WIP - another section (little bit long)

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Mirannan

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OK, here it is. I've been working on tightening this up, can't see any more ways to do it, need other eyes on it:

Nurse Karen Chapel’s Story


Some shifts in A&E can be seriously weird. This one was!


It was a couple of hours into a night shift in my hospital. A Friday night one, which is always busy – and just about as it was getting into the really busy time (pub chucking out time) at that. And then we got a call from the ambulance service – one of the nasty ones.


“Four casualties incoming. Three assault victims, two of them unconscious, and a rape victim. Keep the rape victim away from the others, and get the evidence-gathering kit ready. Oh, and there are several policemen and a civilian with them. The civvie, you have got to see!” And the ambulance driver chuckled. It didn’t seem very appropriate, but I was going to find out that perhaps it was.


The first to arrive was a man, who looked as if his face had been smashed in with a hammer. Blood everywhere, and he was completely unconscious and intubated. One of our trauma doctors was walking by his side; despite the serious injury, the doctor didn’t seem concerned. There was a policeman with him, as well.


After checking him in, the doctor ordered a battery of tests including a skull and c-spine CAT scan and tox screen. He did say that the policeman had to stay with him, and told us why. “This one here picked a fight with the wrong opponent. The cops tell me that the damage is from some sort of martial arts strike – three of them attacked someone else with knives, and lost. Just after at least one of them had probably committed rape – the victim’s on her way in. So is the one who did this.”


He couldn’t keep the smile off his face, and I could see why. Rape is nasty, but having your face smashed in is a lot worse – I suppose. Fortunately, neither has ever happened to me.


The next one from that scene came in; this one handcuffed, semi-conscious and obviously in quite a lot of pain. The doctor told me that this customer had fallen face-forward onto a concrete pavement. And then the third man came in, moaning in pain from an injured arm despite the morphine he turned out to have been given. These two were fairly routine, really. It doesn’t do to get too blasé, but this sort of injury we see a dozen times a day. Both of these two came in on wheelchairs. As did the next, who turned out to be the (alleged, we are supposed to say) rape victim. She was wearing a policeman’s high-vis jacket, presumably borrowed from one of the attending officers.


As I might have expected, the rape victim looked a little glassy-eyed and she had sundry scrapes. But I couldn’t help looking at the woman walking in next to the victim, and I imagine that the men in the department had even more trouble keeping their eyes off her. The noise level in the department dropped like a stone, so everyone could hear the faint jingle of mail.


Yes, mail. The first seriously odd thing about this woman was that she was dressed head-to-foot in chainmail, and looked as if she was completely used to it. And the second was that she was absolutely gorgeous. The sort of look that most women spend all day in makeup to achieve – except that it was completely obvious she wasn’t wearing any. One could almost hear the splashing of drool on the floor. Men!


And the way she moved – Well, let’s just say that I trained in dance for a while once, I know some professional dancers, and they would weep at the perfection of her walk. I’ve seen that sort of poise a couple of times, and the only people who walk like that are world-class dancers and really high-end martial artists. She was tall, too. Six feet or a little more.


The third odd thing was that she was looking really confused, and checking in all directions for something. Maybe she was expecting to be jumped? Well, considering that apparently she had just been in a serious fight, I suppose I could understand that.


The paramedic and policeman who had come in with the rape victim walked over to my counter. The policeman said, “We need to check this lady in. The doctor on the ambulance has checked her over, but we need the rape evidence kit and someone to use it, please. The minor scrapes need looking at, too.”


I said, “Well, best bring her over then so I can get her details. By the way, what’s with the re-enactment gear on the other one?”


The policeman said, “Well, we are still trying to work that out. Apparently she can cut up rough if she wants to – but apart from not wanting to let the victim out of her sight she hasn’t been much of a problem. No loud noises around her might be a good idea, though.”


I got a colleague to take over the desk for me, and went over to the woman in armour – who tensed slightly, gave me a fairly obvious look-over, then relaxed. “Sorry that everyone is talking about you. First of all, could you give me your name please? I don’t like referring to someone I’m talking to as ‘hey, you’.” She smiled slightly and relaxed a little more. “You are the first to ask me that tonight, you know. I was beginning to think no-one here had any manners. Sigrun Sifdottir at your service. And your name?”


I told her and said, “I’ve come over to you because I am told you have just been in a knife fight. I’m also told you claim not to have been wounded, but people sometimes take damage without noticing it especially in the heat of battle.” She said, “Granted. But I am fairly sure I am unhurt.” Me: “You may be wrong. And it is my responsibility to ensure that people coming in here are properly examined and treated if they need it.” (I was picking up this lady’s rather formal style.) “You wouldn’t want me to be reprimanded, would you? And before your next objection, there are policemen all over the place and although they aren’t obvious, security guards as well – and her attackers are in no condition to give it another try. Thanks to you, I’m told.”


She thought this over for a second and said, “All right. I wouldn’t want someone I’ve only just met reprimanded over this. And anyway, it seems to me that you are a professional and someone stubborn enough not to take No for an answer. Where will the examination be done?” I motioned to an empty cubicle nearby (there’s a miracle!) and said, “Over there – there are curtains of course. Best we can offer for privacy.”


“Oh, I am not worried about that. I am modest, but not to the point of idiocy.” And off we both went, the few yards to the cubicle, and I pulled the curtains.


“Right, first of all off with that armour. I can’t examine you through all that metal.” She nodded and, first of all, made an odd gesture as if she was removing a belt with something on it and leaning it against the wall. And then the cloak she was wearing, and a small backpack which fitted neatly in the small of the back. Getting the armour (and the padding underneath) off was a bit of a production, but off it came. And then I found out for sure that I have no inclination to play for the other side, so to speak. I think a male nurse or doctor might have struggled to maintain a professional manner.


