Opening Chapter, Approx 1100 words

Status
Not open for further replies.

Mr Orange

Rhubarb rhubarb rhubarb...
Joined
Jun 17, 2013
Messages
1,511
Location
Noo Zillund
seeing as the wounds from my last critique have just about healed, i thought i'd post up another one. :) this is the opening chapter of the same WIP that the prologue i posted a while back is from. my main worry is that there is just too much information in it before i get to any reason to care about the MC or his situation. to try to combat this i have added the voicemail message in at the start of the chapter, but i don't think this really works either. anyway, here we go:


____________________________________________________

“Gerry! Are you okay? It’s Christy. Answer your phone! Have… Have you seen them? They’re everywhere!… I’m scared Gerry!”

~​

Gerard woke with a start. He immediately wished he hadn’t, as drums began to beat inside his head. The thudding sound rose, getting louder and louder until it reached an unbearable climax. He waited for the throbbing to recede and, when it was almost bearable, tried to get out of his chaotic mess of a bed. Tripping over his crumpled blankets he fell onto a wet patch on the floor that he hoped was whiskey.

After a pause, he managed to pull himself up by the doorframe and turned to survey the room. One pillow was still on the bed, the other was nowhere to be seen. The offending blankets that had just caught him out partially covered the pile of beer cans and whiskey bottles that littered the once expensive carpet. The sight of all this wasn’t making Gerard’s headache any better but he stood, unmoving, as he had a feeling that his living room was going to be worse. He caught sight of himself in the mirror that stood on the other side of the bed. Red, bleary eyes stared back from beneath an unruly mop of mousy brown hair and above a bare, pale and overweight torso.

Summoning what little energy he had left, he pushed off the doorframe and stumbled into the open plan kitchen/dining/living room. Heading straight to the kitchenette he pointedly ignored the living area, yanking open the two cupboards that still had doors in search of a clean glass. Nothing. The third door-less cupboard – presumably the door lying on the floor belonged to it – was empty as well. A large tumbler of what he could only assume was orange juice sat on the counter. He took a tentative sip. Vodka and orange, even better. Gerard rummaged in the kitchen drawer until his fingers touched the foil encased paracetamol tablets. Popping two in his mouth he took a gulp of the vodka and orange and washed them down. He paused, then broke open another tablet and washed this down with the remaining contents of the tumbler.

Seeing the half-empty bottle of vodka and the juice carton next to the sink Gerard shrugged to himself and poured another strong one. He drained half of it and then, steadying himself with a deep breath, spun around to face the living room. A little too quickly it turned out as the room swam and his head threatened to float off his shoulders. Finishing the drink seemed to help with the dizziness and the scene in front of him slowly swam into focus.

Gerard’s living room resembled his bedroom, except that there were various pizza boxes and half-empty takeaway containers amongst the beer cans and liquor bottles. At least the mystery of the missing pillow was solved, as he could see it sitting against the wall in the corner. Well, half of it was anyway. The synthetic filling was spilling out of the torn bottom end like white fluffy intestines. That interesting thought was enough to bring nausea to Gerard’s stomach and he quickly waded through the mess on the floor and fell heavily onto the old, worn Chesterfield. As he sat staring at the static on the widescreen television, he noticed the picture of Christine beside it.

The thought of Christine brought back the whole reason for his stinking hangover, and Gerard instinctively reached for the unopened can of Guinness on the coffee table. Cracking it open, he took a mouthful and glanced up at the clock on the wall. The digital display told him it was 10:06am, Wednesday the 4th of August. That meant he hadn’t left his flat for over 3 days. “Not a bad effort Mr Lesol” he muttered to himself. Although he was going to have to leave soon, as it looked like the alcohol supplies were running disastrously low. Sighing, he closed his eyes against the hissing static.

As the hissing played a symphony with the banging inside his head, a hazy memory started to nag at Gerard’s mind. A voice.... Talking to him.... Christine..... But he couldn’t answer her....

“Oh crap, my phone!”

He jumped up, and a heavy wave of dizziness hit him. Before Gerard knew what was happening, he was spread-eagled over his coffee table, flying like some drunken, takeaway stained superman, his stomach supported by a mulch of wet curry and sweet and sour pork.

