Chapter 1 to 'Emergence' manuscript

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FibonacciEddie

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Dear All,

I would welcome your comments. This is the 1st Chapter of my contemporary SciFi novel Emergence (90k words in total - this excerpt is 1,000 words).

I am particularly interested in views you may have about:
- poor grammar (I have checked it many times - but I may simply be ill-educated)
- text that seems to "expositional", noting it is Chapter 1 (or the perhaps the Prologue) and so I do have to set the scene

... that said, I will gladly receive all comments

regards
Nick (my real name!)




February 1965


Bill ran blindly through the dark backstreets of Hampstead. At this time of night it should have been silent, but faint noises of pursuit echoed in the distance. His legs ached as he pushed himself onwards; wet slippery pavements hampered his progress, but he rushed as quickly as he could. Escape was the only thing on his mind.

The headlights of a vehicle swept around the corner, Bill threw himself sideways into a hedge. The car flashed past without slowing. He peered out, waiting until the road had cleared. A few seconds later, he got back onto the pavement, stopping dead still for a moment, listening. There were other cars approaching, not yet too close, but definitely closing in. Bill took a few deep breaths and started to run again, quickly building up speed.

Unprompted, Bill’s mind flashed back to earlier in the afternoon. He’d repeatedly refused to take part in a pain endurance test. He’d continued to say no until the scientist, incensed, had threatened to bring Tom in for an assessment in his place. They’d taken him back to his cell where a guard had laid out in graphic detail the tests Bill’s son would have to endure. Of course Bill had relented, been tested, and now he would have some scars as a constant reminder.

He shook his head, trying to clear the memory of the tests. I have to warn Tom. Heknew physically getting to Oxford was beyond him, there were simply too many people chasing him, but a phone call might be possible. Taking a quick look around, he recognised a side road that led up to Hampstead Heath. He had friends in Highgate who would help.

In almost total darkness, Bill powered up the hill towards the heath. His leg muscles were giving everything asked of them, and his feet were starting to ache from the sheer ferocity of the impacts on the pavement. As he reached the entrance, Bill slowed and peered into the gloom of the heath. Perhaps he had a chance in there, he looked back down the road, there were no vehicles coming up yet.

About to move off, he froze as he heard the unmistakeable sound of a gun being cocked, and a rough voice came out of the darkness.

‘Stop there and you won’t get hurt.’

Bill’s heart sank. A shape appeared, it was one of the soldiers from the laboratory, and there was a revolver pointing directly at Bill’s head. Neither the revolver, nor the voice wavered.

‘Okay Bill, just kneel down on the ground while we wait.’

The soldier reached for the radio attached to his belt, seemingly only keeping half an eye on Bill. The soldier adjusted the knobs but it didn’t seem to be responding. Bill considered his position; could he escape into the darkness? With an almost imperceptible flick of revolver, the soldier reminded him to kneel down.

Suddenly, the radio sprang to life, crackling loudly. Bill felt a wave of hopelessness wash over him and knelt down with his head bowed. A few moments later, in the depths of despair, Bill realised the radio was still crackling but the soldier hadn’t spoken yet. He looked up, just as the soldier collapsed to the ground with a thud.

There’d been no gun shot and there was nobody else around. What just happened? There was a flash of headlights, a few hundred metres away a car was coming up the hill. Bill jumped up and started running again, deeper into the heath.

He turned towards Highgate. Behind him, he could hear sirens and what sounded like muffled explosions. As he moved steadily eastward, the pursuit faded away and his plan evolved. He could get to his friends in about ten minutes; using their telephone, he’d tell Tom to meet him somewhere. I need a safe place we can hide.

The night was moonless and dark, Bill slowed his pace to avoid accidently stumbling into a tree, or worse. He thought he had about half a mile to get to the Highgate Ponds and then it would be a matter of moments to get to Milfield Lane. For the tenth time that night, he replayed the last week’s activities in his head. At the beginning of the week, when he’d initially arrived at the laboratory, the scientists had all been very friendly. But it had changed dramatically with the electro-shock tests a few days later, after which, he’d been told he couldn’t leave – National Security. Then the experiments had become genuinely dangerous, rather than just mildly painful.

