Early Novels of Asimov Reading Idea

Extollager

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I think I'll set myself to read the following, in this order. (I realize I, Robot isn't a novel.)


1950
Pebble in the Sky (just finished, actually; comments should be forthcoming soon)
I, Robot

1951
The Stars, Like Dust
Foundation


1952
Foundation and Empire
The Currents of Space


1953
Second Foundation

1955
The End of Eternity

I reread The Caves of Steel and The Naked Sun recently enough that I'm not listing them. If I feel like it, I might go on to read (or reread... it's so long ago I'm not completely sure!-- probably a reread) Fantastic Voyage.

If others want to help to turn this thread from being Extollager posting notes on his reading -- to being more of a conversation, that would be nice.

I'd like to read an average of one a month or so, but I'm not going to worry about reading "too soon" or "getting behind."
 
I've been itching to go on a massive Asimov re-reading binge for years now. I used to re-read most everything fairly regularly when I was younger and full of energy and caught up on my reading but I haven't re-read anything in a long time. But you're a little too early for me, as I'm still not ready (the Pile's still too big) and I was going to re-read everything in publication order, down to the stories in The Early Asimov and all, on to Gold and Magic.

And, while they aren't masterpieces, they're pretty good and fun - no Lucky Starr? And if you do get to Fantastic Voyage, you gotta go on to The Gods Themselves to finish up the "middle novels". :)
 
Oh, what a nostalgia tour! :) I've also read everything listed here, I think all of them at least twice; there was a time in the mid '70s when I had trouble getting new SF books, so the 20 or so I had were enjoyed time after time. I've just purchased the original 3 Foundation books, for Kindle...if I ever find the time to start them I will try to join in. Meanwhile I'll look forward to reading the comments here. Nice post, thank you! CC
 
I read the Foundation trilogy probably around 1969/70, but rereading it will merit a note in the From Way, Way Back in Your Reading Life thread. But The Stars, Like Dust, The End of Eternity, and The Currents of Space will be first-time reads, I'm pretty sure.

Yeah, I think I'll add The Gods Themselves to the list of Asimov reads. I've read only part of it, and that was a few years ago...

I might go back to, or detours to, one or more of the Lucky Starrs at some point. I haven't read any of them, though I might have done so had I had the opportunity back in the day.

This should be fun.
 
I've never read the Lucky Starr books; an oversight in my Asimov. I finished The Gods Themselves when I was maybe 15, and didn't like it that much...I wonder though if I'd feel differently now. It was a more challenging read than his '50s novels.

:) But yes, it should indeed be a good time...I wonder if you get nostalgic, as I do, when you re-read books you loved when you were young?
 
CC, Pebble isn't a reread for me, but, yes, sometimes there's a nostalgia element. Certainly I prefer to read these old books in old editions. (I don't care about the condition much.)

Now here are some comments on Pebble:

Pebble in the Sky (1950), in a 35c Bantam Giant edition, begins my Asimov tour. I liked the economical storytelling; the text ends on the bottom of page 200 (so “Giant” in the publisher’s description is a bit generous. Economical storytelling is one of the things I like about the classic sf novels of 60 years or so ago. I like lots of long books too (e.g. Dickens’s), but I think sf is often well suited to the novella or short novel length.



It seems to me that Sir Walter Scott said, of one of his novels, that it was not good, but there were good things in it. Pebble provided what I wanted – enjoyable, relatively light reading, so in that sense it was good. It’s vulnerable to easy-to-make criticisms. For example, one of the chief characters, Schwartz, is a man from our own time (as of the time the book was published), but I'm not sure that this is essential to the plot. It’s a convenience in that it gives the reader someone easy to identify with as we get acquainted with this distant future. Schwartz gets a Synapsifier treatment that enhances his mental abilities, including telepathy and the ability to defend himself via a sort of mental bolt, but unless I missed something, the treatment would have worked on a person of the time when the device was invented. However, having an ordinary joe like us save the galactic empire provides an extra element of escapism.



In this future, there are 200 million inhabited planets “and an approximate population of five hundred quadrillion people” (p. 133). I assume Asimov was thinking of U. S. usage for “quadrillion”, so that’s 500, 000,000,000,000,000 – right? All of them are descended from Earthmen and look and talk* like Earthmen – indeed, pretty much like Earthmen of 1950, although most citizens of the Galactic Empire believe in a parallel evolution explanation for a multiple-plaent origin of the galaxy's people; their real origin is long forgotten.** The theme of the real origin of all these future people in settlers from or descended from Earth people is an interesting one, one of the ideas that Asimov doesn’t really develop. In a way, I liked that.



Earth is largely a radioactive wasteland in this distant future. However, blurred but familiar city names remain – Washen, Sanloo, etc. The supreme world is Trantor.

Blaster-packing Balkis and his confederates mean to exact a horrible revenge upon the Galactic empire for its disdain of the “pebble in the sky,” Earth. The phrase is that of Dr. Shekt (p. 33), inventor of the Synapsifier and father of a daughter with beautiful eyes and light brown hair, with whom Bel Arvardan, an Empire archaeologist, falls in love. At first we expect Schwartz clearly to be the protagonist of the novel, but eventually Asimov makes it more of an ensemble affair than that. Arvardan, Shekt, daughter Pola, and Schwartz oppose the plot, which it is hard to believe would really have succeeded. It’s fun to get to the point where it’s thwarted, though.

*I don't want to be misleading. Actually, Schwartz and the speakers of the future language can't understand each other at first. What I meant was that, the speech of the future people as represented by Asimov's English is basically ordinary contemporary English. This seems to suggest that the semantics haven't changed much in all those years although the sound and, presumably, spelling of words has changed some (so that Fort Dearborn is Fort Dibburn, etc.).

