835 word first chapter of Middle grade fantasy.

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SleepyDormouse

dreaming away....
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I have completely re-written the first chapter for my middle grade (8-12 yr old) story. The original chapter was critiqued here , but this bares no resemblance to the new chapter really.

I'm still not sure its the right place to start, but it feels better to me :) Though now I'm putting it up on critiques I start noticing there is not much action, and rather a lot of introspection.

-----------------------

Something’s wrong, thought Kendric as his awareness shifted from intense concentration on the object in his hand to his surroundings. Sunlight shone across the familiar room onto walls hung with all manner of tools; Saws, hammers, chisels and many others crowding in on him. Across the room the treadle lathe stood silent and still.

He was alone; his father’s normally busy workshop was empty. Why was no one here?

Struggling to throw the last cobwebs from his mind and remember what was special about today he looked down at the cause of his problem. One hand was curled around the smooth handle of a small knife and in the other was a shaped lump of wood. He wasn’t even sure what he had carved this time until he turned the lump around and revealed an owl.

How long have I been sat alone in here carving? He didn’t care how proudly his father said that woodworking was “in his blood”, Kendric wished he could simply control when he did it. How long would it be before someone noticed the way the carving controlled him and wondered why? He had thought about it often enough himself and though he hardly dared think the word “magic” was what crept into his mind most often. But that would be impossible, and terrible.

Even if he somehow, incredibly, did have magic surely it would show itself in amazing way, huge fireworks or explosions, not through simple wood carving. Repeatedly finding yourself waking from a trance in which you had been carving blocks of wood was not “normal” though.

Where am I supposed to be?

The wind outside changed direction, and a snatch of distant music, discordant and harsh, filled the otherwise silent workshop.

The fair!

Abruptly Kendric shoved the new carving onto a workbench by his side, causing a cascade of wood chips and shavings to scatter across the planked floor as he stood. With the words of his father “Always look after your tools” echoing in his mind Kendric paused to slot the carving knife back into its place on the wall before racing across to the nearest window.

The sun was almost directly overhead. Nearly midday, if I am lucky I might just make the procession, and maybe no-one will have missed me.

*

Turning the corner Kendric slowed; suddenly there were people everywhere and the already narrow streets were made narrower still by stalls. As he pressed into the crowd he was dazzled as swirling colours, tempting smells and the general hubbub enveloped him. He swerved around a girl in a yellow dress as she dropped a penny into an organ man's pot and the loud discordant tune followed him as he wove his way towards the town square.

Here the narrow street opened out and crowds thinned. Over the heads of chatting ladies he could see the maypole, its top decorated with ivy, colourful ribbons hanging down like timid girls awaiting a dance partner.

“Where have you been all morning?”

Recognising his friend’s voice behind him, Kendric turned with a smile. Marley was tall and with his unusual black hair was easy to spot amongst the crowd unlike Kendric, who was so ordinary looking he could blend into a group of boys to the point of almost disappearing. Today Marley was looking unusually clean and neat apart from a smudge of honey and cake crumbs below his lower lip.

“Oh, have you been carving again?” Marley continued with mild annoyance looking at Kendric’s tunic, which still had curled flakes of wood stuck in the woollen fabric.

Hastily Kendric brushed his tunic clean, resorting to plucking flakes out with his fingers where they clung determinedly to the fibres. “I had no choice in it,” he muttered sourly.

“You’re father is a hard task master to make you work today!” Marley said.

Relieved that Marley had not understood his true meaning Kendric quickly changed the subject. “I haven’t missed the procession have I?”

“It’s one of the only things you haven’t missed!” Marley said as he lifted his honey cake and had another bite from it. “This cake for instance, it’s delicious. I’ve had three already!”

Kendric took a slow breath, he wasn’t too late. As he relaxed he suddenly realised how hungry he was, “It looks good, where did you buy it?”

