Dirty Old Town - synopsis (First draft - 486)

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AnyaKimlin

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A synopsis for YA Murder Mystery set in the Edwardian Era. (I know it isn't Fantasy but I asked if I could as there is no other forum I trust quite so much with my synopsis). This is the first draft so I know it is a disaster:


Dirty Old Town


Sandwiched between the great estates of Sir Patrick Garrett and Countess Morteford, the small market town of Morteford is, on the surface, the very model of Edwardian prosperity and propriety.

Society girl, Cece Garrett does not want to adorn the arm of an ancient fat Earl who has fallen for her father's money. She wants be a barrister which is a path not open for an Englishwoman in 1912. Determined to change the world and achieve her goal without the help of her father's fortune, she joins the suffragette cause. Despite her determination she is scared by the idea of being tortured in prison and she allows her father to rescue her each time she is arrested.

Both the town's jeweller and one of Cece's closest friends are murdered during a day of suffragette direct action. Cece's older brother becomes the prime suspect. Despite his boorish behaviour towards her, Cece is the only one convinced of his innocence. In order to save him from the gallows she sets out on an investigation that plunges her into the dangerous and murky world of Edwardian porn.

Once she discovers the secret hideout of the porn ring, Cece herself becomes their main target and she must rely on her wits to stay one step ahead of them until she has the evidence she needs to save her brother's neck. Her big break comes when she offends her father once too often and he busts her down to the position of scullery maid. She meets a young maid who manages to find time round her sixteen hour days to moonlight as a model for photographer, Tobias London. Through Bette she meets other women who have been photographed, raped and abused. Each one gives Cece a clue as to the identity and whereabouts of the murderers.

Cece forces a confession from her friend's father, the social climbing, Mr Wolfe. The jeweller had recognised Mr Wolfe's distinctive ring in a dirty photograph. Desperate to keep his secret from his wealthy and pious wife, Mr Wolfe hired Tobias London to murder the hapless jeweller. Mr Wolfe's daughter witnessed the crime and was in turn murdered to prevent her informing the police.

It is her word against that of two respectable men, so on a quest for more information Cece follows a lead to an abandoned house. She learns of the London family history and the beginning of the porn ring before finding herself trapped in a room with the mummies of Tobias's parents. She is rescued and tells her story to the police. Her brother is released.

A week later Cece ignores her father's wishes and goes on another suffragette demonstration. This time she is a much more active participant in the violence and when she is arrested she refuses to let Sir Patrick rescue her. She has a greater strength and desire to stand up for what she believes in.
 
brilliant from my quick read. Ill go in depth tomorrow and suggest improvements. The Edwardian porn line made sit up LOL
 
Comments in quote...

But this is a big concern: "YA Murder Mystery" and "world of Edwardian porn".

Dirty Old Town

Sandwiched between the great estates of Sir Patrick Garrett and Countess Morteford, the small market town of Morteford is, on the surface, the very model of Edwardian prosperity and propriety.

Society girl, Cece Garrett, does not want to adorn the arm of an ancient, fat Earl who has fallen for her father's money. She wants be a barrister which is a path not open for an Englishwoman in 1912. Determined to change the world and achieve her goal without the help of her father's fortune, she joins the suffragette cause (consider "movement" here or "takes up the...cause"). Despite her determination she is scared of being tortured and imprisoned so allows her father to rescue her when she is arrested. (consider revising, too many hers and shes)

Both the town's jeweller and one of Cece's closest friends (power positions are first and last of a sentence, consider swapping the jeweler for Cece's friend) are murdered during a suffragette direct action. Cece's older brother is the prime suspect. Despite his boorish behaviour, Cece is the only one convinced of his innocence. To save him from the gallows she sets out on an investigation that plunges her into the dangerous and murky world of Edwardian porn.

Once she discovers the secret hideout of the porn ring, Cece herself becomes their main target (target of a porn ring? doesn't sound dangerous) and she must rely on her wits to stay one step ahead of them until she has the evidence she needs to save her brother's neck. Her big break comes when she offends her father once too often and he busts her down to the position of scullery maid (I get what you're saying here, but it's clunky). She meets, Bette, a young maid who moonlights as a model for photographer, Tobias London. Through Bette (you introduce the character in the last sentence without giving her a name, so seeing it here is a bit confusing) she meets other women who have been photographed, raped, and abused. Each one gives Cece a clue as to the identity and whereabouts of the murderers.

Cece forces a confession from her friend's father, the social climbing Mr Wolfe. The jeweller had recognised Mr Wolfe's distinctive ring in a dirty photograph. Desperate to keep his secret from his wealthy and pious wife, Mr Wolfe hired Tobias London to murder the hapless jeweller. Mr Wolfe's daughter witnessed the crime and was in turn murdered to prevent her informing the police. (This is all vital to the plot, but out of order, piece it out as it's revealed throughout, or in order here.)

