A Cuckoo In Black's Nest (new beginning)

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AnyaKimlin

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This is my urban fantasy. Does this beginning have enough to it? I'm not supposed to be working on this book but I am awaiting the feedback on my sit-com idea so needed something to keep my mind busy.

Chapter One

Ian Erasmus Black shivered and, despite the warm summer's day, pulled his tatty old cardigan round him. Senility had finally hit at 8.45 am that morning. At the time he had been standing in the queue at the baker's, trying not discuss Mrs Arbuthnot's daughter's hysterectomy; it was a tale to fire fear into the heart of any right thinking man. He had sneezed thrice, coughed twice and shivered. On the plus side everyone else thought he was getting the plague so had backed off and he had been able to buy his large crusty bloomer and two well-filled custard slices in record time.

He pushed his glasses back up his nose with his forefinger and locked his jelly-like legs, so they could move. With some dignity in tact he paid Jim Whale, the too jolly baker, and left the shop, escaping the prying eyes and clacking tongues of Umber Bridge's blue rinse brigade. No doubt by 9.30 am his mother would be phoning him to see if he would like her to bring round some chicken soup.

Foreboding followed him, on the walk back up the hill lined with grey-stone terraced houses. White knuckles held tight hold of his string shopping bag as if he expected to be mugged for the delicious wares and he found it harder than usual to capture his breath. Every lamp-post, pillar-box and rubbish bin could be hiding Nessie, The Gruffalo or even Smaug. They weren't and his head knew they weren't but his OAP senses screamed otherwise. As a police officer would have called them his detective gut but that had calcified upon his retirement.

His hand shook as he fitted the key into the lock of the green glossed door with small leaded glass window at the top. “Don't be so bloody stupid, Ian.” In the safety of his porch he felt even more ridiculous. “Anybody home?” He bent down and picked up the mail. “Junk, junk, junk, junk, bill, ahh interesting.” He sorted through the envelopes throwing most of them into a bin next to the hall stand.

The door to the back parlour opened. In 1964 Ian had carried his heavily pregnant wife over the threshold; she left him and their five sons after nine disastrous years of marriage but not much else had changed. Décor and furnishings meant little to Ian and every five years he repainted it in exactly the same colours as before. “Hey, Wilf.”

Willowy, wiry and wise, Wilf propped himself at an angle against the wall. He wore khaki shorts and a checked shirt with sleeves rolled up to the elbow, revealing his muscular forearms covered in soft grey hair. From his mouth, he removed his pipe and smiled, just a little. “What happened to you? You look your age and then some, old man.”

“Compliments abound.” Ian sat down on the seat and exchanged his sneakers with the hole in them for his plaid slippers. “What time are you going to work?”

Wilf checked his watch. “Not until two. His Lordship has a shooting party he wants me to take over the moors. Want a coffee?”

“Only if it has something stronger in it.” Picking up the bag, Ian rose to his feet, with a lot more help from the bench than usual, and padded down the hallway into the small kitchen, located directly opposite the front door. Lime-green nineteen sixties units and a yellow Formica dresser with corrugated plastic doors did not compliment the wallpaper with tiny red roses. Wilf manned the kettle but Ian stood and stared at him. The two men exchanged a brief soft kiss, Wilf's moustache tickling against Ian's top lip.

Wilf took the string bag that Ian still clutched, Wilf had to prise open Ian's fingers. “Go take a seat, love. Hungry?”

The kiss had made Ian feel more human but drained any adrenaline that had been keeping him going. He shook his head. “Sick. Thanks.” Feeling far more than his sixty-eight years, Ian's body slumped and he painfully moved from the kitchen into the back room. Laid out with the folding table under the window, utility sideboard along the back wall and a putty coloured leather suite arranged round the gas fire. To the right of the fireplace sat the chair, covered in a bright crocheted blanket, that Ian jealously guarded.