When Kendric turned around from a stall with his own cake, which was indeed deliciously sticky, sweet and delicately spiced, he scanned the growing crowd for his friend. With a sinking feeling Kendric found Marley standing in the one area of the square that he had been trained to avoid since early childhood.
Despite the now quite heavy crowd, a clearing encircled an ancient water fountain, created by the Mages before the Falling, and it was just inside this clearing that Marley was standing.

Kendric hesitated, feeling suddenly cold despite the warm sun, until he saw the familiar daring look on Marley’s face. With a resigned sigh, he forced himself to join his friend.
 
[/Quote]
I have completely re-written the first chapter for my middle grade (8-12 yr old) story. The original chapter was critiqued here , but this bares
bears
no resemblance to the new chapter really.

I'm still not sure its
it's
the right place to start, but it feels better to me :) Though now I'm putting it up on critiques I start noticing there is not much action, and rather a lot of introspection.

-----------------------

Something’s wrong, thought Kendric as his awareness shifted from intense concentration on the object in his hand to his surroundings. Sunlight shone across the familiar room onto walls hung with all manner of tools;
Possibly colon rather than semicolon for a list?
Saws, hammers, chisels and many others crowding in on him. Across the room the treadle lathe stood silent and still.

He was alone; his father’s normally busy workshop was empty. Why was no one here?

Struggling to throw the last cobwebs from his mind and remember what was special about today he looked down at the cause of his problem. One hand was curled around the smooth handle of a small knife and in the other was a shaped lump of wood.
his hand was wooden?
He wasn’t even sure what he had carved this time until he turned the lump around and revealed an owl.

How long have I been sat alone in here carving? He didn’t care how proudly his father said that woodworking was “in his blood”, Kendric wished he could simply control when he did it. How long would it be before someone noticed the way the carving controlled him and wondered why? He had thought about it often enough himself and though he hardly dared think the word
Perhaps a comma here (took me a couple of seconds to work out how to say it)?
“magic” was what crept into his mind most often. But that would be impossible, and terrible.

Even if he somehow, incredibly, did have magic
comma?surely it would show itself in
an? some? amazing way, huge fireworks or explosions, not through simple wood carving.
I think a question mark here – it's really interrogative as a concept.
Repeatedly finding yourself waking from a trance in which you had been carving blocks of wood was not “normal” though.

Where am I supposed to be?

The wind outside changed direction, and a snatch of distant music, discordant and harsh, filled the otherwise silent workshop.
Distant (barely heard) music, while it can be discordant, is almost never 'hash' (harmonics get lost with distance). And it doesn't 'fill' a space, either, just sort of oozes in at the edges.
The fair!

Abruptly Kendric shoved the new carving onto a workbench by his side, causing a cascade of wood chips and shavings to scatter across the planked floor as he stood. With the words of his father “Always look after your tools” echoing in his mind Kendric paused to slot the carving knife back into its place on the wall before racing across to the nearest window.

The sun was almost directly overhead. Nearly midday,
Comma splice
if I am lucky I might just make the procession, and maybe no-one will have missed me.
*​

Turning the corner Kendric slowed; suddenly there were people everywhere and the already narrow streets were made narrower still by stalls. As he pressed into the crowd he was dazzled as swirling colours, tempting smells and the general hubbub enveloped him.He swerved around a girl in a yellow dress as she dropped a penny into an organ man's pot and the loud discordant tune followed him as he wove his way towards the town square.

Here the narrow street opened out and crowds thinned. Over the heads of chatting ladies he could see the maypole, its top decorated with ivy, colourful ribbons hanging down like timid girls awaiting a dance partner.

“Where have you been all morning?”

Recognising his friend’s voice behind him, Kendric turned with a smile. Marley was tall and
comma
with his unusual black hair
comma
was easy to spot amongst the crowd unlike Kendric, who was so ordinary looking he could blend into a group of boys to the point of almost disappearing. Today Marley was looking unusually
As you have used 'unusual' for his hair, could you perhaps try a synonym here? There are several.
clean and neat apart from a smudge of honey and cake crumbs below his lower lip.

