This was a very disappointing science fiction novel. Why? Because for much of the book the science fiction was irrelevant. There are two main SF elements: an enigmatic and deadly alien artefact found on the moon and a matter transmitter remarkably similar in principle to the later Star Trek transporter (though its use is not nearly as casual). The alien artefact thread is not really taken anywhere at all; the transmitter and the issues of death and identity that it raises are well examined but only really in the last third of the book. The first two thirds are far more interested in the highly exaggerated and melodramatic relationships between four of the characters. Only two of the characters have anything to do with the plot and the tempestuous relationships between all four characters contribute nothing to that plot.
This felt like a short story/novella with all this relationship stuff tacked on – badly – and it also felt as though this addition was probably at the behest of publisher or agent, along the lines of “more character exploration, a nice racy woman and some love interest, please.” None of which contributed anything to improving the novel. This is reinforced by the later discovery that there had in fact been a shorter original version published earlier in a magazine. I suspect I would probably have much preferred that version.
If the soap opera melodrama is ignored it is not a bad book and it does raise one or two interesting subjects. The book was first published in 1960 and is set in 1959. This, rather surprisingly, suggests that Budrys felt that the science of the day was ‘capable’ of such technology and that it was perfectly possible that such technology could already exist and its existence be successfully hidden from the general populace. So both conspiracy and over-confidence in technological ability; rather unusual even for those days.
As usual, when reading a novel from that era, allowance must be made for the social norms of the time. I have absolutely no idea what (exactly) is being referred to here:
“…and was wearing knitted navy-blue, European-style swimming trunks without an athletic supporter”
but it did get a grin from me nonetheless. What wasn’t so funny was the misogyny; whilst I am used to putting up with this is these older books, I’m not particularly comfortable with it and this book comes up with one corker:
“What bothered me was that here were these other intelligent organisms [women], in the same world with men, and there had to be a purpose for that intelligence. If all women were for was the continuance of the race, what did they need intelligence for? A simple set of instincts would have done just as well. And as a matter of fact, the instincts are there, so what was the intelligence for? There were plenty of men to take care of making the physical environment comfortable. That wasn’t what women were for. At least, it wasn’t what they had to have intelligence for.”
Ouch! (The emphasis is mine.)
All in all, if the book had been half the size and dropped all the soap opera melodrama it could have been an exceptionally good book examining the identity implications of a matter transmitter that takes your body apart and reconstructs it elsewhere. Have you been killed and reborn? Are you still the same person? Budrys makes this debate particularly strong as his matter transmitter technology has the ability to create a duplicate, an aspect of such technologies that I’ve always felt is generally quietly brushed under the carpet. As it is, though, it is a messy book to say the least; I am astonished that it was nominated for the ’61 Hugo Award and it certainly comes nowhere close to A Canticle for Leibowitz to which it lost that award.
This felt like a short story/novella with all this relationship stuff tacked on – badly – and it also felt as though this addition was probably at the behest of publisher or agent, along the lines of “more character exploration, a nice racy woman and some love interest, please.” None of which contributed anything to improving the novel. This is reinforced by the later discovery that there had in fact been a shorter original version published earlier in a magazine. I suspect I would probably have much preferred that version.
If the soap opera melodrama is ignored it is not a bad book and it does raise one or two interesting subjects. The book was first published in 1960 and is set in 1959. This, rather surprisingly, suggests that Budrys felt that the science of the day was ‘capable’ of such technology and that it was perfectly possible that such technology could already exist and its existence be successfully hidden from the general populace. So both conspiracy and over-confidence in technological ability; rather unusual even for those days.
As usual, when reading a novel from that era, allowance must be made for the social norms of the time. I have absolutely no idea what (exactly) is being referred to here:
“…and was wearing knitted navy-blue, European-style swimming trunks without an athletic supporter”
but it did get a grin from me nonetheless. What wasn’t so funny was the misogyny; whilst I am used to putting up with this is these older books, I’m not particularly comfortable with it and this book comes up with one corker:
“What bothered me was that here were these other intelligent organisms [women], in the same world with men, and there had to be a purpose for that intelligence. If all women were for was the continuance of the race, what did they need intelligence for? A simple set of instincts would have done just as well. And as a matter of fact, the instincts are there, so what was the intelligence for? There were plenty of men to take care of making the physical environment comfortable. That wasn’t what women were for. At least, it wasn’t what they had to have intelligence for.”
Ouch! (The emphasis is mine.)
All in all, if the book had been half the size and dropped all the soap opera melodrama it could have been an exceptionally good book examining the identity implications of a matter transmitter that takes your body apart and reconstructs it elsewhere. Have you been killed and reborn? Are you still the same person? Budrys makes this debate particularly strong as his matter transmitter technology has the ability to create a duplicate, an aspect of such technologies that I’ve always felt is generally quietly brushed under the carpet. As it is, though, it is a messy book to say the least; I am astonished that it was nominated for the ’61 Hugo Award and it certainly comes nowhere close to A Canticle for Leibowitz to which it lost that award.
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