Using a method that involved much flailing of arms and legs and that ended up with the coffee table upside down, he managed to get to his feet and stumbled around the room, dripping sweet and sour curry. Searching for his phone, he soon found it on the floor next to the Chesterfield. He quickly dialled his voicemail and the polite, tinny, strangely asexual voice informed him that he had one saved message. It seemed to take an age to play but finally started in a slightly garbled version of Christine’s voice.

“Gerry! Are you okay? It’s Christy. Answer your phone! Have… Have you seen them? They’re everywhere!… I’m scared Gerry! Please please call me when you get this. I really need…“

What she needed was lost in the harsh click of a disconnected phone line. Gerard played the message again without getting any more information, then hung up and called Christine’s mobile. The call went straight to her voicemail. He tried her home phone next. The phone rang nine times before he hung up. He tried both numbers again with the same results. Hanging up the phone, Gerard was immediately stung into determined action. In his dazed, hungover state he was certain of only one thing: He had to get to Christine’s house.

Gerard hurriedly poured himself another large vodka and orange. He gulped it down, hoping it would help to get rid of his annoyingly persistent hangover. He wondered what Christine’s rather strange message could mean, and what the rest of it was... “I need your help”... “I need a favour”... or... “I need you back”

Whatever it was, the edginess and fear in her voice was unmistakable. The copious amounts of alcohol and junk food Gerard had consumed in the last few days were meant to get rid of his feelings for Christine but it was obvious now it hadn’t worked. The need to look after Christine and keep her from harm still burned inside him. It was a feeling that had washed over him the first time she had spoken to him and had never left. Even after all the hurtful words that had been spoken and the even more hurtful things he had done, he still had to make sure she was okay.
 
I started reading but found it hard to maintain interest in someone getting up and looking about their rooms.

Your writing isn't bad, but doing all this scene setting - waking up, looking in the mirror - agents flag as newbie mistakes and a reason to put down a manuscript.

The problem isn't one of the technical ability to put words together, as much as to structure - your story does not actually start until here:

“Gerry! Are you okay? It’s Christy. Answer your phone! Have… Have you seen them? They’re everywhere!… I’m scared Gerry!”

All that stuff above this? We don't need to know it. If you think we do, then insert it in what follows via fragments that do not adversely affect pace.

However, watch out for the infodumping that immediately follows that line - you could probably cut out the two paragraphs after, and jump straight into the action of

The edginess and fear in her voice was unmistakable.
These are the really bright spots in the piece - they scream at the read, "I am engaging you!"

But then - you fall into writing about the relationship and your voice changes from - OMG, exciting stuff will happen! - to - Welcome ladies and gentlemen to this lecture about how Gerard felt about a woman called Christy.

What you haven't got yet - which is really hard to do - is try and figure out which parts are really important to the story. It's especially difficult when you write something yourself as you're emotionally invested and engaged with it.

I think if you can look at your entire first chapter, and remove everything that might be considered unnecessary - every paragraph, every sentence, every word - then you are going to be left with a dazzling gem.

Excitement! Conflict! Tension!

But at the moment, though your use of language I would suggest is anything but poor, I think you do need to learn the next lesson of cutting brutally.

So altogether, a lot of promise here - but cut back as much as possible, no matter how much in hurts, and see what you have left - and I think you'll find the story you were trying to tell only then sits in front of you.

This is all simply my personal opinion, though.
 
The voicemail at the start doesn't really work for me. I'd edit the phone message down a bit to make it more dramatic, like this:

"Gerry! Are you okay? It's Christy. Have you seen...them? They're everywhere! I'm-" The voicemail ended with a harsh click.

Starting a book with someone waking up is a cliche. I'd be tempted to cut everything that happens before the repetition of the voice mail, as that is where the story really starts going. If there was anything important in the cut section then you can drip feed it to the reader later on.
 
cheers for the early comments - it's pretty much what i was thinking but not wanting to admit....

i wrote the opening chapter about four years ago, back when i was all wordy and trying to explain everything, and I just can't bring myself to cut it... but, with a gentle nudge/shove from you guys, i think i'll be able to lay my emotions aside and get the shears out.
 
“Gerry! Are you okay? It’s Christy. Answer your phone! Have… Have you seen them? They’re everywhere!… I’m scared Gerry!”

Not keen, overall, but...