The darkness started to ease, and up ahead, the lights of Highgate were visible. Bill quickened his pace. Suddenly he felt a stinging pain in his leg; he reached down instinctively to rub it. What was that, a bee? He felt himself slow; and he collapsed to the ground. After a few seconds his strength returned, he got up, but another sting hit him in the small of his back. This time he only stumbled, but then there was a muffled shriek close behind him and a pain bloomed in his skull. Heavy footsteps were closing in as Bill momentarily blacked out.

It had only been seconds when Bill became aware of sounds again, the footsteps were still approaching. There was also a new background noise - a faint mechanical humming. Bill managed to open his eyes, he half-turned on the ground and watched with mounting terror as a shape loomed out of the darkness.

Through the gloom, Bill saw a hand with six fingers reached down towards him; the hand was large, very large. His eyes lingered for a few seconds on the hand, then his attention was drawn to the muscled forearm disappearing into a heavy sleeve. Terrified, but unable to look away, his gaze continued up the arm to a chest the width of two normal humans; and then the creature’s head: green, enormous eyes and very carnivorous looking teeth.

The creature’s hand took a firm hold of Bill’s jacket and effortlessly lifted him into the air.

Bill gasped as he was carried away.

***

At first light the next day, the hunt for Bill continued. Police with dogs were drafted in, but they hunted in vain. No trace of Bill was found. He’d disappeared, along with the solider who had been patrolling the south west side of Hampstead Heath.
 
I like this but I think you are missing some of the heart pounding breathlessness that could make this better.

I recall a real incident that happened to me long ago maybe I can use that to show this.

When I was seventeen I worked weekends at a place that was just off the highway with minimal lighting every so often and every side street was pitch black unless someone left a porch light on but even then the porches were far enough from the road that it only made a small difference. On the weekend I would work until midnight and walk home about a block and a half away, so it wasn't far. That night I got out and it was chilly and I didn't have a jacket so I hurried across the highway. A distance away were a couple of headlights coming west; otherwise things were quiet. I got a good ten meters down the road in the darkness, when the lights quickly rounded the street from the highway. Maybe one of the neighbors was out late.

I tensed up a bit waiting for them to pass but they had slowed. I gazed back, worried. Instinctively I picked up the pace and the lights seemed to pace me. It was annoying because the light was starting to make it harder for me to see in the dark. My heart started to beat faster and I started to jog, but when I looked the distance between us was the same. Up ahead was the light someone had left on for me, just a faint glow. So I started to sprint. My heart was beating hard and my breaths were more difficult and I was admittedly frightened. I wasn't chilled anymore either because I was starting to sweat. And now the lights were gaining on me and I knew that I couldn't out run them, but maybe I could make it to our driveway and within 5 meters of the light. I might be able to at least see them. They were almost on my heels and I was going as fast as I could breathing out my mouth though I knew that wouldn't help any. The light was closer and now I all could see was three lights, one in front and the two behind. But the gravel of the driveway was kicking up underfoot and my side was starting to ache. I looked back and could now see the outline of the Police Cruiser. I was bent over panting from exertion.

The trooper had the window down and shouted, "What are you running for?"
 
My main concern about this is that it remains very detached from the character. He takes a few deep breaths, his heart sinks - but otherwise there are no visceral reactions that might help create a sympathetic sense of tension. He doesn't feel much, and because of that, neither do we as readers.

This makes the chase feel like it drags on for far too long - he does this, he does that, he goes this way, he goes that way.

And you stop any sense of action to try and push a little back story in the paragraph that begins with "Unprompted..."

There's also a lack of detail that might give this a sense of authenticity - he's in Hampstead, he passes Highgate, there is a revolver, there is a radio with knobs on it. No other unique details that might make this feel real.