It is her word against that of two respectable men, so on a quest for more information Cece follows a lead to an abandoned house. She learns of the London family history and the beginning of the porn ring before finding herself trapped in a room with the mummies of Tobias's parents. She is rescued and tells her story to the police. Her brother is released. (I read mysteries and adventure stories, the hero should never be rescued. They do the rescuing. Put another way, this undermines her arc. She starts as a character who lets her daddy rescue her, the ends as a character who refuses to be rescued. Along the way she's learning to stand on her own feet... but then she's rescued again. If I may, seems to undercut the theme here.)

A week later Cece ignores her father's wishes and goes on another suffragette demonstration. This time she is a much more active participant in the violence and when she is arrested she refuses to let her father rescue her. She has a greater strength and desire to stand up for what she believes in. (This last is implied from the previous sentence. Not sure if you need it.)

Sounds interesting. Good luck with it.
 
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I'll just emphasise something FBH has quietly addressed, because I've seen others do this recently.

You don't need a comma before a person's name just because it's a person's name. You can test this by reading aloud and inserting pauses where the commas are.

"Cece forces a confession from her friend's father [pause] the social climbing [pause] Mr Wolfe."

The first pause works, but why the second? It does nothing except cause jerkiness for no reason.

Same with

"Society girl [pause] Cece Garrett does not want to adorn the arm of an ancient fat Earl"

FBH in his edit here has added a comma after "Garrett" to make a "parenthetical clause" (I think it's called). This works a little better, but is more usual where the name is followed by the description:

"Cece Garret, society girl, does not want to adorn the arm of an ancient fat Earl"

The commas around "society girl" act like brackets, which is logical -- you'd be making an aside to the reader about her nature. It doesn't really work to put "Cece Garrett" between commas in your original because that isn't an aside -- her name is more important than her description.

So with the words in their current order, I'd leave the comma out.

This might seem trivial, but if I were a hard-pressed agent I might well use that misplaced comma as an excuse not to read on. There's usually a logical basis for punctuation, and if you do something different, you risk causing problems.
 
That comma stuck out for me, too, if it's any consolation Harebrain.

Um, what market are you going for with this one, Anya. It's not mainstream - have you a few agents in mind who look for slightly (far be it for me to say this) kooky things?
 
Basically, yeah. Setting bits off with commas marks them as extra, almost unnecessary, information. Like that. The sentence doesn't need that bit between the commas to make sense, it's extra. Like that.

So:

"Cece forces a confession from her friend's father, the social climbing Mr. Wolfe."

Here "social climbing" is a direct attribute of Mr. Wolfe, so "social climbing" is not superfluous. Rather, "the social climbing Mr. Wolfe" is the extra detail that could be left out as we already know who the character is: Cece's friend's father.

But Hare's right, I was wrong with this one:

"Society girl, Cece Garrett, does not want to adorn the arm of an ancient fat Earl who has fallen for her father's money."

The commas are unnecessary (both yours and the one I injected), just as it is above separating "social climbing" from "Mr. Wolfe". Strike those commas and it flows better...

"Society girl Cece Garrett does not want to adorn the arm of an ancient fat Earl who has fallen for her father's money."

If you want to go with Hare's suggestion to swap those two bits...

"Cece Garrett, society girl..."

You should probably add an article.

"Cece Garrett, a society girl, does..."

Or you could leave it as implied... or reword it... or put that bit of info into another sentence.

Sorry, it's late for me.
 
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OK - aside from the punctuation there is no real issues with the content beyond it not being entirely mainstream? I'll piece out that paragraph and change rescued to escaped. The rescue is essential to a sub plot but I'll pull it out for the synopsis.The porn element is tame as the story focuses on the effects of the girls who were seduced by pretty dresses and cash.

That comma stuck out for me, too, if it's any consolation Harebrain.

Um, what market are you going for with this one, Anya. It's not mainstream - have you a few agents in mind who look for slightly (far be it for me to say this) kooky things?

If it doesn't fly as a YA I'll make her a year older and drop the YA bit. As a murder mystery it is very mainstream and I can point to about six or seven successful series with a similar vibe. At present YA agents seem to be looking for female characters set in an historical era so I figured I'd try them first as one or two are also asking for mystery/crime.
 
It sounds extremely interesting. The year is perfect if you want to throw in something about early motion picture developments.