Her skin was absolutely flawless except for a few very old and faint scars. He muscles were defined as I’ve never seen before except on Olympic athletes and professional bodybuilders. And let’s just say that she was... well-equipped? Her underwear was a bit odd but well, that’s none of my business. I briefly wondered what she would look like in a bikini...


“Have you quite finished staring yet?”


“Sorry, I don’t often run into anyone as super-fit as you obviously are. I’m going to have to do a bit more staring, I’m afraid.” And I proceeded to thoroughly examine her looking for any wounds. There weren’t any; not even a scratch. When I’d finished with this, I said, “The examination isn’t over, I’m afraid.” And got out my little torch and checked out her eyes, and finished the rest of the physical exam.


When I got out the blood pressure equipment, she started. “What’s that for?” I said, “Partly to check your heart and circulation, but if you’re worried...” I put the cuff on myself and checked my own pulse and blood pressure – both a little up, perhaps not surprisingly. “Now you?” She nodded. I did think it a little odd that she didn’t recognise a blood pressure cuff, though.


Her resting pulse was as I was beginning to expect – marathon runner level – and blood pressure was perfectly normal. She said, “Well, what’s the verdict?” I said, “No holes, as you said. It seems you haven’t taken a blow to the head – at least not recently – and not only is the rest fine, you are the fittest person I’ve examined in years.”
 
just about as it

this phrasing didn't work for me.


It didn’t seem very appropriate, but I was going to find out that perhaps it was.

Stylistically, I'm not keen on this. The character knows more than me and they're keeping it from me and it makes me feel a little stupid as a reader. That might just be me, though.



After checking him in, the doctor ordered a battery of tests including a skull and c-spine CAT scan and tox screen. He did say that the policeman had to stay with him, and told us why. “This one here picked a fight with the wrong opponent. The cops tell me that the damage is from some sort of martial arts strike – three of them attacked someone else with knives, and lost. Just after at least one of them had probably committed rape – the victim’s on her way in. So is the one who did this.”

Any emotional response to this from your pov character? I know she's a nurse and she might have seen it all before, but I want to like her and understand her. At the minute, this is all reportage. Also, I'd like more of a feel for the scene - are they coming in from the outside, can she feel wind, or from another part of the hospital. Or is there a porter? I can't visualise the scene at all.


He couldn’t keep the smile off his face, and I could see why. Rape is nasty, but having your face smashed in is a lot worse – I suppose. Fortunately, neither has ever happened to me.

I'm assuming from this you don't want us to like the pov character at all. Which is fine, but I'd probably put the book down. Even Holden Caulfield only went so far with me.





One could almost hear the splashing of drool on the floor. Men!

I quite like this line.

And the way she moved – Well, let’s just say that I trained in dance for a while once, I know some professional dancers, and they would weep at the perfection of her walk. I’ve seen that sort of poise a couple of times, and the only people who walk like that are world-class dancers and really high-end martial artists. She was tall, too. Six feet or a little more.

Okay, sorry, there are injured people here, and police coming, and ambulance drivers needing away and we're getting lots of description of one person? It takes any urgency away.

The third odd thing was that she was looking really confused, and checking in all directions for something. Maybe she was expecting to be jumped? Well, considering that apparently she had just been in a serious fight, I suppose I could understand that.

um, so why is it referred to as the third odd thing, then? Perhaps it's the third thing you need the reader to know. ;) If so, I'd try to be a little subtler about how you put it in.


I said, “Well, best bring her over then so I can get her details. By the way, what’s with the re-enactment gear on the other one?”

I think your dialogue needs a wee bit of work. It doesn't quite sound natural enough. I'm not keen on I said at the start, either, but that might be stylistic.

"Well, bring her over so I get her details." I jerked my head at her companion. "And what's with the re-enactment gear?"

In dialogue we contract and cut corners, and I think yours is a little formal for speech.




The policeman said

For me, this pattern is starting to stand out. I'd definitely try to vary where you put the dialogue attributor.



“Sorry that everyone is talking about you.

Not very subtle. Would a nurse really do this - tell her everyone's talking about her?


She smiled slightly and relaxed a little more. “You are the first to ask me that tonight, you know. I was beginning to think no-one here had any manners. Sigrun Sifdottir at your service. And your name?”

I'd take a new paragraph for this. Also - haven't they just arrived? Why would her name have been taken earlier.


I told her and said,
Either/or, I think.



S
he said, “Granted. But I am fairly sure I am unhurt.” Me: “You may be wrong. And it is my responsibility to ensure that people coming in here are properly examined and treated if they need it.” (I was picking up this lady’s rather formal style.) “You wouldn’t want me to be reprimanded, would you? And before your next objection, there are policemen all over the place and although they aren’t obvious, security guards as well – and her attackers are in no condition to give it another try. Thanks to you, I’m told.”

Again, a new paragraph for the new speaker is the norm.

Okay, I stopped here for critting, but I did read on. Mostly your writing is tidy, although I'm not keen on she said at the start of paragraphs - it makes it seem too telling, and disrupted the flow for me a little.

But, for me, the scene didn't work because there didn't seem to be much of a point to it. There were hints and innuendos it was going somewhere (which I'm not a fan of, but that's a preference thing), but it became mostly routine chatting, and even when the mail came off I couldn't get reengaged. Part of that might be that the scene itself didn't feel immersive enough - there was none of the sense of where it was set, or how the ward was. You tell me at the start it's busy, but there's no indication of this as it goes on - stepping past some drunks, some yells in the background etc. Without all this, it fell a little flat for me. Sorry.
 