IMO this is still an early draft that requires more immediacy, urgency, and characterisation to really bring the reader in.
 
Hey Nick, first congrats on putting it up. Be warned, I'm a picky one. :) as ever, I'm an amateur writer who knows very little, and only take what's useful.

February 1965

Bill ran blindly through the dark backstreets of Hampstead. At this time of night it should have been silent, but faint noises of pursuit echoed in the distance. His legs ached as he pushed himself onwards; wet slippery pavements hampered his progress, but he rushed as quickly as he could. Escape was the only thing on his mind.

Okay as an opening it's interesting enough to keep me reading, although I'm not sure blindly added.

The headlights of a vehicle swept around the corner, Bill threw himself sideways into a hedge.

I think this is a dreaded comma splice ie where you join two sentences with a comma. For me, here, it doesn't work and this should either be two sentences or have a joining word before Bill - as, and, something like that.



Unprompted, Bill’s mind flashed back to earlier in the afternoon.

This really pulled me out, though. He's on the run for his life but is just going to have a few thoughts of an info dump. My mind is yelling this is the author wanting to tell me something historical when, really, I just want to know if Bill gets away. It's the equivalent of the start of Star Wars being cut to show us Leia's background. We don't need to know yet, I don't think. We might need to know at some point but not in the middle of an action scene.



He’d repeatedly refused to take part in a pain endurance test. He’d continued to say no until the scientist, incensed, had threatened to bring Tom in for an assessment in his place. They’d taken him back to his cell where a guard had laid out in graphic detail the tests Bill’s son would have to endure. Of course Bill had relented, been tested, and now he would have some scars as a constant reminder.

He shook his head, trying to clear the memory of the tests. I have to warn Tom. Heknew physically getting to Oxford was beyond him, there were simply too many people chasing him, but a phone call might be possible. Taking a quick look around, he recognised a side road that led up to Hampstead Heath. He had friends in Highgate who would help.

Yes, for me this completely killed the tension you'd built. Enough for him to be running, I think, and have the thought he needed to warn Tom. He needed a phone.

In almost total darkness, Bill powered up the hill towards the heath. His leg muscles were giving everything asked of them, and his feet were starting to ache from the sheer ferocity of the impacts on the pavement. As he reached the entrance, Bill slowed and peered into the gloom of the heath. Perhaps he had a chance in there, he looked back down the road, there were no vehicles coming up yet.

Again, a wee comma splice in there. I think a full stop before He looked would be best to keep it snappy, and then either another full stop or a semi or dash before there.someone smarter than me might be able to explain it, but you have three seperate clauses in the one sentence, so they need more than just a comma.

About to move off, he froze as he heard the unmistakeable sound of a gun being cocked, and a rough voice came out of the darkness.

‘Stop there and you won’t get hurt.’

Bill’s heart sank.

A bit of a cliche and a place where you could establish a bit more voice?



Suddenly, the radio sprang to life, crackling loudly. Bill felt a wave of hopelessness wash over him and knelt down with his head bowed. A few moments later, in the depths of despair, Bill realised the radio was still crackling but the soldier hadn’t spoken yet. He looked up, just as the soldier collapsed to the ground with a thud.

Felt is a filter which removes us from the character, try it without Bill felt maybe
In the depths of despair - what does this actually mean? It's a telling device, but you could show it - a hopeless clench of his fist, something like that? Then, when you have that show in, we could probably stand a line of the backstory about the pain or Tom. It fits with the slow down of the story
.





He turned towards Highgate. Behind him, he could hear - another filter sirens and what sounded like muffled explosions. As he moved steadily eastward, the pursuit faded away and his plan evolved. He could get to his friends in about ten minutes; using their telephone, he’d tell Tom to meet him somewhere. I need a safe place we can hide.