I don't know about the ending though. Are you planning on a sequel? If you aren't it's not a very happy final scene to have poor Cece being hauled off to jail and still with little hope of becoming a barrister as the book ends
 
It sounds extremely interesting. The year is perfect if you want to throw in something about early motion picture developments.

I don't know about the ending though. Are you planning on a sequel? If you aren't it's not a very happy final scene to have poor Cece being hauled off to jail and still with little hope of becoming a barrister as the book ends

I'd like to write several sequels because it will take her into World War One before she gets too old to be YA, There's no hope of her becoming a barrister before about 1919-1920.

I'm still umming and ahhing about a prologue set in 1968 where she is still protesting and getting arrested.
 
OIC, okay, that works fine then.

A prologue might be a good idea if you want to set her up to solve several mysteries. OTOH knowing she survives to 1968 won't be very helpful if you want her survival to be personally threatened in any of your stories
 
I have a migraine so may regret this but I think I have taken the advice:

Dirty Old Town


Sandwiched between the great estates of Sir Patrick Garrett and Countess Morteford, the small market town of Morteford is, on the surface, the very model of Edwardian prosperity and propriety.

Society girl Cece Garrett does not want to adorn the arm of an ancient fat Earl who has fallen for her father's money. She wants be a barrister which is a path not open for an Englishwoman in 1912. Determined to change the world and achieve her goal without the help of her father's fortune, she joins the suffragette cause. Despite her determination the stories of torture in prison terrify her. Each time she is arrested she allows her father to rescue her after only a few hours in a cell.

During an afternoon of suffragette direct action the local jeweller is murdered. He indulges in the occasional kinky photograph and in one he recognises the distinctive ring of Mr Wolfe. A careless joke to Mr Wolfe seals the jeweller's fate. Mr Wolfe has a very wealthy and very pious wife; in order to keep his secret from her he hires Tobias London to kill the jeweller.

Araminta Wolfe is Mr Wolfe's daughter and Cece's good friend. She attends the direct action with Cece. Cece throws a rock at a constable, allowing Araminta to escape. Araminta runs down the close next to the jeweller's shop and witnesses the murder of the jeweller. Tobias London kills Araminta to hide his crime.

The police have only one prime suspect for the double murder; Cece's brother. Despite his boorish behaviour towards her, Cece is the only one convinced of his innocence. She begins a dangerous investigation to save him from the gallows.

Cece's big break comes when she offends her father. Her punishment is to spend a week working below stairs as a scullery maid where he hopes she will learn some gratitude for the life he gives her. She meets Bette, a young maid, who despite her sixteen hour days has been seduced to work for Tobias London. He offered Bette a pretty dress and good money; Bette was saving to be married and hoped it would bring that day sooner. Now she is too scared of the men to stop working. Using a box of her father's photographs, Cece locates a number of other girls in Bette's situation and each one supplies another clue.

In a world ruled by men Cece is unsure anyone will listen. Two respectable men against a group of working class girls who have given up their respectability. She goes to an abandoned house to get more concrete evidence. The house reveals secrets that connect the Wolfe and London family. It also provides information about how the porn ring first began. During her investigation she finds herself trapped in a room with the mummies of Tobias's first victims: his parents. With air running out, she escapes to tell her tale to the police.

A week later, Cece ignores her father's wishes and attends another suffragette demonstration. This time she breaks the window of the police station and chains herself to the railings. When they arrest her she gives a false name and refuses to let her father help her. The injustices she has seen have made her more determined to one day become a barrister.
 
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Mr Wolfe has a very wealthy and very pious wife; <-- very very very
CAPITAL on character names when introduced? CECE GARRETT for e.g
Araminta runs down the close next to the jeweller's shop and witnesses the murder of the jeweller. <-- typo in there?
Cece is the only one convinced of his innocence. <-- can delete bold to lower word count
where he hopes she will learn some gratitude for the life he gives her. <-- probs can be cut if word count needed as it adds little.

Your final paragraph is stronger.
 
Thank you for the feedback.
-A very wealthy and extremely pious wife? It's now edited in the mss.
-Capitals aren't, as I understand it, needed on synopsis for books. They are needed for scripts. Almost half the agents I submitted to went on to read my three chapters for Mayhem without the capitals.
- I hoped "the only one" explained why she went ahead with the investigation but maybe I need to be stronger with that?
 
the only one works and as some conflict but if you were looking to trim it can be. Thats all. This is all just opinion from a guy who can't even write his own:) So take with dollops of salt.
 
the only one works and as some conflict but if you were looking to trim it can be. Thats all. This is all just opinion from a guy who can't even write his own:) So take with dollops of salt.

All opinions welcome and I've yet to write my own without huge dollops of help. Novels are a piece of cake in comparison.
 
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