There's a general chattiness to this piece that may work in a YA novel, but for me it is far too dissociated - rather than describe a character experience, the character exists simply to observe things and provide dispassionate notes for the reader.

It may work in some stories, but I would recommend more character focus - if the POV character is a nurse, then won't they be rushed off her feet? After all, this is a busy Friday night - as you tell us at the start.

If you want more urgency in this piece - which would help - then consider rewriting some of your lines.

For example, the opening sounds like it's being recounted by someone sat in a comfy chair, doing their knitting:

It was a couple of hours into a night shift in my hospital. A Friday night one, which is always busy – and just about as it was getting into the really busy time

It takes about 30 words just to say that Friday shifts at the hospital are busy. IMO you need to cut savagely to improve pace, and push in character reactions, too. *If* that's what you're going for.

As I might have expected, the rape victim looked a little glassy-eyed and she had sundry scrapes. But I couldn’t help looking at the woman walking in next to the victim, and I imagine that the men in the department had even more trouble keeping their eyes off her.

Not only do male characters chuckle over the incident of rape, they then act rapey over a woman walking next to her. IMO this is a complete no-no.

If you want a sexual attraction here IMO you need to tread extremely carefully, otherwise it's going to come across as misogynistic.

If she's dressed in chainmail, then in what way would the men "drool" over her, as they can surely only see her face? And if she's just helped save someone, then might she not have broken a sweat? Also, don't the emergency services see all sorts of different dress and costume on the wards?

Additionally, the character reaction seems immature when treating this female knight - why are they not simply getting on with their job, instead of leching over every detail?
 
I've been working on tightening this up, can't see any more ways to do it, need other eyes on it

Probably best to sit on it for a few days, then you'll spot all the bits you missed.

Some shifts in A&E can be seriously weird. This one was!

It was a couple of hours into a night shift in my hospital. A Friday night one, which is always busy – and just about as it was getting into the really busy time (pub chucking out time) at that. And then we got a call from the ambulance service – one of the nasty ones.

I don't think you need "This one was!" It's implied by your previous sentence if you don't say it wasn't. You then repeat information, so I think you could tighten the opening a fair bit if you want. You tell me it was night twice. That it was busy, and then it was nearly really busy. If it's in A&E, you don't need to mention that it's in hospital as well. You can even get rid of shift from the first line as you mention it again. So that condenses down to:

A&E can be seriously weird.

It was a couple of hours into an always busy Friday evening shift, nearing pub chucking out time, when we got a call from the ambulance service – one of the nasty ones.


I'm not sure whether that might be too tightened up and in danger of losing some of the voice.

“Four casualties incoming. Three assault victims, two of them unconscious, and a rape victim. Keep the rape victim away from the others, and get the evidence-gathering kit ready.

Not sure if you want to tighten up the dialogue as well, but same thing, look for repeated words, and phrases you can replace with a good verb.

Four casualties incoming. Three assaults, two of them unconscious, and a rape victim. Isolate the rape, and prep an evidence kit.

General impressions are the department and the POV character aren't acting very professionally. I'd have thought any unconscious patients, especially ones with head trauma and blood loss, would be a cause for concern. Suspicion of rape is no reason not to treat patients seriously.

It would help if you established earlier whether the POV char is a receptionist or a medical professional. She man's the desk and doesn't talk like a medical professional, so what is she doing examining people? Is she a triage nurse? She's coming over as a weird receptionist getting her jollies, to me.

Why isn't a policeman staying with someone who it appears assaulted three other people?

Edited to add - just spotted the title! So she is a nurse. Sorry, don't know how I missed that.
 
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It was a couple of hours into (a) night shift (at) (my- you own a hospital? )) hospital. A Friday night one, which is always busy – and just about as it was getting into the really busy time (pub chucking-out time) at that. And then we got a call from the ambulance service – one of the nasty ones. (Nasty ambulance service, or call?)
Reads fine, just wait a while and clear up this and that.
 
JonH - Good question about why someone apparently responsible for fairly serious carnage isn't being escorted. Well, that comes from the previous chapter. The three casualties attacked her unprovoked, with weapons - and lost. And the policemen know that.

POV character isn't taking the unconscious casualty seriously because he's already under the care of a doctor.

I, Brian - Not chuckling over the rape, but over one of the rapists having what's probably a fractured skull.

Springs - The point I'm trying to get across is that despite being Friday midnight in A&E, with all the usual mayhem, the newcomer attracts a great deal of attention. Seems I'm not getting that point across.
 
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OK, here it is. I've been working on tightening this up, can't see any more ways to do it, need other eyes on it:

Nurse Karen Chapel’s Story


Some shifts in A&E can be seriously weird. This one was!


It was a couple of hours into a night shift in my hospital. A Friday night one, which is always busy – and just about as it was getting into the really busy time (pub chucking out time) at that. And then we got a call from the ambulance service – one of the nasty ones. This is telling rather than showing. You don't show us the busy-ness.


“Four casualties incoming. Three assault victims, two of them unconscious, and a rape victim. Keep the rape victim away from the others, and get the evidence-gathering kit ready. Would the ambulance service give these instructions? (Don't know, just asking.) Oh, and there are several policemen and a civilian with them. The civvie, you have got to see!” And the ambulance driver chuckled. Would he chuckle? seems a bit unprofessional. It didn’t seem very appropriate, but I was going to find out that perhaps it was.


The first to arrive was a man, who looked as if his face had been smashed in with a hammer. Blood everywhere, and he was completely unconscious and intubated. One of our trauma doctors was walking by his side; despite the serious injury, the doctor didn’t seem concerned. How would the doctor demonstrate a lack of concern? There was a policeman with him, as well.