The night was moonless and dark, Bill slowed his pace to avoid accidently stumbling into a tree, or worse. He thought he had about half a mile to get to the Highgate Ponds and then it would be a matter of moments to get to Milfield Lane. For the tenth time that night, he replayed the last week’s activities in his head. At the beginning of the week, when he’d initially arrived at the laboratory, the scientists had all been very friendly. But it had changed dramatically with the electro-shock tests a few days later, after which, he’d been told he couldn’t leave – National Security. Then the experiments had become genuinely dangerous, rather than just mildly painful.

I can live with the info here, just. But I'm still not convinced I need it.

The darkness started to ease,

How? Morning coming? Streetlights?



and up ahead, the lights of Highgate were visible. Bill quickened his pace. Suddenly he felt a stinging pain in his leg; he reached down instinctively to rub it. What was that, a bee? He felt himself slow; and he collapsed to the ground.

If you use the semi, you don't need the and. I'd like to be closer to him here. How's he feeling? Scared? He felt himself slow - how? Lose the filter, maybe, and show us instead - is his leg sluggish, or his chest heavy?

After a few seconds his strength returned comma splice, he got up, but another sting hit him in the small of his back. This time he only stumbled, but then there was a muffled shriek close behind him and a pain bloomed in his skull. Heavy footsteps were closing in as Bill momentarily blacked out.

How's he feeling! This is like watching a film, and it's not what I look for in a book. I want to be with Bill. I want to feel his bravery, or his fear, or his anger.

It had only been seconds when Bill became aware of sounds again - how does he know?


, the footsteps were still approaching. There was also a new background noise - a faint mechanical humming. Bill managed to open his eyes, he half-turned on the ground and watched with mounting terror as a shape loomed out of the darkness.

Through the gloom, Bill saw a hand with six fingers reached reach down towards him; the hand was large, very large. His eyes lingered for a few seconds on the hand, then his attention was drawn to the muscled forearm disappearing into a heavy sleeve. Terrified, but unable to look away, his gaze continued up the arm to a chest the width of two normal humans; and then the creature’s head: green, enormous eyes and very carnivorous looking teeth. Nice.

The creature’s hand took a firm hold of Bill’s jacket and effortlessly lifted him into the air.

Bill gasped as he was carried away.

***

I've been pretty picky as it's not bad at all. But it could be, I think, stronger with a bit more character experience. The one big grammatical thing I'm picking up is the dreaded comma splice. I didn't highlight them all here but I'm sure Chrispy will if he turns up with the dreaded red pen. Also, filter words - heard, saw, felt, looked - these all remove us from the character and I think this would be stronger without them.

Good luck with it!
 
February 1965

Bill ran blindly through the dark backstreets of Hampstead. At this time of night it should have been silent, but faint noises of pursuit echoed in the distance. His legs ached as he pushed himself onwards; wet slippery pavements hampered his progress, but he rushed as quickly as he could. Escape was the only thing on his mind. – Opening lines are key for me and this one wasn’t very strong for me.

Escape was the only thing on Bill’s mind, as he skidded on slippery pavements, legs aching and chest breathless. He could still hear footsteps echo behind him etc. – Keep it more immediate for tension.

The headlights of a vehicle swept around the corner, Bill threw himself sideways into a hedge. The car flashed past without slowing. He peered out, waiting until the road had cleared. A few seconds later, he got back onto the pavement, stopping dead still for a moment, listening. There were other cars approaching, not yet too close, but definitely closing in. Bill took a few deep breaths and started to run again, quickly building up speed. – Word repeating of the, do a search and you’ll see it’s used a lot. – Repeating the opening paragraph for the most part.

Headlights of a vehicle swept around a corner and (linked I’d say and no comma) Bill threw himself sideways into a hedge. A car flashed past without slowing. – See no “the” and I don’t think I’ve changed the meaning of these lines at all.

Unprompted, Bill’s mind flashed back to earlier in the afternoon. He’d repeatedly refused to take part in a pain endurance test. He’d continued to say no until the scientist, incensed, had threatened to bring Tom in for an assessment in his place. They’d taken him back to his cell where a guard had laid out in graphic detail the tests Bill’s son would have to endure. Of course Bill had relented, been tested, and now he would have some scars as a constant reminder.