He picked up the blanket, wrapped it round himself and capsized into the chair. Familiar faint smells of leather, Glenfiddich and Wilf's favourite black cherry tobacco, grounded him and enveloped him in the safety of his home. Pain from his limbs leached into the chair as he allowed them to relax. The position he found himself in placed in direct eye contact with the painting above the fire; an oil of a forest clearing that his father had painted before Ian was born. A little black plaque on the bottom of the gold frame: Fairy Glen. Oak, ash, birch and a few others surrounded a stone circle with a flat alter like stone in the centre. Always there he hardly ever noticed it but he found his gaze drawn to the alter stone and the cold in his spine spread through his body. Sweat soaked his forehead and drenched his shirt.

Early morning dew heightened the scents from the forest and sun filtered through the canopy. Ian followed the light until he came out in the clearing. A wail... increasing in volume... echoed round the clearing. Fluttering of birds. Not birds... bats... they descended on Ian and he raised his hands to cover his head. Screams. Were they his? Heat, sweat, aching filled his body and they forced him to lower his body until he was knelt on the stone, head down. “Save me.” His screams had turned to whispers.

A shriek louder than anything he had heard before. The glen was silent. No fluttering, no screams, no wails.

The world shook. “Ian.” Shaking increased up the Richter scale until the whole of the clearing shook. “Ian!” The voice was louder.

His body was being lifted until he came face to face with a creature with waxy skin and black leathery wings. Familiar? “For God's sake, Ian!” the creature became irate in tone, but as he spoke his white face with mother of pearl skin moved closer.

Frozen in place, Ian could only recoil from the kiss in spirit but not in body. The kiss became an urgent, ardent, hard kiss, tasting of salmon, coffee and tobacco. A familiar hairy tickle on the lips, forced Ian's eyes open. His eyes blinked like automatic doors on the blink. Blurry.... he picked up his glasses from his chest and put them on. “Wilf?” It was difficult to see through the sweaty smears on his glasses, so Ian picked up the glasses case he kept on the occasional table and took out the cleaning cloth.

“Hello, Sleeping Beauty?” Wilf grinned and sat down on terracotta, tiled coffee table. “I was beginning to think you would never wake up. You were thrashing and screaming so much I considered calling a priest.”

Hypnotically, Ian cleaned the lenses in a circular manner. He opened his very dry mouth but he was not ready to speak. His head hurt, really hurt. Pete, one of his sons had migraines but he had never suffered from them himself. “Where?” He placed his glasses on his face and used his forefinger to push them into place.

“Back room, love. There's a good dose of brandy in it.” Coffee aroma lifted from the thick, lopsided mug in Wilf's hand. Since Mikey, Ian's oldest son had brought his art project home from school it had become a tradition for every child and grandchild to make Ian a mug. This one was bright yellow and green with Grandpa hacked into it.

“Thanks.” Ian took the mug and nursed it, appreciating the warmth in his hands. “That was weird. Really weird. I feel ****.” He sipped the coffee and let the brandy's special heat spread through his body, healing him.

“Harley called. He said he was dropping the boys off this afternoon on the way to work. Shall I call him and cancel?”

“No, we can't.” Another sip of coffee and another step out of the painting and into the real world. “Sarah is experiencing some problems.”

“Sarah is the problem and Harley is a ****. He's using you.” Wilf placed his hand on Ian's knee and moved closer. “Love, you have to start saying no.”

“Wilf, he's our grandson.” Anger to Wilf's assessment would be appropriate but it was so close to the truth that in his current condition, Ian could not summon a greater objection. “Have we got some drugs?”

“All out of speed, but I think there is some paracetamol in the bathroom cabinet.” Wilf stood up and grinned. "Just guessing a quickie before work is out?"

Ian threw a cushion at Wilf, but he was so slow it hit the back of the door instead of its intended target.
 
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There are quite a few grammatical errors here but I assume you'll pick those up if you decide to continue with this piece.

To the question asked, the beginning doesn't have quite enough to justify some of the indulgences within it. The main character is, perhaps by necessity, almost entirely passive throughout this section to the extent that it feels like he is simply there to plod us through some dense description and introduce us to other, more interesting characters.