After checking him in, the doctor ordered a battery of tests including a skull and c-spine CAT scan and tox screen. He did say that the policeman had to stay with him, and told us why. “This one here picked a fight with the wrong opponent. The cops tell me that the damage is from some sort of martial arts strike – three of them attacked someone else with knives, and lost. Just after at least one of them had probably committed rape – the victim’s on her way in. So is the one who did this.”


He couldn’t keep the smile off his face, and I could see why. Seems a bit unprofessional. Rape is nasty, but having your face smashed in is a lot worse – I suppose. I don't see the connection between this sentence and the previous one. Fortunately, neither has ever happened to me.


The next one from that scene came in; this one handcuffed, semi-conscious and obviously in quite a lot of pain. The doctor told me that this customer had fallen face-forward onto a concrete pavement. And then the third man came in, moaning in pain from an injured arm despite the morphine he turned out to have been given. These two were fairly routine, really. It doesn’t do to get too blasé, but this sort of injury we see a dozen times a day. Both of these two came in on wheelchairs. As did the next, who turned out to be the (alleged, we are supposed to say) rape victim. She was wearing a policeman’s high-vis jacket, presumably borrowed from one of the attending officers.


As I might have expected, the rape victim looked a little glassy-eyed and she had sundry scrapes. But I couldn’t help looking at the woman walking in next to the victim, and I imagine that the men in the department had even more trouble keeping their eyes off her. The noise level in the department dropped like a stone, so everyone could hear the faint jingle of mail.


Yes, mail. The first seriously odd thing about this woman was that she was dressed head-to-foot in chainmail, and looked as if she was completely used to it. And the second was that she was absolutely gorgeous. The sort of look that most women spend all day in makeup to achieve – except that it was completely obvious she wasn’t wearing any. One could almost hear the splashing of drool on the floor. Men!


And the way she moved – Well, let’s just say that I trained in dance for a while once, I know some professional dancers, and they would weep at the perfection of her walk. I’ve seen that sort of poise a couple of times, and the only people who walk like that are world-class dancers and really high-end martial artists. She was tall, too. Six feet or a little more.


The third odd thing was that she was looking really confused, and checking in all directions for something. Maybe she was expecting to be jumped? Well, considering that apparently she had just been in a serious fight, I suppose I could understand that.


The paramedic and policeman who had come in with the rape victim walked over to my counter. The policeman said, “We need to check this lady in. The doctor on the ambulance has checked her over, but we need the rape evidence kit and someone to use it, please. The minor scrapes need looking at, too.”


I said, “Well, best bring her over then so I can get her details. By the way, what’s with the re-enactment gear on the other one?”


The policeman said, “Well, we are still trying to work that out. Apparently she can cut up rough if she wants to – but apart from not wanting to let the victim out of her sight she hasn’t been much of a problem. No loud noises around her might be a good idea, though.”


I got a colleague to take over the desk for me, and went over to the woman in armour – who tensed slightly, gave me a fairly obvious look-over, then relaxed. “Sorry that everyone is talking about you. First of all, could you give me your name please? I don’t like referring to someone I’m talking to as ‘hey, you’.” This last sentence seems unnecessary. She smiled slightly and relaxed a little more. “You are the first to ask me that tonight, you know. I was beginning to think no-one here had any manners. Sigrun Sifdottir at your service. And your name?”


I told her and said, “I’ve come over to you because I am told you have just been in a knife fight. I’m also told you claim not to have been wounded, but people sometimes take damage without noticing it especially in the heat of battle.” New speaker/new para
She said, “Granted. But I am fairly sure I am unhurt.” New para
Me: “You may be wrong. And it is my responsibility to ensure that people coming in here are properly examined and treated if they need it.” (I was picking up this lady’s rather formal style.) “You wouldn’t want me to be reprimanded, would you? Would the nurse say this? And before your next objection, there are policemen all over the place and although they aren’t obvious, security guards as well – and her attackers are in no condition to give it another try. Thanks to you, I’m told.”


She thought this over for a second and said, “All right. I wouldn’t want someone I’ve only just met reprimanded over this. And anyway, it seems to me that you are a professional and someone stubborn enough not to take No for an answer. Where will the examination be done?” I motioned to an empty cubicle nearby (there’s a miracle!) and said, “Over there – there are curtains of course. Best we can offer for privacy.”


“Oh, I am not worried about that. I am modest, but not to the point of idiocy.” And off we both went, the few yards to the cubicle, and I pulled the curtains.


“Right, first of all off with that armour. I can’t examine you through all that metal.” She nodded and, first of all, made an odd gesture as if she was removing a belt with something on it and leaning it against the wall. And then the cloak she was wearing, and a small backpack which fitted neatly in the small of the back. Getting the armour (and the padding underneath) off was a bit of a production, but off it came. And then I found out for sure that I have no inclination to play for the other side, so to speak. I think a male nurse or doctor might have struggled to maintain a professional manner.


Her skin was absolutely flawless except for a few very old and faint scars. He muscles were defined as I’ve never seen before except on Olympic athletes and professional bodybuilders. And let’s just say that she was... well-equipped? Her underwear was a bit odd but well, that’s none of my business. I briefly wondered what she would look like in a bikini...


“Have you quite finished staring yet?”


“Sorry, I don’t often run into anyone as super-fit as you obviously are. I’m going to have to do a bit more staring, I’m afraid.” And I proceeded to thoroughly examine her looking for any wounds. There weren’t any; not even a scratch. When I’d finished with this, I said, “The examination isn’t over, I’m afraid.” And got out my little torch and checked out her eyes, and finished the rest of the physical exam.


