Everybody reading this should go over to the thread by JSun if you know anyone like Susan Cooper. I don't want to upstage anyone.
I am specifically talking about books like The Demon Princes, or the Planet of Adventure quintologies. The rest of Vance's work is great, but those are my favorites.
These series are set in the fairly far future. (DP is further than PA but not to a significant degree). The worlds are well realized and very strange. Plotting is straightforward and, while not uninteresting these are books usually without great twists or surprises (but often abundant originality and cleverness). While nothing is explicit there is an undertone of erotica (or romance) in some of them. The characters are definitely a major factor and many are flamboyant but above all the attraction here is Vance's style. This is impossible to describe adequately but Keith Laumer is reported to have replied when he was told that critics regarded it as 'wooden' that it was "not wooden, carved" and I think that says it much better than I ever could. The characters (particularly the villains) talk in a fashion (and with a vocabulary) that almost sounds like another language than English, yet somehow it is always believable that they would talk that way
Oh, and he uses separate chapter intros and even footnotes.
Does anyone know of anything like that, but more recent than most of Vance's work? (He died last year at age 97 and hadn't published in some time to my knowledge.)
I am specifically talking about books like The Demon Princes, or the Planet of Adventure quintologies. The rest of Vance's work is great, but those are my favorites.
These series are set in the fairly far future. (DP is further than PA but not to a significant degree). The worlds are well realized and very strange. Plotting is straightforward and, while not uninteresting these are books usually without great twists or surprises (but often abundant originality and cleverness). While nothing is explicit there is an undertone of erotica (or romance) in some of them. The characters are definitely a major factor and many are flamboyant but above all the attraction here is Vance's style. This is impossible to describe adequately but Keith Laumer is reported to have replied when he was told that critics regarded it as 'wooden' that it was "not wooden, carved" and I think that says it much better than I ever could. The characters (particularly the villains) talk in a fashion (and with a vocabulary) that almost sounds like another language than English, yet somehow it is always believable that they would talk that way
Oh, and he uses separate chapter intros and even footnotes.
Does anyone know of anything like that, but more recent than most of Vance's work? (He died last year at age 97 and hadn't published in some time to my knowledge.)
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