**There are no "aliens" in the whole galaxy, it seems.
 
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**There are no "aliens" in the whole galaxy, it seems.

Asimov explains this in (if memory serves) The Early Asimov. The exception within the "Robot/Galactic Empire/Foundation" superstructure would likely be the short story "Blind Alley", where they become the motivating factor.
 
The exception within the "Robot/Galactic Empire/Foundation" superstructure ...
My understanding is that his bringing together of his various old novels into one "universe" was a late afterthought, something Asimov undertook decades after his classic novels were published. I mean to read the books I listed in the order of publication and interpret them at "face value." It's fine, of course, to mention that he later came up with ideas whereby to "explain" things to fit a later conception, and I suppose we should take those later views as the author's "final" intentions.
 
Ive read Pebble in The Sky , An excellent read. :)
 
There are no "aliens" in the whole galaxy, it seems.

Actually, I find this an interesting idea.

I suppose it is a very common view that the discovery of extraterrestrial but rational and (thus, so far) human-like "aliens" is just a matter of time. As a nearly lifelong reader of sf, some of whose lifetime favorite books have extraterrestrial people in them, I do like to be reminded that, so far, there is no evidence for such "aliens." It really is not necessarily just a matter of time before we discover them. If our civilization is still here a thousand years from now, we may still have no such evidence....
 
My understanding is that his bringing together of his various old novels into one "universe" was a late afterthought, something Asimov undertook decades after his classic novels were published. I mean to read the books I listed in the order of publication and interpret them at "face value." It's fine, of course, to mention that he later came up with ideas whereby to "explain" things to fit a later conception, and I suppose we should take those later views as the author's "final" intentions.
Well, actually, this story was one of his earlier stories, written at the same period as the earlier magazine versions of the Foundation stories. At any rate, it might we worth looking at, given that he had already reached the decision to not portray alien life forms (or at least intelligent alien life forms) at this point, yet chose to do so with this single story which uses the same background....
 
OK, I've ordered a used copy of The Early Asimov -- and also one of its companion, Buy Jupiter.
 
OK, I've ordered a used copy of The Early Asimov -- and also one of its companion, Buy Jupiter.
Its companion? The only "companion" volume I'm aware of to The Early Asimov is Before the Golden Age (which came later)... the two of which he called his sort-of biography, as so much material was devoted to his own life and the role sf played in it. Buy Jupiter, however, is a fairly good collection, if memory serves....
 
I like the idea or re-reading Asimov and tracking them in publication order also appeals but I don't know quite when I'll get the time. I'll post here if I do...
 
Its companion? The only "companion" volume I'm aware of to The Early Asimov is Before the Golden Age (which came later)... the two of which he called his sort-of biography, as so much material was devoted to his own life and the role sf played in it. Buy Jupiter, however, is a fairly good collection, if memory serves....

My understanding is that The Early Asimov and Buy Jupiter are collections of Asimov short stories with autobiographical commentaries intended to please publisher(s) who wanted Asimov to write about his life, presumably at a time when he didn't intend to write his two-volume memoirs. (I have Before the Golden Age, which, as you say, also has some autobiographical elements.)
 
My understanding is that The Early Asimov and Buy Jupiter are collections of Asimov short stories with autobiographical commentaries intended to please publisher(s) who wanted Asimov to write about his life, presumably at a time when he didn't intend to write his two-volume memoirs. (I have Before the Golden Age, which, as you say, also has some autobiographical elements.)

Basically all Asimov collections from The Rest of the Robots (1964) to The Winds of Change (1983) have notes to the stories but Buy Jupiter is no different from others that do (except maybe in proportion of "autobiographicality" but Nightfall and Other Stories (1969) had already been pretty autobiographical. That said, you're right that Asimov does say in its intro that he's continuing the practice of TEA/BTGA in order to forestall demands for an autobiography. (That worked! ;)) I wouldn't call them companions in an autobiographical sense, though. BTGA is an anthology of 31-38 SF and TEA is part of a small Doubleday series of early previously uncollected stories from a few authors (Asimov, del Rey, Pohl, Williamson, I think) which, in this case, covered writing efforts from 38-50, making them well-suited to concentrated linear notes, while Buy Jupiter is a general collection like any other. Either way, like every major Asimov collection, it's worth getting. I prefer some of the other collections but it's got good stuff and they're all essential to me. :)
 
Either way, like every major Asimov collection, it's worth getting. I prefer some of the other collections but it's got good stuff and they're all essential to me. :)

I'll have Nightfall and Other Stories, Earth Is Room Enough, I Robot, The Rest of the Robots, Before the Golden Age, Early Asimov, and Buy Jupiter, so is that pretty good for a set of Asimov's short fiction? In novels, I'll have Pebble in the Sky, the Foundation Trilogy, Caves of Steel, Naked Sun, End of Eternity, Currents of Space, The Stars Like Dust, Fantastic Voyage, and The Gods Themselves.
 
I'll have Nightfall and Other Stories,

Could the novel Nightfall be regarded as early Asimov since Asimov approved of it?

Eventually, I received the extended "Nightfall" manuscript from Bob. Despite everything, I had fearfully anticipated receiving something I couldn't endure [...]

I need have had no fears. Bob did a wonderful job and I could almost believe I had written the whole thing myself. He remained absolutely faithful to the original story and I had very little to argue with.

http://scifi.stackexchange.com/ques...ween-asimov-and-silverberg-on-nightfall-novel

psik
 

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