When I got out the blood pressure equipment, she started. “What’s that for?”Different speaker/new paragraph
I said, “Partly to check your heart and circulation, but if you’re worried...” I put the cuff on myself and checked my own pulse and blood pressure – both a little up, perhaps not surprisingly. “Now you?” Different character /new paragraph
She nodded. Different character/new paragraph
I did think it a little odd that she didn’t recognise a blood pressure cuff, though.


Her resting pulse was as I was beginning to expect – marathon runner level – and blood pressure was perfectly normal. New para
She said, Seems odd to have the dialog tag in front of the dialog “Well, what’s the verdict?” New para
I said, “No holes, as you said. It seems you haven’t taken a blow to the head – at least not recently – and not only is the rest fine, you are the fittest person I’ve examined in years.”

I can't see much wrong with the grammar and prose, except that putting the dialog tags in front of the dialog looks odd, and it needs more paragraph breaks.
If anything, this is over-tightened and maybe could do with more detail in places.
I wonder if the doctor would react in the way indicated - seems unprofessional as they are supposed to treat all patients equally and a lot of their patients arrive as the result of fights.

The description of the female knight (and her medical examination) seems like the written equivalent of what anime fans call "fan-service" (a totally gratuitous display of female pulchritude). There seems no reason why she should not be of average facial appearance (the rest being covered by armour) and as fit-looking as the average female athlete. Just my opinion.

I assume there is some reason why she can converse in English rather than in ancient Norwegian or whatever.
 
Cosmic Geoff and JonH - The extreme attractiveness and physical fitness of this woman are, in fact, relevant to the story. A possible problem is that the reason for it is foreshadowed in a prologue and revealed fully much later, so I suppose the issue might put off the reader. As for the Icelandic name - another not-so-subtle clue. And the bit about being able to converse in English? Magic. Quite literally, and again consistent with the story.

(The first chapter, which has been here BTW although I wouldn't expect anyone to remember that, has the protagonist - for want of a better word - dropping in through a planar gate and using an invisibility glamour in the first few paragraphs. Both of which she considers routine.)

BTW, the doctor looking after the unconscious rapist is the same one who was first on scene with the victim. Perhaps a little more detachment that usual might be allowable?

Actually, perhaps I ought to ask another question. This passage is loaded with clues to what's going on. Maybe too subtle, and maybe too many. Comments?
 
Springs - The point I'm trying to get across is that despite being Friday midnight in A&E, with all the usual mayhem, the newcomer attracts a great deal of attention. Seems I'm not getting that point across.


You're not getting any of the mayhem across. It's a show/don't tell issue - you tell me it's busy, but you show me none of it. Nobody throwing up in the corner, no yells, no complaining patients about the wait, no mewing kids waiting to be seen, no trolleys sitting in corners.

I also agree with Brian about the rapey feel of it - I found it pretty disturbing and he put his finger on why. We have someone raped, we have some horridly off-hand comments about it (one of them downright offensive; that it's worse to get your face smashed in than be raped) and then we have all the men ogling another woman.

I'm not sure that it's intentional, but it certainly reads as such, and would, I think, be enough to offend some readers.
 
OK, thanks for all the comments - very useful. I hope the message(s) I wanted to get across are clearer now:

Nurse Karen Chapel’s Story

A&E can be seriously weird.

It was a couple of hours into an always busy Friday evening shift, nearing pub chucking out time, when we got a call from the ambulance service – one of the nasty ones. I managed to tune out the usual cacophony of drunks who had cut their fingers and were demanding instant attention, and the like.

“Four casualties incoming. Three assaults, one of them unconscious, and a rape victim. Isolate the rape, and prep an evidence kit. Oh, and there are several policemen and a civilian with them. The civvie, you have got to see!”

The first to arrive was a man on a trolley, who looked as if his face had been smashed in with a hammer. Blood everywhere, and he was completely unconscious and intubated. One of our trauma doctors was walking by his side; despite the serious injury, the doctor seemed to have things well in hand. There was a policeman with him, as well.

After checking him in, the doctor ordered a battery of tests including a skull and c-spine CAT scan and tox screen. He did say that the policeman had to stay with him, and told us why. “This one here picked a fight with the wrong opponent. The cops tell me that the damage is from some sort of martial arts strike – three of them attacked someone else with knives, and lost. Just after at least one of them had probably committed rape – the victim’s on her way in. So is the one who did this.”

He didn’t seem too sympathetic for his unconscious patient, and I could see why. Rape is nasty. So is having your face smashed in – maybe worse. But I find it difficult to have much sympathy for someone who gets hurt while attempting rape, followed by armed assault, and I suppose the doctor might have felt the same.

The next one from that scene came in; this one handcuffed, semi-conscious and obviously in quite a lot of pain. The doctor told me that this customer had fallen face-forward onto a concrete pavement. And then the third man came in, moaning in pain from an injured arm despite the morphine he turned out to have been given. These two were fairly routine, really. It doesn’t do to get too blasé, but this sort of injury we see a dozen times a day. Admittedly, the circumstances were unusual.

Both of these two came in on wheelchairs. As did the next, who turned out to be the (alleged, we are supposed to say) rape victim. She was wearing a policeman’s high-vis jacket, presumably borrowed from one of the attending officers.

As I might have expected, the rape victim looked a little glassy-eyed and she had sundry scrapes. But I couldn’t help looking at the woman walking in next to the victim, and I imagine that the men in the department had even more trouble keeping their eyes off her.

She really was impossible to ignore; it was just like that mythical charisma that causes everyone to shut up when someone enters the room. Even the drunks and the screaming kids shut up. The noise level in the department dropped like a stone, so everyone could hear the faint jingle of mail.