“Oh, have you been carving again?” Marley continued with mild annoyance
Comma
looking at Kendric’s tunic, which still had curled flakes of wood stuck in the woollen fabric.

Hastily Kendric brushed his tunic clean, resorting to plucking flakes out with his fingers where they clung determinedly to the fibres. “I had no choice in it,” he muttered sourly.

“You’re father is a hard task master to make you work today!” Marley said.

Relieved that Marley had not understood his true meaning
Comma?
Kendric quickly changed the subject. “I haven’t missed the procession have I?”

“It’s one of the only things you haven’t missed!” Marley said as he lifted his honey cake and had another bite from it. “This cake for instance,
comma splice
it’s delicious. I’ve had three already!”

Kendric took a slow breath,
comma splice
he wasn’t too late. As he relaxed he suddenly realised how hungry he was,
Full stop rather than comma.
“It looks good, where did you buy it?”

When Kendric turned around from a stall with his own cake, which was indeed deliciously sticky, sweet and delicately spiced, he scanned the growing crowd for his friend. With a sinking feeling Kendric found Marley standing in the one area of the square that he had been trained to avoid since early childhood.
Despite the now quite heavy crowd, a clearing encircled an ancient water fountain, created by the Mages before the Falling, and it was just inside this clearing that Marley was standing.

Kendric hesitated, feeling suddenly cold despite the warm sun, until he saw the familiar daring look
I'm not sure a 'daring look' transmits your meaning. Perhaps a little more explanatory, 'the familiar look on his face daring him? Or something.
on Marley’s face. With a resigned sigh, he forced himself to join his friend.
 
It's quite well-written, but my first thought was to wonder if the vocabulary and sentence structures were appropriate for the stated age range of 8-12.
Shortening the sentences and getting rid of '-ing' words like 'Struggling' would make it seem pacier.
'daring look' seems ambiguous.
 
Hi

Just a note to say my children are this age, and the books they read are characterized by action and dialogue.

Their stories have compelling action and strong hooks, as well as a 3000 word vocabulary as standard.

Also there is a big difference between what an 8 year old can read and what a 12 year can read. Also a nine year old will not read about an eight year old, and an eight year old does not identify with a 12 year old.

You also have to careful about word count for both individual chapters and the entire story, and think about illustrations.

Hope this helps,

Sally
 
Something’s wrong, thought Kendric, as his awareness shifted from intense concentration on the object in his hand to his surroundings. Sunlight shone across the familiar room onto walls hung with all manner of tools; Saws, hammers, chisels and many others crowding in on him. Across the room the treadle lathe stood silent and still.

He was alone; his father’s normally busy workshop was empty. Why was no one here?

Struggling to throw the last cobwebs from his mind and remember what was special about today
, he looked down at the cause of his problem. One hand was curled around the smooth handle of a small knife and in the other was a shaped lump of wood. He wasn’t even sure what he had carved this time, until he turned the lump around and revealed an owl.

How long have I been sat alone in here carving? He didn’t care how proudly his father said that woodworking was “in his blood”, Kendric wished he could simply control when he did it. How long would it be before someone noticed the way the carving controlled him and wondered why? He had thought about it often enough himself and though he hardly dared think the word “magic” was what crept into his mind most often. But that would be impossible, and terrible.

Even if he somehow, incredibly, did have magic
, surely it would show itself in amazing way.(mostly because I felt that line ended) Like huge fireworks or explosions, not through simple wood carving. Repeatedly finding yourself waking from a trance in which you had been carving blocks of wood was not “normal” though.

Where am I supposed to be?

The wind outside changed direction, and a snatch of distant music, discordant and harsh, filled the otherwise silent workshop.

The fair!