At the end of the extract I'm 1500 words in to a story where the overwhelming feel is of decrepitude. In some ways I quite like that but since this is the opening it suggests that things may well continue in this vein, and that would be hard going. The fact that I am to an extent feeling the creaks and groans of this aging man speaks to the strength of some of the writing but it also isn't much fun. It feels a bit self-indulgent. The same goes for the amount of time spent on description. We're told he uses his forefinger to push his glasses back on to his face. I let this go the first time, because perhaps that's a relevant detail or you like that precision, but to have the same phrase employed twice within 1500 words is unnecessary, which leads me to the main weakness - repetition.

We have the same description employed twice, we have a similar image of heat/pain exchange with the chair and the coffee, we have two sumptuously described kisses and we have very little story. Ian's reaction to the picture is the supposed hook but there's not enough intrigue about it. We're left to ponder as to whether something supernatural occurred or whether the suggested senility is taking hold and perhaps this is the mystery a reader might want to get to the bottom of, but one explanation (senility) would be deeply unsatisfying and the other (some fantastical thing) doesn't yet have enough about it to grip me.

It overall feels like you wanted to describe the lives of two old gay men and the story is incidental to that. By all means hit and exploit this niche, but the rarity of it alone is not sufficient to capture my interest.
 
The intention is to turn Ian into Buffy the Vampire Slayer/Supergran by the end of the story but he doesn't know it yet. I'm just wondering if I should flip the first two chapters - I have one in the point of view of his son who is working at a clinic that fixes up paranormal characters caught up in a revolution in the fairy realm.

Would a discussion between Wilf and Ian like this help? (very rough)

Wilf: “Ready to tell me what's the matter, old man?”

Ian: “Flu.”

Wilf: “We've been together too long for that crap."

Ian: “I can't explain it. Since the baker's this morning I've felt like someone has been following me. I'm just being a silly old man.”

Wilf: “You are.”

Ian: “Thanks, I needed to hear it.”

Wilf: “Not because you feel the way you do, but because you are doubting yourself. You rose through the ranks in the police force because your instincts are sound. You're being a silly old man because you are not tearing up the town to find out why.”

Ian: “It's probably nothing.”

Wilf: “I've got more faith in you than that. It bothers me you no longer have that faith in yourself. It was like you retired four years ago and opted to become an old fart. You're only sixty eight but sometimes it's like living with a much older man."
 
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Yes I think that dialogue would help, because earlier you have this sentence:

"As a police officer would have called them his detective gut but that had calcified upon his retirement."

It's a missing a "he" which confused me a little and then made me forget that fact on my second read-through. I don't like Wilf dumping "hey you're ex-police" right in our laps but a tiny bit of drip feed probably makes that ok, though I think there is probably a more elegant way to do it.

When I first read the story I was a bit concerned that it would go the way you're suggesting. I had hoped that a story dealing with older people would keep them older, and not take the main character and make them youthful again via superpowers, because that rather betrays a story told about an older person - it neatly sidesteps the realities of being old. On the one hand there's probably some wish fulfillment for readers who would want to see Ian not suffer the symptoms of aging, but on an entirely personal and subjective level it seems like you've nicely framed the life of a man getting older and it would be quite exciting to see him engage in heroics without the need to alter his physical state.
 
I should have read it over better - I do usually. The dialogue will be better done I'll go and play with it.

He doesn't get younger as such. His senses are heightened that's about it and he can now sense demons. Mostly he just stops behaving like an old fart. IE digs his suit back out of the wardrobe, gets his hair cut, starts going to the gym again, starts using the intelligence he's neglected etc Ian is only 68 and six years younger than my father. My dad still runs in half marathons, renovates houses, goes to the gym everyday etc.

I've supplied him with a stepson, sons, grandsons and daughter-in-laws to fill in for the physical he can't do. He's more the general.

There's a dystopian fairy realm which uses demons to staff its prisons and torture chambers. Ian comes from a long line of demon hunters but his father had him cursed by a witch so he would never find out about the abilities he does have. Wilf is a fairy who led a rebellion and had his wings clipped so no longer is magical. Wilf is dragged back into the fairy realm to finish his sentence and Ian goes to get him back. (Very rough synopsis)

Wilf: “Not because you feel the way you do, but because you are doubting yourself. You're being a silly old man because you are not tearing up the town to find out why.”

Ian: “It's probably nothing.”