~​

Gerard woke with a start. Agents name waking up as the start most likely to make them stop reading (and looking in the mirror, to be fair) straight away. For that reason alone, I'd rethink this. :)He immediately wished he hadn’t, as drums began to beat inside his head. The thudding sound rose, getting louder and louder until it reached an unbearable climax. He waited for the throbbing to recede and, when it was almost bearable, tried to get out of his chaotic mess of a bed. Tripping over his crumpled blankets he fell onto a wet patch on the floor that he hoped was whiskey.

After a pause, he managed to pull himself up by the doorframeHe must sleep very close to the doorway and turned to survey the room. One pillow was still on the bed, the other was nowhere to be seen. The offending blankets that had just caught him out partially covered the pile of beer cans and whiskey bottles that littered the once expensive carpet. The sight of all this wasn’t making Gerard’s headache any better but he stood, unmoving, as he had a feeling that his living room was going to be worse. He caught sight of himself in the mirror that stood on the other side of the bed.Uh-oh. See comment two. Red, bleary eyes stared back from beneath an unruly mop of mousy brown hair and above a bare, pale and overweight torso.And they especially hate it when the mc then describes himself. :D Sorry.

Okay, for those two reasons (waking up and the mirror) and because I'm not sure how much it really gets the story rolling, I'd consider losing these two paragraphs. Plus, it's not doing much to make me like your chap -- he might have peed himself during the night? Yeurgh.

Summoning what little energy he had left, he pushed off the doorframe and stumbled into the open plan kitchen/dining/living room. Heading straight to the kitchenette he pointedly ignored the living area, yanking open the two cupboards that still had doors in search of a clean glass. Nothing. The third door-less cupboard – presumably the door lying on the floor belonged to it – was empty as well. A large tumbler of what he could only assume was orange juice sat on the counter. He took a tentative sip. Vodka and orange, even better. Gerard rummaged in the kitchen drawer until his fingers touched the foil encased paracetamol tablets. Popping two in his mouth he took a gulp of the vodka and orange and washed them down. He paused, then broke open another tablet and washed this down with the remaining contents of the tumbler.

Seeing the half-empty bottle of vodka and the juice carton next to the sink Gerard shrugged to himself and poured another strong one. He drained half of it and then, steadying himself with a deep breath, spun around to face the living room. A little too quickly it turned out as the room swam and his head threatened to float off his shoulders. Finishing the drink seemed to help with the dizziness and the scene in front of him slowly swam into focus.

Gerard’s living room resembled his bedroom, except that there were various pizza boxes and half-empty takeaway containers amongst the beer cans and liquor bottles. At least the mystery of the missing pillow was solved, as he could see it sitting against the wall in the corner. Well, half of it was anyway. The synthetic filling was spilling out of the torn bottom end like white fluffy intestines. That interesting thought was enough to bring nausea to Gerard’s stomach and he quickly waded through the mess on the floor and fell heavily onto the old, worn Chesterfield. As he sat staring at the static on the widescreen television, he noticed the picture of Christine beside it.
Nothing especially wrong with all this, but it's not doing much except telling me his house is trashed and he has a hangover, (plus appears to be an alco). All of which I could be told in about 50 words.
The thought of Christine brought back the whole reason for his stinking hangover, and Gerard instinctively reached for the unopened can of Guinness on the coffee table. Cracking it open, he took a mouthful and glanced up at the clock on the wall. The digital display told him it was 10:06am, Wednesday the 4th of August. That meant he hadn’t left his flat for over 3 days. “Not a bad effort Mr Lesolcomma” he muttered to himself. Although he was going to have to leave soon, as it looked like the alcohol supplies were running disastrously low. Sighing, he closed his eyes against the hissing static.?

As the hissing played a symphony with the banging inside his head, a hazy memory started to nag at Gerard’s mind. A voice.... Talking to him.... Christine..... But he couldn’t answer her....

“Oh crap, my phone!”

He jumped up, and a heavy wave of dizziness hit him. Before Gerard knew what was happening, he was spread-eagled over his coffee table, flying like some drunken, takeaway stained superman, his stomach supported by a mulch of wet curry and sweet and sour pork.

Using a method that involved much flailing of arms and legs and that ended up with the coffee table upside down, he managed to get to his feet and stumbled around the room, dripping sweet and sour curry. Searching for his phone, he soon found it on the floor next to the Chesterfield. He quickly dialled his voicemail and the polite, tinny, strangely asexual voice informed him that he had one saved message. It seemed to take an age to play but finally started in a slightly garbled version of Christine’s voice.