Abruptly
, Kendric shoved the new carving onto a workbench by his side, causing a cascade of wood chips and shavings to scatter across the planked floor as he stood. With the words of his father “Always look after your tools” echoing in his mind, Kendric paused to slot the carving knife back into its place on the wall before racing across to the nearest window.

The sun was almost directly overhead. Nearly midday, if I am lucky I might just make the procession, and maybe no-one will have missed me.

*

Turning the corner Kendric slowed;
suddenly not really, as I was expected some people at the Fair there were people everywhere and the already narrow streets were made narrower still by stalls. As he pressed into the crowd he was dazzled as swirling colours, tempting smells and the general hubbub - weakened the description, more so has you had specific detail before enveloped him. He swerved around a girl in a yellow dress as she dropped a penny into an organ man's pot and the loud discordant tune followed him as he wove his way towards the town square.

Here the narrow street opened out and crowds thinned. Over the heads of chatting ladies he could see the maypole, its top decorated with ivy,
with colourful ribbons hanging down like timid girls awaiting a dance partner.

“Where have you been all morning?”
said a voice from behind – or similar, to give direction?

Recognising his friend’s voice
behind him – remove from above, Kendric turned with a smile. Marley was tall and with his unusual – how? black hair was easy to spot amongst the crowd unlike Kendric, who was so ordinary looking he could blend into a group of boys to the point of almost disappearing. Today Marley was looking unusually – how again? clean and neat, apart from a smudge of honey and cake crumbs below his lower lip. These descriptions felt very forced.

“Oh, have you been carving again?” Marley continued
, with mild annoyance – why be annoyed? looking at Kendric’s tunic, which still had curled flakes of wood stuck in the woollen fabric.

Hastily Kendric brushed his tunic clean
and even resorting to plucking flakes out with his fingers where they clung determinedly – giving emotions and actions to woodchips? to the fibres. “I had no choice in it,” he muttered sourly.

Your father is a hard task master to make you work today!” Marley said.

Relieved that Marley had not understood his true meaning Kendric quickly changed the subject. “I haven’t missed the procession have I?”
Very telling and flat dialogue.

“It’s one of the only things you haven’t missed!” Marley said
, as he lifted his honey cake and had another bite from it. “This cake for instance, it’s delicious. I’ve had three already!”

Kendric took a slow breath, he wasn’t too late. As he relaxed
, he suddenly realised how hungry he was, “It looks good, where did you buy it?”

When Kendric turned around from
this line is confusing a stall with his own cake, which was indeed deliciously sticky, sweet and delicately spiced. He scanned the growing crowd for his friend. With a sinking feeling, Kendric found Marley standing in the one area of the square that he had been trained to avoid since early childhood.
Despite the now quite heavy crowd, a clearing encircled an ancient water fountain, created by the Mages before the Falling,
I’m not sure about this comma. It could have been two separate lines and it was just inside this clearing that Marley was standing.

Kendric hesitated, feeling suddenly cold despite the warm sun, until he saw the familiar daring look on Marley’s face. With a resigned sigh, he forced himself to join his friend.


Much better from what I remember, well done.
I had problems with sentence structure – some just kept going. I have added comma’s where I felt they were missing, but I felt more pauses could have been added. Very telling in places, but I’ll assume this is the YA style. As an adult and with adult patience, this section was very slow and with very little happening that I can see. For younger little people, I think you’d struggle to keep their very short attention span focused here. In places I felt you needed to be a lot more concise and focused, and with more pace in general. Lastly, you’ve no hook. Nothing really happened.
Yet I can clearly see the work you’ve put in and your writing is much better for it. Think more on how you present your plot, to grab a reader’s attention more.
 
Thank you for the critiques :)

Chrispenycate - the edit of my top comment made me laugh! It reminded me that everything I write can be improved, even just quick comments. :) Quite right with your comments on the distant music, I should have realised that. I had to look up comma splice and feel more knowledgeable on that now. I do tend to have a rather meandering style at times and link clauses that shouldn't be linked. It's something for me to keep an eye out for.