Wilf: “I've got more faith in you than that. It bothers me you no longer have that faith in yourself. It was like you retired four years ago and opted to become an old fart. You're only sixty eight but sometimes it's like living with a much older man."
 
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Ian Erasmus Black shivered and, despite the warm summer's day, pulled his tatty old cardigan round him. Senility had finally hit at 8.45 am that morning. At the time he'd had been standing in the queue at the baker's, trying not discuss Mrs Arbuthnot's daughter's hysterectomy; it was a tale to fire fear into the heart of any right thinking man. He'd had sneezed thrice, coughed twice and shivered. On the plus side everyone else thought he was getting the plague so had backed off and he had been able to buy his large crusty bloomer and two well-filled custard slices in record time. <-Grammar is off in this line i think. Or its a flow issue. Consider rewrite.

He pushed his glasses back up his nose with his forefinger and locked his jelly-like legs, so they could move. With some dignity in tact he paid Jim Whale, the too jolly baker, and left the shop, escaping the prying eyes and clacking tongues of Umber Bridge's blue rinse brigade. No doubt comma? by 9.30 am his mother would be phoning him to see if he would like her to bring round some chicken soup.

Foreboding followed him, on the walk back up the hill Comma? lined with grey-stone terraced houses. White knuckles held tight hold of his string shopping bag as if he expected to be mugged for the delicious wares and he found it harder than usual to capture his breath. <--passive? Every lamp-post, pillar-box and rubbish bin could be hiding Nessie, The Gruffalo or even Smaug. They weren't and his head knew they weren't but his OAP senses screamed otherwise. As a police officer, he would have called them it his detective gut but that had calcified upon his retirement.

His hand shook as he fitted the key into the lock of the green glossed door with small leaded glass window at the top. “Don't be so bloody stupid, Ian.” In the safety of his porch he felt even more ridiculous. “Anybody home?” He bent down and picked up the mail. “Junk, junk, junk, junk, bill, ahh interesting.” He sorted through the envelopes throwing most of them into a bin next to the hall stand.

Willowy, wiry and wise, Wilf propped himself at an angle against the wall. He wore khaki shorts and a checked shirt with his sleeves rolled up to the elbow, revealing his muscular forearms covered in soft grey hair. From his mouth, he removed his pipe and smiled, just a little. “What happened to you? You look your age and then some, old man.”

“Only if it has something stronger in it.” Picking up the bag, Ian rose to his feet, with a lot more help from the bench than usual, and padded down the hallway into the small kitchen, located directly opposite the front door. Lime-green nineteen sixties units and a yellow Formica dresser with corrugated plastic doors did not compliment the wallpaper with tiny red roses. Wilf manned the kettle but Ian stood and stared at him. The two men exchanged a brief soft kiss, Wilf's moustache tickling against Ian's top lip.

========

A few bit of passive throughout this piece. Most of my edits were style more than anything. You lack a fair few commas throughout.

Regarding the story... Its tiring. well written obviously but i felt tired reading it. As an opening chapter its a risk, especially if you are going down the superpower road later on you might turn off the people who like that sort of thing with this chapter.

Hope nay of it helped.
 
Hi, Anya. Sorry you got me in editing mode... duck. ;) :)

Chapter One



HeHe'd, I think - because you've stated this incident happened earlier. pushed his glasses back up his nose with his forefinger and locked his jelly-like legs, so they could move. With some dignity in tactintact he paid Jim Whale, the too jolly baker, and left the shop, escaping the prying eyes and clacking tongues of Umber Bridge's blue rinse brigade. No doubt by 9.30 am his mother would be phoning him to see if he would like her to bring round some chicken soup.

Foreboding followed him,drop comma on the walk back up the hill lined with grey-stone terraced houses. White knuckles held tight hold of his string shopping bagsounded like the knuckles are holding the bag as if he expected to be mugged for the delicious wares and he found it harder than usual to capture his breath. Every lamp-post, pillar-box and rubbish bin could be hiding Nessie, The Gruffalo or even Smaug.I don't understand this line at all - why would he think that? Is he scared? They weren't and his head knew they weren't but his OAP senses screamed otherwise. As a police officer would have called them his detective gut but that had calcified upon his retirement.