“Gerry! Are you okay? It’s Christy. Answer your phone! Have… Have you seen them? They’re everywhere!… I’m scared Gerry! Please please call me when you get this. I really need…“

What she needed was lost in the harsh click of a disconnected phone line. Gerard played the message again without getting any more information, then hung up and called Christine’s mobile. The call went straight to her voicemail. He tried her home phone next. The phone rang nine times before he hung up. He tried both numbers again with the same results. Hanging up the phone, Gerard was immediately stung into determined action. In his dazed, hungover state he was certain of only one thing: He had to get to Christine’s house.

Gerard hurriedly poured himself another large vodka and orange. He gulped it down, hoping it would help to get rid of his annoyingly persistent hangover. He wondered what Christine’s rather strange message could mean, and what the rest of it was... “I need your help”... “I need a favour”... or... “I need you back”

Whatever it was, the edginess and fear in her voice was unmistakable. The copious amounts of alcohol and junk food Gerard had consumed in the last few days were meant to get rid of his feelings for Christine but it was obvious now it hadn’t worked. The need to look after Christine and keep her from harm still burned inside him. It was a feeling that had washed over him the first time she had spoken to him and had never left. Even after all the hurtful words that had been spoken and the even more hurtful things he had done, he still had to make sure she was okay.[/QUOTE]

Okay, like the others, I don't think there's enough in this to keep a reader engaged. I'd like more tension. I'd like to like Gerard more or feel I'm investing in something more than a drunk. Sorry.
 
cheers springs.

so i got antsy and did a quick rewrite. it's fair to say the above ain't going to work.... so how about this:

__________________________________________


“Gerry! Are you okay? It’s Christy. Answer your phone! Have… Have you seen them? They’re everywhere!… I’m scared Gerry! Please please call me when you get this. I really need-”

What Christine needed was lost in the harsh click of a disconnected phone line. Gerard jumped up off the old, worn Chesterfield, and a heavy wave of dizziness hit him. Before he knew what was happening, he was lying spread-eagled on his coffee table, supported off old takeaway containers and flying like some drunken, stained superman. He could feel the wetness of the wet curry and sweet and sour pork mulch on his stomach.

Using a method that involved much flailing of arms and legs and that ended up with the coffee table upside down, Gerard managed to get to his feet. He stood, swaying dizzily, sweet and sour curry dripping of him. His phone was not in his hand any more, but he soon found it on the floor next to the Chesterfield.

Gerard quickly dialled his voicemail and played Christine’s message again.

“Gerry! Are you okay? It’s Christy. Answer your phone! Have… Have you seen them? They’re everywhere!… I’m scared Gerry! Please please call me when you get this. I really need-”

Gerard hung up and called Christine’s mobile. The call went straight to her voicemail. He tried her home phone next. The phone rang nine times before he hung up. He tried both numbers again with the same results. Hanging up the phone, Gerard was immediately stung into determined action. In his dazed, hungover state he was certain of only one thing: He had to get to Christine’s flat.

Gerard waded across his living room, through the beer cans, whisky bottles and takeaway boxes that were the legacy of his 3 day binge, and that had probably devalued his flat by thirty grand. Getting to the kitchenette, he poured himself another large vodka and orange. He gulped it down, hoping it would help to get rid of the drumming in his head. What could Christine’s rather strange message mean, and what was the rest of it? “I need your help”... “I need a favour”... or maybe even... “I need you back”

Whatever it was, the edginess and fear in her voice was unmistakable. The copious amounts of alcohol and junk food Gerard had consumed in the last few days had not dulled his feelings for Christine or the shame he felt. Through the haze of his hangover (which was clearing now he had finished almost half the vodka), Gerard dialled Christine’s mobile again. “Christy!If you get this, wait at your place! I’m coming now!” He said urgently when the harsh beep sounded.

Gerard grabbed some foil wrapped paracetamol from the kitchen drawer, popped them into his mouth and washed them down with another hastily poured vodka and orange. Then he pulled his stained pyjamas off and dropped them to the floor. He splashed some water on his face from the kitchen tap, then grabbed a tea towel and wiped the takeaway stains from himself as he staggered into his bedroom.