It's quite well-written, but my first thought was to wonder if the vocabulary and sentence structures were appropriate for the stated age range of 8-12.
Shortening the sentences and getting rid of '-ing' words like 'Struggling' would make it seem pacier.
'daring look' seems ambiguous.

Thanks :) I shall look again at vocabulary and sentence structure/lengths, and the 'ing' words.

Hi

Just a note to say my children are this age, and the books they read are characterized by action and dialogue.

Their stories have compelling action and strong hooks, as well as a 3000 word vocabulary as standard.

Also there is a big difference between what an 8 year old can read and what a 12 year can read. Also a nine year old will not read about an eight year old, and an eight year old does not identify with a 12 year old.

You also have to careful about word count for both individual chapters and the entire story, and think about illustrations.

Hope this helps,

Sally

Hi Sally (I share your first name :)) I too have children this age, and you are right. My nearly 8yr old mostly reads different books to my 11 yr old. When I put 8 - 12yr old I was mostly putting it for people reading to know it was for kids. I think it can be hard to put age levels to books as some 7 yr olds read more complicated books than some 12 yr olds reading Wimpy Kid/ Tom Gates etc. I suppose to define it more closely the story I am working on is aimed at 9-10yr olds, and probably boys rather than girls.

How would you work out the 3000 word vocabulary? I have read up on total word count (I have 30,000 and think that is ok, but will change on further re-writes anyway.) and average word count for chapters. Illustrations are much less common in this age range of books, and isn't that something that publishers prefer to sort out themselves anyway, if they think it needs them?


Much better from what I remember, well done.
I had problems with sentence structure – some just kept going. I have added comma’s where I felt they were missing, but I felt more pauses could have been added. Very telling in places, but I’ll assume this is the YA style. As an adult and with adult patience, this section was very slow and with very little happening that I can see. For younger little people, I think you’d struggle to keep their very short attention span focused here. In places I felt you needed to be a lot more concise and focused, and with more pace in general. Lastly, you’ve no hook. Nothing really happened.
Yet I can clearly see the work you’ve put in and your writing is much better for it. Think more on how you present your plot, to grab a reader’s attention more.

Thanks. I do tend to write long sentances!

Seeing these comments makes me realise that I still really need to look hard at this again. Thanks for helping me see that.

Onwards and upwards.:)
 
Ooops. Sorry, when I go into 'pedant' mode…

Far be it from me to interfere in your word choice, but was there a reason you didn't use the term organ grinder? Is it that the barrel organ is fading into obscurity, and younger readers might not recognise either it, nor how much the handle movement was similar to the adjacent knife-sharpening stall with its big grindstone, sparks and wonderful grating noise? I'm not quite perverse enough to see the organ man's barrow as containing kidneys and tripe, the threat for beleaguered mothers' "be good now, or the organ man will carry you off to become transplants for rich kids…"

“You’re father is a hard task master to make you work today!” Marley said.
Saw and omitted to mention. Your father, possessive, note a contraction of 'you are'.

Experimenting on my nephews and nieces (and soon on grandnephews and grandnieces, assuming their parents don't, remembering my performances with them, decline the offer) I've discovered that quite small beings do not reject 'difficult' words. Though, when it comes to their turn to read to me, they may request aid in pronunciation, so when reading for themselves perhaps too many complicated words slow things down until the enjoyment is diluted, but they consider – quite rightly – that dumbing things down, baby talk, is an insult.

Or perhaps that's just my family ;).
 
A number of thoughts based on my experience. When I was 7 (that would be in 1958) my teacher and the librarian at the school were concerned about me reading under my level -ability wise. (because I liked Dr Seuss so much)They finally steered me to The mushroom planet series by Eleanor Cameron which I note is still listed these days for ages 8-12.