He shook his head, trying to clear the memory of the tests. I have to warn Tom. Heknew physically getting to Oxford was beyond him, there were simply too many people chasing him, but a phone call might be possible. Taking a quick look around, he recognised a side road that led up to Hampstead Heath. He had friends in Highgate who would help. – Do we need a two paragraph explanation in the middle of a chase?

In almost total darkness, Bill powered up the hill towards the heath. His leg muscles were giving everything asked of them, and his feet were starting to ache from the sheer ferocity of the impacts on the pavement. As he reached the entrance, Bill slowed and peered into the gloom of the heath. Perhaps he had a chance in there, he looked back down the road, there were no vehicles coming up yet.

About to move off, he froze as he heard the unmistakeable sound of a gun being cocked, and a rough voice came out of the darkness.

‘Stop there and you won’t get hurt.’

Bill’s heart sank – if someone pointed a gun at me my reaction would be a lot more graphic and new trouserish (my new word of the day). A shape appeared, it was one of the soldiers from the laboratory, and there was a revolver pointing directly at Bill’s head. Neither the revolver, nor the voice wavered.

‘Okay Bill, just kneel down on the ground while we wait.’

The soldier reached for the radio attached to his belt, seemingly only keeping half an eye on Bill – then why point a gun?. The soldier adjusted the knobs but it didn’t seem to be responding. Bill considered his position; could he escape into the darkness? With an almost imperceptible flick of revolver, the soldier reminded him to kneel down. – A little too cliché for me.

The night was moonless and dark, Bill slowed his pace to avoid accidently stumbling into a tree, or worse. He thought he had about half a mile to get to the Highgate Ponds and then it would be a matter of moments to get to Milfield Lane - do I need this detail?. For the tenth time that night, he replayed the last week’s activities in his head. At the beginning of the week, when he’d initially arrived at the laboratory, the scientists had all been very friendly. But it had changed dramatically with the electro-shock tests a few days later, after which, he’d been told he couldn’t leave – National Security. Then the experiments had become genuinely dangerous, rather than just mildly painful. – All repeating that I can see, as I’ve already been told about pain experiments.

Not too bad I’d say, but lacking tension and character feelings and emotions. Too long in places with repeated images instead of staying with the moment and letting suspense build; the reader doesn’t need to be told everything at once. Learn to be more concise and to the point, letting drama take the reader onwards and especially in a scene like this. Good luck with it.
I lost my colour formatting on posting and I really don't have the time to put this back in so you'll have to read with care. Sorry....
 
many thanks for the feedback

lots of food for thought

I am setting myself a challenge to rewrite it, and cut out 50% of the words ...
 
many thanks for the feedback

lots of food for thought

I am setting myself a challenge to rewrite it, and cut out 50% of the words ...

I suppose tightening is always nice but it doesn't seem the main problem here. The passage is well-written, suspenseful and exciting. I would definintely read further. However, I also agree with Brian that you're missing out on many opportunities to both add character and to draw the reader in.

Your grammar is good enough that it makes sense and your meaning is clear so I wouldn't worry there. Your exposition to action ratio also seems satisfactory.

I know it sounds cliché but put us into the character's head, let us know what he is thinking and how he feels about the strange and menacing things that are assailing him right now
 
Hi Nick,



First of all let me say congratulations for getting down 90,000 words, a massive feat in itself.



For me, Brian’s comments were spot on the mark. Maybe a different way of approaching some of the writing is the much talked about showing not telling. Apologises if this is something you’ve considered or are working on, it’s just that the first paragraphs seem to be calling out for it, e.g. you could say he ran but stumbled on the drenched path, street lights reflecting in the puddles – or something like that. It can pull you in more and break up what at times reads like a list of what the character is doing.



I think you’ve overcome the biggest hurdle, writing the first draft of a novel. Now it’s just about re-drafting and editing.



Good luck



Mark
 
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