Yes, mail. The first seriously odd thing about this woman was that she was dressed head-to-foot in chainmail, and looked as if she was completely used to it. And the second was that she was absolutely gorgeous. The sort of look that most women spend all day in makeup to achieve – except that it was completely obvious she wasn’t wearing any. One could almost hear the splashing of drool on the floor. Men!

And the way she moved – Well, let’s just say that I trained in dance for a while once, I know some professional dancers, and they would weep at the perfection of her walk. I’ve seen that sort of poise a couple of times, and the only people who walk like that are world-class dancers and really high-end martial artists. She was tall, too. Six feet or a little more.

She was still extremely alert, as if walking into a possible ambush maybe. Well, just having been in a knife fight, I suppose I can understand that.

The paramedic and policeman who had come in with the rape victim walked over to my counter. The policeman said, “We need to check this lady in. The doctor on the ambulance has checked her over, but we need the rape evidence kit and someone to use it, please. The minor scrapes need looking at, too.”

"Well, bring her over so I get her details." I jerked my head at her companion. "And what's with the re-enactment gear?"

“Well, we are still trying to work that out. Apparently she can cut up rough if she wants to – but apart from not wanting to let the victim out of her sight she hasn’t been much of a problem. No loud noises around her might be a good idea, though.”

My colleague who had been out for a bio break came back. After a brief handover, I went over to the woman in armour – who tensed slightly, gave me a fairly obvious look-over, then relaxed. “Sorry that everyone is talking about you. First of all, could you give me your name please?“ She smiled slightly (yup, perfect teeth too) and relaxed a little more.

“You are the first to ask me that tonight, you know. I was beginning to think no-one in this town had any manners. Sigrun Sifdottir at your service. And your name?”

I told her and said, “I’ve come over to you because I am told you have just been in a knife fight. I’m also told you claim not to have been wounded, but people sometimes take damage in a fight without noticing it.”

“Granted. But I am fairly sure I am unhurt.”

“You may be wrong. And it is my duty to ensure that people coming in here are properly examined and treated if they need it.” (I was picking up this lady’s rather formal style.) “Before your next objection, there are policemen all over the place and although they aren’t obvious, security guards as well – and her attackers are in no condition to give it another try. Thanks to you, I’m told.”

She thought this over for a second and said, “Quite right. I would not wish to interfere with someone else’s duty. And anyway, it seems to me that you are a professional and stubborn enough not to take no for an answer. Where will the examination be done?” I motioned to an empty cubicle nearby (there’s a miracle!) and said, “Over there – there are curtains of course. Best we can offer for privacy.”

“Oh, I am not worried about that. I am modest, but not to the point of idiocy.” And off we both went, the few yards to the cubicle, and I pulled the curtains.

“Right, first of all off with that armour. I can’t examine you through all that metal.” She nodded and, first of all, made an odd gesture as if she was removing a belt with something on it and leaning it against the wall. And then the cloak she was wearing, and a small backpack which fitted neatly in the small of the back.

Getting the armour (and the padding underneath) off was a bit of a production. And then I found out for sure that I have no inclination to play for the other side, so to speak. I think a male nurse or doctor might have struggled to maintain a professional manner.

Her skin was absolutely flawless except for a few very old and faint scars. He muscles were defined as I’ve never seen before except on Olympic athletes and professional bodybuilders. And let’s just say that she was... well-equipped? Her underwear was a bit odd but well, that’s none of my business. I briefly wondered what she would look like in a bikini...

“Have you quite finished staring yet?”

“Sorry, I don’t often run into anyone as super-fit as you obviously are. I’m going to have to do a bit more staring, I’m afraid.” And I proceeded to thoroughly examine her looking for any wounds. There weren’t any; not even a scratch. When I’d finished with this, I said, “The examination isn’t over, I’m afraid.” And got out my little torch and checked out her eyes, and finished the rest of the physical exam.

When I got out the blood pressure equipment, she started. “What’s that for?” I said, “Partly to check your heart and circulation, but if you’re worried...” I put the cuff on myself and checked my own pulse and blood pressure – both a little up, perhaps not surprisingly. “Now you?”

She nodded. I did think it a little odd that she didn’t recognise a blood pressure cuff, though.

Her resting pulse was as I was beginning to expect – marathon runner level – and blood pressure was perfectly normal.

“Well, what’s the verdict?”

“No holes, as you said. It seems you haven’t taken a blow to the head – at least not recently – and not only is the rest fine, you are the fittest person I’ve examined in years.”
 
Same comments apply, I'm afraid. IMO the sexual attention on the woman in mail completely demeans everything here. I honestly can't tell if you're attempting a very black comedy, or lesbian erotic fiction. You do realise that a woman can seem outstanding without being an object of sexual attention? I'm not trying to be patronising here, so my apologies if that comes across, but you are directly juxtaposing rape with sexual desire, and trying to make that light-hearted - there's no sympathy for the victim, and plain lusting for her companion. I just don't see that working, certainly not here.

But that concern aside - there's still a chattiness in this - take the first paragraph:

It was a couple of hours into an always - you don't need to tell us "always" busy Friday evening shift, nearing pub chucking out time - you've already stated that this person is a few hours into it, so you're repeating your use of time markers, when we got a call from the ambulance service – one of the nasty ones. I managed to tune out - you could make this line stronger, if you're trying to set a scene the usual cacophony of drunks who had cut their fingers - it's a very cynical position to demean these patients, which could be perfectly in character, but in doing so, you also demean the demands this character is under - apparently, she has nothing more to deal with than cut fingers, when the reality is certainly very different. It also tells the reader there are no real tensions here, hence my comments on humour and were demanding instant attention, and the like - pointless turn of phrase.
You've chosen a very informal voice here, but as above, you play down any tensions and try and make light of everything. That's why when the sexual attention comes in, I cannot tell from this piece alone if you're trying directly for humour instead of tension, or whether it's just a facet of the voice you're using.

