Ransonwrites
Eternal factotum
Things aren't looking good over a Barnes & Noble's Nook division. According to this article on the Digital Publisher, today...
Well, presumably a few of us are Nook owners, and a few of us who are self-publishers have probably done things like paid CreateSpace $25 for their expanded distribution package, which includes B&N.
Is it serious? Judge for yourself. As Mr Hoffelder remarks,
What is the ultimate result of this trend which I have used the Nook's travails as an excuse to discuss?
Readers will have less choice - the book market will increasingly resemble Hollywood, i.e. the lowest common denominator rules: you get what you're given and what you're given is sex, action and a plot you can summarise on a napkin, yet whose plot-holes require a 100 page thesis to convey.
Authors, meanwhile, will get shafted (both traditional and self-published). Witness the last ten years of almost continuous mergers and acquisitions of publishers, which seems to be accelerating, and which rarely result in an increase of available resources for the authors on those publishers' respective lists. Sometimes a cull ensues, with an arbitrary benchmark of n number of book sales per month being defined, and everyone below that number being refused a new contract. Thus, the newly merged entity retains hardly any more authors than any of the component companies did when they were separate. And there's a good reason for this, because the marketing and distribution departments have been culled, as well, so those authors who remain struggle to get the resources and publicity they need to ensure they meet the monthly quota of sales, and thus get another book deal.
How does this hurt self-published authors? Competition. There will be a growing tide of established names with established followings moving onto the indie book market, because if they wish to keep writing and selling they will have little choice. The doors to traditional publishers are shrinking even as the crowds of applicants and re-applicants grow. As a result we unknowns will struggle even harder to become 'knowns' and to find our niche in a bloated market of self-employed authors all clammering on social media for attention.
Am I being gloomy? Do I still have that Monday feeling even though it's Tuesday? I welcome any remarks to the contrary, and any predictions of a glowing future because, right now, I struggle to see it.
Why do we care?Over the past few weeks no fewer than 4 members of the senior management at Nook Media, B&N’s ebook sub, have either left the company, been promoted, or announced that they have one foot out the door.
Well, presumably a few of us are Nook owners, and a few of us who are self-publishers have probably done things like paid CreateSpace $25 for their expanded distribution package, which includes B&N.
Is it serious? Judge for yourself. As Mr Hoffelder remarks,
If the Nook's days are numbered this can only represent another loss of competition in an already narrow market. Publishers, and platforms, are either merging or falling by the wayside with far reaching consequences both for readers and authors.... no one was promoted or hired to fill the now-empty positions. Instead the job was demoted to whoever was the next in line. Or even worse, they were simply left empty. In either case, that does not bode well for the Nook.
What is the ultimate result of this trend which I have used the Nook's travails as an excuse to discuss?
Readers will have less choice - the book market will increasingly resemble Hollywood, i.e. the lowest common denominator rules: you get what you're given and what you're given is sex, action and a plot you can summarise on a napkin, yet whose plot-holes require a 100 page thesis to convey.
Authors, meanwhile, will get shafted (both traditional and self-published). Witness the last ten years of almost continuous mergers and acquisitions of publishers, which seems to be accelerating, and which rarely result in an increase of available resources for the authors on those publishers' respective lists. Sometimes a cull ensues, with an arbitrary benchmark of n number of book sales per month being defined, and everyone below that number being refused a new contract. Thus, the newly merged entity retains hardly any more authors than any of the component companies did when they were separate. And there's a good reason for this, because the marketing and distribution departments have been culled, as well, so those authors who remain struggle to get the resources and publicity they need to ensure they meet the monthly quota of sales, and thus get another book deal.
How does this hurt self-published authors? Competition. There will be a growing tide of established names with established followings moving onto the indie book market, because if they wish to keep writing and selling they will have little choice. The doors to traditional publishers are shrinking even as the crowds of applicants and re-applicants grow. As a result we unknowns will struggle even harder to become 'knowns' and to find our niche in a bloated market of self-employed authors all clammering on social media for attention.
Am I being gloomy? Do I still have that Monday feeling even though it's Tuesday? I welcome any remarks to the contrary, and any predictions of a glowing future because, right now, I struggle to see it.