Perhaps that would be one place to look for this level of reading and in looking at the copy I have setting on my desk; though the vocabulary might be a bit restrained in comparison to yours the sentence structure actually gets pretty long and dicey in some spots. Em-dashes even. We do want to restrain from talking down to these people because those age groups have a variable reading level it does not hurt to put the bar high.
 
Far be it from me to interfere in your word choice, but was there a reason you didn't use the term organ grinder? Is it that the barrel organ is fading into obscurity, and younger readers might not recognise either it, nor how much the handle movement was similar to the adjacent knife-sharpening stall with its big grindstone, sparks and wonderful grating noise? I'm not quite perverse enough to see the organ man's barrow as containing kidneys and tripe, the threat for beleaguered mothers' "be good now, or the organ man will carry you off to become transplants for rich kids…"

Erm.. not I don't remember a particular reason that I didn't use the word grinder, I suppose it may have been that I thought it wouldn't be as easily understood. Saying organ grinder rather than man would be more accurate though. I love the imagery of the knife sharpening stall, not something I remember seeing myself.

Saw and omitted to mention. Your father, possessive, note a contraction of 'you are'.
Ah yes, that one slipped by me. Thanks

Experimenting on my nephews and nieces (and soon on grandnephews and grandnieces, assuming their parents don't, remembering my performances with them, decline the offer) I've discovered that quite small beings do not reject 'difficult' words. Though, when it comes to their turn to read to me, they may request aid in pronunciation, so when reading for themselves perhaps too many complicated words slow things down until the enjoyment is diluted, but they consider – quite rightly – that dumbing things down, baby talk, is an insult.

I agree, and I am almost positive that a lot of my understanding of more complicated words came from reading words I didn't know and gradually picking up the meaning from the context of a sentence. Kids will, I have noticed, quite happily read words they don't understand and carry on regardless. As long as there are not too many!
 
A number of thoughts based on my experience. When I was 7 (that would be in 1958) my teacher and the librarian at the school were concerned about me reading under my level -ability wise. (because I liked Dr Seuss so much)They finally steered me to The mushroom planet series by Eleanor Cameron which I note is still listed these days for ages 8-12.

Perhaps that would be one place to look for this level of reading and in looking at the copy I have setting on my desk; though the vocabulary might be a bit restrained in comparison to yours the sentence structure actually gets pretty long and dicey in some spots. Em-dashes even. We do want to restrain from talking down to these people because those age groups have a variable reading level it does not hurt to put the bar high.

I agree that talking down, or lowering the complexity of sentences, to children wouldn't be good. I've just found one of the mushroom planet books on Amazon and had a look inside, yes the sentences are very complex! I can see why you liked them too. :)

However, I think that more modern children's books are written quite differently. Older books do tend to be longer, and slower paced. Classics like The Secret Garden for instance, which my 7 yr old read quite a lot of by herself when aged 6, is beautiful.. but sooooo slow compared to books written today. And they are actually quite a lot harder to read. I love though that my daugher will jump between books like that and the rainbow fairy series. Gradually more carefully thought out and better written books are winning (though anything with puppies is devoured regardless!)
 
Just wittering on about writing for children, I think the issue is how you sell it to publishers.

If you say ' oh I'm writing for kids. ' i think the reaction of most agents is to run a mile.

Saying something like I am writing for 9 year old boys, which includes these elements which I think would appeal because I have children this age, and is similar to... Or draws on these contemporary influences...

It sounds like you know what you're about.

Maybe I am being too analytical, but when I meet other writers, someone who says they want to write for children, can mean they somehow think it is easier, when I think it is probably harder. You must have met some people like that too.

Anyhow... Good luck with it. Kids books really sell.
 
I can see what you mean about the pitch to agents/ publishers. Now I just need to remember that when I get something good enough to send!

I'm not sure that I do entirely know what I'm doing. But I am trying to do my research. Writing for children has different challenges, I'm not sure if that makes it harder.. it probably depends on how your brain works.

Thanks:)
 
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