Simply my opinion, though! :)
 
I, Brian - Seems I still haven't got my points across. As for the "lesbian erotic fiction" bit - I thought I was being clear in that the POV character thinks her lack of that sort of reaction confirms she isn't even slightly lesbian. Probably best just to drop those few words altogether. (I think it's possible to note that someone of the same sex is physically attractive without actually reacting to it.)

OK. In your opinion would it be OK to set it out so that everyone in the room (including those who are supposed to have jobs to do and those who wouldn't normally pay attention such as the drunks and the screaming kids) find it impossible to ignore the woman who has just come in despite the stretcher case and the rape victim coming in with her? (Removing any suggestion of lust, probably.)

I might put it something about the POV character being in charge of the department and chivvying everyone to get on with their work after the first few seconds. Comments?
 
Actually, perhaps I ought to ask another question. This passage is loaded with clues to what's going on. Maybe too subtle, and maybe too many. Comments?

Well the name wasn't too subtle: Sifdottir. I'm guessing she's either a demi-goddess, or a warrior priestess, dedicating her life to Sif. With the "gorgeous" remarks, uber-fit, and the I'm no lesbian, but... comments, I'm leaning toward the former.
 
OK. In your opinion would it be OK to set it out so that everyone in the room (including those who are supposed to have jobs to do and those who wouldn't normally pay attention such as the drunks and the screaming kids) find it impossible to ignore the woman who has just come in

Some people simply have a presence - power and confidence rolled in together, so that you can't help but notice the person.

Last time I really noticed this in real life was at the Comedy Club in London - watching a few amateurs on a general stand-up night. Someone walked in with a couple of friends just before the show, and there was just something in the way he walked that attracted attention. Turned out he was a successful TV comedian (from one of the shows I'm not familiar with - haven't watched much TV since the 90's).

Another potential example is one of our bouncers at the rock nights I do up here - he doesn't act aggressive, he will engage you in conversation, but there's something in his manner that demands respect - as if any fight breaking out he could stop with a wave of his hand. A quiet, dangerous confidence.

Think on examples where you might have seen something yourself??

I did like the dancer reference, because the nurse was trying to rationalise a presence. But when she tries to imagine the knight in a bikini it feels like leching.

There's also the possibility that this knight might appear pale because she's still pumped on adrenaline (if that applies to this character). IMO that would draw attention, but perhaps more likely create unease because on a subconscious level this person's body signals readiness for a fight.

Either way, if you focus on presence, rather than sexual attraction, IMO that should work better. But also consider not explaining too much of why this knight is different - the more mysterious this figure remains, the more you may be able to tantalise the readers attention.

There's also the suggestion you consider the woman victim as being subjected to battery or other physical violence (pub fights do that), rather than rape. Horribly common, but allows you to focus on the knight's attributes and virtues without a reader being potentially distracted away from the knight so much. Just a suggestion to consider.

Again, it's only personal opinion, though.

PS - Just be careful if the knight is wearing a sword. Modern-day police forces in Britain tend to get upset about that. Unfortunately. :D
 
Right. Another try, this is getting difficult:

Nurse Karen Chapel’s Story


A&E can be seriously weird.

It was a couple of hours into an always busy Friday evening shift, when we got a call from the ambulance service – one of the nasty ones. I managed to tune out the usual mayhem - anything drunks who had cut their fingers and were demanding instant attention, to people who were really hurting but in ways that weren’t life-threatening and we just couldn’t get to.


“Four casualties incoming. Three assaults, one of them unconscious, and a rape victim. Isolate the rape, and prep an evidence kit. Oh, and there are several policemen and a civilian with them. The civvie, you have got to see!”


The first to arrive was a man, who looked as if his face had been smashed in with a hammer. Blood everywhere, and he was completely unconscious and intubated. One of our trauma doctors was walking by his side; despite the serious injury, the doctor seemed to have things well in hand. There was a policeman with him, as well.


After checking him in, the doctor ordered a battery of tests including a skull and c-spine CAT scan and tox screen. He did say that the policeman had to stay with him, and told us why. “This one here picked a fight with the wrong opponent. The cops tell me that the damage is from some sort of martial arts strike – three of them attacked someone else with knives, and lost. Just after at least one of them had probably committed rape – the victim’s on her way in. So is the one who did this.”
He didn’t seem too sympathetic for his unconscious patient, and I could see why.



Rape is nasty. So is having your face smashed in – maybe worse. But I find it difficult to have much sympathy for someone who gets hurt while attempting rape, followed by armed assault, and I suppose the doctor might have felt the same.


The next one from that scene came in; this one handcuffed, semi-conscious and obviously in quite a lot of pain. The doctor told me that this customer had fallen face-forward onto a concrete pavement. And then the third man came in, moaning in pain from an injured arm despite the morphine he turned out to have been given. These two were fairly routine, really. It doesn’t do to get too blasé, but this sort of injury we see a dozen times a day. Admittedly, the circumstances were unusual.


Both of these two came in on wheelchairs. As did the next, who turned out to be the (alleged, we are supposed to say) rape victim. She was wearing a policeman’s high-vis jacket, presumably borrowed from one of the attending officers.


As I might have expected, the rape victim looked a little glassy-eyed and she had sundry scrapes. But I couldn’t help looking at the woman walking in next to the victim, and I imagine that the men in the department had even more trouble keeping their eyes off her although the difference probably wasn’t much.


The best way I’ve found to describe it is that she radiated charisma like a lighthouse. She was completely impossible to ignore. Even the drunks and the screaming kids shut up, and most of my staff got distracted from their jobs. The noise level in the department dropped like a stone, so everyone could hear the faint jingle of mail.