His hand shook as he fitted the key into the lock of the green glossed door with small leaded glass window at the topThis took me out - why would he think of his own door in such detail. Maybe if he admired it, or it was smarter than the rest of the street?. “Don't be so bloody stupid, Ian.” In the safety of his porch he felt even more ridiculous. “Anybody home?” He bent down and picked up the mail. “Junk, junk, junk, junk, bill, ahh interesting.” He sorted through the envelopes throwing most of them into a bin next to the hall stand.I'd put the dialogue line at the end, and the action first as otherwise it seems odd.

The door to the back parlour opened. Can't understand the link from this line to the rest of the paragraph. In 1964 Ian had carried his heavily pregnant wife over the threshold; she left him and their five sons after nine disastrous years of marriage but not much else had changed. Décor and furnishings meant little to Ian and every five years he repainted it in exactly the same colours as before. “Hey, Wilf.”

Willowy, wiry and wise, Wilf propped himself at an angle against the wall. He wore khaki shorts and a checked shirt with sleeves rolled up to the elbow, revealing his muscular forearms covered in soft grey hair. From his mout, he removed his pipe and smiled, just a little. “What happened to you? You look your age and then some, old man.”

“Compliments abound.” Ian sat downcould drop down on the seat and exchanged his sneakers with the hole in them for his plaid slippers. “What time are you going to work?”

Wilf checked his watch. “Not until two. His Lordship has a shooting party he wants me to take over the moors. Want a coffee?”

“Only if it has something stronger in it.” Picking up the bag, Ian rose to his feetdidn't seem much point in sitting down ;), with a lot more help from the bench than usual, and padded down the hallway into the small kitchen, located directly opposite the front door. Lime-green nineteen sixties units and a yellow Formica dresser with corrugated plastic doors did not compliment the wallpaper withof might be clearer. In general, I found this sentence hard to follow. tiny red roses. Wilf manned the kettle but Ian stood and stared at him. The two men exchanged a brief soft kiss, Wilf's moustache tickling against Ian's top lip. And the actions at the end don't work for me - Ian stood and stared at him, and gave him a kiss - how can he do both? Also, what's he thinking as he stares - could a thought lead to him having to give the kiss?

Wilf took the string bag that Ian still clutched,new sentence. He had Wilf had to prise open Ian's fingers. “Go take a seat, love. Hungry?”

The kiss had made Ian feel more human but drained any adrenaline that had been keeping him going. He shook his head. “Sick. Thanks.” Feeling far more than his sixty-eight years, Ian's body slumped and he painfully moved from the kitchen into the back room. Laid out with the folding table under the window, utility sideboard along the back wall and a putty coloured leather suite arranged round the gas fireAll this description of the surroundings is really getting in the way for me. I think you're directing too much, when really we'd fill in the blanks to our own satisfaction.. To the right of the fireplace sat the chair, covered in a bright crocheted blanket, that Ian jealously guarded.

He picked up the blanket, wrapped it round himself and capsized into the chair. Familiar faint smells of leather, Glenfiddich and Wilf's favourite black cherry tobacco, grounded him and enveloped him in the safety of his home. Pain from his limbs leached into the chairhmm, this might be a little much for me - pain can't leach into a chair, even metaphorically as he allowed them to relax. The position he found himself in placed him - for flow in direct eye contact with the painting above the fire; an oil of a forest clearing that his father had painted before Ian was born. A little black plaque on the bottom of the gold frame: Fairy Glen. Oak, ash, birch and a few others surrounded a stone circle with a flat alter like altar-like stone in the centre. Always there he hardly ever noticed it but he found his gaze drawn to the alter stone and the cold in his spine spread through his body. Sweat soaked his forehead and drenched his shirt.

Early morning dew heightened the scents from the forest and sun filtered through the canopy.I could do with the flow between reality and fantasy being a bit slower so I go with it. Ian followed the light until he came out in the clearing. A wail... increasing in volume... echoed round the clearing. Fluttering of birds. Not birds... bats... they descended on Ian and he raised his hands to cover his head. Screams. Were they his? Heat, sweat, aching filled his body and they forced him to lower his body until he was knelt on the stone, head down. “Save me.” His screams had turned to whispers.