Gerard’s bedroom was almost in as bad a state as his living room. Alcohol bottles littered the room but there was no old food in here at least. Gerard stopped as his foot squelched in what he hoped was whiskey on the floor. As he did, he caught sight of himself in the mirror that stood on the other side of the bed. Red, bleary eyes stared back from beneath an unruly mop of mousy brown hair and above a bare, pale and overweight torso.

Gerard shook his head and grabbed the closest pair of jeans and T-shirt he could find - faded blue jeans and his retro bugs bunny tee. On the way back through the living room he picked up his keys, wallet, travelcard and phone and thrust his feet into the old leather trainers that were still just on the respectable side of the rubbish bin. Walking out the front door of the flat he slammed it behind him, not noticing the open door of the apartment across the landing. He took the stairs down two at a time and burst out of his apartment block into the bright August sun.
 
also, springs you've alighted on a problem i kind of have - the MC starts off the story on a drinking binge because he's just been dumped after cheating on his girlfriend... he comes good during the story, but i think i may have a problem with people engaging him at the start....
 
Pick up doctor sleep by king and see how he makes alcoholic Danny sympathetic. I was really impressed. :)

Edit: yes, this is more engaging. :)
 
Last edited:
Before he knew what was happening, he was lying spread-eagled on his coffee table, supported off old takeaway containers and flying like some drunken, stained superman. He could feel the wetness of the wet curry and sweet and sour pork mulch on his stomach.

Using a method that involved much flailing of arms and legs and that ended up with the coffee table upside down, Gerard managed to get to his feet. He stood, swaying dizzily, sweet and sour curry dripping of him. His phone was not in his hand any more, but he soon found it on the floor next to the Chesterfield.

IMO you spend too much time on this incident.

In fact, I sense that you're trying to inject a dark sense of humour - a la Shaun of the Dead, or similar, in this piece - and that we're supposed to see Gerard as a kind of buffoonish and sympathetic character.

However, what I get instead is that you keep slowing the pace with visual detail that does not add to the story, and instead takes away from it.

Remember, we're not watching a film, we're reading a story, so when you use visual details then brevity is your friend. Show us falling in his curry by all means - but less is more - can you do it in a single sentence?

Similar happens later on:

that had probably devalued his flat by thirty grand.
...
Getting to the kitchenette, he poured himself another large vodka and orange.
...
Through the haze of his hangover (which was clearing now he had finished almost half the vodka)
...
Gerard grabbed some foil wrapped paracetamol from the kitchen drawer, popped them into his mouth and washed them down with another hastily poured vodka and orange. Then he pulled his stained pyjamas off and dropped them to the floor. He splashed some water on his face from the kitchen tap, then grabbed a tea towel and wiped the takeaway stains from himself as he staggered into his bedroom.

Gerard’s bedroom was almost in as bad a state as his living room. Alcohol bottles littered the room but there was no old food in here at least. Gerard stopped as his foot squelched in what he hoped was whiskey on the floor. As he did, he caught sight of himself in the mirror that stood on the other side of the bed. Red, bleary eyes stared back from beneath an unruly mop of mousy brown hair and above a bare, pale and overweight torso.

Gerard shook his head and grabbed the closest pair of jeans and T-shirt he could find - faded blue jeans and his retro bugs bunny tee. On the way back through the living room he picked up his keys, wallet, travelcard and phone and thrust his feet into the old leather trainers that were still just on the respectable side of the rubbish bin. Walking out the front door of the flat he slammed it behind him, not noticing the open door of the apartment across the landing.

I think you're trying to write too visually at the moment - sometimes it can work, but it's a constant habit in this sample. Remember, we need to be sucked into a reason to sympathise and empathise with the character as quickly as possible and maintain that as long as possible.

Does he love Christy? He's going to be worried sick. He'll imagine the worst. He certainly won't pay much attention to the value of his property and the mess of take-outs - you've already mentioned the latter, stop labouring on them!

Again, look at what the story is. The story is not the mess in the place - which is merely an external reflection of the internal state of mind you should be exploring - it's the call from his lost love, in danger and distress - and he is going to be conflicted by the fact that they are no physically together, even if he has not emotionally left her. Focus on anything to do with this, and concisely - keep the story moving. Add details where they add to the story - not just simply because you can.

The more you make us feel the character, the more the reader is. The more you show the character and his surroundings instead of the conflict, the more distant we remain from the story, and therefore disengaged.