Yes, mail. The first seriously odd thing about this woman was that she was dressed head-to-foot in chainmail, and looked as if she was completely used to it. And the second was that she was absolutely gorgeous. The sort of look that most women spend all day in makeup to achieve – except that it was completely obvious she wasn’t wearing any. One could almost hear the splashing of drool on the floor. Men!


And the way she moved – Well, let’s just say that I trained in dance for a while once, I know some professional dancers, and they would weep at the perfection of her walk. I’ve seen that sort of poise a couple of times, and the only people who walk like that are world-class dancers and really high-end martial artists. She was tall, too. Six feet or a little more.


She was still extremely alert, as if walking into a possible ambush maybe. Well, just having been in a knife fight, I suppose I can understand that.
The paramedic and policeman who had come in with the rape victim walked over to my counter. The policeman said, “We need to check this lady in. The doctor on the ambulance has checked her over, but we need the rape evidence kit and someone to use it, please. The minor scrapes need looking at, too.”


"Well, bring her over so I get her details." I jerked my head at her companion. "And what's with the re-enactment gear?" The usual hubbub of a busy A&E had started up again by now.


“Well, we are still trying to work that out. Apparently she can cut up rough if she wants to – but apart from not wanting to let the victim out of her sight she hasn’t been much of a problem. No loud noises around her might be a good idea, though.”


My colleague who had been out for a bio break came back. After a brief handover, I went over to the woman in armour – who tensed slightly, gave me a fairly obvious look-over, then relaxed. “Sorry that everyone is talking about you. First of all, could you give me your name please?“ She smiled slightly (yup, perfect teeth too) and relaxed a little more.


“You are the first to ask me that tonight, you know. I was beginning to think no-one in this town had any manners. Sigrun Sifdottir at your service. And your name?”


I told her and said, “I’ve come over to you because I am told you have just been in a knife fight. I’m also told you claim not to have been wounded, but people sometimes take damage in a fight without noticing it.”


“Granted. But I am fairly sure I am unhurt.”


“You may be wrong. And it is my duty to ensure that people coming in here are properly examined and treated if they need it.” (I was picking up this lady’s rather formal style.) “Before your next objection, there are policemen all over the place and although they aren’t obvious, security guards as well – and her attackers are in no condition to give it another try. Thanks to you, I’m told.”


She thought this over for a second and said, “Quite right. I would not wish to interfere with someone else’s duty. And anyway, it seems to me that you are a professional and stubborn enough not to take no for an answer. Where will the examination be done?” I motioned to an empty cubicle nearby (there’s a miracle!) and said, “Over there – there are curtains of course. Best we can offer for privacy.”


“Oh, I am not worried about that. I am modest, but not to the point of idiocy.” And off we both went, the few yards to the cubicle, and I pulled the curtains.


“Right, first of all off with that armour. I can’t examine you through all that metal.”



She nodded and, first of all, made an odd gesture as if she was removing a belt with something on it and leaning it against the wall. And then the cloak she was wearing, and a small backpack which fitted neatly in the small of the back.


Getting the armour (and the padding underneath) off was a bit of a production. It was a good thing that I’d chosen to examine her myself. I think a male nurse or doctor might have struggled to maintain a professional manner.


Her skin was absolutely flawless except for a few very old and faint scars. Her muscles were defined as I’ve never seen before except on Olympic athletes and professional bodybuilders. And let’s just say that she was... well-equipped? Her underwear was a bit odd but well, that’s none of my business.


“Have you quite finished staring yet?”


“Sorry, I don’t often run into anyone as super-fit as you obviously are. I’m going to have to do a bit more staring.” And I proceeded to thoroughly examine her looking for any wounds. There weren’t any; not even a scratch. When I’d finished with this, I said, “The examination isn’t over, I’m afraid.” And got out my little torch and checked out her eyes, and finished the rest of the physical exam.
When I got out the blood pressure equipment, she started. “What’s that for?”



“Partly to check your heart and circulation, but if you’re worried...” I put the cuff on myself and checked my own pulse and blood pressure – both a little up, perhaps not surprisingly. “Now you?”


She nodded. I did think it a little odd that she didn’t recognise a blood pressure cuff, though.


Her resting pulse was as I was beginning to expect – marathon runner level – and blood pressure was perfectly normal.


“Well, what’s the verdict?”


“No holes, as you said. It seems you haven’t taken a blow to the head – at least not recently – and not only is the rest fine, you are the fittest person I’ve examined in years.”
 
Nurse Karen Chapel’s Story


A&E can be seriously weird.
It was a couple of hours into a busy Friday evening shift, when we got a call from the ambulance service: "Four casualties. Three assaults. One unconscious, and..." This wasn't usual mayhem. Nothing that couple of drunks could had done to itself. It wasn't even a medical urgency that number people could had got suddenly in this city. This was something different. And then it arrived. "... a rape victim."

First to arrive was a man, who looked as if his face had been smashed in with a hammer.There was blood everywhere, including the policeman, who was still squeezing his hand, when the patient went into a shock and started trembling on the stretchers.

This was not usual.

Not when next one was ...

I know that is a lot of blue line, but it is there to illustrate you how you can add tension into the first person story, because I felt a lot of your effort were whistling away, without you getting a proper start for the story.

But it's a first draft, and I feel that you can do better with something that you can work with, because that - at above, is a seed for your story, and you don't have to write much before you get into her voice.

Just keep building the department around her, and add up as much world as you can, while you maintain the pacing. Also you should know that some of the sentences in first person get seriously long. Trick is to break them with commas, and maintain the character, and you should be golden.
 
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