A shriek louder than anything he had heard before. The glen was silent. No fluttering, no screams, no wails.

The world shook. “Ian.” Shaking increased up the Richter scale until the whole of the clearing shook. “Ian!” The voice was louder.

His body was being lifted until he came face to face with a creature with waxy skin and black leathery wings. Familiar? “For God's sake, Ian!” Thethe creature became irate in tone, but as he spoke his white face with mother of pearl skin moved closer.

Frozen in place, Ian could only recoil from the kiss in spirit but not in body. The kiss became an urgent, ardent, hard kiss, tasting of salmon, coffee and tobacco.Would anyone really kiss someone in such a state? Wouldn't they try to bring them round first? It's obvious he isn't asleep because his eyes are open, so the sleeping beauty reason doesn't work for me. A familiar hairy tickle on the lips, forced Ian's eyes open. His eyes blinked like automatic doors on the blink. Blurry.... he picked up his glasses from his chest and put them on. “Wilf?” It was difficult to see through the sweaty smears on his glasses, so Ian picked up the glasses case he kept on the occasional table and took out the cleaning cloth.

“Hello, Sleeping Beauty?” Wilf grinned and sat down on terracotta, tiled coffee table. “I was beginning to think you would never wake up. You were thrashing and screaming so much I considered calling a priest.”

Hypnotically, Ian cleaned the lenses in a circular manner. He opened his very dry mouth but he was not ready to speak. His head hurt, really hurt. Pete, one of his sons, had migraines but he had never suffered from them himself. “Where?”Where what? He placed his glasses on his face and used his forefinger to push them into place.

“Back room, love. There's a good dose of brandy in it.” Coffee aroma lifted from the thick, lopsided mug in Wilf's hand. Since Mikey, Ian's oldest son, had brought his art project home from school it had become a tradition for every child and grandchild to make Ian a mug. This one was bright yellow and green with Grandpa hacked into it. Nice touch.

“Thanks.” Ian took the mug and nursed it, appreciating the warmth in his hands. “That was weird. Really weird. I feel ****.” He sipped the coffee and let the brandy's special heat spread through his body, healing him.

“Harley called. He said he was dropping the boys off this afternoon on the way to work. Shall I call him and cancel?”

“No, we can't.” Another sip of coffee and another step out of the painting and into the real worldnice. “Sarah is experiencing some problems.”

“Sarah is the problem and Harley is a ****. He's using you.” Wilf placed his hand on Ian's knee and moved closer. “Love, you have to start saying no.”

“Wilf, he's our grandson.” Anger toat Wilf's assessment would be appropriate but it was so close to the truth that in his current condition, Ian could not summon a greater objection. “Have we got some drugs?”

“All out of speed, but I think there is some paracetamol in the bathroom cabinet.” Wilf stood up and grinned. "Just guessing a quickie before work is out?"

Ian threw a cushion at Wilf, but he was so slow it hit the back of the door instead of its intended target.[/QUOTE]

I quite liked it as an opening, the fantasy is hinted at, the relations are set. I think I'd like to know Ian more, and the surroundings less, though, and I think you could make it flow a little better in the next run-through. Intriguing, though. :)
 
Thank you everyone - I'll go away and tinker with your thoughts in mind.

Editing mode is always good. ;) I'm still in script mode which is making this harder - I think it is showing with it being all dialogue, description and action. It's basically taking my mind off waiting for my sit-com feedback (some people have had theirs already).

I have ME - pain leaches into chairs and beds all the time ;) But maybe you're right it is something someone without the condition may not understand. It's the one thing I miss when I am in remission, because it's an amazing feeling. Pain receptors are so bombarded that it is hard to tell where the pain is going and it feels like it is being pulled into the furniture.

I don't know why I like this beginning over and above all the others I've tried for this story. It is dour but then Ian is quite a dour character and it suits him.

Also it means the fantasy is hinted at more strongly before chapter seven ;) Especially as I now have a wing amputation in the second chapter.
 
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