be got across early possibly before your reder gets there mind picture to set. I would also maybe give more hints as to the moden setting earlier on but that is just personal preference I like to have my scene established quite firmly maybe a little too firmly.
 
"What type of audience would read this?" well I would but urban Fantasy is a guilty pleaser of mine. and I suspect me at any age past early teens would have.

things I liked. I liked the imagery and I liked the MC I thought the dark past and the hints you give as to her secrets work well for a hook intro and as I said I would defiantly like to read more of it.

things I did not like so much. I did not pick up on the gender of the MC that can be kind of hard to get across frist person but it probably needs to be got across early possibly before your reder gets there mind picture to set. I would also maybe give more hints as to the moden setting earlier on but that is just personal preference I like to have my scene established quite firmly maybe a little too firmly.

Thanks for the comments :) I've been working in the background on this one so really appreciate you taking the time to reply.

:)
 
I'll echo the thoughts of everyone who has said the story sounds intriguing. Yes, I would want to keep reading after this. Sounds pretty good.

A few tidbits, though. First, who is this woman and where is she? You said it's urban fantasy, so are we in a city in our mundane world, or is this a built world equivalent to our modern one but where magic is openly practiced?

If it's the latter, the references to graphic novels and anime seem wrong somehow. Actually, even if it is our world, they still do.

The "brazen touch" remark could be phrased differently. I get what you're going for, or at least I think I do. You mean that the act of reaching out to just plain touch it is brazen, implying there's more to this short sword than meets the eye. However, just referring to your touch as brazen is a bit lacking. Something like "It almost felt brazen just touching it, as if the sword resented my presence."

I don't think this dude would change his tune so quickly just by being told he gets nothing until he gives her more to go on. His attitude should not change even if he's ready to drop cash. Especially when it comes back so quickly.

I really didn’t want this to escalate. Bad **** happens when she comes out to play. HELL-O! Okay, you've got my attention.

Only other issue is just how quickly he goes from snide to openly threatening. This scene feels like it needs to build a bit more. Otherwise I do like this story so far.
 
Thanks Josh. :) I'm glad I posted this as I wasn't going to. Being first draft I knew it would need work, so i'm really grateful to everyone that's chipped in. I realise it's not everyone's cup of tea. :) I just had to get it out of my head so I could sleep at night again.
Lots of work to do but nothing I can't implement.
Cheers all. x
 
Hi DaCosta
I'll not do a line by line. It's first draft, and I can see a couple of minor glitches, but nothing to worry about in the first sorting out of the story.

To answer your questions...
Voice - whether the female MC is interesting enough to carry a story.
It's definitely interesting enough for me to continue reading and I think it would carry a story easily enough.

First person - it's been a long time since I've written in 1st person so I'm not sure if I've got the tone right.
I'm sure you'll firm the voice up as you go along, but I think you've got the tone about right.

How does it work as an opener? - I've tried to avoid the infobump scenario.
It's a tiny bit unfocussed in the first couple of paragraphs, and I couldn't see where it was going, but that's only my opinion. After that, it's reasonably solid, and held my attention. The line about Fate made me wonder if it was leaning towards Paranormal Romance for a second, but that wouldn't stop me buying, as I've read some PR in the past. And, there's a wide cross-over between UF and PR.

On the other hand, the comment about goosebumps and comparing his anime-inspired appearance being at odds with his supernatural(?) nature really got my attention. One sentence clause told me he's worldly-wise, but more than human, so probably crosses all sorts of borders. I liked that. As before, it's only first draft.

Audience - What type of audience would read this?
Probably me. I read a fair amount of UF, including with women MCs. I know of quite a few others who do the same.
************

Overall, I think it's something to follow on with. It's not quite there yet, but I think you know that.
A couple of other lines stood out.
A tag left over from darker days, ones I didn’t wish to revisit.
You do have her coming across as hesitant, but this creates a nice opening for why. So, she has a dark secret. Well, nothing new in that, but it sets up my curiosity anyway, and feeds into a standard that can then be played with and subverted, as needs be.

Which you then do with:
Bad **** happens when she comes out to play
That for me changes everything, creates layers and shouts something along the lines of 'demon/creature inside her'. Once I know that, I know that the story might get a little crazy. I like a little crazy.

So, definitely something to work on. Let us know how it goes. :)
 
Thanks Abernovo.

I think the unfocused aspect throughout comes from the fact I had no idea where it was going when I wrote it (and it shows). All I had was a couple of images. A half-demon-woman working on a sword. A not-so-human man presents her with something she can't resist (i.e. a sword with a mystery attached). His motives are meant to be ambiguous and her's airing on the side of caution.

It's only when I sat down and typed the images in my head that the characters told the subsequent story and set-up the opening (I love that feeling; when the story writes itself). I suppose that's what first drafts are for - get the ideas down, then iron out the kinks on the rewrites.

With this piece in place, I was able to add a couple more scenes - let the characters lead me by the hand - until I had a firmer idea where it was all going. Using the character development, the little clues they dropped, I've been able to draft an skeletal outline and start world-building.

At first I wasn't sure whether it 'had legs' but the feedback has been encouraging and to be honest, the damn story won't leave me alone, so it's going have to be written at some point anyway! :)

Thanks for taking the time to comment. It's always appreciated.
 
I'm not looking at this with a red pen or with nit picking in mind. I'll be honest with you, I read it because I was bored at work and wanted something to do. But I'm glad I did because it was one of the most interesting things I've read on her for a while. I really enjoyed it.

It flowed well and was of a good pace. It kept me wanting to know more. Good job.

Christian.

EDIT: the only thing I might offer is that there was some confusion as I tried to figure out the world e.g., swords, guns, cars and anime etc etc. But this was only a slight thing that didn't get in the way of me enjoying it, I just thought after I read it, that you might want something to help you.

Voice - The female MC is interesting and I like how she knew she was getting herself into trouble but couldn't help it.

First person - First person felt natural and the voice of the MC carried through.

How does it work as an opener? - I liked it as an opener. Not enough world building for me, but that's more my style and I still think it works as it is.

Audience - YA as I feel the MC is young, maybe 21, with a past, but also with that inability to turn her back on trouble. Plus, Anime, guns and swords etc leads me towards the YA section, but that can be for people 25+ too, I guess. I suppose you could spin your story either way if you so wanted.
 
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Thanks Christian. Internet down so can't type long reply as I'm on my phone but wanted to say 'cheers for the kind comments and feedback' :) On the rewrite I'll add more world-building but until then it seems as though this one might be worth pursuing.
(Sigh - no internet - Some numptee crashed into the bt cabinet.
Feels like I can't breathe! What did I do before the net? ;) )
 
Oh and I'd not thought about the age of the MC but would guess she's mid twenties so not far off. The voice is flippant so it would fit with her attitude (but not the thing inside her, that's old ;) )
 
I'm still confused as to whether this is set in an alternate universe where magic is normal but technology and society is more reflective of our modern world or if this is our world and magic is hidden.

The character is a smith, or seems to be. Not really a profession you see much today. She also appears to be making a sword even before our bad guy walks in.

However, there are mentions of graphic novels and anime, definitely suggesting that this is our world.
 
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