2c.
 
cheers springs i might have a look at doctor sleep

and thanks brian. the rewrite still needs work obviously, i just couldn't let things lie!

and i think you're right, i do tend to write too visually, which is something i am aware of now, but wasn't when i wrote this piece
 
cheers springs.

so i got antsy and did a quick rewrite. it's fair to say the above ain't going to work.... so how about this:

__________________________________________


“Gerry! Are you okay? It’s Christy. Answer your phone! Have… Have you seen them? They’re everywhere!… I’m scared Gerry! Please please call me when you get this. I really need-”
This is interesting
What Christine needed was lost in the harsh click of a disconnected phone line. Interesting Gerard jumped up off the old, worn Chesterfield, and a heavy wave of dizziness hit him. Before he knew what was happening, he was lying spread-eagled on his coffee table, supported off old takeaway containers and flying like some drunken, stained superman. He could feel the wetness of the wet curry and sweet and sour pork mulch on his stomach. The rest of the paragraph is not so interesting.

Using a method that involved much flailing of arms and legs and that ended up with the coffee table upside down, Gerard managed to get to his feet. He stood, swaying dizzily, sweet and sour curry dripping of him. His phone was not in his hand any more, but he soon found it on the floor next to the Chesterfield. Amusing but does not advance the story at all.

Gerard quickly dialled his voicemail and played Christine’s message again.

“Gerry! Are you okay? It’s Christy. Answer your phone! Have… Have you seen them? They’re everywhere!… I’m scared Gerry! Please please call me when you get this. I really need-”

Gerard hung up and called Christine’s mobile. The call went straight to her voicemail. He tried her home phone next. The phone rang nine times before he hung up. He tried both numbers again with the same results. Hanging up the phone, Gerard was immediately stung into determined action. This sentence sticks out as an example of "Telling" - unwanted telling, as you should be showing him acting. In his dazed, hungover state he was certain of only one thing: He had to get to Christine’s flat.

Gerard waded across his living room, through the beer cans, whisky bottles and takeaway boxes that were the legacy of his 3 day binge, and that had probably devalued his flat by thirty grand. Amusing if exaggerated. Getting to the kitchenette, he poured himself another large vodka and orange. He gulped it down, hoping it would help to get rid of the drumming in his head. What could Christine’s rather strange message mean, and what was the rest of it? “I need your help”... “I need a favour”... or maybe even... “I need you back”

Whatever it was, the edginess and fear in her voice was unmistakable. The copious amounts of alcohol and junk food Gerard had consumed in the last few days had not dulled his feelings for Christine or the shame he felt. Through the haze of his hangover (which was clearing now he had finished almost half the vodka), Gerard dialled Christine’s mobile again. “Christy!If you get this, wait at your place! I’m coming now!” He said urgently when the harsh beep sounded. This could be shorter.

Gerard grabbed some foil wrapped paracetamol from the kitchen drawer, popped them into his mouth and washed them down with another hastily poured vodka and orange. Then he pulled his stained pyjamas off and dropped them to the floor. He splashed some water on his face from the kitchen tap, then grabbed a tea towel and wiped the takeaway stains from himself as he staggered into his bedroom. We don't need all this detail - you could convey the essence in a few words.

Gerard’s bedroom was almost in as bad a state as his living room. Alcohol bottles littered the room but there was no old food in here at least. Gerard stopped as his foot squelched in what he hoped was whiskey on the floor. As he did, he caught sight of himself in the mirror that stood on the other side of the bed. Red, bleary eyes stared back from beneath an unruly mop of mousy brown hair and above a bare, pale and overweight torso. This isn't advancing the story.

Gerard shook his head and grabbed the closest pair of jeans and T-shirt he could find - faded blue jeans and his retro bugs bunny tee. On the way back through the living room he picked up his keys, wallet, travelcard and phone and thrust his feet into the old leather trainers that were still just on the respectable side of the rubbish bin. Walking out the front door of the flat he slammed it behind him, not noticing the open door of the apartment across the landing. He took the stairs down two at a time and burst out of his apartment block into the bright August sun. We don't need all this detail.

I think you need to steel yourself to cut this a bit. This could be cut by three-quarters without losing the essence - that the M/C receives a worrying phone message, gets up, and goes out to deal with it.
To put this another way, I am interested in various things but the state of a stranger's apartment is not one of them. :rolleyes:

Humour is usually welcome, but here it works against the suspense of your story.

Readers will not necessarily fail to empathise with your character (they may have behaved in the same way). :) Just don't make him both unlikeable and uninteresting - that's one combination that doesn't work.

Good luck with reworking this.
 
Struth, the whole drunk/hangover wakeup could take place in about two paragraphs. No character is particularly interesting until they are part of an ongoing story.
 
Uh Oh. My MC starts off with the pov character waking up and realising he has burglars in the house. Is this really such a bad thing.
 
Uh Oh. My MC starts off with the pov character waking up and realising he has burglars in the house. Is this really such a bad thing.

It depends how well it's written, but the main character waking up gets mentioned time and again by agents as the start they see most often and the one most likely to make them put a mss script down.
 
Uh Oh. My MC starts off with the pov character waking up and realising he has burglars in the house. Is this really such a bad thing.

Being woken in the middle of the night by burglars, is probably fine, as that could very well be where the story starts; it is interesting (although not particularly original) and can lead straight into some action.

Waking up to the alarm clock, looking in the mirror, having breakfast and brushing one's teeth, on the other hand, is cliched and boring. Don't do that at the start of your novel.
 
You try to convey messages in too much depth. Some solutions:

- Describe the sordid state of his bedroom briefly. Say the living-room matches the state of his bedroom and leave it at that. Don't add further description. "The bedroom was a mess in all these ways. The living room was a like-wise mess, but different in all THESE ways." A little information will drag your readers subconscious forward. Let that subconscious fill in the details. That's half of what our subconscious does during any real-world experience anyway.

- You're trying to express the characters hang-over state. It's not irrational to be descriptive of the experience of vertigo for the sake of sympathy. Still, you only need to have a few sentences near the beginning which accomplish this sympathy. Afterwards, use only small verbs to highlight his actions. Now that his hangover is established, simply saying "It took ten minutes to go from twenty feet from the bedroom, through the living room and into the kitchen" will suffice. The imagination will underline the journey with the circus performance which comes from a terrible hangover.

The good thing about trimming this piece down by a third or two is you can move into the next part of this (zombie?) story quicker, and I suspect those parts will be more interesting.

Furthermore, by applying this discipline, the discipline to write conservatively will happen more often. Repeat internally constructive patterns in order to make those patterns concrete within yourself.
 
Hi Mr. Orange,

I liked both pieces. They did seem a bit overextended but then it's difficult to tell the plot of the story form here and just how important all that description might be to move the story. On the other hand being overly descriptive, though harmful might not be deadly and it just involves the matter of making each part create it's own measure of importance to the story.

I too saw a bit of a stop at waking with a start. Unless the story has some heavy reason moving it for that character to wake that way I guess it is a bit old. Besides which I hear they sew those into the PJ's these days, the start that is, so now everyone can rest assured they will always wake with a start. And if your character ever feels that urge to look in the mirror always be sure he's relieved to find he's either broken it or covered it. Seriously though sometimes the character is going to look in the mirror and you'll just have to get over it.

Removing all mirrors from the story begins to sound like a vampire chronicle.

I'm happy with this the way it is but the best you could do now is tighten it up more and who knows...maybe a place will open for information that moves the story along. Obviously writing is as much about rewrites as it is about getting that first down on the paper and you did a good job getting it there the first time. You did better with the rewrite and it can only get better from there.

Not sure if I have any clue what the plot is in this story other than a possible alcoholic breaking up with a girlfriend who may now find she needs him for something. There seems to be an undertone that something bad is about to happen if it hasn't already but that's not as clear as the breakup and the drinking problem which may or may not be related and interrelated and circular.
 
cheers guys

i think's it evident that this still needs some cutting.... i think the whole first half of the story will need the same harsh treatment....

the drinking is kind of important as it's how he then deals with finding an empty city outside his door, but maybe i need to tone it down here a bit...
 
I liked the edited version much better. When he gets the voice mail it seems very urgent, but the pace slowed down when he went about getting dressed and telling what the room looked like.

I did like the voice mail adding to the suspense. It makes me want to find out who/what Christy is talking about. There are hundreds of possibilities running through my head so it is keeping me guessing, which will keep me reading.
 
Cheers abraves. Good to know you're intrigued. Will be applying the scalpel to this and the rest of the first chapter when I get the time
 
Status
Not open for further replies.

Similar threads


Back
Top